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AI & Society ◽  
2022 ◽  
Author(s):  
Lise Jaillant ◽  
Annalina Caputo

AbstractCo-authored by a Computer Scientist and a Digital Humanist, this article examines the challenges faced by cultural heritage institutions in the digital age, which have led to the closure of the vast majority of born-digital archival collections. It focuses particularly on cultural organizations such as libraries, museums and archives, used by historians, literary scholars and other Humanities scholars. Most born-digital records held by cultural organizations are inaccessible due to privacy, copyright, commercial and technical issues. Even when born-digital data are publicly available (as in the case of web archives), users often need to physically travel to repositories such as the British Library or the Bibliothèque Nationale de France to consult web pages. Provided with enough sample data from which to learn and train their models, AI, and more specifically machine learning algorithms, offer the opportunity to improve and ease the access to digital archives by learning to perform complex human tasks. These vary from providing intelligent support for searching the archives to automate tedious and time-consuming tasks.  In this article, we focus on sensitivity review as a practical solution to unlock digital archives that would allow archival institutions to make non-sensitive information available. This promise to make archives more accessible does not come free of warnings for potential pitfalls and risks: inherent errors, "black box" approaches that make the algorithm inscrutable, and risks related to bias, fake, or partial information. Our central argument is that AI can deliver its promise to make digital archival collections more accessible, but it also creates new challenges - particularly in terms of ethics. In the conclusion, we insist on the importance of fairness, accountability and transparency in the process of making digital archives more accessible.


2022 ◽  
Author(s):  
Nguyễn Thanh Thanh Huyền

With the trend of budget reduction and autonomous operation of arts and cultural organizations, competition in this field to attract audiences is an inevitable trend. This sets out the requirements of marketing activities to bring arts to the audiences and bring the audience to arts, which is, to link arts with the audience; not only achieved the goal of establishing and meeting the audience needs, but also fulfilled the arts and cultural organizations’ task of creating arts. There have been many research perspectives on culture and arts marketing in the context of cultural integration and economic development associated with the characteristics of each country and region. In this study, the author approaches, inherits, and develops Rentschler's culture and arts marketing model to build a scale and conduct practical research in Hanoi, Vietnam. The survey subjects were identified as art practitioners (artists) with more than 3 years of working experience in 7 theaters in Hanoi. The research was carried out by qualitative method through secondary data collection, combined with the quantitative method through a survey of opinions of 200 artists.


2021 ◽  
Vol 6 (2) ◽  
pp. 409-421
Author(s):  
Muhammad Thoyib ◽  
Subandi Subandi ◽  
Roni Harsoyo

Along with the frequent social conflicts in Indonesia, the multicultural reality of this country is becoming increasingly urgent to be reconstructed so that it can become an "integrating force" for the future of this nation, especially through the education sector. In that context, Madrasah Ibtidaiyah Nahdlatul Ulama (MINU) Bangil Pasuruan, East Java, is a "lantern" for Indonesia's future multiculturalism that has implemented multicultural education management well. It involves various religious and ethnic cultural organizations, such as NU, Muhammadiyah, and others. Also, there are several ethnic groups like Javanese, Sundanese, Madurese, and Chinese. This qualitative research with a phenomenological approach-case study attempts to analyze the implementation of multicultural education management to develop conflict resolution learning at MINU Bangil Pasuruan. This research shows that the application of multicultural education management is running well with the main learning models based on visiting culture class learning. Meanwhile, the impact of multicultural education management includes 1) the life and interpersonal relationships of the entire academic community and the environment of educational institutions becoming more harmonious and inclusive, despite the ethnic plurality in the community; and 2) the learning process becomes more enjoyable and effective because it is supported by the growing sense of belonging and love between teachers and students.


