scholarly journals The Collected Works of Charlotte Evans  1841-1882  Introduction and Biography

2021 ◽  
Author(s):  
◽  
Anne Doreen Brown
Keyword(s):  
Short Stories ◽  
New Zealand ◽  
Research Evidence ◽  
Victorian Studies ◽  
The North ◽  
The Social ◽  
Literary Heritage ◽  
Literary Output ◽  
Archive Material

<p>This thesis provides an introductory view of the life and works of early New Zealand romantic novelist Charlotte Evans 1841-1882. The work is comprised of three separate sections, including two introductions, a biographical essay and footnoting and markup for digitisation. Evans wrote short stories in addition to novels and poetry. I have attempted to create here a useful and informative overview of her two published novels Over the Hills and Far Away: A Story of New Zealand and A Strange Friendship: A Story of New Zealand - each of which were published in 1874. In the biographical essay I include a discussion of Evans’ general works, in particular the collection of poetry published by her husband Eyre Evans in 1917 entitled Poetic Gems of Sacred Thought. An important feature of the thesis has been to establish how Evans’ range of literary output may be cited and contextualised within New Zealand’s literary heritage in more detail than has previously been available. A significant aspect of the research has, in addition, involved examining the social and historical influences surrounding the author, both prior to and at the time of writing. In that respect the discussion has drawn upon available materials, such as book reviews and items published in newspapers. An appendix has been compiled of selected published poetry and articles from the North Otago Times of relevance to the foregoing text discussion. Contemporary photographs of Evans and map material of the ‘Teaneraki’ district are also included. It is hoped that situating the research evidence to specifically New Zealand contexts may provide a basis for positing Evans’ works more fully as New Zealand texts in their overall relation to pioneer period fiction. An important feature of the project has therefore meant developing a foundation of historical work concerning the author, much of which has been sourced from the National Alexander Turnbull Library and recently published family history that draws upon archive material related to the Evans and Lees families. Due reference to a range of recent critical texts has also, it is further hoped, enabled a more in-depth and detailed response to Evans’ contribution to the developing field of New Zealand literature and more specifically, Victorian Studies.</p>

scholarly journals The Collected Works of Charlotte Evans  1841-1882  Introduction and Biography

2021 ◽  
Author(s):  
◽  
Anne Doreen Brown
Keyword(s):  
Short Stories ◽  
New Zealand ◽  
Research Evidence ◽  
Victorian Studies ◽  
The North ◽  
The Social ◽  
Literary Heritage ◽  
Literary Output ◽  
Archive Material

<p>This thesis provides an introductory view of the life and works of early New Zealand romantic novelist Charlotte Evans 1841-1882. The work is comprised of three separate sections, including two introductions, a biographical essay and footnoting and markup for digitisation. Evans wrote short stories in addition to novels and poetry. I have attempted to create here a useful and informative overview of her two published novels Over the Hills and Far Away: A Story of New Zealand and A Strange Friendship: A Story of New Zealand - each of which were published in 1874. In the biographical essay I include a discussion of Evans’ general works, in particular the collection of poetry published by her husband Eyre Evans in 1917 entitled Poetic Gems of Sacred Thought. An important feature of the thesis has been to establish how Evans’ range of literary output may be cited and contextualised within New Zealand’s literary heritage in more detail than has previously been available. A significant aspect of the research has, in addition, involved examining the social and historical influences surrounding the author, both prior to and at the time of writing. In that respect the discussion has drawn upon available materials, such as book reviews and items published in newspapers. An appendix has been compiled of selected published poetry and articles from the North Otago Times of relevance to the foregoing text discussion. Contemporary photographs of Evans and map material of the ‘Teaneraki’ district are also included. It is hoped that situating the research evidence to specifically New Zealand contexts may provide a basis for positing Evans’ works more fully as New Zealand texts in their overall relation to pioneer period fiction. An important feature of the project has therefore meant developing a foundation of historical work concerning the author, much of which has been sourced from the National Alexander Turnbull Library and recently published family history that draws upon archive material related to the Evans and Lees families. Due reference to a range of recent critical texts has also, it is further hoped, enabled a more in-depth and detailed response to Evans’ contribution to the developing field of New Zealand literature and more specifically, Victorian Studies.</p>

scholarly journals J.C.Sturm: Before the Silence: An Exploration of Her Early Writing

