scholarly journals Prosodic and syntactic focus in speech processing in Mandarin Chinese

2021 ◽  
Author(s):  
◽  
Mengzhu Yan

<p>It is well established that focus plays an important role in facilitating language processing, i.e., focused words are recognised faster and remembered better. In addition, more recent research shows that alternatives to a word (e.g., sailor as an alternative to captain) are more activated when listeners hear the word with contrastive prominence (e.g., ‘The captain put on the raincoat) (bold indicates contrastive prominence). The mechanism behind these processing advantages is focus. Focus has two broad conceptions in relation to its effect on language processing: focus as updating the common ground and focus as indicating alternatives. Considerable psycholinguistic evidence has been obtained for processing advantages consistent with the first conception, and this evidence comes from studies across a reasonably wide range of languages. But the evidence for the second conception only comes from a handful of closely related languages (i.e., English, Dutch and German). Further, it has largely been confined to contrastive accenting as a marker of focus. Therefore, it is not clear if other types of focus marking (e.g., clefts) have similar processing effects. It is also not known if all this is true in Mandarin, as there is very little research in these areas in Mandarin. Mandarin uses pitch expansion to mark contrastive prominence, rather than the pitch accenting found in Germanic languages. Therefore, the investigation of Mandarin expands our knowledge of these speech processing effects to a different language and language family. It also expands our knowledge of the relative roles of prosody and syntax in marking focus and in speech processing in Mandarin, and in general.  This thesis tested how different types of focus marking affect the perception of focus and two aspects of language processing related to focus: the encoding and activation of discourse information (focused words and focus alternatives). The aim was to see whether there is a link between the relative importance of prosodic and syntactic focus marking in Mandarin and their effectiveness in these aspects of language processing. For focus perception, contrastive prominence and clefting have been claimed to mark focus in Mandarin, but it has not been well tested whether listeners perceive them as focus marking. For the first aspect of processing, it is not yet clear what cues listeners use to encode focused information beyond prominence when processing a discourse. For the second aspect, there has been rapidly growing interest in the role of alternatives in language processing, but little is known regarding the effect of clefting. In addition, it is not clear whether the prosodic and syntactic cues are equally effective, and again little research has been devoted to Mandarin. Therefore, the following experiments were conducted to look at these cues in Mandarin.  Experiment 1, a norming study, was conducted to help select stimuli for the following Experiments 2, 3, 4A and 4B. Experiment 2 investigated the relative weights of prosodic and syntactic focus cues in a question-answer appropriateness rating task. The findings show that in canonical word order sentences, the focus was perceived to be on the word that was marked by contrastive prominence. In clefts where the prominence and syntactic cues were on the same word, that word was perceived as being in focus. However, in ‘mismatch’ cases, e.g., 是[船长]F 穿上的[雨衣]F ‘It was the [captain]F who put on the [raincoat]F’ (F indicates focus), the focus was perceived to be on raincoat, the word that had contrastive prominence. In other words, participants weighted prosodic cues more highly. This suggests that prosodic prominence is a stronger focus cue than syntax in Mandarin.  Experiment 3 looked at the role of prosodic and syntactic cues in listeners’ encoding of discourse information in a speeded ‘false alternative’ rejection task. This experiment shows that false alternatives to a word in a sentence (e.g., sailor to captain in ‘The captain put on the raincoat’) were more easily rejected if captain was marked with prosodic cues than with syntactic cues. This experiment shows congruent results to those of Experiment 2, in that prosodic cues were more effective than syntactic cues in encoding discourse information. It seems that a more important marker of focus provides more effective encoding of discourse information.  Experiments 4A and 4B investigated the role of prosodic and syntactic focus cues in the activation of discourse information in Mandarin, using the cross-modal lexical priming paradigm. Both studies consistently show that prosodic focus marking, but not syntactic focus marking, facilitates the activation of identical targets (e.g., captain after hearing ‘The captain put on the raincoat’). Similarly, prosodic focus marking, but not syntactic focus marking, primes alternatives (e.g., sailor). But focus marking does not prime noncontrastive associates (e.g., deck). These findings, together with previous findings on focus particles (e.g., only), suggest that alternative priming is particularly related to contrastive prominence, at least in languages looked at to date. The relative priming effects of prosodic and syntactic focus cues in Experiments 4A and 4B are in line with their relative weights in Experiments 2 and 3.   This thesis presents a crucial link between the relative weights of prosodic and syntactic cues in marking focus, their degrees of effectiveness in encoding discourse information and their ability to activate discourse information in Mandarin. This research contributes significantly to our cross-linguistic understanding of prosodic and syntactic focus in speech processing, showing the processing advantages of focus may be common across languages, but what cues trigger the effects differ by language.</p>

