scholarly journals On Ice: Life and Lunch at Mercato di Rialto

Author(s):  
L. Sasha Gora

Visitors consume Venice’s Mercato di Rialto most often with their eyes and cameras. Venetians, in contrast, consume it with their mouths. During the week they voice their orders gently, but on Saturday mornings shopping lists become full-volume announcements that compete against the market noise. By analysing the history and role of the Pescheria at Rialto Market and its culinary and cultural representations, this article considers the entanglement between seafood and people, ice and freshness, and life and lunch.

2016 ◽  
Vol 693 ◽  
pp. 213-220
Author(s):  
Jiang Yan ◽  
Yong Xing Wang ◽  
Su Jia Li ◽  
Xi Hou ◽  
Sheng Ze Wang

According to the structure and production processing requirements of polyester filament winding head, a finite element dynamic model of the winding system in parameters time-varying was established. By using the method of numerical calculation, the dynamic characteristics of the winding head were analyzed in three processes: rapid starting-up in empty volume, winding filament process and stopping in full volume. By studying the influence of the three processing under large stiffness coupling and soft stiffness coupling in the winding head, the role of the coupling stiffness and spindle structure was revealed in different working process.


2017 ◽  
Vol 7 (10) ◽  
pp. 819
Author(s):  
Haitham A. Aldreabi

the events of the Arab Spring attracted the attention of many scholars from various disciplines. However, the general trend of existing literature seems to ignore the different cultural representations within the Arab world leading for assumptions that the uprisings share similar outcomes and/or motivations. This article attempts to deconstruct the terms Arab Spring and Arab world through shedding light on two of the most influential uprisings that brought about social, economic, and political changes. To do so, it combines CDA and narrative theory to address the subject of the thematic nature of the subsequent media messages during the Egyptian and Syrian uprisings to investigate the process of meaning-making and the role of language in social reality construction. The purpose is to motivate researchers to address the largely ignored issue of the different representations in media and narratives.


Author(s):  
Wang Yu

The study of the first reading by the means of the national musical language and opera and theatrical tradition of China of the Oriental theme Turandot at the opera Wei Minglinu «The Chinese Princess» was conducted with the aim of outlining the specifics of the new figurative role of the heroine, its mental-psychological peculiarities; considering the metamorphosis of the Oriental tradition through the «congenital» of the exotic to the national-authentic. Scientific approaches are taken from the contextual field of comparative and imagoology, the methodology of which touches upon the field of studying the problems of mutual cultural representations of peoples, the assimilation of cultural heritage and images of a certain ethnic group in the consciousness and art of other nations, in correspondence with the actual problems of Orientalism in music. Reading the image of Turandot by a Chinese composer creates an opportunity for a new interpretative turn in the voluminous space of the existence of this text, the emergence of new measurements of the indicators of content and its characteristics. Image Turandot as an original model with the corresponding geocultural imago in the fabulous poetics of the perceptual field «East as Exotics and Danger», passing complex path of modification during the 300- year existence in the adaptation of different cultures, is embodied in means of national semantics of bright ethnographic-anthropological type. The author constructs an ethno-form from an Oriental-exotic heroine, demonstrating his national identity, revealing the typical ethnological features of the whole people. This allows us to interpret this opera as a national first reading, in which the generally accepted European model of Oriental travel fantasy semantics turns into a reasoned, realistic, based on traditional philosophical foundations, Chinese lyrical drama, in which exotic elements of European culture appear. The fact of this transcultural diffusion involves scientific research in the field of dialogue of cultures, encouraging new discoveries when meeting with the Other, re-evaluating, updating, rebuilding the position of "My" and "Other" in relation to to generally human and universal.


Author(s):  
Vladyslava Piskizhova ◽  

The article is devoted to the history of the formation and activity of one of the first in the history of independent Ukraine public organizations of the national Greek community, i.e. the Kyiv City Association of the Greeks. After all, in today’s world, public associations of national minorities are an extremely important structural component of the civil society, which can play both a consolidating role and serve as a source of aggravation of interethnic conflicts. The grounds of the source base of the research were the materials of the current archive of this organization (the Statute, protocols of meetings, resolutions, agreements, etc.), part of which in 2017 was already transferred to the funds of the Central State Archives of public associations of Ukraine. However, up to now, these documents have not become available yet to the general public concerned. Taking this into consideration, we find it appropriate to publish some of them in the full volume as an annex to this research, especially those that most clearly highlight the main achievements of the organization in the development of national and cultural life of the Greek community of Kyiv and Ukraine in general, and show the dynamics of the establishment of the Ukrainian-Greek intercultural dialogue. Important information on the activity of the Kyiv City Association of the Greeks is found on the pages of its printed edition, the newspaper “Elpida”, as well as on the organization site operating since 2016. The importance of recording and systematization of information on the current institutional development of national minorities in Ukraine is preconditioned by the necessity to form a conscious evaluation of the role of associations of national minorities in the process of forming public associations and the establishment of national Ukrainian culture in opinion of public and scientific communities.


2011 ◽  
Vol 25 (3) ◽  
pp. S16
Author(s):  
Sarah Eibel ◽  
Elham Hasheminejad ◽  
Chirojit Mukherjee ◽  
Heinz Tschernich ◽  
Joerg Ender

2019 ◽  
Vol 40 (Supplement_1) ◽  
Author(s):  
G D'Alesio ◽  
F Migliavacca ◽  
J F Rodriguez Matas ◽  
F Bandera ◽  
M Losito ◽  
...  

