scholarly journals Naturalisme et scepticisme

Author(s):  
Iris Douzant

Hume is qualified as a naturalist in two respects: on the one hand, because he sets himself to observe natural phenomena and more precisely those relating to human nature; on the other hand, because nature refers to a mental activity that eludes the grasp of the thought that tries to seize it. Hume’s dealing with the issue of personal identity creates a tension between these two meanings of naturalism – the power of nature seems to escape the understanding of the philosopher who tries to give reasons for it and both sides of Humian naturalism dissociate themselves. If this tension is not positively resolved, in the opinion of Hume himself, it is reduced through the use of a radical scepticism.

2018 ◽  
pp. 761-769
Author(s):  
Olga A. Ginatulina ◽  

The article analyzes the phenomenon of document as assessed in the study of value. To begin with, it poses a problem of contradictory axiological status of document in modern society. On the one hand, document is objectively important, as it completes certain practical tasks, and yet, on the other hand, documents and document management are receive a negative assessment in public consciousness. In order to understand this situation, the article analyzes the concept of ‘value’ and concludes that certain objects of the material world receive this status, if they are included in public practice and promote progress of society or human development. Although this abstract step towards a better understanding of values does not provide a comprehensive answer to the question of axiological nature of document, it however indicates a trend in development of thought towards analysis of the development of human nature. The document is an artifact that objectifies and reifies a certain side of human nature. Human nature is a heterogeneous phenomenon and exists on two levels. The first abstract level is represented by the human race and embodies the full range of universal features of humanity. The second level is the specific embodiment of generic universal human nature in specific historical type of individuals. Between these two levels there is a contradiction. On the one hand, man by nature tends toward universality, on the other hand, realization of his nature is limited by the frameworks of historical era and contributes to the development of only one side of the race. Accordingly, document has value only within a certain historical stage and conflicts with the trend of universal development of human nature, and thus receives a negative evaluation. However, emergence of a new type of work (general scientific work) will help to overcome this alienation between generic and limited individual human being, and therefore will make a great impact on the nature of document, making it more ‘human,’ thus increasing its value in the eyes of society.


Author(s):  
Михаил Асмус

Второй раздел статьи посвящён анализу образного мира Леонтия как одному из факторов, подтверждающих принадлежность текстов одному автору, а также выявляющих уровень риторической подготовки и мастерства проповедника. Анализ символических образов Леонтия (Церковь и Её священнодействия, Агнец Божий, Хлеб Небесный, царская власть Христа) демонстрирует, с одной стороны, его приверженность евхаристическому реализму и цельной экклезиологии, объединяющей тайносовершительную и социальную функции Церкви, с другой стороны - выявляет некоторую размытость границ между символом и передаваемой им реальностью, увлечение художественной завершённостью образа, которое иногда приводит проповедника к отступлению от отстаиваемых им же богословских положений. Сдержанность Леонтия в развитии идеи царской власти Христа по человечеству хорошо объясняется его дохалкидонским христологическим мышлением, а также тем, что проповедник находился под свежим впечатлением от ересей конца IV в. (Маркелл Анкирский) и их осуждения на II Вселенском Соборе. Последнее позволяет более уверенно датировать леонтиевский корпус концом IV - началом V в. Analysis of the symbolic images of Leontius (the Church and her sacraments, the Lamb of God, the Bread of Heaven, the royal power of Christ) demonstrates, on the one hand, Leontius’ commitment to Eucharistic realism and integral ecclesiology, uniting the sacramental and social functions of the Church, on the other hand, reveals some blurring of the boundaries between the symbol and the reality, and the fascination with the literary completeness of the image, which sometimes leads the preacher to deviate from the theological positions defended by him. The restraint of Leontius in the development of the idea of the royal power of Christ by His human nature is well explained by his pre-Chalcedonian Christology, as well as by the fact that the preacher was under a fresh impression of the heresies of the late 4th century (Marcellus of Anсyra) and their condemnation at the II Ecumenical Council. The latter makes it possible to more confidently date the Corpus Leontianum of the late 4th - early 5th centuries.


