scholarly journals Writing the sixties

1993 ◽  
Author(s):  
Αναστασία Οικονομίδου

This thesis examines how changes in gender relations occurring in the British society of the 1960s were depicted in the fiction of the period. In particular, it analyses the specific gender representations found in the work of Kingsley Amis, John Fowles and Margaret Drabble. By locating the major differences in the way gender is inscribed in the work of the above authors it raises the question of the role of the gender and ideological position of the writers in the establishment of their perspective. The analysis revolves round the central question of the relation between literature and its context. Therefore, it situates the novels in question within the social, ideological and literary context of the time when they were produced and, through a detailed textual analysis, it delineates the multiple and complex ways in which the particular fictions engage with their context. The first chapter offers an account of the social and ideological context of the sixties by concentrating on three particular areas: legislative changes, ideological debates and the emergence of radical movements. The second chapter establishes the critical perspective from which the novels are approached by situating it within the broader framework of contemporary schools of feminist literary criticism. The third, fourth and fifth chapters are devoted to a textual analysis of three major novels by each of the three authors.

Author(s):  
Borys Chumachenko

In this article an attempt is made to place Bakhtin’s case in the context of the Soviet 1960s with their specific mental world. The study question is why this almost forgotten figure of the 1920s has become a proper man in a proper place in time of transition from Stalin’s Great Fear to Khrushchov’s liberalization with its continuation till 1968 and how this resurrection from the dead occured. The virtues and scientific significance of Bakhtin’s works are doubtless and undeniable. But there is something else that helps to explain Bakhtin’s phenomenon and its popularity. His readers mentality determines the fate of books and the spreading of ideas. The sixties witnessed the unprecedented success of Bakhtin’s books. They changed the vocabulary of humanities and the mode of thinking in the generation of so-called Thaw. Bakhtin became one of the most influential figures of the sixties and greatly stimulated the emergence of the new trend known as culturology. Bakhtin’s Rabelais was a special success. This text can be read on different levels and interpreted in many ways. Its content combines such genres as literary criticism, the history of culture, and philosophy. The readers of the sixties paid special attention to Bakhtin’s vision of popular culture with its central image of carnival and were especially sensitive and receptive for the concept of Laughing Renaissance as a spiritual twin of Thaw which had Marxist roots, not Bakhtin’s. Thanks to the complexity of the text’s possible interpretation, Bakhtin was mistakenly considered as an ideologist of Thaw, and his Rabelais – as an intellectual product of this historical moment full of optimism, great expectations and hopes. Bakhtin was read by the generation of the 1960s in accordance with its mentality, its pursuit of a new form of “Socialism with human face” when left and even Marxist ideas dominated in the non-conformist discourse. But all of that had little in common with authentic Bakhtin who could share neither this philosophical worldview nor the illusions of the 1960s. The view of laughter as a kind of social therapy and as a means of emancipation in society was far from Bakhtin’s. He fully realized the demonic nature of carnival and saw it as his ambivalent ally from hell hostile to every kind of ideocracy. His readers who had invented Renaissance as a prototype of their time and the first Thaw in history misunderstood the inner intentions of Bakhtin himself. But doing this quite unconsciously, they gave the first and triumphant life for the outstanding scientific and philosophical text on Rabelais written by the person of a damaged life from the past.


Damaged ◽  
2020 ◽  
pp. 35-62
Author(s):  
Evan Rapport

Punk’s musical style can be considered as beginning with the transformations to blues resources explored mostly by white baby boomers invested in the sixties counterculture, especially in the northern Midwest, such as the Stooges and the MC5. Their approaches to the blues were a response to the changing stakes of musical expressions of whiteness and Blackness during the 1960s, connected to the social upheaval surrounding so-called white flight to the suburbs and the Second Great Migration of African Americans from the South. Some similar approaches to the blues were also cultivated in New York among musicians such as the Velvet Underground. Their music emphasized riffs, limited harmonic movement, and other features which are described in this chapter as the “Raw Power” approach to punk. But despite punk’s deep musical roots in the blues, the discourse around punk served to obscure these connections.


Author(s):  
John Barsoum

Interest in philosophy and the humanities increased after the Second World War, especially in the West, as the critical movement began to reconsider the Western intellectual and philosophical heritage, and emerged approaches known as” postmodernism“, as critical foundations of Western cultural thought, and a product of that cultural and cognitive movement known as” postmodernism"; the concept of postmodernism, which is central This term is associated with a very diverse group that is rarely associated with each other with common things. The idea of postmodernism appears in a critique of the literary and philosophical trends on which modernism was based, and some theorists and philosophers believe that postmodernism is closely related to the social and political transformations that took place in industrial societies such as the postindustrial or knowledge society. Deconstruction is important critical movement as well as controversial, and no theory in literary criticism has provoked waves of admiration and created a state of aversion and resentment as well, as deconstruction has done in contemporary literary thought. Deconstruction emerged in the 1960s as a reaction to structuralism, the dominance of language, the centralization of the mind, and the dominance of linguistics over all fields of knowledge, and from the 1970s deconstruction became a literary critical methodology, and a mechanism for evaluating rhetoric and interpretation. Deconstructionism is mainly a critique of the structural proposition, which has been working to reveal the basic structures responsible for the most noticeable features of social and cultural interaction, since deconstructionism consistently negates the meaning in the text system and analyzes the margins, gaps, expectations, contradictions and conclusions within the texts, as formulations that contribute to the disclosure of the background of language and structure.