2021 ◽  
Author(s):  
◽  
Margaret Michael
Keyword(s):  
Short Stories ◽  
New Zealand ◽  
Literary History ◽  
Second World War ◽  
Woman Writer ◽  
Literary Canon ◽  
Literary Context ◽  
Main Tendency ◽  
Second World

<p>This thesis considers the early works of J. C. Sturm, her own thesis, her short stories, articles and book reviews written in the 1950s before her writing and publishing silence. It examines where this writing places her in context of the post-Second World War period and where it could have placed her in the New Zealand literary canon had it not been for her ensuing literary silence.  The first chapter briefly discusses the nature of literary silences and then introduces Sturm with some biographical information. It details the approach that I take writing the thesis using three readings of her works: as social informer; as woman writer; and as Maori writer. These readings inform my commentary on her work and attempt to place her in the literary canon of the fifties. I discuss my reservations, as a Pakeha, in approaching Sturm as a Maori writer.  I use Sturm’s own comments “that many literary works can be taken as social documents and many authors can be taken as social informers” as a licence to use Sturm herself as “social informer”. It can be demonstrated how the ideas she promulgates in her thesis, New Zealand Character as Exemplified in Three New Zealand Novelists are developed in her short stories, articles and book reviews and in how Sturm holds her mirror up to New Zealand society.  Reading Sturm as a "woman” writer demonstrates how, through her short stories, she destroyed the “idyll of suburban domesticity”. Terry Sturm wrote of women’s writing of the 1970s that “its main tendency is to challenge male accounts of New Zealand society and culture”. Twenty years before this date I show that J. C. Sturm was writing that woman’s account and challenging the male expectations of a woman’s place in the home and society.  Using Sturm’s description that being a Maori writer is “a way of feeling”, her short stories and articles published in Te Ao Hou enable a discussion of Maori writing in the fifties, exploring both the writing context and the critical environment in which this writing was received. The hindsight provided by this exploration some fifty to sixty years on demonstrates the forgetting and misremembering that can happen in a literary context and the effect that forgetting can have on a Maori literary history.  In the final section I reconstruct the somewhat artificially deconstructed strands that have made up the previous chapters, bringing Sturm’s works together as a whole to enable a discussion on Sturm’s rightful place in the New Zealand’s literary canon of the fifties, as well as exploring further the natures of Sturm’s silence in order to bring some remembering into the long forgetting of Sturm’s early work.</p>

scholarly journals J.C.Sturm: Before the Silence: An Exploration of Her Early Writing

2021 ◽  
Author(s):  
◽  
Margaret Michael
Keyword(s):  
Short Stories ◽  
New Zealand ◽  
Literary History ◽  
Second World War ◽  
Woman Writer ◽  
Literary Canon ◽  
Literary Context ◽  
Main Tendency ◽  
Second World

