Engendering Orientalism

Author(s):  
Filiz Cicek

This study explores the elements of Orientalism in German-Turkish director Fatih Akin's films Head-On (2004) and The Edge of Heaven (2007). Utilizing Homi Bhabha's theory of “third spaces,” which immigrants often inhabit, and Edward Said's lens of the postcolonial gaze, I analyze the degree to which the bodies of immigrants willingly embody the mysterious “oriental,” and how and when it is projected upon male and female characters in these two films. Akin's characters dwell between a perceived and imaginary Occident and Orient, while living and traveling in the soil of both Germany and Turkey.

2015 ◽  
Vol 2 (1) ◽  
Author(s):  
Kyle Landon Jossy

This study looked at how males and females were portrayed, based on the amount of skin shown in the clothing worn.  A Content analysis was performed on a sample of 20 randomly selected popular comics from the last 3 years.  Both male and female characters were rated on how much skin they showed in three clothing categories; neck line, sleeve length, and lower body.  Results showed that in all 3 categories, women consistently wore more revealing clothing.  The findings demonstraetd that the comic book industry is comparable to other forms of media, in the sexualization of female characters, by having them wear more revealing clothing.


Zootaxa ◽  
2018 ◽  
Vol 4521 (2) ◽  
pp. 265 ◽  
Author(s):  
RANJANA JAISWARA ◽  
JIAJIA DONG ◽  
TONY ROBILLARD

Pseudolebinthus is an intriguing genus of the tribe Xenogryllini with a distribtuion restricted to southeast Africa and characterized by unique morphological features such as asymmetrical male forewings and harp veins shaped as elongated balloons. It is sister group to the widely distributed genus Xenogryllus and has been known by two species, P. africanus Robillard, 2006 and P. whellani Robillard, 2006. The genus was initially diagnosed based exclusively on male morphological features. In this study, we add a new species to the genus, P. gorochovi Robillard sp. nov. and revise the diagnostic features using both male and female characters. We also update identification keys for the species of the genus. 


Throughout this book, the authors have disproved the dominant White, heterosexual, teen gamer image through highlighting current gamer facts and figures, as well as the research and literature in the area. However, despite these facts, figures, and previous research findings, it is apparent that the industry designs games for a White, heterosexual, male audience. Females tend to be underrepresented in games. This chapter looks at how female characters are often missing from games, especially as main characters, and when females are represented in games, they are often secondary characters and stereotypically represented most often in a hyper-sexualised way. This chapter identifies how computer games are designed for a male audience leaving female gamers as “other” within computer games and the wider gaming culture. It Discusses how females are underrepresented in games and the wider gaming culture reinforcing the “otherness” of the female gamer. It Reviews how the industry sexualises and eroticises women, and it considers how this might impact both male and female gamers as well as perpetuate the image that computer games are for boys.


2021 ◽  
pp. 351-380
Author(s):  
Jack Bauer

The developmental path of the transformative self is not straightforward, easy, or uniform. This chapter charts how the transformative self itself develops over time, from the theoretical perspectives of Eriksonian identity development and eudaimonic growth. The chapter provides an overview of how one’s degrees of identity exploration and commitment in a world of others shape one’s development over time. High versus low degrees of exploration and commitment yield four identity statuses or pathways: searchers, traditionalists, pathmakers, and drifters. This chapter surveys recent research and theoretical adjustments on the Eriksonian ideal, notably regarding non-idealized pathways of development. Excerpts from the bildungsroman genre illustrate the internal and interpersonal conflicts of eudaimonic growth that arise along all four pathways, plus non-ideal developments, from the perspectives of male and female characters, and then in the contexts of relationships, work, and religious views.


2000 ◽  
Vol 14 (3) ◽  
pp. 247-253
Author(s):  
Colin Butler

This article describes a multi-part approach to Shakespeare's playwriting, including his conception of comedy, his method of characterisation, aspects of staging, and the relative status of male and female characters. It can accommodate all types of Shakespearean play. A Midsummer Night's Dream is treated as seminal. Other plays discussed include Much Ado About Nothing, The Merry Wives of Windsor, Othello and Twelfth Night. The approach is cumulative in effect and derives from teaching English 17–18 year olds working on the coursework unit of their Advanced Level English Literature certificate. Its unitised structure suits college and classroom workshops. It can be modified for younger students.


2017 ◽  
Vol 7 (2) ◽  
pp. 65
Author(s):  
Mohammed Mahameed ◽  
Majed Abdul Karim

The question of alienation has always been a pervasive theme in the history of modern thought, and it occupies a considerable place in contemporary work. Literature in general, and fiction in particular, raise this issue to reveal its influence on human beings and communities. Novelists have been trying to unravel its complexities and concomitant consequences. The paper aims to explore the experience of alienation through depicting the issue not as a purely racial reality, or something restricted to the colour of the skin or gender of the victim. It is rather presented as a distressing state which cripples the victims and makes them susceptible captives of the dominant forces. In the selected novels, Toni Morrison has delved deep into the experience of alienation through her male and female characters, showing the different forms of this experience. The present research investigates Morrison’s portrayal of the issue from an African-American prospect. References will be made to novels such as Tar Baby, Sula, The Bluest Eye, Song of Solomon, and Beloved.


