scholarly journals Sprechen Wir Deutsch? The construction of identity in Austria and South Tyrol

COMPASS ◽  
2017 ◽  
Vol 1 (2) ◽  
pp. 25-30
Author(s):  
Barbara L. Hilden

This paper examines some of the linguistic tools, techniques, means, and methods by which the populations of Austria and South Tyrol construct identity. In order to better situate these two communities, this paper begins with an overview of the conditions which led to the creation of each state. It then explains some of the ways in which language can be used as a tool of identity construction. Positioning theory details ways both these groups create categories of separationand belonging. Citing the use of Austrian German, dialect in literature, differing pronunciation, and lexical development, this paper examines how the population of Austria constructs a linguistic identity distancing itself from Germany. This paper also examines how, using similar linguistic tools such as pronoun use and naming techniques, the population of South Tyrol constructs its identity. In contrast to Austria, the South Tyroleans align themselves with Germany, creating closer ties with Germanic neighbours while distancing themselves from Italy. Each population positions itself in relation to Germany, either with or against, using linguistic tools to create a group identity.

Author(s):  
Zinaida V. Pushina ◽  
Galina V. Stepanova ◽  
Ekaterina L. Grundan

Zoya Ilyinichna Glezer is the largest Russian micropaleontologist, a specialist in siliceous microfossils — Cenozoic diatoms and silicoflagellates. Since the 1960s, she systematically studied Paleogene siliceous microfossils from various regions of the country and therefore was an indispensable participant in the development of unified stratigraphic schemes for Paleogene siliceous plankton of various regions of the USSR. She made a great contribution to the creation of the newest Paleogene schemes in the south of European Russia and Western Siberia, to the correlations of the Paleogene deposits of the Kara Sea.


Author(s):  
Anthony Shay ◽  
Barbara Sellers-Young

Ethnic groups have been defined as people who share a common ethos based on ancestry, nation, language and other identity markers. This volume brings scholars from across the globe that have incorporated perspectives from critical and cultural studies in an investigation of what it means to define oneself in an ethnic category and how this category is performed and represented as an ethnicity. The essays in this volume engage the four themes of identity construction, local and transnational politics, appropriation and related exotification, and resistance that are part of the ongoing discourse in the relationship between dance and ethnicity. Cumulatively, the essays in their research approach and methodology document the change that has taken place in dance studies from the ethnic as an easily identified category based on biology and geography to ethnicity as a fluid concept and dance as an active contributor to the creation and negotiation of it.


2020 ◽  
Vol 4 (1) ◽  
pp. 01-06
Author(s):  
Mariana Malvezzi ◽  
Tassara Tassara

Identity acts as a nucleus to the subject's references, their memories, their choices of life, to the construction of their history. Identity is, therefore, a minimal cellular basis from which life develops in its poetics of creation. The construction of identity thus has potential for the development of a critique, the establishment of a grammar of rules and conditions, for standing before the world. The path towards emancipation implies in exercising an external look at one's identity, the inherent existing narrative, to discover the paradigm of the minimum base from which one's life develops. With the increasing complexity of the postcolonial world, no straight or easy answer is at hand. The effort should draw towards the construction of conceptual tools that can enable reflection and critique. The humanities education, is one possible tool towards autonomy and emancipation once it encourages knowledge, construction and appraisal. The reflections brought to light through this work intends to fertilize the discussions about identity construction in the Brazilian present day context, characterized by a discourse that foster ruptures and decreases the possibilities of one’s identity. For this purpose, the current challenge of emancipation, will be developed through 6 analytical semantic dimensions which express the diversity and complexity of the actual scenario: Understanding identity, (CIAMPA, 1987; RICOEUR, 1990), as the synthetic goal of existence has the dynamism to give new possibilities to the frontier-men (HARTOG, 2004; LEVINÁS, 1972), whose challenge is the gain of consciousness of one’s own movement in the world. Marked by perversity (HONNETH, 2003) the present world enforces political, social, motivational, and subjective domination (CASTORIADIS, 1987). This scenario compels the frontier-men towards an emptied signifier alienating his possibilities of recognition. The search for emancipation (HABERMAS, 1983) asks for a critical look at the current formation of people's strategic thinking.