2021 ◽  
Author(s):  
◽  
Mengzhu Yan

<p>It is well established that focus plays an important role in facilitating language processing, i.e., focused words are recognised faster and remembered better. In addition, more recent research shows that alternatives to a word (e.g., sailor as an alternative to captain) are more activated when listeners hear the word with contrastive prominence (e.g., ‘The captain put on the raincoat) (bold indicates contrastive prominence). The mechanism behind these processing advantages is focus. Focus has two broad conceptions in relation to its effect on language processing: focus as updating the common ground and focus as indicating alternatives. Considerable psycholinguistic evidence has been obtained for processing advantages consistent with the first conception, and this evidence comes from studies across a reasonably wide range of languages. But the evidence for the second conception only comes from a handful of closely related languages (i.e., English, Dutch and German). Further, it has largely been confined to contrastive accenting as a marker of focus. Therefore, it is not clear if other types of focus marking (e.g., clefts) have similar processing effects. It is also not known if all this is true in Mandarin, as there is very little research in these areas in Mandarin. Mandarin uses pitch expansion to mark contrastive prominence, rather than the pitch accenting found in Germanic languages. Therefore, the investigation of Mandarin expands our knowledge of these speech processing effects to a different language and language family. It also expands our knowledge of the relative roles of prosody and syntax in marking focus and in speech processing in Mandarin, and in general.  This thesis tested how different types of focus marking affect the perception of focus and two aspects of language processing related to focus: the encoding and activation of discourse information (focused words and focus alternatives). The aim was to see whether there is a link between the relative importance of prosodic and syntactic focus marking in Mandarin and their effectiveness in these aspects of language processing. For focus perception, contrastive prominence and clefting have been claimed to mark focus in Mandarin, but it has not been well tested whether listeners perceive them as focus marking. For the first aspect of processing, it is not yet clear what cues listeners use to encode focused information beyond prominence when processing a discourse. For the second aspect, there has been rapidly growing interest in the role of alternatives in language processing, but little is known regarding the effect of clefting. In addition, it is not clear whether the prosodic and syntactic cues are equally effective, and again little research has been devoted to Mandarin. Therefore, the following experiments were conducted to look at these cues in Mandarin.  Experiment 1, a norming study, was conducted to help select stimuli for the following Experiments 2, 3, 4A and 4B. Experiment 2 investigated the relative weights of prosodic and syntactic focus cues in a question-answer appropriateness rating task. The findings show that in canonical word order sentences, the focus was perceived to be on the word that was marked by contrastive prominence. In clefts where the prominence and syntactic cues were on the same word, that word was perceived as being in focus. However, in ‘mismatch’ cases, e.g., 是[船长]F 穿上的[雨衣]F ‘It was the [captain]F who put on the [raincoat]F’ (F indicates focus), the focus was perceived to be on raincoat, the word that had contrastive prominence. In other words, participants weighted prosodic cues more highly. This suggests that prosodic prominence is a stronger focus cue than syntax in Mandarin.  Experiment 3 looked at the role of prosodic and syntactic cues in listeners’ encoding of discourse information in a speeded ‘false alternative’ rejection task. This experiment shows that false alternatives to a word in a sentence (e.g., sailor to captain in ‘The captain put on the raincoat’) were more easily rejected if captain was marked with prosodic cues than with syntactic cues. This experiment shows congruent results to those of Experiment 2, in that prosodic cues were more effective than syntactic cues in encoding discourse information. It seems that a more important marker of focus provides more effective encoding of discourse information.  Experiments 4A and 4B investigated the role of prosodic and syntactic focus cues in the activation of discourse information in Mandarin, using the cross-modal lexical priming paradigm. Both studies consistently show that prosodic focus marking, but not syntactic focus marking, facilitates the activation of identical targets (e.g., captain after hearing ‘The captain put on the raincoat’). Similarly, prosodic focus marking, but not syntactic focus marking, primes alternatives (e.g., sailor). But focus marking does not prime noncontrastive associates (e.g., deck). These findings, together with previous findings on focus particles (e.g., only), suggest that alternative priming is particularly related to contrastive prominence, at least in languages looked at to date. The relative priming effects of prosodic and syntactic focus cues in Experiments 4A and 4B are in line with their relative weights in Experiments 2 and 3.   This thesis presents a crucial link between the relative weights of prosodic and syntactic cues in marking focus, their degrees of effectiveness in encoding discourse information and their ability to activate discourse information in Mandarin. This research contributes significantly to our cross-linguistic understanding of prosodic and syntactic focus in speech processing, showing the processing advantages of focus may be common across languages, but what cues trigger the effects differ by language.</p>


