scholarly journals Women’s Place in Film History: the Importance of Continuity

Panoptikum ◽  
2020 ◽  
pp. 10-23
Author(s):  
Dina Iordanova
Keyword(s):  
Critical Mass ◽  
Film History ◽  
Eastern European ◽  
Film Maker ◽  
European Cinema ◽  
Self Study ◽  
World Cinema ◽  
History Of ◽  
Women's Cinema ◽  
International Festival

The author calls for continuity and continuation of the study of women’s cinema. Attention is drawn to the blurring of memory and even erasing women from the history of national film industries. They are not recognised as authors, while the history of cinema has been subject to the concept of the auteur film-maker. The filmmakers are made through the commitment and work of film critics and then cinema historians. The expert does not hide the fact that those relationships are strengthened by bonds of friendship, without the fear of being accused of having a lack of objectivity, and are often associated with the support of the author on the international festival circuit. The author calls for ‘watching across borders’, i.e. a supranational approach to the study of women’s cinema. Crossing the borders of national cinemas, in which the authors have not been recognised, allows a broader perspective to see the critical mass of the authors of world cinema. Politically, for the feminist cause, it is better to talk about European women’s cinema. Iordanova selects from the history of Central and Eastern European cinema, the names of authors who did not receive due attention. Moreover, she proposes specific inclusive and corrective feminist practices: the inclusion of filmmakers in the didactics, repertoires of film collections and festival selections; a commitment to self-study by watching at least one woman’s film a week.

scholarly journals New Central and East-European Cinema

1998 ◽  
Author(s):  
Christina Stojanova
Keyword(s):  
Eastern Europe ◽  
Everyday Life ◽  
Eastern European ◽  
Berlin Wall ◽  
East European ◽  
European Cinema ◽  
Short Films ◽  
History Of

UNE NOUVELLE EUROPE: THE DOUBLE QUEST OF NEW CENTRAL AND EAST-EUROPEAN CINEMA The Berlin Wall collapsed some eight years ago, along with the repressive totalitarian Communist regimes it came to symbolise, thus neatly wrapping up half a century in the history of Eastern Europe. Little has reached our shores, however, about the effects on everyday life of this unprecedented change, brought about by mostly "velvet" revolutions across the region. In March of this year Cinémathèque Québécoise launched Une Nouvelle Europe: A Panorama of Central and Eastern European Cinema, featuring 28 feature and 5 short films from 8 countries.(1) The selection was also presented in Toronto (Cinematheque Ontario, April 4-May 1, 1997) and in Vancouver (Pacific Cinematheque, March 22-May 1), under the title A New Europe: Reeling After The Fall. The organisation of the event was an arduous and time consuming task. It took more than a year and a...

Only Context: Canonising Humphrey Jennings/Conceptualising British Documentary Film History

2013 ◽  
Vol 10 (3) ◽  
pp. 395-414 ◽  
Author(s):  
Martin Stollery
Keyword(s):  
Documentary Film ◽  
Film History ◽  
Aesthetic Value ◽  
Historical Revisionism ◽  
Film Maker ◽  
Documentary History ◽  
Form Part ◽  
History Of ◽  
Institutional Contexts ◽  
Romantic Conception

This article assesses the predominant ways in which critics and historians have traditionally understood the career of Humphrey Jennings, long considered the British documentary movement's leading film-maker. The terms in which we have previously understood Jennings’ career form part and parcel of how we have hitherto narrated British documentary film history, as a ‘rise and fall’ story that ends around the time of his death. The assumptions underlying this story are now up for debate. This article is therefore an exercise in positive historical revisionism. It is not an attempt to diminish Jennings’ reputation. The canonisation of film-makers and other cultural figures is a historical process as much as it is a recognition of inherent aesthetic value. This article makes visible some of the historical and institutional contexts framing the emergence of three different versions of ‘Jennings’. These can broadly be summarised as: the quality film-maker; the poet; the modernist. Underpinning the latter two versions, ever since the publication of Lindsay Anderson's classic article ‘Only Connect’ in 1954, are three assumptions: a relatively conventional Romantic conception of Jennings as an individual artist, the people's war as a central point of reference, and the ‘rise and fall’ story of British documentary history. This article concludes that dislodging these assumptions can fruitfully lead to valid new perspectives on both Jennings and the longer history of British documentary.

scholarly journals Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema")

