The “Bird Catcher” From Remizov’s “Nest”: To the Paris Biography of the Poet Dmitry Kobiakov

2021 ◽  
Vol 20 (9) ◽  
pp. 85-95
Author(s):  
Elena R. Obatnina

The article is dedicated to unknown plots from the biography of Dmitry Kobyakov – one of the poets of “lost generation” who shared the fate of post-war Soviet repatriates. On the basis of unpublished letters of Kobyakov from the American archive of A. M. Remisov the author reveals the motives of the rapprochement of a famous writer and an aspiring poet. At the external level it was connected with the publication of Kobyakov’s verse books, but on a latent level had according with innovative trends in artistic poetic and prosaic discourse of the second half of the 1920s. The article presents the first part of the study devoted to the literary life of Russian Paris, in the center of which with the support of Remizov appeared unknown Dm. Kobyakov; it contains substantial additions to the literary portrait of young Remizov’s correspondent, as well as to the bibliography of Russian abroad. The description of the history of these creative contacts is the object of new documentary materials that also fill the gaps in Remizov’s biography concerning the topic of literary mentorship of the writer and ‘nest’ of young writers had formed around him in the 1920s – early 1930s.

Author(s):  
Т.О. Разуменко

Ernest Hemingway is a symbolic figure in the literature of the 20th century. His name and works entered the history of world literature forever. The purpose of the article is to characterize the way of opening the inner world and the emotional state of the characters, the psychology of the ‘lost generation’ in the interaction of its external and internal manifestations through the civil war inSpain. The article analyzes the stories ‘A clean, well-lighted place’, ‘A way you’ll never be’, ‘The light of the world’. The heated atmosphere of the ‘bloody decade’ introduced new themes into the writer's work.Spainbecame a ‘moment of truth’ for E. Hemingway. He feels the inevitability of the coming world war. E. Hemingway expressed himself inSpaincompletely as an artist, and as a citizen. All the characters of his stories are simple people, men and women, unemployed, traumatized by war, looking for their place in the post-war world (a cook, a lumberjack, Indians, prostitutes etc.). Endless humor, laughter, self-irony, joke, and sometimes bitter laughter help them to stand and find their place in life. The ‘code’ of light, purity, and peace are universally introduced into all writer's works. In the personality of his characters there is much in common, unifying them with all the differences in appearance and life path, and above all, hopelessness and disappointment, indifference to life in general, and the most terrible is their loneliness. The utmost frankness and genuineness of soul movements, the combination of morals, history, nature with the chronicle of only human destiny, are exceptionally bright creative personalities of E. Hemingway, who describes his characters. In our work we came to the conclusion that the characters of the stories about the war years inSpain‘A clean, well-lighted place’ (about a lonely old man), ‘A way you’ll never be’ (about the war), ‘The light of the world’ (the sad and ironic story about prostitutes who remembered the past) anyway are rejected by a prosperous society. Hopelessness, dark state of the soul of ‘lost generation’ are combined with the belief in the ‘ordinary’ life without the war for the characters of E. Hemingway’s stories. Light and dignity are the main components of a person’s peaceful life, the confession of a person who got out of the abyss and survived during the war, but who lost the sense of life in peacetime, they are distinguishing features of many characters in military conflicts.


Author(s):  
Sonia Mycak

The article is devoted to the study of the history of the development of Ukrainian literature in Australia. Analyzing Ukrainian literary life, the author focuses on its diversity. The chronological framework covers the period from the arrival of Ukrainian emigrants in the postwar period to 1991, geographically – Sydney and Melbourne as the most important centers of Ukrainian literary activity, but it is also noted that Ukrainian literature developed in other Australian cities. The article is based on a wide variety of source materials. Special attention is paid not only to the history of literary publications and their authors, but also to the activities of literary and cultural organizations and the role of Ukrainian periodicals in Australia. It is claimed that various organizations and associations were created by the first Ukrainian emigrants in the post-war period, which contributed to the development of the Ukrainian literary world.