Author(s):  
Mariano Crespo

El capítulo IV de De la ética a la metafísica es dedicado por Julia Iribarne al estudio del surgimiento de la cuestión de la identidad personal en el pensamiento de Husserl. El objetivo, trazado al inicio del cap., es la exposición de una suerte de “arqueología del sujeto” la cual tiene lugar entre dos polos: por un lado, lo que Husserl denomina fluyente presente viviente y, por otro, ese mismo yo concreto “visto ahora como persona única e irrepetible”. Un paso importante en este proceso arqueológico tiene que ver con la identidad vista en el estrato de la persona moral. En relación con este estrato, este artículo pretende mostrar que las denominadas “emociones morales”, entendidas como vivencias interpersonales y, por tanto, sociales, desempeñan un papel muy importante en la constitución y en la revelación de la persona única e irrepetible que somos cada uno de nosotros. Para ello nos serviremos del reciente estudio de A. J. Steinbock, Moral Emotions. Reclaiming the Evidence of Heart inserto en su proyecto más amplio de lo que él mismo denomina “fenomenología vertical”.Chapter 4 of Iribarne’s De la ética a la metafísica deals with the question of personal identity in Edmund Husserl’s thought. The objective of this chapter is the exposition of a kind of “subject’s archaeology” which takes place between two poles: on the one hand, that what Husserl calls “fluent living present” and, on the other hand, this same concrete ego, but “now seen as unique and unique person”. An important step in this archaeological process has to do with personal identity considered on the level of the moral person. In this regard, this paper tries to show that the so called “moral emotions”, as interpersonal and therefore social experiences, play an important role in the constitution and revelation of the unique person each of us are. To do that I will refer to the recent book by A.J. Steinbock, Moral Emotions. Reclaiming the Evidence of Heart, which has to be considered in the more general frame of what he calls “vertical phenomenology”. In this way I try to develop Iribarne’s analysis on the mentioned chapter.


2021 ◽  
pp. 199-216
Author(s):  
Claire Mercier

This paper considers the graphic work of the Chilean artist Claudio Romo from a post-human perspective. Romo's work realizes an opening of imaginaries, above all, new configurations of human being, in order to reconsider the boundaries of human nature and propose a new humanism in relation to a new understanding of modernity. After a theoretical tour of post-humanism, especially of Rosi Braidotti's philosophical nomadism, the paper will approach the post-human bestiary that elaborates Romo, on the one hand, as a questioning of access to empirical realities and, on the other hand, as a presentation of potential life forms. The paper will conclude on the presence, in Romo’s work, of a new affirmative humanism, that is, the experimentation of new modes of subjectivization, as well as the approach of new modes of knowledge.


2012 ◽  
Vol 70 ◽  
pp. 1-28 ◽  
Author(s):  
Richard Samuels

There is a puzzling tension in contemporary scientific attitudes towards human nature. On the one hand, evolutionary biologists correctly maintain that the traditional essentialist conception of human nature is untenable; and moreover that this isobviouslyso in the light of quite general and exceedingly well-known evolutionary considerations. On this view, talk of human nature is just an expression of pre-Darwinian superstition. On the other hand, talk of human nature abounds in certain regions of the sciences, especially in linguistics, psychology and cognitive science. Further, it is very frequently most common amongst those cognitive-behavioral scientists who should be most familiar with the sorts of facts that putatively undermine the very notion of human nature: sociobiologists, evolutionary psychologists, and more generally, theorists working on the evolution of mind and culture.


Ramus ◽  
2004 ◽  
Vol 33 (1-2) ◽  
pp. 20-34 ◽  
Author(s):  
Elaine Fantham

Let me start by quoting a paragraph from a century old edition of Terence, which will serve as a reminder of changes in our background knowledge of both comedy and this particular comic playwright: Of the six extant Terentian comedies the Andria is the most pathetic, the Adelphoe in general more true to human nature than the rest, the Eunuchus the most varied and lively, with the largest number of interesting characters, and the Hecyra the one of least merit. All six are remarkable for the art with which the plot is unfolded through the natural sequence of incidents and play of motives. Striking effects, sharp contrasts and incongruities, which meet us in many plays of Plautus, are almost wholly absent. All is smooth, consistent and moderate, without any of the extravagance of exuberant humour or even creative fancy which characterizes the writing of the older poet. But Terence was essentially an imitative artist and his distinguishing feature was his artistic finish, a fact fully recognized by Horace (Epistle 2.1.59).There is plenty here to question, if not correct. What does it mean to call Adelphoe more true to human nature? What defines an ‘interesting character’? And do present day readers still find Hecyra the play of least merit? As for the art with which Terence’s plots are unfolded, we still cannot guess how much of this is his own contribution rather than derived from Menander (whose plays were still unknown when this edition was written). However, scholars have used both the evidence given by Terence in the prologues and his commentator Donatus to identify where he has himself innovated in his plots—removing the expository prologues to replace irony with suspense, introducing a second lover and slave into Andria, working a braggart soldier and his parasite into Eunuchus and inserting an abduction scene into the second act of Adelphoe. And yet it was Terence’s immediate predecessor Caecilius whom Varro, most learned of ancient critics, praised for his superior plots. Certainly Terence does not indulge in the extravagance of Plautus, but is this because he is ‘essentially an imitative artist’? On the other hand I would not challenge the editor’s evaluation of his scripts as ‘smooth, consistent and moderate’ or his praise for the playwright’s ‘artistic finish’. Instead I would ask if this is what we want, or ought to want from comedy.