Kybernetes ◽  
2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Cem Sen ◽  
Korhan Arun ◽  
Olcay Okun

PurposeThis paper articulates a multi-contextual and dynamic system for memory research in relation to multi-cultural organizations (MCOs) by a qualitative research method.Design/methodology/approachFace-to-face semi-structured interviews were conducted with representatives of 30 national officers in North Atlantic Treaty Organization (NATO) to illuminate how the construction of organizational memory (OM) can then be compared and contrasted across different cultures.FindingsThe findings show that OM still mostly resides in individuals with the social transfer. However, even if, cultural aspects define what should be stored, time and purpose, the static memory of individuals becomes dynamic OM that is represented and interpreted in an organization's practices, policies and learning.Originality/valueThe primary contribution is to attempt to dissolve the seeming assumption of dialectical metaphoric perspectives of OM between different but related sub-communities of practice and outcomes. Consequently, socially constructed and individual memory models are necessary to integrate different metaphors according to the multi-context theory, which extends the understanding of the diversity between the cultural backgrounds of individuals and groups.


2021 ◽  
Vol 6 (1) ◽  
Author(s):  
Nguyen Thi Anh Quyen

With the trend of budget reduction and autonomous operation of arts and cultural organizations, competition in this field to attract audiences is an inevitable trend. This sets out the requirements of marketing activities to bring arts to the audiences and bring the audience to arts, which is, to link arts with the audience; not only achieved the goal of establishing and meeting the audience needs, but also fulfilled the arts and cultural organizations’ task of creating arts. In fact, there have been many research perspectives on culture and arts marketing in the context of cultural integration and economic development associated with the characteristics of each country and region. In this study, the author approaches, inherits and develops Rentschler's culture and arts marketing model to build a scale and conduct practical research in Hanoi, Vietnam. The survey subjects were identified as art practitioners (artists) with more than 3 years of working experience in 7 theaters in Hanoi. The research was carried out by qualitative method through secondary data collection, combined with quantitative method through survey of opinions of 200 artists.


2021 ◽  
Vol 15 (4) ◽  
pp. 707-714
Author(s):  
Denis Arkadievich Chernienko

The article presents some results of a sociological survey within the framework of the second stage of work on the topic “Ethnic factor in the socio-political life of the regions of Russia: from ethnopolitical mobilization to civic integration (the Republics of Bashkortostan, Mari El, Mordovia, Udmurtia, Chuvashia)”, conducted among the students of Izhevsk. The survey was aimed at identifying current youth problems and studying social identities, the nature of interethnic relations, the peculiarities of ethnopolitical processes in the republic, the perception of migrants, the public activity of student youth in the capital of Udmurtia. According to preliminary results, new social risks and threats related to the pandemic and attacks on educational organizations are being updated; the trend of the formation of Russian identity continues; the assessment of the sphere of inter-ethnic relations differs at the federal and regional levels, while some conflict potential remains; at the same time, there is no request for active protest actions among young people; there are sentiments on migration outflow from the region under the influence of a whole range of reasons and concerns related to the possible mass arrival of new arrivals in the region; social activity of students is multi-vector, the desire to prove themselves in the work of ethno-cultural organizations is not among the priorities. The results of the study will be used to develop practical recommendations to the authorities and public associations involved in the implementation of the state youth policy.