2020 ◽  
Vol 2020 (10-3) ◽  
pp. 70-81
Author(s):  
David Ramiro Troitino ◽  
Tanel Kerikmae ◽  
Olga Shumilo

This article highlights the role of Charles de Gaulle in the history of united post-war Europe, his approaches to the internal and foreign French policies, also vetoing the membership of the United Kingdom in the European Community. The authors describe the emergence of De Gaulle as a politician, his uneasy relationship with Roosevelt and Churchill during World War II, also the roots of developing a “nationalistic” approach to regional policy after the end of the war. The article also considers the emergence of the Common Agricultural Policy (hereinafter - CAP), one of Charles de Gaulle’s biggest achievements in foreign policy, and the reasons for the Fouchet Plan defeat.


Author(s):  
Timur Gimadeev

The article deals with the history of celebrating the Liberation Day in Czechoslovakia organised by the state. Various aspects of the history of the holiday have been considered with the extensive use of audiovisual documents (materials from Czechoslovak newsreels and TV archives), which allowed for a detailed analysis of the propaganda representation of the holiday. As a result, it has been possible to identify the main stages of the historical evolution of the celebrations of Liberation Day, to discover the close interdependence between these stages and the country’s political development. The establishment of the holiday itself — its concept and the military parade as the main ritual — took place in the first post-war years, simultaneously with the consolidation of the Communist regime in Czechoslovakia. Later, until the end of the 1960s, the celebrations gradually evolved along the political regime, acquiring new ritual forms (ceremonial meetings, and “guards of memory”). In 1968, at the same time as there was an attempt to rethink the entire socialist regime and the historical experience connected with it, an attempt was made to reconstruct Liberation Day. However, political “normalisation” led to the normalisation of the celebration itself, which played an important role in legitimising the Soviet presence in the country. At this stage, the role of ceremonial meetings and “guards of memory” increased, while inventions released in time for 9 May appeared and “May TV” was specially produced. The fall of the Communist regime in 1989 led to the fall of the concept of Liberation Day on 9 May, resulting in changes of the title, date and paradigm of the holiday, which became Victory Day and has been since celebrated on 8 May.


2011 ◽  
Vol 70 (2) ◽  
pp. 185-193
Author(s):  
Frank Seberechts

Uit de papieren van jeugdleider John Caremans, die aan de zorgen van het ADVN werden toevertrouwd, krijgen we een duidelijker beeld van de geschiedenis van de Vlaams-nationalistische jeugdbewegingen voor en tijdens de Tweede Wereldoorlog. Caremans voert in 1942 in opdracht van zijn oversten ‘verkenningsopdrachten’ uit bij vertegenwoordigers van de nationaal-socialistische jeugdbeweging in Duitsland. Uit het verslag dat Caremans over zijn reizen opstelt en uit de naoorlogse ondervragingen van Caremans en van zijn chef, jeugdleider Edgar Lehembre, blijkt dat deze reizen naar Berlijn slechts een episode vormen in de strijd die gedurende de hele bezetting woedt tussen de verschillende jeugdbewegingen in Vlaanderen en tussen, de verschillende partijen en ideologische strekkingen in de collaboratie. Alle ingrediënten zijn aanwezig: de scepsis van een deel van de Nationaal-Socialistische Jeugd Vlaanderen (NSJV) tegenover de brute nationaal-socialistische machtshonger, het onbegrip en de machtspolitiek van Duitse instanties als het Deutsche Arbeiterfront (DAF) en de Hitlerjugend (HJ) tegenover de buitenlanders – zelfs wanneer die zich in de collaboratie inschakelen, de inmenging van Vlaamsch Nationaal Verbond (VNV) en van de Vlaamsch-Duitsche Arbeidsgemeenschap (DeVlag)/SS. Het wordt duidelijk dat Lehembre en het VNV in deze strijd het onderspit zullen delven.________“Something on behalf of our young people”. John Caremans, Edgar Lehembre, Remi Van Mieghem and the Flemish and German machinations concerning the Flemish nationalist youth movement in 1942.The documents of youth leader John Caremans, which had been entrusted to the care of the ADVN, give a clearer picture of the history of the Flemish Nationalist youth movements before and during the Second World War. In 1942, Caremans was instructed by his superiors to carry out ‘exploratory missions’ among representatives of the National Socialist youth movement in Germany.The report written by Caremans about his travels and post-war interrogations of Caremans and his chief, youth leader, Edgar Lehembre, demonstrate that these trips to Berlin constituted only one episode in the struggle that raged throughout the occupation between the various youth movements in Flanders and between the various parties and ideological trends in the collaboration. All ingredients are present: the scepticism of a part of the National Socialist Youth of Flanders (NSJV) towards the brute National Socialist craving for power, the incomprehension and the power politics of German agencies, like the Deutsche Arbeiterfront (DAF) and the Hitlerjugend (HJ) towards foreigners – even when they engage in collaboration, the interference of the Flemish National Union (VNV) and the Flemish German Labour Community (De Vlag)/SS. It becomes clear that Lehembre and the VNV would come off worst in this combat.


