scholarly journals SISTEM SAPAAN KEKERABATAN SUKU SASAK: KAJIAN LINGUISTIK KEBUDAYAAN

2017 ◽  
Vol 14 (1) ◽  
pp. 39
Author(s):  
Haerudin Haerudin
Keyword(s):  
Cultural Heritage ◽  
Social Structure ◽  
Cultural Practices ◽  
Family Group ◽  
Local Language ◽  
Language And Culture ◽  
Three Generations ◽  
Kinship Structure ◽  
Cultural Functions ◽  
Lombok Island

This study investigates kinship greeting in Sasaknese.  The study used ethnolinguistic approach that described aspects of relation between language and culture to maintain cultural practices and social structure of a society.  The study revealed: (1) the Sasak kinship greetings had relation to the kinship structure, having hierarchical boundaries of four generations above one’s family group chart and three generations below one’s family group chart, and are related to users’ age; (2) the custom greetings have social and cultural functions; (3) the existing condition of the use of the kinship greetings is undergoing a shifting in some areas on Lombok Island as a result of modernization. The shifting is merely occurred on the greetingforms; whereas others, which are related to the kinship structure and the users’ age, remain as the characteristic of Sasak tribe; (4) by constantly using the kinship greetings, Sasak people, have participated in preserving the cultural riches; that is the local language. This effort constitutes one of the strategies in preventing language extinction as the cultural heritage of the nation. 

scholarly journals Intangible cultural heritage: a benefit to climate-displaced and host communities

2021 ◽  
Author(s):  
Gül Aktürk ◽  
Martha Lerski
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Climate Adaptation ◽  
Cultural Practices ◽  
Action Planning ◽  
Well Being ◽  
Living Environment ◽  
Intangible Cultural Heritage ◽  
Intangible Heritage ◽  
Resilient Communities

AbstractClimate change is borderless, and its impacts are not shared equally by all communities. It causes an imbalance between people by creating a more desirable living environment for some societies while erasing settlements and shelters of some others. Due to floods, sea level rise, destructive storms, drought, and slow-onset factors such as salinization of water and soil, people lose their lands, homes, and natural resources. Catastrophic events force people to move voluntarily or involuntarily. The relocation of communities is a debatable climate adaptation measure which requires utmost care with human rights, ethics, and psychological well-being of individuals upon the issues of discrimination, conflict, and security. As the number of climate-displaced populations grows, the generations-deep connection to their rituals, customs, and ancestral ties with the land, cultural practices, and intangible cultural heritage become endangered. However, intangible heritage is often overlooked in the context of climate displacement. This paper presents reflections based on observations regarding the intangible heritage of voluntarily displaced communities. It begins by examining intangible heritage under the threat of climate displacement, with place-based examples. It then reveals intangible heritage as a catalyst to building resilient communities by advocating for the cultural values of indigenous and all people in climate action planning. It concludes the discussion by presenting the implications of climate displacement in existing intangible heritage initiatives. This article seeks to contribute to the emerging policies of preserving intangible heritage in the context of climate displacement.

scholarly journals Cultural rights and “Masterpieces” of Local and Translocal Actors

Ethnologies ◽  
2016 ◽  
Vol 36 (1-2) ◽  
pp. 297-324
Author(s):  
Hélène Giguère
Keyword(s):  
Cultural Heritage ◽  
Public Space ◽  
Cultural Practices ◽  
Freedom Of Expression ◽  
Local Development ◽  
Mediterranean Area ◽  
Customary Law ◽  
Intangible Cultural Heritage ◽  
Cultural Rights ◽  
Social Divisions

This paper deals with European experiences of inscription of traditional cultural practices on UNESCO’s Representative List of Intangible Cultural Heritage (ICH). It will first establish the institutional context of the UNESCO’s listing within the framework of reflections on cultural rights. Then, the author briefly presents four European masterpieces in the Mediterranean area. A comparative analysis follows which specifically focuses on the multiplication of practitioners and on translocality; on the overlapping between institutions and artisans; on the use of intangible cultural heritage as a driver for local development via cultural tourism; and on the multimedia “museification” of the intangible. The comparative study of the listing of these intangible cultural heritage traditions also questions the value of customary law versus freedom of expression and creation. It reveals the tensions between the “purity” and “impurity” of cultural practices and social agents, as well as exclusions related to ethnicity, sex or territory. These tensions create new social divisions and remodel the link people have with cultural practices. An examination of gender sheds light on the marginality of women in public space.

scholarly journals Arkistot ja kulttuuriperintö

2021 ◽  
Keyword(s):  
Cultural Heritage ◽  
21St Century ◽  
Cultural Practices ◽  
Focal Point ◽  
Archival Studies ◽  
Power Structures ◽  
Cultural Perceptions ◽  
Politics Of Memory ◽  
Scientific Debate ◽  
Archival Institution