Author(s):  
Alexey A. Pichkurov ◽  

The research appears to be of relevance due to the ongoing modernization of the system of military training. One of its directions is to establish the compatibility of personal and professional qualities of cadets with the model of a modern military specialist. The aim of the research is to carry out a qualitative analysis of the requirements imposed on the modern military by society and the state in order to reveal the essence of the professional development training of cadets. The study hypothesizes that the collective and co-operational nature of professional development training implemented on the basis of a culturological approach to education creates optimal conditions for the professional and personal growth of cadets in the process of their introduction to military culture. The difference between professional training and military training is analyzed. The culturological approach to cadet professional development training is justified as the methodological basis of professional development training. The author proposes an axiological interpretation of the process of professional development training within the framework of the culturological approach. The main aspects of professional development training are briefly described: intellectual, moral, physical, labor. The key principles of professional development training based on the culturological approach are identified: purposefulness, consistency, continuity, professional orientation, patriotic orientation, humanism, and collectivism. The article emphasizes the collective and co-operational nature (polysubjectivity) of professional development training. The author suggests the definition of the “subject of professional development training”. The subjects of professional development training are cadets, officers, teachers, and university cultural organizations. Apparently, the structure of professional development training (its organizational, content and procedural aspects) varies depending on the subject of professional development training. The article concludes that introduction of practices of psychological and pedagogical support of the prospective military into their professional development training can be seen as the way to modernize the system of professional development training at military universities.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Paolo Esposito ◽  
Alessandro Braga ◽  
Alessandro Sancino ◽  
Paolo Ricci

Purpose This paper aims to investigate the strategic governance of the digital transformation of the accounting environment in cultural organizations, with a specific focus on practices of social responsibility and stakeholder engagement in virtual museums. Design/Methodology/Approach By adopting a multiple case study approach, this study investigated five Italian virtual museums and their digitalization processes. Data were collected and triangulated from multiple sources, including documentary analysis and semi-structured interviews with 16 key informants. Findings Considering the digitalization of the accounting environment as a paradigmatic change, the authors identify three key transitions for its strategic governance: from the static, technical and physical to the relational, emotional and digital; from bureaucratic managerialism to value cocreation; and from traditional CSR to integrated external engagement. Moreover, the authors found that social responsibility and stakeholder engagement practices are used in a limited way, and that the use of social media appears to be increasingly important and to be carried out through an emergent rather than a deliberate strategy. Research Limitations/Implications The paper draws from a limited sample of case studies in one country and is based on exploratory research. This paper calls for more comparative studies using a longitudinal approach to investigate the impacts of digitalization on the accounting environment of cultural organizations. Originality/Value This study is one of the few studies concentrating on the effects of digitalization on the accounting environment of cultural organizations.


2021 ◽  
Vol 3 (5) ◽  
pp. 3607-3617
Author(s):  
Romero de Albuquerque Maranhão

A gestão dos bens artísticos e culturais pelas organizações públicas e privadas tornou-se um fator estratégico. Todavia, são poucos os estudos relacionando arte e gestão no Brasil. Neste contexto, o objetivo deste ensaio é discutir a temática da formação em gestão para as organizações artísticas e culturais numa perspectiva crítica, a partir de uma revisão bibliográfica e documental. A pesquisa aponta que nos cursos de graduação em Administração e/ou Artes não há conteúdos atinentes à gestão de organizações culturais e artísticas. Registra-se, também, que a formação em Administração é direcionada apenas para as indústrias convencionais e para o comércio, deixando de lado as organizações voltadas à cultura, portanto não enfatizando a diversidade cultural do Brasil.


Afghanistan ◽  
2021 ◽  
Vol 4 (2) ◽  
pp. 142-169
Author(s):  
Annika Schmeding

This article offers a case study of contemporary female Sufi leadership and teaching within a branch of the Qadirriyah Sufi order originating with pir Allama Faizani. Based on ethnographic participant observation and oral history interviews, it traces the development of female inclusion within spiritual practice, such as meditative zikr [lit. remembrance], and religious leadership in urban Afghanistan. Addressing the paucity of writing on Afghan women as Muslim actors, the article considers how the founding pir became a moral exemplar for gender inclusive conduct, facilitating women's participation and inspiring a community ethos of male allyship. The Faizanis legitimize women's participation through recourse to the spiritual psychophysiological organ of the heart, rendering divine connection a non-gendered endeavor that transcends social categories. In addition to the discursive erasure of gender, the community navigates restrictive environments and expectations through practical adaptations such as new cultural organizations. This article examines how women train to access, navigate and control inner states during zikr and documents how this process is interlinked with the relational establishment and creation of spiritual authority.


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