2008 ◽  
Vol 67 (2) ◽  
pp. 99-114
Author(s):  
Pieter-Jan Van Bosstraeten

Op 11 oktober 1978 splitste de Belgische Socialistische Partij zich als laatste van de drie unitaire partijen op in twee autonome partijen. Langs Franstalige zijde werd éénzijdig de Parti Socialiste opgericht, twee jaar later volgde de Socialistische Partij. De splitsing vormde het eindpunt van een lange en bewogen geschiedenis van de socialistische eenheidspartij.Ondanks het feit dat heel wat auteurs reeds een licht hebben geworpen op de belangrijkste gebeurtenis uit de na-oorlogse geschiedenis van de BSP, is het antwoord op de vraag naar de oorzaken van de splitsing vrij eenduidig. Overwegend wordt aangenomen dat de splitsing van de BSP het gevolg is van een moeilijke samenwerking in het kader van het communautaire dossier. Andere oorzaken worden amper aangehaald, of onvoldoende verduidelijkt. Tevens wordt slechts het politiek-tactische aspect van het communautaire dossier uitvoerig besproken. In de bestaande literatuur wordt zo goed als nergens dieper ingegaan op de inhoudelijke elementen die binnen de partij problemen teweegbrachten.Onderzoek van twee cruciale documenten heeft de mogelijkheid geboden het verhaal van de splitsing beter te reconstrueren. Daarbij is gebleken dat de splitsing van de partij in een ruimer kader dient te worden geïnterpreteerd dan het communautaire dossier. Aan de splitsing van de partij ging een lang proces van autonomisering en vleugelvorming vooraf. Bovendien werd aangetoond dat de problematiek inzake het Egmont-Stuyvenbergpact niet de enige directe oorzaak vormde voor de splitsing van de partij, in de periode 1977-1978. Enkele andere oorzaken hebben daartoe eveneens bijgedragen.________The division of the Belgian Socialist Party. Two explanatory documentsOn 11 October 1978 the Belgian Socialist Party divided into two autonomous parties, the last of the three unitary parties to do so. First the French speaking section unilaterally founded the ‘Parti Socialiste’, two years later the ‘Socialistische Partij’ followed. The division constituted the termination of the long and eventful history of the socialist unitary party.In spite of the fact that many authors have already shed light on the most important event from the post-war history of the BSP, the answer to the question about the causes for the division are fairly unequivocal. The majority of opinions favour the view that the division of the BSP was the consequence of the difficulty of collaborating within the framework of the community dossier. Other causes are hardly cited, or insufficiently elucidated. Moreover only the politico-tactical aspect of the community dossier is discussed in detail. The existing literature hardly ever carries out a more thorough examination of the intrinsic elements that caused problems within the party.The investigation of the two crucial documents has offered the opportunity to provide a better reconstruction of the division. This showed that the division of the party should be interpreted within a larger framework than the community dossier alone. A long process of autonomisation and the formation of political wings preceded the division of the party. It also demonstrated that the issues concerning the Egmont-Stuyvenberg pact were not the only direct cause for the division of the party, during the period 1977-1978. There were several other causes that also contributed to this division.


Author(s):  
Nicola Wilson

This chapter explores why working-class fictions flourished in the period from the late 1950s through to the early 1970s and the distinctive contributions that they made to the post-war British and Irish novel. These writers of working-class fiction were celebrated for their bold, socially realistic, and often candid depictions of the lives and desires of ordinary working people. Their works were seen to herald a new and exciting wave of gritty social realism. The narrative focus on the individual signalled a shift in the history of working-class writing away from the plot staples of strikes and the industrial community, striking a chord with a post-war reading public keen to see ordinary lives represented in books in a complex and realistic manner. The cultural significance of such novels was enhanced as they were adapted in quick succession for a mass cinema audience by a group of radical film-makers.


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