ON SOME FEATURES OF JAIN ARCHITECTURE

2020 ◽  
pp. 200-216
Author(s):  
Евгения Михайловна Карлова
Keyword(s):  
Middle Ages ◽  
Distinctive Feature ◽  
Sacred Space ◽  
The Other ◽  
Western India ◽  
Early Middle Ages ◽  
Basic Principles ◽  
Modern Times ◽  
The Future ◽  
The Temple

Основной комплекс джайнских архитектурных памятников лежит в целом в контексте общеиндийской традиции, представляя собой симметрично-осевые храмы с расположенными друг за другом одной или несколькими мандапами и гарбха-грихой. Оформлены они обычно в едином стиле с памятниками соответствующей эпохи и локализации. Некоторые стандартные для индийского храмового строительства элементы в джайнских памятниках акцентируются или приобретают особое значение. В центральной и западной Индии в раннем Средневековье начинает складываться особый тип центричного джайнского храма - чатурмукха, который достигает наивысшего развития в памятниках периода Соланки. Пик его развития совпадает с взлетом джайнской диаспоры в этот период, сопровож давшимся активным строительством. Тогда же высшей точки достигает своеобразный стиль архитектурной декорации, получивший название «стиль Мару-Гурджара» и прочно ассоциирующийся нынче именно с джайнскими памятниками.Храм типа чатурмукха выражает базовые принципы джайнской космологии и как отдельными частями, так и в целом соотносится с описанным в священных текстах сакральным пространством. Одно из важнейших понятий мистической географии джайнизма, самвасарана, воплощается в архитектуре как часть гарбха-грихи, но может выступать и как отдельно стоящее сооружение в рамках храмового комплекса. В дальнейшем тип храма чатурмукха не получил широкого распространения, в отличие от некоторых декоративных элементов стиля Мару-Гурджара. Их формальное повторение в сочетании со стремлением к воплощению на земле сакральной географии - отличительная черта джайнской архитектуры Нового и Новейшего времени. The main complex of Jain architectural monuments lies in the context of the general tradition of Indian temple architecture, representing symmetrico-axial temples with one or several mandapas and a garbha-griha located one behind the other. They are usually decorated in the same style as the monuments of the respective epoch and localization. Some standard elements of Indian temple construction in Jain monuments are emphasized or take on particular significance. A special type of centric Jaina temple, chaturmukha, originated in central and western India in the early Middle Ages. It reached its highest degree of development in the monuments of the Solanki period. The peak of its development coincides with the rise of the Jain diaspora during this period, accompanied by active construction. At the same time, the original style of architectural scenery, called the “Maru-Gurjara style” and strongly associated with Jain monuments, reaches its highest point. The chaturmukha-type temple expresses the basic principles of Jaina cosmology and, both as individual parts, and as a whole, corresponds with the sacred space described in the sacred texts. One of the most important concepts of the mystical geography of Jainism, samvasarana, is embodied in architecture as part of the garbha-grikha, but it can also act as a separate building within the temple complex. In the future, the type of temple chaturmukha would not receive widespread popularity, unlike some decorative elements of the style of Maru-Gurjara. Their formal repetition combined with the desire to incarnate sacred geography on earth is a distinctive feature of the Jain architecture of the New and Modern times.

ISLAMIC COINS FROM EASTERN GIZA (EGYPT)

2020 ◽  
pp. 57-62
Author(s):  
E. Yu. Goncharov ◽  
◽  
S. E. Malykh ◽  
Keyword(s):  
Middle Ages ◽  
Human Activity ◽  
The Other ◽  
Dynamic Nature ◽  
14Th Century ◽  
Modern Times ◽  
Ancient Egyptian ◽  
Ancient Rock ◽  
Oriental Studies ◽  
The Middle Ages

The article focuses on the attribution of one gold and two copper coins discovered by the Russian Archaeological Mission of the Institute of Oriental Studies RAS in the ancient Egyptian necropolis of Giza. Coins come from mixed fillings of the burial shafts of the Ancient Egyptian rock-cut tombs of the second half of the 3rd millennium B.C. According to the archaeological context, the coins belong to the stages of the destruction of ancient burials that took place during the Middle Ages and Modern times. One of the coins is a Mamluk fals dating back to the first half of the 14th century A.D., the other two belong to the 1830s — the Ottoman period in Egypt, and are attributed as gold a buchuk hayriye and its copper imitation. Coins are rare for the ancient necropolis and are mainly limited to specimens of the 19th–20th centuries. In general, taking into account the numerous finds of other objects — fragments of ceramic, porcelain and glass utensils, metal ware, glass and copper decorations, we can talk about the dynamic nature of human activity in the ancient Egyptian cemetery in the 2nd millennium A.D. Egyptians and European travelers used the ancient rock-cut tombs as permanent habitats or temporary sites, leaving material traces of their stay.

