scholarly journals The Absurd Representations of Pinter’s Women: A study into the representation of female characters in the plays of Harold Pinter

2021 ◽  
Author(s):  
◽  
Andrew Clarke
Keyword(s):  
Close Reading ◽  
Female Characters ◽  
Male And Female ◽  
Harold Pinter ◽  
Theatrical Play

<p>This thesis is concerned with analysing the representation of the female characters found in a sample of Harold Pinter’s plays. The plays examined are The Homecoming (1964), Betrayal (1978) and Celebration (1999). Through a close reading of the texts and reference to past interpreters this work attempts to locate Harold Pinter within the theatrical topography, concentrating on his convergence with the Absurdist genre. This research then assesses the extent to which Pinter’s characters exhibit the conventions pertinent to the genre and Pinter’s unique playwriting style, with particular reference to the dissonance in representation present between male and female characters. To conclude, the project reacts to the inequality present in Pinter’s depiction of female characters, which informs the construction of a theatrical play script, titled Cleanskin.</p>

scholarly journals The Absurd Representations of Pinter’s Women: A study into the representation of female characters in the plays of Harold Pinter

2021 ◽  
Author(s):  
◽  
Andrew Clarke
Keyword(s):  
Close Reading ◽  
Female Characters ◽  
Male And Female ◽  
Harold Pinter ◽  
Theatrical Play

<p>This thesis is concerned with analysing the representation of the female characters found in a sample of Harold Pinter’s plays. The plays examined are The Homecoming (1964), Betrayal (1978) and Celebration (1999). Through a close reading of the texts and reference to past interpreters this work attempts to locate Harold Pinter within the theatrical topography, concentrating on his convergence with the Absurdist genre. This research then assesses the extent to which Pinter’s characters exhibit the conventions pertinent to the genre and Pinter’s unique playwriting style, with particular reference to the dissonance in representation present between male and female characters. To conclude, the project reacts to the inequality present in Pinter’s depiction of female characters, which informs the construction of a theatrical play script, titled Cleanskin.</p>

Gender Differences in Clothing Worn in Current Popular Comic Books

2015 ◽  
Vol 2 (1) ◽  
Author(s):  
Kyle Landon Jossy
Keyword(s):  
Gender Differences ◽  
Content Analysis ◽  
Comic Books ◽  
Book Industry ◽  
Comic Book ◽  
Lower Body ◽  
Female Characters ◽  
Male And Female ◽  
Males And Females

This study looked at how males and females were portrayed, based on the amount of skin shown in the clothing worn.  A Content analysis was performed on a sample of 20 randomly selected popular comics from the last 3 years.  Both male and female characters were rated on how much skin they showed in three clothing categories; neck line, sleeve length, and lower body.  Results showed that in all 3 categories, women consistently wore more revealing clothing.  The findings demonstraetd that the comic book industry is comparable to other forms of media, in the sexualization of female characters, by having them wear more revealing clothing.

Revision of the genus Pseudolebinthus (Orthoptera, Gryllidae, Eneopterinae) with the description of a new species from Southeast Africa

Zootaxa ◽  
2018 ◽  
Vol 4521 (2) ◽  
pp. 265 ◽  
Author(s):  
RANJANA JAISWARA ◽  
JIAJIA DONG ◽  
TONY ROBILLARD
Keyword(s):  
New Species ◽  
Sister Group ◽  
Morphological Features ◽  
Female Characters ◽  
Diagnostic Features ◽  
Male And Female ◽  
Identification Keys ◽  
A New Species

Pseudolebinthus is an intriguing genus of the tribe Xenogryllini with a distribtuion restricted to southeast Africa and characterized by unique morphological features such as asymmetrical male forewings and harp veins shaped as elongated balloons. It is sister group to the widely distributed genus Xenogryllus and has been known by two species, P. africanus Robillard, 2006 and P. whellani Robillard, 2006. The genus was initially diagnosed based exclusively on male morphological features. In this study, we add a new species to the genus, P. gorochovi Robillard sp. nov. and revise the diagnostic features using both male and female characters. We also update identification keys for the species of the genus. 