2010 ◽  
Vol 2 (1) ◽  
pp. 27-40
Author(s):  
Valeriy Nikolaevich Turitsyn ◽  
Valery Nikolayevich Turitsyn
Keyword(s):  
Detailed Analysis ◽  
Similar Process ◽  
Creative Work ◽  
European Cinema ◽  
Local Variant ◽  
Blowing Up ◽  
World Cinema ◽  
The World ◽  
History Of ◽  
The 1960S

Since the French "nouvelle vague" of the late 1950s the world cinema has experienced a succession of "waves" which first rolled around some European countries and by blowing up cinematic traditions to this or that extent, led to the birth of the so-called "new cinema" (e.g. in Czechoslovakia or in Germany in the 1960s - 1970s). In Finland the similar process in its local variant occurred in the 1980s. For the most part it was connected with the Kaurismaki brothers' films, primarily with the works of the younger brother, Aki. By the early 1990s he became one of the renowned masters of not only Finnish but the "new European cinema". This article doesn't aspire to give a full detailed analysis of Aki Kaurismaki's film career. Instead, by concentrating on two "polar" films made by this original director, it presents an attempt to line out the range of his creative work and some characteristics of his poetics

European Integration

2020 ◽  
Author(s):  
Johann P. Arnason
Keyword(s):  
European Integration ◽  
Eastern European ◽  
The European Union ◽  
Historical Processes ◽  
History Of ◽  
External Conditions ◽  
Eastern European Countries ◽  
Totalitarian Regimes ◽  
The Eu

Different understandings of European integration, its background and present problems are represented in this book, but they share an emphasis on historical processes, geopolitical dynamics and regional diversity. The introduction surveys approaches to the question of European continuities and discontinuities, before going on to an overview of chapters. The following three contributions deal with long-term perspectives, including the question of Europe as a civilisational entity, the civilisational crisis of the twentieth century, marked by wars and totalitarian regimes, and a comparison of the European Union with the Habsburg Empire, with particular emphasis on similar crisis symptoms. The next three chapters discuss various aspects and contexts of the present crisis. Reflections on the Brexit controversy throw light on a longer history of intra-Union rivalry, enduring disputes and changing external conditions. An analysis of efforts to strengthen the EU’s legal and constitutional framework, and of resistances to them, highlights the unfinished agenda of integration. A closer look at the much-disputed Islamic presence in Europe suggests that an interdependent radicalization of Islamism and the European extreme right is a major factor in current political developments. Three concluding chapters adopt specific regional perspectives. Central and Eastern European countries, especially Poland, are following a path that leads to conflicts with dominant orientations of the EU, but this also raises questions about Europe’s future. The record of Scandinavian policies in relation to Europe exemplifies more general problems faced by peripheral regions. Finally, growing dissonances and divergences within the EU may strengthen the case for Eurasian perspectives.

О ВИДЕ РОДА RORIPPA (BRASSICACEAE) С НИЖНЕЙ ВОЛГИ, "БОТАНИЧЕСКИЙ ЖУРНАЛ"

2013 ◽  
pp. 765-766
Author(s):  
А.П. ЛАКТИОНОВ ◽  
Е.В. МАВРОДИЕВ
Keyword(s):  
European Russia ◽  
Eastern European ◽  
The South ◽  
South Eastern ◽  
Lower Volga ◽  
History Of

The history of the putative endemic of the Lower Volga valley (the South-Eastern European Russia) Rorippa wolgensis Fursajev ex Laktionov et Mavrodiev nom. nov. is briefly discussed.

Cinema Expanded

2020 ◽  
Author(s):  
Jonathan Walley
Keyword(s):  
New Media ◽  
Film History ◽  
Video Art ◽  
Experimental Film ◽  
Art World ◽  
Film Culture ◽  
Moving Image ◽  
Avant Garde ◽  
Expanded Cinema ◽  
History Of

Cinema Expanded: Avant-Garde Film in the Age of Intermedia is a comprehensive historical survey of expanded cinema from the mid-1960s to the present. It offers an historical and theoretical revision of the concept of expanded cinema, placing it in the context of avant-garde/experimental film history rather than the history of new media, intermedia, or multimedia. The book argues that while expanded cinema has taken an incredible variety of forms (including moving image installation, multi-screen films, live cinematic performance, light shows, shadow plays, computer-generated images, video art, sculptural objects, and texts), it is nonetheless best understood as an ongoing meditation by filmmakers on the nature of cinema, specifically, and on its relationship to the other arts. Cinema Expanded also extends its historical and theoretical scope to avant-garde film culture more generally, placing expanded cinema in that context while also considering what it has to tell us about the moving image in the art world and new media environment.

