Harmony of Simplicity (Linguopoetics of the «Fourth Russian Book for Reading» by L.N. Tolstoy)

2018 ◽  
Vol 79 (8) ◽  
pp. 47-54
Author(s):  
D. A. Romanov
Keyword(s):  
Literary Tradition ◽  
Word Usage ◽  
Non Fiction ◽  
Russian Literary ◽  
The Creation

In the article the features of the new style of harmonious simplicity of Tolstoy, formed during his work on the creation of the «Great primer» are considered. The ways of rhythmizing the prosaic text, the nature of word usage, the reduction of the number of tropes and the peculiarities of using the small tropeic series, features of non-fiction narrative and techniques for constructing an emotional plot are analyzed through the example of the «Fourth Russian Book for Reading». Tolstoy’s linguopoetic methods, which later became part of the Russian literary tradition, are revealed.

scholarly journals City image as a personification of female nature in “The Dead [City of] Bruges” by Georges Raymond Constantin Rodenbach

2021 ◽  
Vol 27 (1) ◽  
pp. 106-109
Author(s):  
Marina A. Kozlova
Keyword(s):  
Literary Tradition ◽  
The Novel ◽  
City Image ◽  
Image System ◽  
The Creation ◽  
The Dead ◽  
The City

The paper is devoted to the peculiarities of the creation of the personified image of the city in the novel “The Dead [City of] Bruges” by Georges Raymond Constantin Rodenbach, which, according to the author himself, represents not only the protagonist, but also its organising force. The Belgian author draws on an earlier literary tradition, according to which the city appears to the poet's mind in the form of a woman. The image of the city is built on the combination and interaction of different elements, among which those that are considered in the article: the theme of duality, the motif of reflection, which becomes the main constructional principle of the image system of the novel, as well as references to mythological and literary archetypes. The theme of duplicity is directly connected with the category of correspondence or analogy, which is central to Rodenbach's oeuvre and forms a peculiar poetics of reflection and determines the choice of expressive means. Dualism is associated with a hostile, dark and demonic force, contrasted with the "holy" and infallible feminine ideal, embodied in the image of the perished beloved, who is also a prototype of the city. The poeticised image of the city is related to archetypical figures that are typical of European symbolism – first of all, Ophelia, but also Orpheus and Narcissus, all this through an appeal to the symbolism of water and the otherworld, then through the main character's attempt to overcome the border between worlds and create a new myth about love that defeats death.

Conclusion

2003 ◽  
Author(s):  
Katharine Hodgson
Keyword(s):  
Literary Tradition ◽  
Literary Texts ◽  
Soviet Literature ◽  
The World ◽  
Before And After ◽  
Russian Literary

This chapter presents some concluding thoughts. Part of the purpose of this study has been to recover a sense of the range and scope of the work of just one of the writers generally thought to be part of the world of official Soviet literature. Berggol′ts is known first of all for her wartime poetry; that work deserves to be placed firmly in the context of her writing before and after the war. Its importance should not be denied, but it should not be seen as a sudden, unprecedented outburst of creativity. In its exploration of Berggol′ts's writing, this study has shown that life and art became tightly entangled in her poetry and prose; the poet's own conviction that the two should be intimately connected is demonstrated by her texts. Yet it would be wrong to lose sight of the fact that we have been dealing with literary texts which must be viewed in relation to other literary texts. While much of what Berggol′ts wrote displays its connection with events in her life and in the life of her society, her writing also reveals its awareness of how others wrote. Russian literary tradition and the poetry of her contemporaries helped to form Berggol′ts's work.

Strategies for building a professional reputation of Russian emigres and self-educated writers

Neophilology ◽  
2020 ◽  
pp. 512-520
Author(s):  
Yuliya V. Kaminskaya ◽  
Oxana A. Tolstonozhenko
Keyword(s):  
Critical Reflection ◽  
Literary Tradition ◽  
Economic Benefits ◽  
Creative Work ◽  
Common Features ◽  
Cultural Conditions ◽  
The People ◽  
Professional Reputation ◽  
Russian Literary ◽  
Literary Process

We analyze the ways of constructing a writer's reputation in exceptional cultural conditions related to displacement of entire generations of authors to the literary process periphery and their lack of a “right to creative work”. We compare the experience of two conditionally distinguished large and heterogeneous groups – writers from the people who tried to declare themselves at the beginning of the 20th century as an independent current, and representatives of the Russian literary emigration. In addition to a number of common features (falling into the “blind zone” of generally recognized literature, internal isolation, leading to the fact that the majority of readers belong to the same environment as writer, the lack of economic benefits from publishing works), self-educated writers and emigres resorted to similar strategies for building a reputation. We find that representatives of both groups formulated a noble mission uniting them, aimed at serving na-tional literature, turned to the experience and poetics of predecessor writers to construct their own literary tradition, legitimizing their special creative path, and tried to structure their sub-field by creating associations and circles , as well as critical reflection of the current literary process.

scholarly journals The historical-biographical film: destinies and personalities

2021 ◽  
Author(s):  
Dumitru Olarescu ◽  
Keyword(s):  
Significant Role ◽  
National Cinema ◽  
Nonfiction Film ◽  
Non Fiction ◽  
History Of ◽  
Biographical Film ◽  
The Creation ◽  
The Times