scholarly journals IDENTITAS DIASPORIS TIGA GENERASI PEREMPUAN CINA DALAM ONLY A GIRL KARYA LIAN GOUW (Diasporic Identity of Three Generations of Chinese Females in Only A Girl Written by Lian Gouw)

ATAVISME ◽  
2019 ◽  
Vol 22 (1) ◽  
pp. 15-31
Author(s):  
Ratna Asmarani
Keyword(s):  
Literary Analysis ◽  
Close Reading ◽  
Female Characters ◽  
Great Role ◽  
Two Cultures ◽  
Three Generations ◽  
Library Research ◽  
Diasporic Identity ◽  
The Social ◽  
Family House

Identity is crucial in a person’s life. Diasporic identity is much more complicated because it involves at least two cultures. The focus of this paper is to analyze the diasporic identity of three generations of diasporic Chinese females as represented in Lian Gouw’s novel entitled Only a Girl. The data and supporting concepts are compiled using library research and close reading. The qualitative analysis is used to support the contextual literary analysis combining the intrinsic aspect focusing on the female characters and the extrinsic aspects concerning diaspora and identity. The results shows that each Chinese female character has tried to construct her own diasporic identity. However, the social, cultural, political, educational, and economic contexts play a great role in the struggles to construct the diasporic identity. It can be concluded that the younger the generation, the braver their effort to construct their diasporic identity and the braver their decision to take a distance with the big family house eventhough they have to face stronger and more complicated conflicts to realize and actualize their personal construction of diasporic identity.

scholarly journals An attempt at clarifying Maximus the Confesor’s remarks on (the fate of) sexual difference in Ambiguum 41

2021 ◽  
Vol 32 (2) ◽  
pp. 194-203
Author(s):  
Sotiris Mitralexis
Keyword(s):  
Sexual Difference ◽  
Human Person ◽  
Close Reading ◽  
Church Fathers ◽  
Male And Female ◽  
The Subject ◽  
The Difference ◽  
Maximus The Confessor ◽  
As If

Maximus the Confessor?s Ambiguum 41 contains some rather atypical observations concerning the distinction of sexes in the human person. There is a certain ambiguity as to whether the distinction of the sexes was intended by God and is ?by nature? (as found in Genesis and asserted by most Church Fathers) or a product of the Fall. Namely, Christ is described three times as ?shaking out of nature the distinctive characteristics of male and female?, ?driving out of nature the difference and division of male and female? and ?removing the difference between male and female?. Different readings of those passages engender important implications that can be drawn out from the Confessor?s thought, both eschatological implications and otherwise. The subject has been picked up by Cameron Partridge, Doru Costache and Karolina Kochanczyk-Boninska, among others, but is by no means settled, as they draw quite different conclusions. The noteworthy and far-reaching implications of Maximus? theological stance and problems are not the object of this paper. In a 2017 paper I attempted to demonstrate what Maximus exactly says in these peculiar and oft-commented passages through a close reading, in order to avoid a two-edged Maximian misunderstanding: to either draw overly radical implications from those passages, projecting decidedly non-Maximian visions on the historical Maximus, or none at all, as if those passages represented standard Patristic positions. Here, I am revisiting this argument, given that the interest in what the Confessor has to say on the subject seems to be increasing.

Representation, Image, and Identity

2014 ◽  
pp. 98-122
Keyword(s):  
Computer Games ◽  
Female Characters ◽  
Male And Female ◽  
Heterosexual Male ◽  
Gaming Culture ◽  
Research Findings ◽  
Secondary Characters

Throughout this book, the authors have disproved the dominant White, heterosexual, teen gamer image through highlighting current gamer facts and figures, as well as the research and literature in the area. However, despite these facts, figures, and previous research findings, it is apparent that the industry designs games for a White, heterosexual, male audience. Females tend to be underrepresented in games. This chapter looks at how female characters are often missing from games, especially as main characters, and when females are represented in games, they are often secondary characters and stereotypically represented most often in a hyper-sexualised way. This chapter identifies how computer games are designed for a male audience leaving female gamers as “other” within computer games and the wider gaming culture. It Discusses how females are underrepresented in games and the wider gaming culture reinforcing the “otherness” of the female gamer. It Reviews how the industry sexualises and eroticises women, and it considers how this might impact both male and female gamers as well as perpetuate the image that computer games are for boys.