2019 ◽  
pp. 002383091989036
Author(s):  
Sasha Calhoun ◽  
Emma Wollum ◽  
Emma Kruse Va’ai

This paper looks at the perception of prosodic prominence and the interpretation of focus position in the unrelated languages, Samoan and English. In many languages, prosodic prominence is a key marker of focus, so it is expected that prosodic prominence would affect judgments of focus position. However, it is shown that focus position, in turn, influences the perception of prosodic prominence according to language-specific expectations about the alignment between focus position and nuclear accent placement. Two sets of parallel perception experiments in Samoan and English are reported. In the first, participants judged the most prosodically prominent word in sentences which varied in syntactic construction (cleft/canonical) and intended stress position (subject/object). In both languages, participants were more likely to choose the intended stressed word if it was in the focus position. However, this effect was much larger in Samoan, which fits with its relatively lower functionality of prosodic prominence. In the second experiment, participants were asked to choose which question had been asked, consistent with subject or object focus. It was found that in both languages, participants weighted syntactic and prosodic cues to focus in line with expectations from their language. These findings have implications for how we conceive the role of prosodic prominence in speech processing across languages.


2021 ◽  
pp. 1-15
Author(s):  
Balázs SURÁNYI ◽  
Lilla PINTÉR

Abstract This study investigates children's identification of prosodic focus in Hungarian, a language in which syntactic focus-marking is mandatory. Assuming that regular syntactic focus-marking diminishes the disambiguating role of prosodic marking in acquisition, we expected that in sentences in which focus is only disambiguated by prosody, adult-like comprehension of prosodic focus-marking should be delayed in comparison to the Germanic and Romance languages investigated previously using the same experimental method that we adopted. Our results, confirming this prediction, suggest that the developmental trajectory of the comprehension of prosodic focus-marking may be substantially affected by cross-linguistic grammatical variation in the marking of focus.


2005 ◽  
Vol 17 (3) ◽  
pp. 530-541 ◽  
Author(s):  
Marcel C.M. Bastiaansen ◽  
Marieke van der Linden ◽  
Mariken ter Keurs ◽  
Ton Dijkstra ◽  
Peter Hagoort

Oscillatory neuronal dynamics, observed in the human electroencephalogram (EEG) during language processing, have been related to the dynamic formation of functionally coherent networks that serve the role of integrating the different sources of information needed for understanding the linguistic input. To further explore the functional role of oscillatory synchrony during language processing, we quantified event-related EEG power changes induced by the presentation of open-class (OC) words and closed-class (CC) words in a wide range of frequencies (from 1 to 30 Hz), while subjects read a short story. Word presentation induced three oscillatory components: a theta power increase (4–7 Hz), an alpha power decrease (10– 12 Hz), and a beta power decrease (16–21 Hz). Whereas the alpha and beta responses showed mainly quantitative differences between the two word classes, the theta responses showed qualitative differences between OC words and CC words: A theta power increase was found over left temporal areas for OC words, but not for CC words. The left temporal theta increase may index the activation of a network involved in retrieving the lexical semantic properties of the OC items.


Author(s):  
Frank Kügler ◽  
Sasha Calhoun

In many languages, prosody plays a key role in encoding information structure (IS). In general, focused elements are more prominent, while topical and given elements are less prominent. This chapter reviews evidence for prosodic cues to focus, topic, and givenness across a wide range of languages, in relation to a common IS framework. A typology is proposed of stress-based, phrase-based, and register-based focus-marking strategies. There are, however, some languages for which prosody does not seem to be relevant to marking focus, or for which prosody plays a role only when considered in conjunction with prosody–syntax interactions related to IS. Further, a critical review is presented of recent and long-standing theoretical claims in the literature that these different prosodic-marking strategies can be linked by overarching principles (e.g. focus-as-prominence, focus-as-alignment, or focus-as-register).


