scholarly journals Ethnocultural code in the Crimean Tatar literary criticism (on the example of Shakir Selim’s literary-criticism article by “About Shamil Alyadin, Charyks and a Pocket Knife”)

Litera ◽  
2021 ◽  
pp. 104-117
Author(s):  
Mukhamed-Ali Usmanovich Sulaimanov

  Based on the analysis of causality and reasonableness of arguments of such literary scholars as Shakir Selim and Shamil Alyadin, this article attempt to determine the ethnocultural code of the Crimean Tatar literary criticism. The author applies the approach of methodological pluralism, as well as hermeneutical, logical, historical-genetic, comparative-typological, phenomenological, and psychological methods. This allows considering various perspectives of the aforementioned literary scholars upon the variants of critical analysis of the artistic heritage of the classic of Crimean Tatar literature Memet Nuzet. The article outlines the basic principles of literary criticism, declared by Shakir Selim and Shamil Alyadin, as well as their dependence on the ethnocultural code of the Crimean Tatars. The scientific novelty of this research consists in the attempt of carrying out a comprehensive hermeneutical analysis of Shakir Selim’s literary-criticism work “About Shamil Alyadin, Charyks and the Pocket Knife” through the prism of methodological pluralism in the aspect of ethnocultural code. The author’s main contribution consists in the reflection of the “clash of opinions” of three literary critics – this is the critical article by Shakir Selim, based on the response of Pirae Kadri-Zade, written to Shamil Alyadin’s criticism essay on the poem composed by the classic of the Crimean Tatar literature Memet Nuzet.  

Author(s):  
Tair Nuridinovich Kirimov

The goal of this work is determine the peculiarities and origins of artistic thinking of the Crimean Tatar writer of the XX century Mehmet Nuzhet. The methodological and theoretical framework of this research is comprised of the works of U. Ipchi, E. Shemizade, J. Bekirov, A. Altanly, I. Kerimov, Y. Kandymov and others. The aforementioned authors made an indisputable contribution to the development of Crimean Tatar literature and literary criticism. The artistic heritage of M. Nuzhet is diverse and unique. His poetic, prosaic and translation works are fused with national spirit. The actions and feelings of the protagonists of the artist’s lyrical works are a direct reflection of his psychological state. This article pays special attention to the psychological type of the lyricist. Using comparative, textual analysis, the author examines the published and original handwritten texts by M. Nuzhet. The conclusion is made that the writer systematically worked on the study of the depth feelings, emotions and ways their expression. The application of traditional folk poetic forms, genres, images allows creating the new patterns of influence upon the audience. Conveying the eternal anthropological topics, he transforms into a wise folk storyteller and preacher. For depicting the life realities, he disguises an old poor man or a street drunkard. Poetic alliterations and assonances enliven these images. In the process of declamation of such poems, the audience is captivated by the text and uses various mimic emotions intended by the context.


Author(s):  
Mukhamed-Ali Usmanovich Sulaimanov

This article attempts to determine the peculiarities of compositional and semantic arrangement of text of the literary-criticism article by Shakir Selim “About Shamil Alyadin, Charyks and the Pocket Knife” in the context of its genre uniqueness. The article employs the approach of methodological pluralism using the key hermeneutical and a range of auxiliary methods. In analyzing the text, the author reviews the criteria of literary work, such as fabula, plotline, chronotope, author’s modality, etc., which allow revealing the peculiarities compositional and semantic arrangement Shakir Selim’s work. The relevance of this article is defined by the lack systematic research dedicated to compositional and semantic arrangement and genre diversity of the literary-criticism texts in the Crimean Tatar literature. The subject of this research is the compositional and semantic arrangement of text on the example of the literary work “About Shamil Alyadin, Charyks and the Pocket Knife”. The author describes the genre diversity alongside the elements of time and space presented in the article, as well as explores the author’s representations  and modality. This article is first to carry out a comprehensive analysis of the peculiarities of compositional and semantic arrangement and genre diversity of the S. Selim’s work “About Shamil Alyadin, Charyks and the Pocket Knife” by means of methodological pluralism in the aspect of various structural components of the composition and content of the text.


