scholarly journals PENDEKATAN SOSIOLOGI FEMINIS DALAM KAJIAN SASTRA

2020 ◽  
Vol 16 (2) ◽  
pp. 341
Author(s):  
Dipa Nugraha
Keyword(s):  
Literature Review ◽  
Marketing Strategy ◽  
Literary Criticism ◽  
Systematic Literature Review ◽  
Close Reading ◽  
Sociology Of Literature ◽  
Social Construct ◽  
Sociological Approach ◽  
Feminist Sociology ◽  
Feminist Literary Criticism

Abstract: Sociology of literature is widely used in Indonesian literary criticism since its introduction in 1978 by Sapardi Djoko Damono. However, there is a doubt in recent Indonesian literary criticism to accept feminist literary criticism in some way as part of sociology of literature whilst it is already that feminism deals with social construct and patriarchy practice in society. This article aims to show that sociology of literature in the form of feminist sociology and feminist literary criticism are not contradictory as one claims. This is a systematic literature review. The method of collecting data is extensive close reading on sociology of literature, feminist sociology, and feminist literary criticism. Based on the extensive close reading, there are at least five models can be used in feminist sociologal approach: through reading agenda, using anachronistic reading, on the marketing strategy and endorsement, on the situation of the readers’ activity, and based on writer’s situation and consciousness. This article shows that feminist sociological approach in literature and feminist literary criticism are not in conflict as the two come from feminism. 

scholarly journals Finding Feminist Literary Reading: Portrayals Of Women In The 1920s Indonesian Literary Writings

ATAVISME ◽  
2014 ◽  
Vol 17 (2) ◽  
pp. 148
Author(s):  
Diah Ariani Arimbi
Keyword(s):  
Literary Criticism ◽  
Key Words ◽  
The Other ◽  
Close Reading ◽  
Literary Reading ◽  
Literary Works ◽  
Other Hand ◽  
Feminist Literary Criticism ◽  
Reading Technique ◽  
Images Of Women

Abstract: Modern Indonesian literature can be said to be born around 1920s with the publication of modern Indonesian literary works by Balai Pustaka. Amongst the works published by Balai Pustaka in the 1920s ; there are most popular works namely Sitti Nurbaya (1922) ; Azab dan Sengsara(1927) and Salah Asuhan (1928) representing the tone of 1920s literary productions. This paper aims to look at images of women in those three works written by male authors ; using feminist literary criticism. By means of close reading technique; the study uses feminist literary criticism to examine and (re)examine the images of women portrayed in those three works. The finding shows that on one hand some women are still trapped with the shackle of patriarchy, but, on the other hand, some women are not simply passive victims of patriarchy: these women still attempt to escape from the patriarchal chain and cut out the patriarchal oppression. Key Words: modern Indonesian literature; 1920s; Balai Pustaka; women; feminist literary criticism Abstrak: Sastra Indonesia modern dapat dikatakan lahir sekitar tahun1920-an dengan publikasi karya sastra Indonesia modern oleh Balai Pustaka. Di antara karya yang diterbitkan oleh Balai Pustaka pada tahun 1920-an; terdapat karya yang paling populer seperti Sitti Nurbaya (1922); Azab dan Sengsara (1927); dan Salah Asuhan (1928) yang mewakili suara produksi sastra tahun 1920-an. Makalah ini bertujuan untuk melihat potret perempuan dalam tiga karya yang ditulis oleh penulis laki-laki dengan menggunakan pendekatan kritik sastra feminis. Melalui teknik pembacaan yang mendalam (close reading technique); penelitian ini menggunakan kritik sastra feminis untuk menelaah potret perempuan dalam tiga karya tersebut. Temuan dalam tulisan ini menunjukkan bahwa di satu sisi perempuan masih terbelenggu oleh patriarkat; tetapi di sisi lain perempuan bukanlah korban patriarkat yang pasif: perempuan tetap berupaya untuk keluar dari belenggu ini dan memutus rantai penindasan patriarkat melalui kebebasan dan otonomi personal. Kata-Kata Kunci: sastra Indonesia modern; tahun 1920-an; Balai Pustaka; perempuan; kritiksastra feminis

Closely, Consciously Reading Feminism

2017 ◽  
Author(s):  
Yung-Hsing Wu
Keyword(s):  
Literary Criticism ◽  
The Political ◽  
Close Reading ◽  
Women Readers ◽  
Consciousness Raising ◽  
Reading And Writing ◽  
Feminist Fiction ◽  
Feminist Literary Criticism ◽  
Second Wave ◽  
Writing Communities

This chapter considers the fate of close reading in second-wave reading and writing communities, through an analysis of memoirs, literary criticism, and a novel, Marilyn French's The Women's Room. It argues that just as feminist consciousness-raising believed that reading could generate closeness among women, and just as feminist fiction of the 1970s was regularly cited (and decried) for an intimacy of identification it was said to create for women readers, early feminist literary criticism was marked by an investment in the political promise of closeness. For feminist literary critics of that first academic generation, this sensibility marked a shift from closeness described as a familiar stance toward textuality to one with distinctive affective and political valences. In other words, this sensibility yoked the question of women reading to consciousness: to its nascence, whether sudden or gradual, and to its qualities of strangeness, pain, even joy. While their assumptions led them to find reading in very different places, their critical desires stemmed from the shared view that reading, wherever it is found, can be a place for politics.