Bastard Feudalism and the Framing of Thirteenth-Century England

2018 ◽  
Author(s):  
Peter Coss
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
The State ◽  
The Other ◽  
Great Work ◽  
Early Middle Ages ◽  
The One ◽  
The Relationship

In the introduction to his great work of 2005, Framing the Early Middle Ages, Chris Wickham urged not only the necessity of carefully framing our studies at the outset but also the importance of closely defining the words and concepts that we employ, the avoidance ‘cultural sollipsism’ wherever possible and the need to pay particular attention to continuities and discontinuities. Chris has, of course, followed these precepts on a vast scale. My aim in this chapter is a modest one. I aim to review the framing of thirteenth-century England in terms of two only of Chris’s themes: the aristocracy and the state—and even then primarily in terms of the relationship between the two. By the thirteenth century I mean a long thirteenth century stretching from the period of the Angevin reforms of the later twelfth century on the one hand to the early to mid-fourteenth on the other; the reasons for taking this span will, I hope, become clearer during the course of the chapter, but few would doubt that it has a validity.

scholarly journals In the Iconographer's studio. The fashioning of the new motif types in Pre-Iconoclastic art.

1970 ◽  
Vol 28 ◽  
pp. 95-110
Author(s):  
Per Jonas Nordhagen
Keyword(s):  
Middle Ages ◽  
New Testament ◽  
The Other ◽  
Early Middle Ages ◽  
Byzantine Art ◽  
Image Creation ◽  
Pictorial Form

What was the part played by the artists (the craftsmen/painters) in the making of new iconographical types in the Early Middle Ages? Were have they given the design of what was to be illustrated all drawn up and ready for the hands of the program-makers? Or did they participate also in the work of selection from Scripture of the episode destined to be given pictorial form? This problem is rarely reflected upon in the literature on the period, yet it calls for a clarification. A cluster of newly created or revised New Testament scenes occurs in the art of Rome shortly after the year 700 A.D., a phenomenon which opens for a study of the collaboration which took place between the artists/craftsmen and the other partakers in the process of image-creation. This is the rationale for a renewed inspection of this extraordinary series of iconographical innovations, which as must be accentuated, were o leave their imprint on Byzantine art of the successive centuries.

scholarly journals Early Slavic housing from Belz surroundings

2020 ◽  
Vol 24 ◽  
pp. 224-234
Author(s):  
Taras Mylian
Keyword(s):  
Cultural Heritage ◽  
Key Words ◽  
Middle Ages ◽  
The Other ◽  
Compacted Clay ◽  
Modern Times ◽  
Big City ◽  
Conservation Research ◽  
First Time ◽  
The Middle Ages

Territory of the upper reaches of Western Bug River, especially the annalistic of Belz in Solokiya and its surroundings, is rich in archeological sites. In 2016, as part of the Program «Protection and Preservation of the Cultural Heritage of the Lviv Region for 2016–2018», conservation research was conducted at the settlement Belz 22 (Hora). It is a multi-layered settlement with cultural and chronological horizons from the final Paleolithic to modern times. Information and research on it were conducted with advantages during XX century however, for the first time in the settlement; remains of a Slavic dwelling-semi-dugout (object 20) of the Prague culture were discovered and studied. Research has shown that dwelling had two periods of functioning. Traces of restructuring were confirmed, which led to a reduction of the area and changing of the shape – from rectangular to square. Evidence of the reconstruction was the remains of two clay ovens, the oldest of which was partially cut down by a later wall. Under the remains of this wall above the furnace a Roman denarius of the II century was found. Ovens are built on special sites made of compacted clay. The older oven has a dome lined with special rollers. Discovered material is represented mainly by handmade ceramic pots, some of them are reconstructed. Some of the forms of utensils were common during the late V – early VI centuries, and the other part – during the second half of VI – early VII century. This division corresponded to the periods of housing. An important find was the weights for the loom, which were reused to build the oven. An additional evidence of the development of weaving in the settlement is a bi-conical spinner with flat platforms, which comes from dwelling. The settlement on the outskirts of the annalistic Belz is characterized by permanence and genetic connection throughout the Middle Ages – from individual Slavic settlements in this region to the creation of a separate principality around the big city. Key words: Prague culture, Belz, Solokiya, dwelling, oven, ceramics, denarius.