Author(s):  
Софья Антоновна Лагранская

Хорватское наивное искусство, зародившееся в небольшом селе Хлебине, неотделимо от обрядности, без которой невозможно представить течение деревенской жизни. Яркие и декоративные работы крестьянских художников крепко спаяны не только с народным искусством, но и с самим сельским бытом, с его ритмично повторяющимися циклами. В картинах хорватских живописцев особое внимание уделяется изображению различных семейных и календарных праздников. Прослеживаются в творчестве хлебинской школы и элементы архаических обрядов, сохранившиеся в культуре южных славян. Традиционные для хорватской деревни ритуалы не могли не оказать влияния на художников, они послужили плодородной почвой для создания яркой подстекольной живописи. Связь наивного и народного искусства по мере углубления в проблематику становится всё более и более явственной. Мышление хорватских наивных художников архетипично в том смысле, что под определенными образами и темами их творчества есть глубокая мифологическая основа: угадывается целый комплекс смыслов, присутствует ощущение первозданности природы и хрупкого слоя крестьянской цивилизации. Обращение к образам и символам земледельческих обрядов и праздников - это не просто дань традиции хлебинской школы, это внутренняя потребность выражения себя в этой вечной для художников, живущих на берегах Дравы, теме бытия крестьянского мира. Croatian naive art developed in the small village of Hlebine is inseparable from the rituals of village life. The bright, ornamental works of peasant artists are firmly tied not only to folk art, but also to rural life and its repetitive cycles. In the paintings of these Croatian artists specific attention is paid to the depiction of family and calendar holidays. Traditional Croatian village life has had a strong impact on the artists has served as fertile soil for the creation of bright colored painting. Elements of archaic rituals that are still preserved in the culture of the South Slavs may be seen in their works. The connection between naive and folk art becomes clearer as we delve deeper into it. The thinking of Croatian naive artists is archetypal in the sense that a deep mythological basis underlies certain images and themes of their work. A complex of meanings may be intuited; there is a sense of primeval nature and the fragile layer of peasant civilization. The appeal to images and symbols of agricultural rites and holidays is not just a tribute to the tradition of the Hlebine school; for artists living on the banks of the Drava it derives from an inner need to express themselves in these eternal themes of the peasant world.


Author(s):  
F. Sacristán - Romero

The objectives of satellites HISPASAT are oriented towards the search to satisfy necessities derived from the transport of television and radio signals. It tries the supplying of a basic and safe support of communications for the defence and security of the national territory, the creation of an infrastructure of channels for official networks, routes of data, restoration of connections, rural telephony. Also is wanted to foment the provision of television channels for the Hispanic community in the south and center of America and the broadcasting of services of television for people in general.


The A. C. Saunders site (41AN19) is an important ancestral Caddo settlement in the upper Neches River basin in Anderson County in East Texas. The site is one of only a few ancestral Caddo sites with mound features in the upper Neches River basin, particularly those that are known to date after ca. A.D. 1400, but this part of the upper Neches River basin, including its many tributaries, such as Caddo Creek just to the south and west, was widely settled by Caddo farmers after that time. These Caddo groups left behind evidence of year-round occupied settlements with house structures, middens, and outdoor activity areas, impressive artifact assemblages, as well as the creation of numerous cemeteries, most apparently the product of use by families or lineage groups.


2016 ◽  
Author(s):  
M. Ileana Landeros Casillas

El artículo pretende abordar dos temas principalmente: la construcción de la identidad de las mujeres gambianas actuales y el empoderamiento que han adquirido como parte del proceso de transformación al que se les ha forzado a introducirse. Ambos temas se vinculan con la narración fotográfica como una manera novedosa de hacer uso de los estudios artísticos a la luz de la construcción identitaria y el empoderamiento colectivo como base de proyectos económicos, políticos y socioculturales nacidosIdentity and empowerment of gambian women narrated through photographic speeches.The article intends to explore two topics in particular: the identity construction of current Gambian women and the empowerment that they have acquired as part of the transformation process that has forced them to enter by themselves. Both topics are linked with the photographic narration as a novel way of using art studies by the construction of identity and collective empowerment as the basis of economic, political and cultural projects born from the needs of these women. The speech is analyzed in this paper is created from the horizontality of the methodology Between Voices, considering subaltern studies, gender, feminist discourses and art education