The history of national cinema shows that the evolution of non-fiction biographical film began with subjects dedicated to prominent personalities. These were included in the film magazine “Soviet Moldova” and in the almanac “Life in pictures”. In 1961, the first historical-biographical film “The Legendary Brigade Commander”- a eulogy to Grigore Kotovski (director A. Litvin) appeared at the “Moldova-film” studio, followed by other films dedicated to the heroes of the times: Pavel Tkacenko, Elena Sârbu, Tamara Cruciok, which were dominated by a pronounced propagandistic character. A new level of national historical-biographical film can be noticed in the late 1960s and early 1970s, when the filmmakers: Emil Loteanu (“Academician Tarasevici”), Andrei Buruiană (“Ştefan Neaga”), Vlad Druc (“Ion Creangă”) made their debut. Yet, the idea of biography especially predominates in the creation of Anatol Codru, who played a significant role in the affirmation stage of this kind of nonfiction film, bringing through his films, “Alexandru Plămădeală”, “Alexei Şciusev”, “Dimitrie Cantemir”,”Vasile Alecsandri” a new breath in the context of the films made before him. He imposed himself through a poetic-philosophical vision on the destinies and the creation of the personalities, who contributed to the spiritual prosperity of the nation.

scholarly journals ‘Steppe’ motifs in the lyrical poetry of O. Mandelstam: Characteristic aspects of the art space

2021 ◽  
Vol 21 (1) ◽  
pp. 68-74
Author(s):  
Bella A. Mints ◽  
Keyword(s):  
Literary Tradition ◽  
Lyrical Poetry ◽  
Russian Literary ◽  
The Individual

The article deals with the development of poetic images and motifs associated with Mandelstam’s ideas about the steppe space. The author reveals national and universal aspects of this complex of images and motifs, as well as their connection with the Russian literary tradition and the individual poetic mythology of Mandelstam.

scholarly journals THE SEMANTIC STRUCTURE OF THE "GOD'S FOOL" CONCEPT IN THE ESSAY "PEPINIERE" BY I. A. GONCHAROV

2021 ◽  
Vol 19 (2) ◽  
pp. 81-91
Author(s):  
Gulzada Bagautdinova
Keyword(s):  
Point Of View ◽  
Semantic Structure ◽  
Semantic Features ◽  
Structural Components ◽  
Robinson Crusoe ◽  
Specific Nature ◽  
Word Usage ◽  
The Creation ◽  
Boris Godunov

The article attempts to analyze the semantic structure of the “God’s fool” concept in the essay Pepiniere by I. A. Goncharov. As a term, this concept is interpreted from the point of view of culturology. The essay reveals the basic structural components of the “God's fool” concept, as well as its core and additional semantic features. The author of the article believes that the religious component is embodied in the structure of the concept one way or another, but is not reflected directly in the word usage. The “God's fool” lexeme mainly comprises various secular meanings that are expressed via metaphors, repetitions and comparisons. The specific nature of the “God's fool” concept in I. A. Goncharov's Pepiniere is revealed in its periphery, which is formed by certain artistic techniques and categories (intertextual exchanges, comic elements). For instance, the function of the quote of Friday's nomination from Daniel Defoe's The Life and Strange Surprising Adventures of Robinson Crusoe; Written by Himself, as well as the comparative quote from Boris Godunov by A. S. Pushkin are considered in this article. Furthermore, quoting is an artistic technique that creates the game motive, to which I. A. Goncharov resorts indirectly. The gaming component not only creates and emphasizes the comical element, but also serves as one of the writer's artistic principles that contributes to the creation of the harmonious, negentropic worldview. The study of I. A. Goncharov's sphere of concepts allows to identify not so much the variability of the writer's worldview as its invariability.

scholarly journals Olga Dmitrievna Golubeva: to the 100th anniversary of her birth

2021 ◽  
pp. 174-181
Author(s):  
Galina V. Mikheeva ◽  
Keyword(s):  
Literary Criticism ◽  
Public Library ◽  
Scientific Work ◽  
100Th Anniversary ◽  
Russian Literary ◽  
History Of ◽  
Biographical Sketches ◽  
Publishing Houses ◽  
The Creation

In 2021 we mark the 100th anniversary of the birth of O. D. Golubeva, a bibliologist, Doctor of Philology, whose entire working life relates to M. E. Saltykov-Shchedrin State Public Library. For 35 years she was the deputy director of the library for scientific work. The article recreates the biographical sketch of the scientist, reveals the significance for Russian literary criticism of her research on the publishing activities of M. Gorky and several publishing houses of the early twentieth century. Special attention is paid to the role of O. D. Golubeva in the creation of a whole series of works devoted to the history of the Library, including biographical sketches of the figures of the Imperial Public Library. The role of the scientist in the creation of the school of historical biography in the National Library of Russia is determined.

Precedents of the Battle

2021 ◽  
Author(s):  
Xabier Irujo
Keyword(s):  
Literary Tradition ◽  
Christian Faith ◽  
Ebro Valley ◽  
The Creation ◽  
Religious Aspect ◽  
Old Roman

This chapter examines the creation of the Emirate of Cordoba under Abd al-Rahman I and King Charles’ call for the Paderborn Diet in 777. The purpose of the 778 campaign launched by the Frankish king was not to fire up a crusade against Islam but to create a march in the Pyrenees, a vassal domain of the Frankish Kingdom bounded by the 600-kilometer (373-mile) old Roman road connecting Pamplona and Girona. Indeed, sources indicate that King Charles negotiated terms with the Muslim rulers of the Ebro valley and there was no offer on the part of the Muslim emissaries to embrace the Christian faith. However, the religious aspect provided a suitable and effective casus belli and the literary tradition presented this military adventure as the first European crusade.

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