The Transforming, Transformative Self

2021 ◽  
pp. 351-380
Author(s):  
Jack Bauer
Keyword(s):  
Identity Development ◽  
Female Characters ◽  
Identity Exploration ◽  
Male And Female ◽  
Identity Statuses ◽  
Interpersonal Conflicts ◽  
Theoretical Perspectives ◽  
Low Degrees ◽  
Over Time

The developmental path of the transformative self is not straightforward, easy, or uniform. This chapter charts how the transformative self itself develops over time, from the theoretical perspectives of Eriksonian identity development and eudaimonic growth. The chapter provides an overview of how one’s degrees of identity exploration and commitment in a world of others shape one’s development over time. High versus low degrees of exploration and commitment yield four identity statuses or pathways: searchers, traditionalists, pathmakers, and drifters. This chapter surveys recent research and theoretical adjustments on the Eriksonian ideal, notably regarding non-idealized pathways of development. Excerpts from the bildungsroman genre illustrate the internal and interpersonal conflicts of eudaimonic growth that arise along all four pathways, plus non-ideal developments, from the perspectives of male and female characters, and then in the contexts of relationships, work, and religious views.

Engendering Orientalism

2021 ◽  
pp. 123-144
Author(s):  
Filiz Cicek
Keyword(s):  
Female Characters ◽  
Male And Female ◽  
Third Spaces

This study explores the elements of Orientalism in German-Turkish director Fatih Akin's films Head-On (2004) and The Edge of Heaven (2007). Utilizing Homi Bhabha's theory of “third spaces,” which immigrants often inhabit, and Edward Said's lens of the postcolonial gaze, I analyze the degree to which the bodies of immigrants willingly embody the mysterious “oriental,” and how and when it is projected upon male and female characters in these two films. Akin's characters dwell between a perceived and imaginary Occident and Orient, while living and traveling in the soil of both Germany and Turkey.

Shakespeare for the Gifted

2000 ◽  
Vol 14 (3) ◽  
pp. 247-253
Author(s):  
Colin Butler
Keyword(s):  
English Literature ◽  
Female Characters ◽  
Teaching English ◽  
Twelfth Night ◽  
Advanced Level ◽  
Male And Female ◽  
Midsummer Night's Dream ◽  
Much Ado About Nothing ◽  
A Midsummer Night's Dream ◽  
Relative Status

This article describes a multi-part approach to Shakespeare's playwriting, including his conception of comedy, his method of characterisation, aspects of staging, and the relative status of male and female characters. It can accommodate all types of Shakespearean play. A Midsummer Night's Dream is treated as seminal. Other plays discussed include Much Ado About Nothing, The Merry Wives of Windsor, Othello and Twelfth Night. The approach is cumulative in effect and derives from teaching English 17–18 year olds working on the coursework unit of their Advanced Level English Literature certificate. Its unitised structure suits college and classroom workshops. It can be modified for younger students.

scholarly journals The Experience of Alienation in Toni Morrison’s Work: Man’s Fragmentation and Concomitant Distortion

2017 ◽  
Vol 7 (2) ◽  
pp. 65
Author(s):  
Mohammed Mahameed ◽  
Majed Abdul Karim
Keyword(s):  
African American ◽  
Toni Morrison ◽  
Human Beings ◽  
Female Characters ◽  
Male And Female ◽  
Song Of Solomon ◽  
Bluest Eye ◽  
Modern Thought ◽  
History Of ◽  
Contemporary Work

The question of alienation has always been a pervasive theme in the history of modern thought, and it occupies a considerable place in contemporary work. Literature in general, and fiction in particular, raise this issue to reveal its influence on human beings and communities. Novelists have been trying to unravel its complexities and concomitant consequences. The paper aims to explore the experience of alienation through depicting the issue not as a purely racial reality, or something restricted to the colour of the skin or gender of the victim. It is rather presented as a distressing state which cripples the victims and makes them susceptible captives of the dominant forces. In the selected novels, Toni Morrison has delved deep into the experience of alienation through her male and female characters, showing the different forms of this experience. The present research investigates Morrison’s portrayal of the issue from an African-American prospect. References will be made to novels such as Tar Baby, Sula, The Bluest Eye, Song of Solomon, and Beloved.

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