ANTHROPOLOGICAL DOCTRINES OF THE RUSSIAN THEOSOPHISTS OF THE EARLY 20TH CENTURY

Author(s):  
Artem I. Shevchuk ◽  

The article suggests a typology of Russian theosophical anthropological theories of the early 20th century and offers an analysis of the root causes of disputes between theosophists on anthropological matters. Christian theosophists, who were critical about the Orientalist elements of theosophical doctrines, preferred to draw upon the Christian tradition, while synthesizing it with certain theosophical concepts. Russian theosophists, leaning towards the traditional theosophical doctrine, espoused the idea of universal nature of religious anthropology and often preferred the Oriental approach to anthropology. Nevertheless, they had regard to the Christianity and sought to homologate Oriental anthropology with the Christian one. Millennial expectations were common with the theosophists; they believed that a new era was approaching that would result in a change of the human nature. Many of them reckoned that the human nature could be transformed through spiritual practices. Like many other advocates of Esotericism of those times, theosophists engaged scientific concepts to justify their anthropological views and referred to experimental evidences that would allow revealing the Invisible. For all of their differences, theosophical approaches to anthropology had some shared features and reflected the trends that were common in that age

Author(s):  
Tikhon V. Spirin ◽  

The article addresses the core anthropological concepts of Carl Du Prel’s philosophy and explores the significance of those concepts for the Russian spiritualism of the late 19th – early 20th century. The Du Prel’s theory built up upon the concept of Duality of the Human Being. Du Prel insisted on simultaneous co-existence of two subjects – one pertaining to the sensible world and the other related to the extrasensory (‘the transcendental subject’) – that are divided by the ‘perception threshold’. He argued that in dormant and somnambular state the threshold would shift and thus enable the Transcendental Subject to act in the Extrasensory World. Du Prel believed that the human evolution is not over yet. He suggested that one could estimate what the new form of the human life would be judging by the conditions in which the transcendental subject comes out. Like many other spiritualists, Du Prel foretold the upcoming dawn of a new era where the boundary between science and religion on the one part and the Sensible and Extrasensory World on the other part will vanish. Anthropological doctrine of Du Prel correlated well with the views on the future human being held by the Russian spiritualists, and therefore he became one of the most reputable authors for them


2004 ◽  
Vol 100 (3) ◽  
pp. 568-571 ◽  
Author(s):  
Kiarash Shahlaie ◽  
Joseph C. Watson ◽  
Daniel R. Benson

✓ Ivan Petrovich Pavlov and Harvey William Cushing were two of the most prominent neuroscientists of the early 20th century. Their contributions helped advance the understanding of the brain and its disorders, and propelled neuroscience into a new era of research and treatment. Although separated geographically and culturally, Pavlov and Cushing exchanged letters and followed one another's careers from afar. They met only a few times, during international scientific gatherings in the US and abroad. These encounters were captured in journal entries, letters, and photographs, and provide a glimpse into the lives of these two great men and the history of neuroscience at the turn of the last century.


Author(s):  
T. Vilhovchenko

The article traces the historical stages of the emergence and development of modern choreography, its main directions, the influence of outstanding choreographers on the development of the plastic language of modern dance. It is noted that modern dance and its many and varied styles, types, forms arouse interest and the most controversial reactions from both the viewer and the critic. The concept of "modern choreography" was used and was relevant at every stage of the historical development of dance. In this or that historical period, dance was considered innovative and in line with the spirit of its time. Particular attention is paid to modern dance in the article. It incorporated both the aesthetic principles of the early 20th century and the further transformation of the modern dance of the second half of the 20th - early 21st centuries. The work also explores the emergence of the theory of movement, which appeared at the turn of the 19th - 20th centuries. However, despite the absence of a system of choreographic structure, tools for its analysis have already been proposed. This dance did not have a specific form and was aimed at conveying a person's spiritual state. In parallel with the birth of modern dance, new views on its perspectives were framed. The innovators sought to minimize the importance of costume, music, and decoration while maximizing lexical material and depth of thought, which rejected any canons of dance composition. It marked the beginning of a new era - the postmodern era, in which modern choreography evolves, moves in search of new forms and means of expression, changes, creating a new vocabulary, artistic symbols, and understandable signs.


2011 ◽  
Vol 14 (2) ◽  
pp. 76-82
Author(s):  
Luong Thi Thu Tran

The paper analyzes the setting and mobilization of Vietnamese revolution in the early 20th century to affirm that the deadlock of old-style struggles, the change and innovation of the world’s climate, and the urge of historical requirements brought to Vietnam of the early 20th century the going-abroad movement for national salvation by Leader Nguyen Ai Quoc. These going-abroad patriotic combatants seeking for ways to national salvation in the early 20th century were pioneers who did trigger a new era – the period of Vietnam’s revolutionary integration into the world’s revolution.