Archives and the Cultural Heritage The edited volume Archives and the Cultural Heritage focuses on archives as institutions and to their tense relationship with archives as material. These dynamics are discussed in respect of the past, the present, and the future. The focus lies in the mechanisms the Finnish archive institutions have utilised when taking part in forming the cultural heritage and in debating the importance of the private archives in society. Within social sciences and history from the early 1990s onwards, the effects of globalisation have been seen as a new focal point for research. Momentarily, the archives saw the same paradigm shift as the focus of the archival studies proceeded from state to society. This brought forth the notion that the values of society are reflected in the acquisition of archival material. This archival turn draws attention to the archives as entities formed by cultural practices. The volume discusses cultural heritage within Finnish archives with diverse perspectives and from various time periods. The key concepts are cultural heritage and archives – both as institution and as material. Articles review the formation of archival collections spanning from the 19th to the 21st century and highlight that the archives have never been neutral or objective actors; rather, they have always been an active process of remembering and forgetting, a matter of inclusion and exclusion. The focus is on private archives and on the choices that guided the creation of the archives and the cultural perceptions and power structures associated with them. Although private archives have considerable social and research value, and although their material complements the picture of society provided by documentary data produced by public administrations, they have only risen to the theoretical discussions in the 21st century. The authors consider what has happened before the material ends up in the archive, what happens in the archive and what can be deduced from this. It shows how archival solutions manifest themselves, how they have influenced research and how they still affect it. One of the key questions is whose past has been preserved and whose is deemed worthy of preservation. Under what conditions have the permanently preserved documents been selected and how can they be accessed? In addition, the volume pays attention to whose documents have been ignored or forgotten, as well as to the networks and power of the individuals within the archival institution and to the politics of memory. The Archives and the Cultural Heritage is an opening to a discussion on the mechanisms, practices and goals of Finnish archival activities. It challenges archival organisations to reflect on their own operating models and to make visible their own conscious or unconscious choices. It raises awareness of the formation of the Finnish documentary cultural heritage, produces new information about private archives and participates in the scientific debate on the changing significance of archives in society. The volume is related to the Academy of Finland research project “Making and Interpreting National Pasts – Role of Finnish Archives as Networks of Power and Sites of Memory” (no 25257, 2011–2014/2019), University of Turku. Project partners Finnish Literature Society (SKS) and Society of Swedish Literature in Finland (SLS).

scholarly journals Heritales 2017 - Beyond the academia. Re-thinking Heritage trough cinema and others art forms

2020 ◽  
Author(s):  
Maria Zozaya-Montes ◽  
Nicola Schiavottiello
Keyword(s):  
Cultural Heritage ◽  
Cultural Practices ◽  
Early Stage ◽  
World Politics ◽  
Positive Feedbacks ◽  
The Public ◽  
Intangible Heritage ◽  
Future Events ◽  
And Performance ◽  
The University

The UNESCO World Heritage city of Évora (Portugal) hosted the second Heritales – International Heritage Film Festival in September 2017. In this edition the festival focused on current and past sustainable communities, selecting works that explored and problematized the relationship and coexistence of modernity and sustainability when applied to human groups and societies. The films presented the everyday life, knowledge, crafts and know-how of ordinary people highlighting the changes and challenges that the expansion of consumer-based economies, globalization and world politics have brought. As organizers, by focusing on sustainability in heritage context, we wanted to go beyond current preservation strategies of the tangible and intangible heritage, to promote a reflection on the “culture of sustainability” itself, looking at how sustainable ways-of-existence have characterized various communities and cultural practices worldwide. Since its first edition, the festival has been a space for the promotion of a critical understanding of cultural heritage, aimed to the broader public. By using emblematic historical places as stage, Heritales has challenged the mainstream cultural heritage scientific communication. Its proposal is to approach heritage’s issues through multiple types of media and artistic work such as films and documentaries but also cultural heritage’s games, exhibitions, theatre and performance, with talks and several communication strategies to facilitate the encounter between the authors and the public. Although the festival has received many positive feedbacks and the support of various entities such as the UNESCO Chair of the University of Évora (Portugal) and the FCT (Science and Technology Foundation, Portugal) it is still at its early stage of action. In this paper we would like to present the results of our experiment and analyse its concept and results, so that more collaborative and sustainable methodologies can also become a part of our plan of actionfor the organization of future events.

scholarly journals Increasing the socio-cultural influence of immovable cultural heritage on local communities – the case of historic residential buildings in Wielkopolska used as hotels

2020 ◽  
Vol 32 (4) ◽  
pp. 43-57
Author(s):  
Zdzisława Elżbieta Niemczewska
Keyword(s):  
Cultural Heritage ◽  
Rural Areas ◽  
Local Community ◽  
Residential Buildings ◽  
Local Communities ◽  
Historic Buildings ◽  
Cultural Impact ◽  
Local Authorities ◽  
Property Owners ◽  
Cultural Functions

The article presents results of a study of how immovable cultural heritage used for commercial purposes of tourism affects local communities. The study is based on data collected in direct interviews with property owners and representatives of local authorities and a questionnaire survey of local residents concerning sixteen historic buildings used as hotels, which are located in rural areas of Wielkopolskie province. It was found that the provision of additional, free cultural functions for local communities by property owners and/or local authorities exerts a greater socio-cultural impact and contributes to local, sustainable development. Based on the results of the study, it can be concluded that when historic buildings of this kind are used for commercial purposes it is important to ensure that they are part of the cultural experience not only for hotel guests but also for the local community. In this way, entire communities can appreciate their local cultural heritage (socio-cultural impact), which in turn strengthens cultural sustainability.