scholarly journals Herrscherschaft and herrschersuffix in Central-East European languages

Linguistica ◽  
2002 ◽  
Vol 42 (1) ◽  
pp. 9-18
Author(s):  
Sorin Paliga
Keyword(s):  
Middle Ages ◽  
Unknown Origin ◽  
The Other ◽  
Early Middle Ages ◽  
East European ◽  
Slavic Languages ◽  
European Languages ◽  
Local Leader ◽  
Core Elements ◽  
Large Distribution

The paper resumes a topic the author approached in severa[ instances beginning with 1987: some specific terms referring to the semantic sphere Herrscherschafi. In Romanian, ban, jupîn, stăpîn and probably also cioban reflect the indigenous Thracian substratum; these forms also reflect the archaic Indo-European Herrschersujfzx -n-. In Slavic, their equivalent forms ban, župan and stopan reflect either a Late Thracian or (Proto-)Romanian influence. Equally Rom. vătaf reflects the substratum influence, whereas Slavic vatah, vatak, vataš reflects the same borrowing. On the other hand, Slavic gospodƄ, belongs to the archaic Proto-Slavic core elements, while cěsaŕƄ, reflect a Germanic influence. Finally, Rom. boier is an East-Romance innovation derived from bou 'ox' and initially meant 'owner of cattle = rich man', a traditional association between cattle-owners and richness. The word had a large distribution from the early Middle Ages until late in the 20th century.In a paper written some 15 years ago (Paliga 1987, in Linguistica, Ljubljana) 1 dared suggest that a series of Romanian and Slavic terms referring to social and political organisation, specifically ban (1) 'master, local leader' and (2) 'coin, money' (2nd sense derived from the lst one),jupîn (formerly giupîn) 'a master', 'a master, a lord', cioban 'a shepherd', rather reflect a compact etymological group of Pre-Romance and Pre-Slavic origin (including cioban, incorrectly considered a Turkish influence, seemingly starting from the erroneous, but largely spread hypothesis that intervocalic -b- in Romanian would rather suggest a newer origin 1 ). To these, on another occasion, I added the form vătaf,vătah (also with parallels in some Slavic languages, Paliga 1996: 34-36) and on another occasion 1 analysed the form boier, also spread in many neighbouring languages, which has often been considered either of unknown origin or again of Turkic (not Turkish, i.e. Ottoman) origin (Paliga 1990; see also our main studies gathered together in a single volume, Paliga 1999).

The Shield of Argive Abas at Aeneid 3.286

1993 ◽  
Vol 43 (2) ◽  
pp. 445-450 ◽  
Author(s):  
J. F. Miller
Keyword(s):  
The Other ◽  
The Future ◽  
Full Force ◽  
The Temple

Aeneas' stopover at Actium has struck most readers as an Augustan interlude in the odyssey of Aeneid 3. The scene is conspicuous among the other episodes in the trip for its brevity and for the fact that it does not advance the action toward the Trojan exiles' Italian goal. Instead the accent falls on prefiguring actions of Aeneas' distinguished descendant, Octavian, after he achieved victory over Antony at the same site in 31 B.C. Where the future Augustus dedicated spoils from the battle to Actian Apollo and instituted a festival called the Actian Games, the Trojans celebrate athletic games at Actium and their leader affixes an enemy trophy to the temple of Apollo there. This last act, however, Aeneas' dedicatio, points allusively to the mythical past as well as to the Augustan future. To appreciate the full force of that complex reference, which enriches the thematics of the entire scene, hinges on our recognition of a mythological figure whose identity has been long in doubt. The narrator Aeneas reports that he hung up on Apollo's shrine ‘the bronze shield worn by great Abas’ (3.286 ‘aere cavo clipeum, magni gestamen Abantis’). Who is this Abas, and why is his mention here significant?

An unknown English Benedictine gradual of the eleventh century

1975 ◽  
Vol 4 ◽  
pp. 131-144 ◽  
Author(s):  
K. D. Hartzell
Keyword(s):  
Middle Ages ◽  
Eleventh Century ◽  
The Other ◽  
Early Middle Ages ◽  
Medieval Music ◽  
Early English ◽  
High Degree ◽  
Polyphonic Music

The most famous manuscripts with music of the early Middle Ages in England are the Winchester ‘Tropers’ at Oxford and Cambridge. More has been written about them than about all the lesser known sources put together, and it is right that this should have been so, for the troper at Cambridge preserves one of the oldest repertories of polyphonic music while the other, the so-called ‘Æthelred troper’, has provided generations of scholars with the task of establishing its relationship to the other manuscript. This activity has resulted in a high degree of clarification, but the Winchester ‘Tropers’ are not the whole of early English medieval music – even though a study of their combined trope repertories would be a welcome contribution – and we must begin to turn our attention to other sources of the period.