scholarly journals A Few Issues Surrounding Research into the General History of Chinese Film

2021 ◽  
Vol 1 (1) ◽  
pp. 83-99
Author(s):  
Yaping Ding
Keyword(s):  
Film History ◽  
Scientific Discipline ◽  
History Writing ◽  
Chinese Film ◽  
Comprehensive View ◽  
Broad Scope ◽  
History Of

Abstract The practice of film history highlights the value and significance of the researcher. A more comprehensive view of the situation of film history raises several issues. General research into the history of film is directly related to the production of film history. The question of how to reinvent general film history research is necessarily connected to ideologies, cultures, systems and concepts, as well as the broad scope and complexity of film history. Writing a general history of Chinese film demands a combination of innovation and continuing tradition, with an emphasis on the construction of a rational and scientific discipline of film history and historical empiricism. The aim should be a more rational history. The paper expresses my own thoughts and efforts with respect to relevant issues and attempts to deepen and open up general research into the history of Chinese film.

scholarly journals History of sports medicine in east European countries

2015 ◽  
Vol 68 (1-2) ◽  
pp. 59-65
Author(s):  
Biljana Lazovic ◽  
Sanja Mazic ◽  
Marina Djelic ◽  
Jelena Suzic-Lazic ◽  
Radmila Sparic ◽  
...  
Keyword(s):  
Sports Medicine ◽  
Medical Knowledge ◽  
European Countries ◽  
Historical Background ◽  
Eastern European ◽  
Cultural Changes ◽  
East European ◽  
Psychological Pressure ◽  
History Of ◽  
Eastern European Countries

The purpose of this article is to provide a historical background of medicine, science and sports with the focus on the development of modern sports medicine in European countries, with an accent on Eastern European countries that have a long sports medicine tradition. The development of modern sports medicine began at the end of 19th and the beginning of 20th century, and it has been associated with social and cultural changes in the world of medicine, science and sports. Advanced medical knowledge, skills and practices, and the progress of scientific achievements enabled sports people to improve their performance level. Increased popularisation and commercialisation of sports have resulted from urbanization and city lifestyle, leading to the lack of physical activity and increased psychological pressure. In addition, the growing need and interest in sports and successes in professional sports have become a symbol of international recognition and prestige for the nations.

An Historiographical Guide to Subcarpathian Rus'

1973 ◽  
Vol 9 ◽  
pp. 201-265
Author(s):  
Paul R. Magocsi
Keyword(s):  
The United States ◽  
General Nature ◽  
Eastern European ◽  
European Languages ◽  
Article Deal ◽  
Enormous Amount ◽  
History Of ◽  
Roman Jakobson ◽  
Political Economic ◽  
Cultural Developments

It is customary among western scholars who have written about the Carpatho-Rusyns to consider them “the most forgotten among the forgotten.”2 Little is known in the West about the political, economic, and cultural developments of Subcarpathian Rus', especially before 1918. Yet such an enormous amount of material has been written in eastern European languages about this territory that as early as 1931 the noted Slavic linguist Roman Jakobson could write: “In the whole east Slavic world, there is hardly any other marginal area whose past has been examined with such affectionate meticulousness and scholarliness as Carpatho-Russia.”3The present study is intended as an introductory guide to the voluminous historiography of Subcarpathian Rus'. The material has been arranged according to the following topical and chronological subdivisions: bibliographical aids; general historical studies; early history to 1514; 1514 to 1711; 1711 to 1848; 1848 to 1918; 1918 to 1938; October, 1938, to March, 1939; 1939 to 1944; 1945 to the present; cultural developments; Rusyns in Hungary; Rusyns in Jugoslavia; and Rusyns in the United States. Works will be discussed under the heading which most nearly describes the period dealt with in the text regardless of the date of publication. The time periods were not designated arbitrarily but are based on certain historical events the significance of which will be clarified in the appropriate subsection. Most studies treated in this article deal exclusively or primarily with Subcarpathian Rus' only a few are concerned with problems of a more general nature. Many studies dealing with the recent history of the area are not necessarily included because they represent sound historical research but because they are valuable, highly selective accounts of crucial events, many of them written by the participants themselves.

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