scholarly journals An Introduction to the Waharaka Buddhist Movement of Sri Lanka

2021 ◽  
Author(s):  
Prabhath Sirisena

The traditional Theravada interpretation of the Pali canon has been challenged by a burgeoning Buddhist movement in Sri Lanka that has gained traction in the past decade. Named eponymously after its late originator, the Buddhist monk Waharaka Abhayaratanālaṅkāra (‘Waharaka Thera’), the Waharaka movement claims that they have rediscovered the true teachings of the Buddha that has been corrupted for centuries. Finding legitimacy in the apparent awakened state (arahattā) of the Waharaka Thera, this interpretation rejects established etymologies of key Pali terms and redefines them using novel methods loosely based on contemporary Sinhala translations. Despite coming under intense criticism by traditional Buddhists, the movement continues to thrive especially among the educated urban middle class. This paper offers a brief introduction to the Waharaka movement.

2009 ◽  
Vol 26 (1) ◽  
pp. 85-102 ◽  
Author(s):  
Dhivan Thomas Jones

The episode of Brahm?’s request to the Buddha to teach has been regarded as problematic from early times, since it suggests that the Buddha was initially lacking in compassion. Comparison of versions of the story shows it to be possibly pre-A?okan in origin. A close reading of themes in the episode in relation to other incidents in the Buddha’s life described in the Pali canon show that it need not be taken as portraying an actual experience of the Buddha. The original purpose of the episode was not to describe the Buddha’s inner conflict but to show that Brahm?, representative of Brahmanical religion, was a follower of the Buddha. The episode was originally religious propaganda.


1939 ◽  
Vol 71 (2) ◽  
pp. 241-251
Author(s):  
B. C. Law

Though much has been written on the Jātakas or Buddha's Birth-stories, there is no consensus of opinion as yet about the exact signification of the term Jātaka as employed in Buddhist literature. One may correctly say, no doubt, with the late Professor Rhys Davids that the Jātaka proper is atītavatthu or the “story of the past”. It is precisely in this sense that the Bharhut labels designate many of the illustrations. Though this is generally the case with the Jatakas, Professor B. M. Barua contends for a definition of Jataka which embraces also the paccuppanna-vatthu, or the “story of the present”. He points out that according to the Culla-Niddesa, a work of the Pāli Canon, which cannot be dated earlier than the third century b.c., the term Jātaka is obviously applied alike to the story of the present and to that of the past, the undermentioned four Suttantas being mentioned as typical examples of Jātaka:—(1) Mahāpadāniya.(2) Mahā-Sudassanīya.(3) Mahā-Govindiya.(4) Maghādeviya.


2020 ◽  
Vol 3 (4) ◽  
pp. 1010-1027
Author(s):  
I. V. Grunin

The article represents a kind of “postscriptum” to the author’s hypothesis about fundamental sources found in Pali canon and early post-canonic literature that gave birth to formation of the crowned Buddha image. This hypothesis underlies this study of early Buddhist iconography, in particular with respect to images belonging to the Amaravati school, which illustrate the relationship between the Buddha and Cakkavatti. The author substantiates the conclusion that the image of the crowned Buddha had emerged almost simultaneously with the anthropomorphic image of the Enlightened One.


Author(s):  
Felipe Nogueira de Carvalho

O objetivo deste artigo é sugerir que os ensinamentos Buddhistas sobreanattā(não-eu) não devem ser entendidos como uma negação categórica do eu, mas fazem parte de uma estratégia soteriológica comumente empregada pelo Buddha, de utilizar algo como ferramenta para o seu próprio fim. Tomando o kamma(ação) como o elemento central que estrutura todos os ensinamentos, podemos pensar na identificação do eu como um tipo de ação. Algumas instâncias desta ação serão hábeis e condutoras à libertação, e outras inábeis e condutoras ao sofrimento. Com isso em mente, este artigo irá analisar algumas ações inábeis do eu e do não-eu em suttasselecionados do Cânone Pali, mostrando como se encaixam na estratégia do Buddha de se utilizar de elementos como ferramentas para o abandono desses próprios elementos. Nessa perspectiva, o eu não é negado em absoluto desde o início do caminho, mas aprende-se a usa-lo de forma hábil como um meio de abandoná-lo.THE RAFT OF THE SELF: SOTERIOLOGICAL USES OF SELF AND NOT-SELF IN ANCIENT BUDDHISM ABSTRACTThe purpose of this article is to suggest that the Buddhist teachings on anattā (not-self) should not be understood as a categorical denial of the self, but constitute a soteriological strategy commonly employed by the Buddha, of using something as tool for its own demise.Taking kamma (action) as the main framework that structure all the other teachings, we can think of self-identification as a kind of action. Some instances of this action will be skillful and will lead to liberation, while others will be unskillful and will lead to suffering.With this in mind, the present article will analyze some skillful actions of self and not-self in selected suttas of the Pali canon, showing how they fit into the Buddha’s overall strategy of using elements as tools for their own demise. In this perspective, the self is not denied from the beginning of the path, but one learns how to use it skillfully in order to let go of it.


2018 ◽  
Vol 1 (3-4) ◽  
pp. 394-401 ◽  
Author(s):  
Yevgeniy G. Vyrschikov

This article concerns the origin of the early Buddhist term tathagata (on Pali and Sanskrit material). This way, if you judge according to the Pali Canon, is of ancient pre-Buddhist origin. The “Digha-Nikaya” Sutras provides us with a number of nontrivial contexts of the use of this word, allowing us to accurately establish its etymology and literal meaning. In addition, these contexts suggest a special connection of Tathagata (as an image of the Buddha) with “truth telling”.


1957 ◽  
Vol 20 (1) ◽  
pp. 533-535
Author(s):  
W. Stede

Angulimāla (Finger-garland, nickname from the chain of fingers which he wore), the fierce bandit, occurs at many places in the Pali Canon. One of the best-known episodes in which he figures and which has caused a good deal of comment is that of his conversion, told in the Angulimāla-sutta of the Majjhima Nikāya (no. 86; PTS, II, 97 sq.). For his legendary biography see Malalasekera's Dictionary of Pāli proper names, s.v.Here we see him following the Buddha in murderous intention trying to catch up to him as he walks on in his usual, natural step (Pakatiyā). But he soon realizes that his is unable to do so: the nearer he gets the more distant the Buddha is. He wonders: Although he is of great strength and can race elephants, horses, and deer: here must be a superman who can move at will.


1970 ◽  
Vol 33 (1) ◽  
pp. 179-183 ◽  
Author(s):  
Ernst Waldschmidt
Keyword(s):  
The Sun ◽  
The Moon ◽  

The Candimā-sutta or ‘discourse on the moon’ in the Samyuttanikāya of the Pali canon based on the Indian myth according to which eclipses of the moon as well as of the sun are caused by a demon named Rāhu ‘the Seizer’, who is supposed to try to lay hold of one or the other of the two planets at certain times. The Sutta reports that on such an occasion the god dwelling in the moon takes his refuge in the Buddha who successfully shows his power and pity by directing Rāhu emphatically to set the moon at once at liberty.


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