Author(s):  
John Cheng

This essay considers the expressive and figurative dynamics of Asians in science fiction in the early 20th century. Racial sentiment and policy in the era saw and defined Asians as “ineligible aliens” to exclude from immigration and citizenship. Asian figures expressed these dynamics in science fiction, adapting Orientalist tropes and Yellow Peril themes to the imperatives of the emergent genre. The invisible menace of villainous masterminds like Fu Manchu from crime and detective fiction were refigured as visible science fiction foes whose defeat redeemed the power and potential of science from its degenerate and dehumanizing application. Asian racial tropes aligned particularly with science fiction’s concern about extra-terrestrial life forms. While the term “alien” was not used in the period for such creatures, its later prominence expressed valences and associations, particularly with “invasion,” that Asians originally represented in the genre.


Prospects ◽  
1996 ◽  
Vol 21 ◽  
pp. 169-192
Author(s):  
Kathleen Brogan

Part German-American and part Chippewa, Louise Erdrich has described the “mixed blood's” quest as a search for parentage, an attempt to understand self by interrogating genealogy. In the opening paragraphs of Tracks, a novel set on a North Dakota Chippewa reservation in the early 20th century, Erdrich reveals that the investigation of background necessarily entails an entrance into the world of ghosts. When the narrator Nanapush addresses the young woman listening to his unfolding account of her familial and tribal past as a “child of the invisible, the ones who disappeared,” he simultaneously connects an awareness of the ghostly presence of the dead with the discovery of identity and the creation of history. The narrator's conjuring of “invisible ancestors and “ghosts” (2) who inhabit tribal woods introduces haunting as Erdrich's central metaphor for the way the past shapes and is shaped by the present.


Author(s):  
Natalya M. Sachkova ◽  

The research examines the specifics of reception of Yoga anthropology in Russia and its dissemination paths. The end of 19th – early 20th century was marked by the appearance of Russian translations of the academic research, in which Yoga was viewed as one of the Indian philosophical schools. In the same time, the West was witnessing an onset of popularization of Yoga by representatives of Neo-Vedanta, whose writings were also translated into Russian. Those writings were of a popular nature, since their authors sought to make Yoga understandable for Western readers. For the Occult community, the practical aspect of Yoga was the most attractive one. Occultists regarded Yoga as a method of anthropological perfection – both spiritual and physical – and eventual attainment of superhuman powers. Yoga popularization in Russia was to a considerable extent promoted by theosophists, who built their interpretations on contrasting Hatha Yoga and Raja Yoga. In the writings of theosophists, Yoga was presented as a path to attaining arcane knowledge. Russian Occultists created their original interpretations of Yoga. Christian theosophist M.V. Lodyzhensky, despite of considering Yoga as a path to attaining the Superconscious, gave it less appreciation compared to Christian heritage, thus emphasizing the supremacy of Christian tradition. P.D. Uspensky viewed Yoga through the lens of his concept of the Superman, and believed that Yoga practice is a way to achieve an overhuman condition, which the entire humanity will ultimately reach. The interest of Russian community to Yoga should be considered in the context of interest towards the Eastern culture and the belief in the possibility of upcoming transformation of the human nature that were common with the European society of that age


Organization ◽  
2018 ◽  
Vol 26 (4) ◽  
pp. 492-516 ◽  
Author(s):  
Franck Cochoy ◽  
Johan Hagberg ◽  
Hans Kjellberg

This article is part of a project examining the long-term process of price display digitalization, ranging from manually written prices to contemporary electronic shelf labels. Based on the etymology of the term ‘digital’ (from digitus, finger or toe), we intend to show that the display of prices in retail settings surprisingly rests on a long-term digitalization process that started in the early 20th century. The study is based on a systematic reading of the trade magazine The Progressive Grocer during its first decades (1922-1947). This magazine assisted independent American grocers in their move from counter-service to self-service, and in facing the challenges of new competitors like chain stores and supermarkets. In this process, the disclosure of prices and their proper writing—their ethno-graphy—was central. We focus on a crucial and transitional period: the move from coded to open prices. This period entailed a double development of price ‘fingerization’ (using the fingers to write the prices) and price ‘de-fingerization’ (getting rid of handwriting thanks to novel price tag and printing devices). Ethnographying these mundane evolutions illuminates the role of the fingers of the invisible hand that animates the market, so to say.


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