2019 ◽  
Author(s):  
David M. Lydon-Staley ◽  
Emily B. Falk ◽  
Danielle S Bassett

Sensation-seeking is the seeking of varied, novel, and intense experiences and the willingness to take risks in order to engage in these experiences. Sensation-seeking is robustly associated with engagement in risky behaviors but important questions remain concerning the role of within-person variability in sensation-seeking. We use data from a 21-day daily diary protocol from 167 participants (mean age = 25.37, SD = 7.34) to test day-to-day, within-person associations between sensation-seeking and both alcohol use and self-reported risk-taking. Participants also reported the riskiest behavior they engaged in each day, allowing insight into the types of risks that participants take during the course of daily life. Multilevel model results indicate that days of higher than usual sensation-seeking are more likely to be days on which alcohol is consumed relative to days of no alcohol use, and that risk-taking is higher than usual on days of higher than usual sensation-seeking. Coupling natural language processing with network science tools, we reduce 2490 self-reports of the day’s riskiest behavior to 20 communities reflecting a wide range of risk domains, including social, school, work, and drug use risks. Creating a risk-taking diversity score based on the identified domains of participant-elicited risk behaviors, we find that trait sensation-seeking is positively associated with greater diversity in the types of risks reported. In sum, we capture day-to-day fluctuations in sensation-seeking, observe that sensation-seeking and both alcohol use and risky behaviors are associated at the within-person level, and provide insight into the types of risks taken during the course of daily life.


Author(s):  
Yike Yang ◽  
Si Chen

This paper investigated whether and how individual speakers of Mandarin Chinese (Mandarin) mark prosodic focus (broad focus vs verb focus) differently in their production, and tested focus effects on mean F0, duration and intensity. The findings indicated the role of the three acoustic cues in Mandarin focus marking at both the group and individual levels. Meanwhile, the individual data showed great variations among speakers in terms of the extent to which the cues were employed. It is proposed that the dynamics of acoustic cues should be considered in future studies and caution should be taken when selecting stimuli for focus perception studies.


2008 ◽  
pp. 61-76
Author(s):  
A. Porshakov ◽  
A. Ponomarenko

The role of monetary factor in generating inflationary processes in Russia has stimulated various debates in social and scientific circles for a relatively long time. The authors show that identification of the specificity of relationship between money and inflation requires a complex approach based on statistical modeling and involving a wide range of indicators relevant for the price changes in the economy. As a result a model of inflation for Russia implying the decomposition of inflation dynamics into demand-side and supply-side factors is suggested. The main conclusion drawn is that during the recent years the volume of inflationary pressures in the Russian economy has been determined by the deviation of money supply from money demand, rather than by money supply alone. At the same time, monetary factor has a long-run spread over time impact on inflation.


2018 ◽  
Vol 7 (2) ◽  
pp. 117-128 ◽  
Author(s):  
Erin Sullivan ◽  
Marie Louise Herzfeld-Schild

This introduction surveys the rise of the history of emotions as a field and the role of the arts in such developments. Reflecting on the foundational role of the arts in the early emotion-oriented histories of Johan Huizinga and Jacob Burkhardt, as well as the concerns about methodological impressionism that have sometimes arisen in response to such studies, the introduction considers how intensive engagements with the arts can open up new insights into past emotions while still being historically and theoretically rigorous. Drawing on a wide range of emotionally charged art works from different times and places—including the novels of Carson McCullers and Harriet Beecher-Stowe, the private poetry of neo-Confucian Chinese civil servants, the photojournalism of twentieth-century war correspondents, and music from Igor Stravinsky to the Beatles—the introduction proposes five ways in which art in all its forms contributes to emotional life and consequently to emotional histories: first, by incubating deep emotional experiences that contribute to formations of identity; second, by acting as a place for the expression of private or deviant emotions; third, by functioning as a barometer of wider cultural and attitudinal change; fourth, by serving as an engine of momentous historical change; and fifth, by working as a tool for emotional connection across communities, both within specific time periods but also across them. The introduction finishes by outlining how the special issue's five articles and review section address each of these categories, while also illustrating new methodological possibilities for the field.


Author(s):  
C. Claire Thomson

The first book-length study in English of a national corpus of state-sponsored informational film, this book traces how Danish shorts on topics including social welfare, industry, art and architecture were commissioned, funded, produced and reviewed from the inter-war period to the 1960s. For three decades, state-sponsored short filmmaking educated Danish citizens, promoted Denmark to the world, and shaped the careers of renowned directors like Carl Th. Dreyer. Examining the life cycle of a representative selection of films, and discussing their preservation and mediation in the digital age, this book presents a detailed case study of how informational cinema is shaped by, and indeed shapes, its cultural, political and technological contexts.The book combines close textual analysis of a broad range of films with detailed accounts of their commissioning, production, distribution and reception in Denmark and abroad, drawing on Actor-Network Theory to emphasise the role of a wide range of entities in these processes. It considers a broad range of genres and sub-genres, including industrial process films, public information films, art films, the city symphony, the essay film, and many more. It also maps international networks of informational and documentary films in the post-war period, and explores the role of informational film in Danish cultural and political history.


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