PRINCIPLES OF DIGITALIZATION FOR THE CULTURAL HERITAGE PRESERVATION

2020 ◽  
pp. 8-18
Author(s):  
Natalia V. Lopatina ◽  
Keyword(s):  
Cultural Heritage ◽  
Cultural Practices ◽  
Cultural Development ◽  
Heritage Preservation ◽  
Digital Development ◽  
Applied Informatics ◽  
Cultural Sphere ◽  
Coordination Principle ◽  
Organizational Principles ◽  
Cultural Heritage Preservation

The paper sets a scientific problem of updating the theoretical foundations for digitalization of the cultural heritage preservation. It carries out an analysis of modern risks that determine the need to modernize approaches to the preservation of cultural heritage and presents the levels, approaches, and tools for preserving cultural heritage in the context of digital transformation of cultural development and cultural practices. The tasks and key areas of applied informatics in culture related to the digitalization of cultural heritage preservation are specified. Principles of digitalization for the cultural heritage preservation are presented in four groups: technological principles, organizational principles, specialized principles of sectoral digitalization, principles of the digitalization projects effectiveness. The group of technological principles includes the compliance with standards, scalability of the applied methods and solutions, and the dialectics principle of universal and professionally oriented IT solutions. The group of organizational principles includes the unity principle for the digital space of culture, the coordination principle for the digitalization of cultural heritage preservation, and the principle of strategic unity. Specialized principles of sectoral digitalization are highlighted due to the nature of economic and digital development in the cultural sphere. The effectiveness principles for the digitalization projects determine the feasibility of investing to digitalization for the cultural heritage preservation. Digitalization of cultural heritage is a combination of new IT solutions, new design of the cultural information space, new relationships in the professional and social environment, and new economic models.

Intangible Cultural Heritage in a Modernizing Bhutan: The Question of Remaining Viable and Dynamic

2011 ◽  
Vol 18 (2) ◽  
pp. 179-200 ◽  
Author(s):  
Emma Lees
Keyword(s):  
Cultural Heritage ◽  
Cultural Practices ◽  
Intangible Cultural Heritage ◽  
Policy And Practice ◽  
Gross National Happiness ◽  
The People ◽  
Cultural Isolation ◽  
Cloth Production ◽  
History Of

AbstractThis article considers the measures being taken in Bhutan to support the cultural practices and traditions of weaving as Bhutan rapidly moves to modernize. Woven cloth is one of a number of artisan practices in Bhutan that contribute to a unique body of intangible cultural heritage, and a distinctive and instantly recognizable Bhutanese identity. Cloth and cloth production have come to have significant influence on the cultural, socioeconomic and political, as well as the ceremonial and religious life of the people of Bhutan. However with modernization and an increasingly global outlook, many socioeconomic transformations are taking place, challenging traditional cultural practices to remain relevant and viable to younger generations. Bhutan offers a unique case study as a country engaging only relatively recently with globalization after a long history of cultural isolation. Bhutan also offers up a unique policy response to modernization, its Gross National Happiness (GNH) measure, which attempts to embody a strong social, cultural, and environmental imperative within the development process. This article will analyze the various measures taking place to maintain cultural identity and cultural practices within the context of development policy and practice, and will link this discussion to measures and approaches taking place at an international level by agencies such as UNESCO.

Conclusion

2018 ◽  
Author(s):  
Lonán Ó Briain
Keyword(s):  
Cultural Heritage ◽  
Ethnic Minorities ◽  
Cultural Practices ◽  
Intangible Cultural Heritage ◽  
New Paradigm ◽  
Constructive Dialogue ◽  
Shared Goal

The conclusion summarizes the findings of the book and outlines a new paradigm for research on the cultural practices of Vietnam’s ethnic minorities. It opens with a description of two contrasting approaches to this research. Certain strategies for presenting results in public fora are shown to promote unhelpful stereotypes on these people. The author attempts to bridge the gap between contrasting methodologies and ideologies by promoting constructive dialogue between these groups of scholars within the fields of anthropology, ethnology, and musicology This dialogue is stimulated by identifying and working towards a shared goal: the sustainability of intangible cultural heritage in a rapidly urbanizing society.

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