<p>This thesis considers the early works of J. C. Sturm, her own thesis, her short stories, articles and book reviews written in the 1950s before her writing and publishing silence. It examines where this writing places her in context of the post-Second World War period and where it could have placed her in the New Zealand literary canon had it not been for her ensuing literary silence.  The first chapter briefly discusses the nature of literary silences and then introduces Sturm with some biographical information. It details the approach that I take writing the thesis using three readings of her works: as social informer; as woman writer; and as Maori writer. These readings inform my commentary on her work and attempt to place her in the literary canon of the fifties. I discuss my reservations, as a Pakeha, in approaching Sturm as a Maori writer.  I use Sturm’s own comments “that many literary works can be taken as social documents and many authors can be taken as social informers” as a licence to use Sturm herself as “social informer”. It can be demonstrated how the ideas she promulgates in her thesis, New Zealand Character as Exemplified in Three New Zealand Novelists are developed in her short stories, articles and book reviews and in how Sturm holds her mirror up to New Zealand society.  Reading Sturm as a "woman” writer demonstrates how, through her short stories, she destroyed the “idyll of suburban domesticity”. Terry Sturm wrote of women’s writing of the 1970s that “its main tendency is to challenge male accounts of New Zealand society and culture”. Twenty years before this date I show that J. C. Sturm was writing that woman’s account and challenging the male expectations of a woman’s place in the home and society.  Using Sturm’s description that being a Maori writer is “a way of feeling”, her short stories and articles published in Te Ao Hou enable a discussion of Maori writing in the fifties, exploring both the writing context and the critical environment in which this writing was received. The hindsight provided by this exploration some fifty to sixty years on demonstrates the forgetting and misremembering that can happen in a literary context and the effect that forgetting can have on a Maori literary history.  In the final section I reconstruct the somewhat artificially deconstructed strands that have made up the previous chapters, bringing Sturm’s works together as a whole to enable a discussion on Sturm’s rightful place in the New Zealand’s literary canon of the fifties, as well as exploring further the natures of Sturm’s silence in order to bring some remembering into the long forgetting of Sturm’s early work.</p>

Book Reviews: Undoing the Social: Towards a Deconstructive Sociology, Reading Ethnographic Research, What Has Sociology Achieved? In Praise of Sociology, Ideology and Utopia: An Introduction to the Sociology of Knowledge, Knowledge and Politics: The Sociology of Knowledge Dispute, the Myths We Live, War and Ideology, the Coming Fin de Siècle: An Application of Durkheim's Sociology to Modernity and Postmodernism, Postmodernism, or the Cultural Logic of Late Capitalism, Late Marxism: Adorno or the Persistence of the Dialectic, Structures of Capital: The Social Organization of the Economy, from Boarding House to Bistro: The American Restaurant Then and Now, a Tale of Two Industries: The Contraction of Coal and Steel in the North East of England, Dependence and Autonomy, Women's Employment and the Family in Calcutta, Being Unemployed in Northern Ireland: An Ethnographic Study, the State of Welfare: The Welfare Stale in Britain since 1974, Doing Educational Research, Constructing and Reconstructing Childhood: Contemporary Issues in the Sociological Study of Childhood, Young People's Understanding of Society, Common Culture: Symbolic Work at Play in the Everyday Cultures of the Young, Music as Social Text, Royal Pharmaceutical Society of Great Britain 1841–1991, Social Science Perspectives on Medical Ethics

1992 ◽  
Vol 40 (2) ◽  
pp. 370-425
Author(s):  
Philip Corrigan ◽  
Paul Atkinson ◽  
Duncan Mitchell ◽  
Brian Longhurst ◽  
Michael Billig ◽  
...  
Keyword(s):  
Sociology Of Knowledge ◽  
Ethnographic Study ◽  
Sociological Study ◽  
Cultural Logic ◽  
North East ◽  
The North ◽  
The Social ◽  
Boarding House ◽  
Pharmaceutical Society

Social Responsibility Practice Diagnosis applied to the Universidad del Valle- Northern Facility. Period 2014-2015

2018 ◽  
Vol 34 (62) ◽  
pp. 66-81
Author(s):  
Adriana M. Moreno Moreno ◽  
Eduar Fernando Aguirre González
Keyword(s):  
Social Responsibility ◽  
Action Plan ◽  
Research Problem ◽  
Socially Responsible ◽  
Strategic Development ◽  
Strategic Issues ◽  
The North ◽  
The Social ◽  
The University ◽  
Social Management