2016 ◽  
Vol 45 (1) ◽  
pp. 60-87 ◽  
Author(s):  
Susan Reichelt ◽  
Mercedes Durham

This paper examines the use of intensifiers on the television show Buffy the Vampire Slayer in order to establish the ways in which they can be used for characterization. We found that the male and female characters used intensifiers differently (similarly to what is found in natural speech), but also that intensifier choice was related to changes in social networks for several of the female characters on the show ( so and totally). Furthermore, intensifiers were also used to distinguish the British characters on the show from the American ones ( extremely, terribly, and bloody). By comparing our results to findings for other television shows ( Friends) and for natural speech, we were able to establish the extent to which the show makes use of (then) innovative linguistic features for characterization. These findings underline the extent to which scriptwriters and/or actors were able to use linguistic features to index specific types of character.


Ramus ◽  
1974 ◽  
Vol 3 (2) ◽  
pp. 87-101 ◽  
Author(s):  
Charles Rowan Beye

The following is an investigation of the nature of women in the Homeric poems. It is generally accepted that epic figures are typical rather than individual, idiosyncratic personalities. So it is reasonable to assume that the women of the two poems represent the general conception of female behaviour held by Homer's audience. Even if the poems represent a tradition which was a long time in the making, it remains true that what appears within the poems must have made sense somehow to Homer's contemporary audience. And that is the sense we must seek.There has been very little said about the role of women in the Homeric epics. Discussion is bound to be uneven; women are glimpsed infrequently in the Iliad, whereas they are everywhere in the Odyssey. But this in itself perhaps offers insights into the nature of the difference between the two poems. In addition an analysis of the part women play in these poems helps to explain the continual appeal of the Iliad and the Odyssey. For the poems, like all truly great pieces of literature, say things that we humans need and want to hear. As is true of other facets of the poems the female characters are extraordinarily authentic. They manifest moods and psychological states which are true to women, at least in the Western world. Moreover the poems, especially the Odyssey, show with great profundity some important truths of male-female relationships. Whether these are inherent and never-changing or it is because women's situation has not much changed through the millenia is hard to say.


2020 ◽  
Vol 2 (1) ◽  
pp. 48-64
Author(s):  
Manoj Kumar Yadav ◽  
Meenakshi Sharma Yadav

Thomas Hardy is mostly acclaimed as a pessimist novelist whose plots are full of tearful tragic tales. In all his novels, the adverse situations come from the uncertain conditions of the role of the chance that emerges based on the characters’ psycho-analytic states and eccentric impulses, financial variations and barriers, irregularities of social status and standards, communal, cultural and ethnic misunderstanding, lack of trust in the marital relationship, thrust and lust of sexual pleasure, historical attitudes and backgrounds, highness of royal families, and religion egoism on the unmatched unities of action, place, and time in the Victorian modernity that forces all the characters to survive a life full of sufferings and misfortunes throughout the plots. But this paper has a fresh approach to explore the philosophy of optimism in Hardy’s novels that how the male and female characters, despite facing the irony of fate and chance, have a shining line of hope, faith and love in their lives. He accepted the fact that humanity goes forward from darkness to light, from despair to hope and from pessimism to optimism. He was endowed with optimism as he always hoped for advancement and betterment in every sphere of life. He valued certain outstanding basic values like hope, love, affection, sympathy, kindness, gentility, and selflessness. A humble effort has been made in the present paper to trace out these ‘good things in the bad things’ in the novels of Thomas Hardy. Hence, it can be seen that Hardy has been proved as the surveyor of human spectrum in all its aspects, at times striking a note of discord, but on the whole presenting a case of doing the mechanism of accidentalism for the robust optimism over pessimism in his novels.


2020 ◽  
Vol 5 (3) ◽  
pp. 408
Author(s):  
Winda Khoirun Nisak ◽  
Furaidah Furaidah ◽  
Gunadi Harry Sulistyo

<p><strong>Abstract:</strong> This research is a study of assessing the representation of gender in elementary school textbooks used by an international curriculum that is widely used in 160 countries throughout the world. The content analysis used to lead the representation of the male and female on the textbooks. The findings of this study indicate that the gender representation formed in the textbook shows the existence of gender equality which is reflected in the balanced emergence of male and female characters that appear in textbooks, the prevalence of the professional picture of men and women and the balance of household activities reflected in the textbook.</p><strong>Abstrak:</strong> Penelitian ini merupakan penelitian mengenai representasi gender di buku teks siswa sekolah dasar yang dipakai oleh kurikulum internasional yang tersebar luas di 160 negara di seluruh dunia. Konten analisis dipakai untuk melihat representasi dalam buku. Temuan dari penelitian ini menunjukkan bahwa konstruksi gender yang terbentuk dalam buku teks tersebut menunjukkan adanya kesetaraan gender yang tercermin dari berimbangnya kemunculan karakter laki laki dan perempuan yang muncul dalam buku teks, meratanya gambaran profesi laki-laki dan perempuan serta berimbangnya kegiatan rumah tangga yang tercermin dalam buku teks.


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