2021 ◽  
Vol 4 (1) ◽  
pp. 32-41
Author(s):  
Restu Ashari Putra ◽  
Reza Pahlevi Dalimunthe ◽  
Rizal Abdul Gani

Benefit as the core of maqâshid al-syariah has an important role in the development of Islamic law. Because Islamic law was revealed with the aim of presenting the benefit of humans, both in this world and in the hereafter. One of the benefits that are protected is the protection of lineage. Nasab is human nature, because humans have the instinct to regenerate. On the other hand, humans have the nature of obedience to God. So that the two natures accumulate in lineage protection. Lineage protection is concerned with quantity on the one hand, and quality on the other. The exact point proportions of the two are seen from the bounded realm of reality. Lineage protection is not only about regeneration, but also includes all intermediaries (wasilah) that support it, both in terms of quantity and quality. The purpose of this study is to find out what things can damage the lineage, such as adultery, incest marriage, prostitution and so on.


2021 ◽  
pp. 607-631
Author(s):  
Catalina García-Posada Rodríguez

RESUMEN: En este artículo se analizan las referencias espaciales y temporales de la Nueva filosofía de la naturaleza del hombre (1587), obra compuesta de siete diálogos. A pesar de que este tipo de indicaciones no son indispensables en el diálogo, aquellas que presenta el texto de Sabuco sirven para reforzar dos características esenciales del género: por un lado, ayudan a simular el transcurso de una conversación real; por otro, junto a otros elementos ficcionales, se colocan al servicio del proceso argumentativo. ABSTRACT: This article analyses the references to space and time in Sabuco’s New Philosophy of Human Nature (1587), a book composed of seven dialogues. Despite these specifications not being necessarily required in dialogues, those of Sabuco’s text serve to reinforce two essential features of this genre: on the one hand, they help simulate the illusion of a real conversation taking place; on the other hand, along with other fictional elements, they are subordinated to the argumentative process.


Author(s):  
Joseph Drury

Novel Machines argues that many of the most important formal innovations in eighteenth-century fiction were critical responses to the new prominence of machines in Britain’s Industrial Enlightenment. Although narratives and machines had been seen as sharing a basic affinity since Aristotle, their relationship acquired a new urgency in the eighteenth century as authors sought to organize their narratives according to the new ideas about nature, art, and the human subject that emerged out of the Scientific Revolution. Novel Machines tracks the consequences of this effort to transform the novel into an Enlightenment machine. On the one hand, the rationalization of the novel’s narrative machinery helped establish its legitimacy, such that by the end of the century it could be celebrated as a modern ‘invention’ that provided valuable philosophical knowledge about human nature. On the other hand, conceptualizing the novel as a machine opened up a new line of attack for the period’s moralists, whose polemics against the novel were often framed in the same terms used to reflect on the uses and effects of machines in other contexts. Eighteenth-century novelists responded by adapting the novel’s narrative machinery, devising in the process some of the period’s most characteristic and influential formal innovations. Novel Machines focuses on four of these innovations: the extended representation of the deliberating mind in Eliza Haywood’s amatory fiction; Henry Fielding’s performative, self-conscious narrator; Laurence Sterne’s slow, digressive, non-linear narration; and the atmospheric descriptions of acousmatic sound in Ann Radcliffe’s gothic romances.


2021 ◽  
Author(s):  
jamil zaki ◽  
Eric Neumann ◽  
Dean Baltiansky

Market exchange and the ideologies that accompany it pervade human social interaction. How does this affect people’s beliefs about themselves, each other, and human nature? Here we describe market cognition (MC) as social inferences and behaviors that are intensified by market contexts. We focus on prosociality, and two countervailing ways MC can affect it. On the one hand, marketplaces incentivize individuals to behave prosocially in order to be chosen as exchange partners—generalizing cooperation and trust beyond group boundaries. On the other hand, markets encourage a view of people as self-interested, and can thus taint people’s interpretation of prosocial actions and erode more communal forms of cooperation. We close by considering how MCs can become self-fulfilling, altering relationships, communities, and cultural norms.


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