Temida ◽  
2011 ◽  
Vol 14 (4) ◽  
pp. 21-36
Author(s):  
Jovan Ciric

In the nineties of the last century it was noticed in the U.S.A. that suddenly the number of crimes with violence in the inter-racial and inter-ethnical conflicts rose. Also the phenomenon of ignition of churches, religious and sacral objects, especially in the south of the U.S.A., objects which were used by black people, was recorded. Directly in relation to that - the term ?hate crimes? then arose in science and became outspread very quickly, primarily in criminology. Several events, and above all the murder of a young homosexual in Wyoming influenced for both the violence and the crimes commited towards the homosexuals and all due to the prejudices towards this sexual minority to be included in this term. Today, this term is used not only in the U.S.A. and not only in a criminological sense, but also in a purely legal sense to denote the crimes which were carried out under the influence of hate towards a correspondent racial, ethnical or sexual minority. This term is linked also to the terminology and thus the problems which are related to the ?hate speech?. The author of this paper writes about how this term arose in the first place and which problems emerge related to hate crimes and primarily in relation to the issues of expansion of democracy and tolerance, and also education, primarily among the police force and the young population. The author also ascertains that only with the law, no great effects in the battle against this phenomenon can be achieved and that before the criminal-legal intervention some other measures have to be approached, like the creation of an atmosphere of tolerance and the education of the citizens about the phenomenon of hate crimes.


Author(s):  
Antoni Biosca Bas

Resum: L’obra del poeta alacantí del segle XVI Josep Gosalbes de Cunedo ha passat a l’oblit. Alguns aspectes de la seua vida i obra mereixen atenció, com a mínim, per haver tractat temes propis de la seua terra. Alguns dels seus poemes tracten l’antiga Governació d’Oriola, al sud del regne de València, i celebren la creació del bisbat d’Oriola, motiu pel qual l’autor descriu el territori amb gust renaixentista. La seua amistat amb l’humanista Just Lipsi marca la seua biografia, on guerres i presó també estan presents.Paraules clau: poesia llatina; Renaixement; Oriola; Alacant; Just LipsiAbstract: The work of the 16th. century poet from Alicante Joseph Gosalbes of Cunedo has been forgotten. Some aspects of his life and work deserve attention, at least because he had written about topics of their own land. Some of his poems deal with the former Region of Orihuela, in the south of Valencia kingdom, and celebrate the creation of the diocese of Orihuela, so the author describes this territory in a Renaissance style. His friendship with the humanist Justus Lipsius mark his biography, where wars and prison are also present.Keywords: Latin poetry; Renaissance; Orihuela; Alicante; Justus Lipsius


2020 ◽  
Vol 10 (6) ◽  
pp. 36
Author(s):  
Barnali Talukder

The concepts of language and cultural identity of a speaker are entwined as they complement each other. However, translation poses a challenge to the identity language predominantly constructs. Therefore, translatable elements of language get the stage of universality while the untranslatable-s essentially bring forth the culture they are descended from. In this study, a short story collection from Bangladesh, Matijaner Meyera, where there is a celebration of diverse branches of Bengali language, has been brought to light to show how untranslatability of a number of culture-oriented vocabularies vibrantly tells about Bengali culture. The primary resource includes a lot many culture-oriented vocabularies as well as few phrases that English, as a language, cannot accommodate in it. Inability of other languages to penetrate such culture-rooted belongings of Bengali language showcases the power a language retains to protect itself from any invading force. This study has argued in favor of the untranslatable base of Bengali that English, due to cultural distance, cannot embrace linguistically. Therefore, such cultural difference eventually develops a distinct linguistic identity of Bengali through untranslatability that this study has attempted to divulge.


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