Author(s):  
Esther Fuchs

This essay provides a critical analysis of the neoliberal grounding of feminist biblical studies. I outline the main problems generated by this framework, notably fragmentation, repetition, the absence of theory, the limiting emphasis on method, and above all the validation of traditional (male-dominant) scholarly norms and practices. Seeking greater inclusion within biblical studies, neoliberal feminism has endorsed the normalizing approach to patriarchy and rejected its radical interrogation in women’s studies. My thumbnail historical overview of the field links disconnected publications in biblical theology, historical criticism, and literary criticism. The analysis shows that these possibilities advocate the relative utility of re-objectifying women with five hermeneutical strategies. They are: first, the depatriarchalizing strategy, exemplified in Phyllis Trible’s work; second, the historicizing strategy as employed most prominently by Carol Meyers; third, the textualizing strategy exemplified by Ilana Pardes; fourth, the mythologizing strategy employed by Susan Ackerman; and fifth, the idealizing strategy exemplified by Frymer-Kensky. By placing my critical analysis within the broader context of transformational feminist critiques published at the same time, I argue for a shift from the “biblical” to the “feminist” in feminist biblical studies.


2007 ◽  
Vol 21 (1) ◽  
pp. 87-99
Author(s):  
Caragh Wells

This article suggests that over recent decades Catalan literary criticism has paid too little attention to the aesthetic attributes of Catalan literature and emphasised the social, political and cultural at the expense of discussions of narrative poetics. Through an analysis of Montserrat Roig’s metaphorical use of the city in her first novel Ramona, adéu, I put forward the view that the aesthetic features of Catalan literature need to be re-claimed. This article provides a critical analysis of the aesthetic importance of Roig’s representation of the city in her first novel and argues that she uses Barcelona as a critical tool through which to explore questions of both female emancipation and aesthetic freedom. Following a detailed discussion of Roig’s descriptions of how her female characters interact with particular urban spaces, I examine how Roig makes subtle shifts in her semantic register during these narrative accounts when her prose moves into the realm of the poetic. I conclude that this technique enables us to read her accounts of urban space as metaphors for aesthetic freedom and are inextricably linked to her wider concerns on the importance of liberating Catalan literature from the discourse of political nationalism.


2017 ◽  
Vol 7 (1) ◽  
pp. 113
Author(s):  
Samina Akhtar ◽  
Muhammad Rauf ◽  
Saima Ikram ◽  
Gulrukh Raees

This paper is an attempt to portray the plight of Mariam that she undergoes due to her illegitimate social status. The study focuses on the critical societal attitude towards the illegitimate unfortunate women. Mariam begins her life with a “harami” status; continues her struggle for personal identity, suffer and endures as a battered woman and leave this world as a woman of consequences by digging herself out of the lower social status that society attached to her. The study analyzes Mariam’s endurance, struggles and resistance in her strenuous journey to attain legitimate ending. The researcher used feminist literary criticism to interpret the text as a research methodology and adopted close textual analysis of the text by Khaled Hosseini, A Thousand Splendid Suns.


Author(s):  
Levent Yilmaz

This chapter presents a set of requirements for next generation groupware systems to improve team cooperation and awareness in distance learning settings. The premise of the chapter is based on the observation that in distance learning online asynchronous (e.g., e-mail, conference tools) or synchronous (e.g., chat) mechanisms are used to facilitate collaboration and coordination to complete necessary tasks. However, students are neither trained in basic principles regarding how effective cooperation takes place, nor means for their realization. Basic methods of cooperation are delineated along with a set of requirements based on a critical analysis of the elements of cooperation and team awareness. The means for realizing these elements are also discussed to present strategies to develop the proposed elements. Two scenarios are examined to demonstrate the utility of collaboration to provide deep integration of communication and task accomplishment within a unified coherent framework.


2021 ◽  
Vol 343 ◽  
pp. 02011
Author(s):  
Lucian-Petru Păvăloi ◽  
Florin Negoescu

The scope of this paper is to critically analyze and optimize the solutions available from a Lean Management point of view, for the testing & validation department of an automotive factory. The paper will start with an analysis of the basic principles of Lean Management and how this can be applied successfully, followed by a Value Stream Mapping critical analysis of the status at a given time and the action taken with the scope of optimizing the process, concluding with an updated analysis of the new Value Steam Map, showcasing the advantages and the improvements achieved.


PRIMO ASPECTU ◽  
2020 ◽  
pp. 39-43
Author(s):  
Evgeniy G. EFIMOV ◽  
Ilya A. NEBYKOV

The paper provides a brief analysis of the emergence of the anthropological approach in the study of social networks and reveals its basic principles: the priority of using qualitative methods, the emphasis on the evolution of the individual in the environment of new media, a critical analysis of the prospects for the development of society.


2019 ◽  
Vol 2 (5) ◽  
pp. 129-135
Author(s):  
Toshniyozova Ra’no Tohirovna

This article is devoted to the consideration of the basic principles of synergetics. The artistic text is considered as a synergistic system, since it has all the properties of this system. Synergistic terms are described in textual terms. Given the results of research in the direction. The role of synergy in textology and literary criticism in general terms is substantiated.


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