Social Responsibility is a concept that has been approached from different perspectives by theoreticians and institutions. Initially, this was limited exclusively to companies, however, the creation of the Social Capital, Ethics and Development Initiative by the Inter-American Development Bank (IDB) sought to make educational institutions aware that, like any other organization, they are responsible for the externalities they generate in their environment and their stakeholders. This research approaches the concept of University Social Responsibility (USR) from the scheme proposed by the IDB, which proposes four axes of action for Universities’ CR: Responsible Campus, Professional and Citizen Training, Social Management of Knowledge and Social Participation. The Universidad del Valle has a strategic plan entitled “Universidad del Valle’s Strategic Development Plan” and Regionalization attached thereto. It has also developed its action plan and in the five strategic issues raised herein, its socially responsible approach is clearly identifiable. The North Cauca Facility wherein this study is being developed, even though it does not have a University Social Responsibility Management Model, has attempted to align its practices with its strategic affairs that broadly conform to the four axes proposed by the IDB. This research addresses a relevant and current issue inasmuch as it proposes to develop a diagnosis on the relationship between the four axes of Social Responsibility proposed by the IDB and the practice of Social Responsibility applied at the Universidad del Valle, North Cauca Facility, for the period 2014-2015. In order to answer the research problem, a qualitative, exploratory and descriptive type of study is used, given that the work was based on the documentary information available at the University, while the interviews with the directors of the Institution are used as a tool for oral history. The research method used is the case study, which allows to address a unit of analysis in depth, in this case the USR within the Universidad del Valle, North Cauca Facility.

POLIVARIABILITY OF THE BASTARD MOTIF IN THE SHORT STORIES BY GUY DE MAUPASSANT: CHARACTER IN SEARCH OF SELF-IDENTIFICATION

2018 ◽  
pp. 20-27
Author(s):  
Oksana Galchuk
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Social Institutions ◽  
Point Of View ◽  
Guy De Maupassant ◽  
Traditional Values ◽  
The Social ◽  
Role Of It ◽  
Structural Methods

The theme of illegitimacy Guy de Maupassant evolved in his works this article perceives as one of the factors of the author’s concept of a person and the plane of intersection of the most typical motifs of his short stories. The study of the author’s concept of a person through the prism of polivariability of the motif of a bastard is relevant in today’s revision of traditional values, transformation of the usual social institutions and search for identities, etc. The purpose of the study is to give a definition to the existence specifics of the bastard motif in the Maupassant’s short stories by using historical and literary, comparative, structural methods of analysis as dominant. To do this, I analyze the content, variability and the role of this motive in the formation of the Maupassant’s concept of a person, the author’s innovations in its interpretation from the point of view of literary diachrony. Maupassant interprets the bastard motif in the social, psychological and metaphorical-symbolic sense. For the short stories with the presentation of this motif, I suggest the typology based on the role of it in the structure of the work and the ideological and thematic content: the short stories with a motif-fragment, the ones with the bastard’s leitmotif and the group where the bastard motif becomes a central theme. The Maupassant’s interpretation of the bastard motif combines the general tendencies of its existence in the world’s literary tradition and individual reading. The latter is the result of the author’s understanding of the relevant for the era issues: the transformation of the family model, the interest in the theory of heredity, the strengthening of atheistic sentiments, the growth of frustration in the system of traditional social and moral values etc. This study sets the ground for a prospective analysis of the evolution the bastard motif in the short-story collections of different years or a comparative study of the motif in short stories and novels by Maupassant.

Studies of Ptiliidae (Coleoptera) in the Spirit Collection of the Natural History Museum, London 2: New species and records from P. Hammond's visit to New Zealand in 1983–84

2018 ◽  
Vol 154 (3) ◽  
pp. 179-196
Author(s):  
Michael Darby
Keyword(s):  
New Species ◽  
New Zealand ◽  
Natural History ◽  
Natural History Museum ◽  
History Museum ◽  
The North ◽  
Three New Species ◽  
North And South

Some 2,000 Ptiliidae collected in the North and South Islands of New Zealand in 1983/1984 by Peter Hammond of the Natural History Museum, London, are determined to 34 species, four of which are new to the country. As there are very few previous records, most from the Auckland district of North Island, the Hammond collection provides much new distributional data. The three new species: Nellosana insperatus sp. n., Notoptenidium flavum sp. n., and Notoptenidium johnsoni sp. n., are described and figured; the genus Ptiliodes is moved from Acrotrichinae to Ptiliinae, and Ptenidium formicetorum Kraatz recorded as a new introduction. Information is provided to aid separation of the new species from those previously recorded.

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