scholarly journals The Laws of the Temple and the Proper Sleep in Biblical and Rabbinic traditions

2018 ◽  
pp. 12-32
Author(s):  
Svetlana Babkina
Keyword(s):  
Middle Ages ◽  
The Other ◽  
Human Being ◽  
The Third ◽  
The People ◽  
Bed Form ◽  
The Temple ◽  
The Middle Ages

This article deals with the idea that the bed should be placed north to south and not from west to east formulated in B. Berakhot 5b. As the later tradition says, this rule stays actual during the middle ages and till these days. According to the commentators this rule is based on the idea, that the Shekhinah lays from west to east, so this direction became sacred. There are three reasons to avoid this position during the sleep. All of them are connected to the ritual impurity. The first is nocturnal emission, which can happen to a man or a woman and which make that person impure. The second reason is the connection of sleep to death, which is the «father of fathers of impurities». The third is the vulnerability of the human being from the side of the different kind of night demonic creatures, who can kill the people (and make them ritually impure). All the ideas have deep biblical roots, but were combined only in rabbinical period when the prescription to put the bed form north to south first appeared. The problem is, that the practice could be very much older than the rabbinic tradition. This the rule formulated in Talmud can serve as a good example of adaptation of popular beliefs toward the official religion. From the other side this example shows that inside the monotheistic tradition there always was a place for ideas rooted in archaic societies: here we can see the clearly formulated idea, that by the manipulation sleeping space one can influence prosperity.

scholarly journals Constantine VII Porphyrogennetos on Croats in Early Medieval Southern Pannonia (DAI, c. 30, 75–78): A Note on Concept and Method of Byzantine History Writing

2021 ◽  
pp. 24-43
Author(s):  
Hrvoje Gračanin
Keyword(s):  
Middle Ages ◽  
English Translation ◽  
Historical Analysis ◽  
The Other ◽  
History Writing ◽  
Early Middle Ages ◽  
The Past ◽  
Literary Device ◽  
C 30 ◽  
The One

The paper endeavours to discuss anew a scholarly puzzle related to the Croatian early Middle Ages and centred on a few lines from Constantine VII Porphyrogennetos’s De administrando imperio, which in English translation are as follows: And of the Croats who arrived to Dalmatia one part separated and ruled Illyricum and Pannonia. And they also had an independent ruler who was sending envoys, though only to the ruler of Croatia from friendship. Taking a different approach from the complete dismissal of the two sentences as a pure fiction or a mere literary device, the paper instead attempts to trace the concept behind this account as well as its underlying meaning. On the one hand, it seeks to detect the methods or strategies used by the royal compiler in trying to elucidate the past. On the other hand, it aims to provide a thorough historical analysis and offer a possible interpretation in opposition to the view, still largely extant in the Croatian scholarship, that this account is an evidence for an early presence of the group called Croats in southern Pannonia.

Wood Tar Production Without the Use of Ceramic Vessels: Experimental Archaeology in Grodzisko Żmijowiska

2021 ◽  
pp. 135-139
Author(s):  
Paweł Lis ◽  
Krzysztof Wasilczyk
Keyword(s):  
Middle Ages ◽  
Experimental Archaeology ◽  
The Other ◽  
Raw Material ◽  
Birch Bark ◽  
Early Middle Ages ◽  
Product Ratio ◽  
Ceramic Vessels ◽  
The Right ◽  
Wood Tar

Several pits, the remains of wood tar production using the so-called ‘vessel-less method’, were discovered in the Lublin region. They contained objects related to the early Middle Ages. These discoveries were used as the base for experiments run in 2013 in the experimental archaeology centre at Grodzisko Żmijowiska. The first experiment involved the acquisition of wood tar from birch bark, while the other attempts were aimed at extracting tar from pine stumpwood. The experiments were conducted in a shallow pit that was plastered with clay and had a small depression at its bottom used as a container for the tar, separated from the pit by a clay strainer. The raw material gathered in the pit was covered with a clay dome. When the dome was dry, it was slowly heated up with burning wood to the right temperature which was checked inside the dome with a thermocouple. Both processes were conducted successfully. The results were compared with experiments focused on the production of wood tar using the two-vessel method known in the early Middle Ages. The comparison showed that the vessel-less method is less economical due to the amount of fuel used and almost three times less efficient in terms of the raw material to final product ratio. However, it is very simple technically and allows the effective production of wood tar.

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