scholarly journals Translating Woman: Reading the Female through the Male

2002 ◽  
Vol 44 (3) ◽  
pp. 469-484 ◽  
Author(s):  
Valerie Henitiuk
Keyword(s):  
Literary Criticism ◽  
Sexual Difference ◽  
Woman Writer ◽  
Social Construct ◽  
Feminist Literary Criticism

Abstract Feminist literary criticism has argued that our understanding of literary paradigms, metaphors, and meaning in general is profoundly affected by the gender of both author and audience. Critics of this school posit that a woman's experience comprises unique perceptions and emotions, and that women and men do not inhabit an identical world, or at the very least do not view it identically, in that sexual difference as a social construct has implications for how one interprets as well as how one is interpreted. This article discusses the nature of the text/reader transaction, and the effect on the dialogue between a woman writer and her audience of mediation by a male critic and translator.

scholarly journals The Image of Madurese Women in “Tandak” Short Story by Mahwi Air Tawar

2017 ◽  
Vol 8 (2) ◽  
pp. 75-82
Author(s):  
Fatmawati Fatmawati
Keyword(s):  
Literary Criticism ◽  
Ethnic Groups ◽  
Short Story ◽  
Data Sources ◽  
Close Reading ◽  
Descriptive Research ◽  
Patriarchal System ◽  
Feminist Literary Criticism ◽  
Reading Technique ◽  
Images Of Women

Madurese belongs to some Indonesian ethnic groups that follow patriachal system. The patriarchal hegemonyis depicted in the short story entitled “Tandak” written by Mahwi Air Tawar. Therefore, the study aims to examine woman image in Madurese patriarchal system and symbolic resistance in the short story. The study uses descriptive research. The data sources are Tandak short story, books and related articles. The data are collected by close reading technique. The collected data are analyzed by applying feminist literary criticism that views woman as a reader. The results show that the physical images of women in the short story are Madurese idealwomen. The personality of each woman is varied. However, by comparing woman image and man image it can be found that woman is inferior, weak, and marginalized whereas man is superior, strong, and dominant. There are some symbolic resistances, but man’s power still cannot be fully seized by woman.

GENDER ISSUES IN MARY NORTON’S NOVEL ENTITLED “THE BORROWERS” : A LIBRARY RESEARCH

JURNAL SPHOTA ◽  
2021 ◽  
Vol 13 (2) ◽  
pp. 1-10
Author(s):  
Luh Riskayani ◽  
Ni Komang Arie Suwastini ◽  
Luh Gede Eka Wahyuni
Keyword(s):  
Literature Review ◽  
Literary Criticism ◽  
Gender Equity ◽  
Young Female ◽  
Literary Texts ◽  
Expert Opinions ◽  
Library Research ◽  
Feminist Literary Criticism ◽  
Binary Oppositions ◽  
And Gender

Feminist literary criticism has been focused on the marginalization of women in literary texts and the efforts to deconstruct patriarchy through counter texts, such as Mary Norton’s The Borrowers. This paper aims to review previous studies and expert opinions on Norton’s The Borrowers, especially the arguments in the form of feminist literary criticism. This study employed George’s (2008) model of literature review to review articles employing feminist literary criticism in "The Borrowers." The articles were gathered from books, academic journals, and previous studies on Norton’s The Borrowers. The review reveals that the novel depicted a feminine and masculine environment, constructing biased gender roles and labor division that triggered efforts to gain emancipation and independence in the female character. Telling about miniature family who survived by “borrowing” items from a human, The Borrower is centered towards the young female who deconstructed the traditional binary oppositions concerning the work division and spatial division between males and females. Besides, The Borrowers also presented women’s marginalization, women’s struggles, and gender identity. Such revelation might be useful to extend the fight for gender equity, especially for the children as the target readers. Abstrak Kritik sastra feminis telah difokuskan pada marginalisasi perempuan dalam teks sastra dan upaya untuk mendekonstruksi patriarki melalui teks tandingan, seperti The Borrowers karya Mary Norton. Tulisan ini bertujuan untuk mengkaji kajian-kajian terdahulu dan pendapat para ahli tentang The Borrowers karya Norton, khususnya argumentasi-argumentasi berupa kritik sastra feminis. Penelitian ini menggunakan model literature review George (2008) untuk mengkaji artikel-artikel yang menggunakan kritik sastra feminis dalam "The Borrowers". Artikel dikumpulkan dari buku, jurnal akademik, dan studi sebelumnya tentang The Borrowers dari Norton. Tinjauan terdahulu mengungkapkan bahwa The Borrowers menggambarkan lingkungan feminin dan maskulin, membangun peran gender yang bias dan pembagian kerja yang memicu gerakan emansipasi dan kemandirian dalam karakter wanita. Menceritakan tentang keluarga mini yang bertahan hidup lewat “meminjam” barang dari manusia, The Borrower berpusat pada perempuan muda yang mendekonstruksi oposisi biner tradisional mengenai pembagian kerja dan pembagian ruang antara laki-laki dan perempuan. Selain itu, The Borrowers juga menampilkan marginalisasi perempuan, perjuangan perempuan, dan identitas gender. Penceritaan tersebut dapat berguna untuk perpanjangan perjuangan kesetaraan gender terutama bagi anak-anak sebagai target pembaca.