Abstract Background The role of interventricular (IV) septum in mediating the mechanical interaction between the two ventricles is well recognized. This interaction is promoted by several structural and hemodynamic determinants. We aimed at assessing the geometrical RV changes in patients with pulmonary hypertension (PH) compared to normal, evaluating RV curvature at rest and during stress testing addressing the specific role of pressure-induced changes in IV septum curvature. Methods Thirty-four subjects (15 controls; 19 PH patients) underwent RV real-time 3D full volume acquisition at rest and during exercise-echo. The 3D data were analysed off-line using the 4D RV TomTec software. The 3D mesh of the RV model was post-processed using a custom developed software. The value of mean regional curvature was assessed for the interventricular septum (IVS) at end-diastole (ED) and at end systole (ES). Results In controls the IVS curvature, assessed at end-diastole (ED) and end-systole (ES), was significantly (p<0.001) more concave (at rest −0.31±0.06 at ED, and −0.29±0.06 at ES; during exercise −0.28±0.09 at ED, and −0.28±0.08 at ES) than in PH patients (at rest −0.09±0.14 at ED, and −0.09±0.11 at ES ; during exercise −0.05±0.18 at ED, and −0.02±0.18 at ES). There was no significant variation in any of RV IVS curvatures between rest and exercise or between ES and ED. In PH subjects, IVS curvature at ES weakly increased from −0.09±0.11 (SD) at rest to −0.02±0.18 during exercise (p=0.179).Nonetheless, the degree of IVS curvature was strongly related to systolic pulmonary artery pressure (PASP), both at rest (r=0.743 at ES, p<0.01; r=0.794, p<0.001 at ED) and during exercise (r=0.823 at ES, p<0.0001; r=0.812 at ED, p<0.0001). Conclusions These data provide new perspectives on how the interventricular septum morphology adapts during exercise in PH patients vs controls. Changes in IVS curvature are linearly related to pulmonary pressure changes and occur with different slope (rest-exercise) in PH vs controls.


2012 ◽  
Vol 28 (2) ◽  
pp. 107-121 ◽  
Author(s):  
Fiona Gregory

In 1897 audiences welcomed Johnston Forbes-Robertson's new interpretation of Hamlet to the London stage, and his sane, intelligent Prince was received as an exciting departure from tradition. Mrs Patrick Campbell's own experiments with the role of Ophelia in this production were not so warmly greeted, critics describing her playing as ‘curiously weak’ and ‘unconvincing and unimpressive’. Campbell had rejected the conventional model of the character as emblematic of the prettiness and pathos exemplified by Ellen Terry, and instead offered a vacant, depressive, ‘beaten’ Ophelia. In this article, Fiona Gregory examines the influences behind this choice, including the actress's own experience of mental illness and the notorious ‘rest cure’. The reception of the performance is read in terms of contemporary attitudes to Ophelia and mental illness, as well as of responses to Campbell and her celebrity identity in the visual arts. Ultimately, Campbell's performance of Ophelia can be read as a ‘witness account’ of neurasthenia and the ‘rest cure’, to stand alongside texts such as Charlotte Perkins Gilman's story ‘The Yellow Wallpaper’. Fiona Gregory lectures in the Centre for Theatre and Performance at Monash University, and has published work on the career of actress Judith Anderson, Australian cultural history, and Victorian and Edwardian writers. She is currently undertaking a wide-ranging study of actresses and mental illness from the nineteenth century to the present day, drawing on historical examples and literary and cultural representations to consider the intersections of ‘hysteria’ and the ‘histrionic’.


2019 ◽  
Vol 12 (2) ◽  
pp. 1-16
Author(s):  
Charles Forsdick

The article offers an overview of the history and cultural representations in visual media from the 1860s onwards of French penal colonies or bagnes, and their status as graphic lieux de mémoire. It focuses specifically on French Guiana and New Caledonia and seeks to contextualise the portrayal of the motif in a varied corpus of bandes dessinées. The article argues that graphic history provides a unique forum in which aspects of the penal colonies about which there is little understanding – the transcolonial itineraries of convicts; the penal everyday; the role of carceral heritage as part of a useable past – are elucidated. Although some works primarily foreground celebrity bagnards such as Eugène Dieudonné or Henri Charrière (Papillon), albums such as those of Stéphane Blanco and Laurent Perrin allow the potential of the bande dessinée to create connections that are multilayered and multidirectional.


2018 ◽  
Vol 39 (8) ◽  
pp. 1667-1690
Author(s):  
JAROSLAVA HASMANOVÁ MARHÁNKOVÁ

ABSTRACTThe article analyses the norms of grandmothering in relation to cultural representations of active ageing. Based on interviews that were carried out with 20 mothers and 20 grandmothers of children under the age of ten, the article focuses on the way in which the current emphasis on activity influences ideas about how the roles of grandparent should be performed and how women relate to their own ageing. The analysis shows that being active represented a significant framework of the mothers’ notions and expectations associated with care provided by grandmothers, of grandmothers’ talk about their own grandparental role and how both generations of women interpret their own memories of their own grandmothers. Both the mothers and the grandmothers noted how the family role of grandmothers had changed compared to past generations of grandmothers. This change was framed by the idea of having an active lifestyle and this idea formed an important framework for the mothers’ expectations about what their role as grandmothers might be like in the future. This paper critically analyses those representations of the grandmother role and point out the emergence of new forms of conflicts and challenges, and the sense of ambivalence about traditional roles that result from the close association made between being active and the representation of grandmothering.


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