Author(s):  
Cristina Nunes

Departing from the notion of social movement advanced by the theories of resource mobilization, political process and new social movements, the article aims to trace different analytical paths traversed by the studies on social movements and collective action. In this discussion it’s considered the hypothesis that over the past few decades, as the macro-structural approaches were giving way to contributions more focused on the micro-social processes and features of social movements, the debate around the concept of social movement may have lost the relevance assumed by earlier analysis developed during the 1960s and 1970s.


Author(s):  
James M. Pitsula

The liberal arts debate among the faculty at Regina Campus in the 1960s reflected the social and political movements of the day, especially the rise of student power and the New Left. At the same time, it revived a much older debate about the nature of liberal education, which historian Bruce Kimball traces back to the thought of Socrates and Cicero. Kimball’s typology of “orators” versus “philosophers” brings order and clarity to what otherwise appears as a jumbled mix of conflicting viewpoints. The “oratorical” tradition favors general education based on knowable truth as a means to prepare youth for responsible and active citizenship. The “philosophical” or “liberal-free” ideal emphasizes the freedom to search for truth, an eternal quest that never attains its goal, and has led to the dominance of scientific research and the fragmentation of knowledge. The “orators” lost the sixties debate, and the “liberal-free” ideal is now almost uncontested.


2009 ◽  
Vol 43 (1) ◽  
Author(s):  
H. J.G. Zandman

The 1960s will be remembered as a major clash that helped shape today’s Western society. Young people were breaking out of the moulds that had been cast by their parents’ post-war era. The conflict brought about significant social change all over Western society. Western man searched frantically for a new world, willing to risk the hardship of revolution.  In a world full of confusing and conflicting approaches in terms of how to view man, the Bible has the clear answer: man is created in the image of God, and is, in this capacity, God’s vice- regent and image-bearer. However, the Christian church is by- and-large remarkably indecisive as the social conscience of Western society.   The main thrust of the sixties was anti-status quo, anti-esta- blishment, anti-materialist. In the process of man’s self-deter- mination on either side of the conflict, great erosion of man’s greatest gift occurred: ethical distinction. The spiritual vacuum created by anti-establishment forces led to confusion and self- destruction.


2018 ◽  
Vol 19 ◽  
pp. 90-109
Author(s):  
Aurora Morcillo

This article focuses on the repression of the student movement in the University of Granada during the state of exception of 1970. It relates the experiences of two students, Socorro and Jesus, a couple who joined the Communist Party of Spain (PCE) and suffered persecution and imprisonment. The Francoist university was governed by the University Regulatory Law (URL, University Regulatory Law) issued in 1943, which was replaced with the promulgation of the General Law of Education in 1970. As I explained in my previous work, the Catholic national rhetoric of the Franco regime forged an ideal "True Catholic Woman" based on the resurgence of the values ​​of purity and subordination of the 16th century counter reform as proposed by Luis Vives in The Instruction of the Christian Woman (1523) and Fray Luis de León in The Perfect Wife (1583). This ideal of a woman came to contradict the ideal of an intellectual built on the letter of the Ley de Ordenación Universitaria (1943). The transition to the consumer economy in the 1950s with the military and economic aid of the United States, as well as the social Catholicism of the Second Vatican Council in the sixties along with the arrival of tourism and emigration to Europe changed the social fabric and opened the doors of the classrooms to an increasing number of women, especially in the humanities careers of Philosophy and Letters. Through the analysis of interviews conducted in the late 1980s with two people who participated in the clandestine student movement, this article explores how young people transgressed the official discourse on the Catholic ideal of women, claimed the university environment for the working class and created a neutral space in terms of gender in which they could achieve their commitment to study, democratic freedom and feminism.


Author(s):  
Dilwyn Porter

In the 1960s the Daily Mirror ran a weekly feature offering financial and investment advice about stocks and shares and it dealt with thousands of letters a year about financial matters from readers who found its advice more accessible and less intimidating than speaking to financial professionals. The social optimism of the sixties dissipated in the 1970s, however, as the economic situation deteriorated and the Daily Mirror’s financial advice had to adapt to a climate in which its own circulation was declining and as its core readership started to age the column became more conservative, dealing with queries from older readers and worries about unemployment, and focusing more on ‘mitigating’ the effects of inflation and redundancy payments. Porter argues that the Daily Mirror had, in fact, misinterpreted its readers’ interest in ‘popular capitalism’ during full employment and rising living standards in the 1960s, when its advocacy of financial investment reflected contemporary beliefs that the values and aspirations of the working-class were changing, with greater opportunities to borrow, save and spend. As he points out, its financial journalists were forced over time to adapt to more pragmatic queries about family budgeting and personal savings rather than focusing on larger investments.


2016 ◽  
Vol 6 (2) ◽  
Author(s):  
Rosa Jaitin

This article covers several stages of the work of Pichon-Rivière. In the 1950s he introduced the hypothesis of "the link as a four way relationship" (of reciprocal love and hate) between the baby and the mother. Clinical work with psychosis and psychosomatic disorders prompted him to examine how mental illness arises; its areas of expression, the degree of symbolisation, and the different fields of clinical observation. From the 1960s onwards, his experience with groups and families led him to explore a second path leading to "the voices of the link"—the voice of the internal family sub-group, and the place of the social and cultural voice where the link develops. This brought him to the definition of the link as a "bi-corporal and tri-personal structure". The author brings together the different levels of the analysis of the link, using as a clinical example the process of a psychoanalytic couple therapy with second generation descendants of a genocide within the limits of the transferential and countertransferential field. Body language (the core of the transgenerational link) and the couple's absences and presence during sessions create a rhythm that gives rise to an illusion, ultimately transforming the intersubjective link between the partners in the couple and with the analyst.


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