scholarly journals REPRESENTATION OF ISLAMIC FEMINISM IN ABIDAH EL KHALIEQY’S NOVELS

LITERA ◽  
2019 ◽  
Vol 18 (3) ◽  
pp. 465-484
Author(s):  
Dipa Nugraha ◽  
Suyitno Suyitno
Keyword(s):  
Literary Criticism ◽  
Literary History ◽  
Close Reading ◽  
Islamic Feminism ◽  
Ecriture Feminine ◽  
Politics Of Difference ◽  
Feminist Literary Criticism ◽  
The Family ◽  
Reform Period ◽  
Female Writers

The Indonesian literary tradition during the reform period was marked by the rise of female writers who raised the issue of feminism. Within the framework of locality and contextuality, the feminism movement echoed by female writers comes in diverse expressions. This study aims to describe the reference figures and issues of Islamic feminism that are represented in novels by Abidah El Khalieqy. This research uses a feminist literary criticism approach. The data sources of the research are three novels by Abidah El Khalieqiy, namely Perempuan Berkalung Sorban, Geni Jora, and Mataraisa. The technique used to gather feminist voices in the three novels is a close reading. The analysis was conducted using a descriptive qualitative method. The results of the study are as follows. First, Islamic feminist figures who were referred to by the feminism movement were Fatima Mernisi and Riffat Hassan. Fatima Mernisi is known as a misogonic hadith critic, while Riffat Hassan uses the hermeneutic principle in the interpretation of the Quran. Second, the issues of feminism represented are: the lives of women in the pesantren tradition, the position of women in the family, the view of normal sexual relations and relationships, and the interpretation of the hadiths and verses of the Qur'an relating to women. Islamic feminism voiced by Abidah El Khalieqy brings its own color compared to the Western feminism movement which refers to the concept of ecriture feminine. Keywords: Islamic Feminism, ecriture feminine, Indonesian literary history, politics of difference, intersectionality REPRESENTASI FEMINISME ISLAM DALAM NOVEL-NOVEL KARYA ABIDAH EL KHALIEQY AbstrakTradisi sastra Indonesia masa reformasi ditandai maraknya penulis perempuan yang mengangkat permasalahan feminisme. Dalam bingkai lokalitas dan kontekstualitas, gerakan feminisme yang digaungkan para penulis perempuan hadir dalam ekspresi yang beragam. Penelitian ini bertujuan mendeskripsikan tokoh rujukan dan persoalan feminisme Islam yang direpresentasikan dalam novel-novel karya Abidah El Khalieqy. Penelitian ini menggunakan pendekatan kritik sastra feminis. Sumber data penelitian adalah tiga novel karya Abidah El Khalieqiy, yaitu Perempuan Berkalung Sorban, Geni Jora, dan Mataraisa. Teknik yang dipakai untuk mengumpulkan suara-suara feminisme di dalam ketiga novel adalah pembacaan cermat (close reading). Analisis dilakukan dengan metode deskriptif kualitatif. Hasil penelitian sebagai berikut. Pertama, tokoh feminis Islam yang menjadi rujukan gerakan feminisme adalah Fatima Mernisi dan Riffat Hassan. Fatima Mernisi dikenal dengan kritik hadist misogonis, sedangkan Riffat Hassan dengan prinsip hermeneutika dalam tafsir Alquran. Kedua, persoalan feminisme yang direpresentasikan adalah: kehidupan perempuan dalam tradisi pesantren, kedudukan perempuan dalam keluarga, pandangan terhadap relasi dan hubungan seksual yang normal, dan tafsir terhadap hadist dan ayat Al-quran berkaitan dengan perempuan. Feminisme Islam yang disuarakan Abidah El Khalieqy membawa warna tersendiri dibandingkan dengan gerakan feminisme Barat yang merujuk pada konsep ecriture feminine. Kata kunci: feminisme Islam, ecriture feminine, sejarah sastra Indonesia, politik perbedaan, interseksionalitas.

Transition to higher education for students with autism: A systematic literature review.

2019 ◽  
Vol 12 (3) ◽  
pp. 280-295 ◽  
Author(s):  
Alison Nuske ◽  
Fiona Rillotta ◽  
Michelle Bellon ◽  
Amanda Richdale
Keyword(s):  
Higher Education ◽  
Literature Review ◽  
Systematic Literature Review ◽  
Transition To Higher Education ◽  
Students With Autism
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