scholarly journals The Importance of Imagined Communities – and Benedict Anderson

Author(s):  
Craig Calhoun ◽  
Author(s):  
Sinéad Moynihan

This chapter examines fictional Returned Yanks – notably in Julia O’Faolain’s No Country for Young Men (1980), Benedict Kiely’s Nothing Happens in Carmincross (1985) and Roddy Doyle’s The Dead Republic (2010) – who become involved in and/or comment on the Northern Irish ‘Troubles.’ This conflict, through its resurgence in the late 1960s, challenged optimistic and prematurely celebratory attitudes towards Irish modernisation that claimed that nationalism and ‘atavistic’ ideological attachments would disappear through the modernisation process. However, an understanding of nationalism that sees insurgency as antithetical to modernity is fallacious for, as Benedict Anderson argued so influentially in Imagined Communities (1983), nationalism is a product of modernity. Many Troubles narratives feature Irish Americans whose parents or grandparents were involved in the nationalist struggle in the 1920s and who retain a recalcitrant commitment to the ideal of a united Ireland. In narratives of the Troubles, then, the Returned Yank is a kind of revenant or ghost from a past which the southern state – whose authority was profoundly undermined in the 1970s and 1980s by Northern republican challenges to its legitimacy – wishes to disavow.


2021 ◽  
Vol 9 (4) ◽  
pp. 41-47
Author(s):  
Shaista Shahzadi ◽  
Muhammad Hanif ◽  
Ali Ahmad ◽  
Hira Ali ◽  
Mehnaz Kousar

Purpose of the study: The main purpose of this study is to analyze the novel The Golden Legend by Nadeem Aslam in the light of the concept of Nationalism given by Benedict Anderson in Imagined communities. Methodology: The entire data is evaluated by the entire text related to nationalism. This research is based on qualitative research skills. The basic resource of this research is the novel of Nadeem Aslam, named The Golden Legend. Further, the other resources used in this research are the journals or the articles regarding or reflecting the explanation of this novel (The Golden Legend). Main Findings: The findings depict a wonderful series of characters who have humanity in their hearts; they have love and respect for others, either the other person is from their religion or a different one. It is a story of sorrow and the game of religions in the world which is being played under the acts of the political authorities. Applications of this study: This study can be applied to the nationalism literature. Novelty/Originality of this study: The study is one of its kind because, after a careful analysis of the literature available, it is safe to say that no study is done up till now on analyzing the concept of nationalism in the Golden Legend.


2021 ◽  
Vol 16 (27) ◽  
pp. 104
Author(s):  
João Vitor Pinto Ferreira ◽  
Carlos Eduardo Marquioni

O RAP é uma base do movimento Hip-Hop; no artigo, o gênero musical é analisado culturalmente (Raymond Williams) considerando o compartilhamento de significados observado entre os indivíduos que estabelecem uma espécie de “comunidade imaginada” (Benedict Anderson) de abrangência global a partir da música, que conta com adaptações a contextos locais. A partir de contextualização histórica, são apresentados casos de ocorrência do RAP no Brasil que evidenciam – complementarmente às (ou para além das) críticas sociais do gênero (eventualmente confundidas pelo senso comum como apologia ao crime) – casos de manifestações de afeto que permitem estabelecer relações com as origens do gênero musical. RAP and Communication: global imagined communities materialized in local communicational practices and processesAbstractRAP music is one basis of Hip-Hop movement; in this paper, the musical genre is analyzed culturally (Raymond Williams), from the sharing of meanings observed between the individuals that pertain to a kind of global “imagined community” (Benedict Anderson) established from the musical genre that has adaptations to local contexts. Starting from a historical contextualization of RAP music, the paper presents cases of its occurrence in Brazil that materialize affect manifestations, enabling to relate contemporary occurrences of RAP with the origins of the musical genre – complementarily to (or even beyond) the usual RAP’s social critics (typically mistaken for apology for crime in commonsense). Keywords: RAP; hip-hop; culture; imagined communities; communication.


2020 ◽  
Vol 32 (2) ◽  
pp. 441-448
Author(s):  
Manu Goswami

Benedict Anderson’s Imagined Communities is the single most cited English-language text in the human sciences. The article reconsiders its original argument, its astonishing multidisciplinary impact, and its more recent trajectory.


2011 ◽  
Vol 55 (10) ◽  
pp. 1346-1361 ◽  
Author(s):  
Ulrich Beck

Modern societies—Western and non-Western alike—are confronted with qualitatively new problems, which create the “cosmopolitan imperative”: cooperate or fail! This cosmopolitan imperative arises because of global risks: nuclear risks, ecological risks, technological risks, economic risks created by radicalized modernity and insufficiently regulated financial markets, and so on. These new global risks have at least two consequences: First, they mix the “native” with the “foreign” and create an everyday global awareness, and second therefore, the concept of imagined communities, so beautifully outlined by Benedict Anderson, has to be redefined. However, the result of global interconnectedness is not a “pure” normative cosmopolitanism of a world without borders. Instead, these risks produce a new “impure” cosmopolitization—the global other is in our midst. What emerges is the universal possibility of “risk communities” that spring up, establish themselves, and become aware of their cosmopolitan composition—“imagined cosmopolitan communities” that might come into existence in the awareness that dangers or risks can no longer be socially delimited in space or time.


2016 ◽  
Vol 33 (7-8) ◽  
pp. 329-333
Author(s):  
Rita Padawangi

In this article, I reflect on Benedict Anderson’s work on Indonesian urbanism. There are at least three concepts from Anderson’s work, particularly Imagined Communities, which deserve further attention in Indonesia’s urban studies, namely: 1) political cultures; 2) territorial boundaries; and 3) the urban scale of imagined communities. Besides the conceptual dimensions, the perspectives of Anderson’s work that featured ethical stance and strong commitments are useful principles in studying urbanisms in Indonesia, particularly in dealing with pragmatism in urban development. The three conceptual dimensions, along with the critical stance toward political and economic elites, point towards paying increased attention to marginalized communities in conducting urban research.


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