scholarly journals Temperamento y estética de dos notables pintores. Cartas de José Sabogal a Manuel Domingo Pantigoso

2019 ◽  
pp. 60-71
Author(s):  
Manuel Pantigoso Pecero
Keyword(s):  
Fine Arts ◽  
Fine Art ◽  
The South ◽  
Social Crisis ◽  
The Third ◽  
Palabras Clave ◽  
The Way

El artículo sitúa al Cuzco como tierra inspiradora y raigal en la visión indigenista de José Sabogal y en la visión ultraorbicista de Manuel Domingo Pantigoso. Se remarca la inicial amistad entre dos pintores de coincidencias existenciales pero con diferentes propuestas estéticas. Luego se transcriben y se analizan detalladamente tres cartas dirigidas por Sabogal a Pantigoso: la primera dedicada especialmente a “Cunan”, revista de la Vanguardia del Sur; la segunda referida a la Escuela de Bellas Artes; y la tercera a la exposición en Arequipa de artistas residentes en Lima, presentada por Pantigoso en el “Arequepay”. Se finaliza con las conclusiones que surgen de las posturas temperamentales de cada uno (vertical la del cajamarquino y horizontal la del arequipeño) y de la forma de entender el color en la realización plástica. Palabras clave: Cuzco, ultraorbicismo, indio, crisis social, temperamento, originalidad AbstractThe article places Cuzco as an inspiring land and the cradle of the indigenous vision of José Sabogal and the ultraorbicist vision of Manuel Domingo Pantigoso. It emphasizes the initial friendship between two artists with existential coincidences but with different aesthetic proposals. Then, three letters addressed by Sabogal to Pantigoso are transcribed and analyzed in detail: the first one dedicated especially to “Cunan”, a magazine of the Vanguard of the South; The second refers to the School of Fine Arts; And the third to the exhibition in Arequipa of artists residing in Lima, presented by Pantigoso in the “Arequepay”. This article ends with the conclusions that arise from the temperamental postures of each one of them (vertical from the “Cajamarquino” and horizontal from the “Arequipeño”) and the way of understanding the color in this fine art development. Keywords: Cuzco, ultraorbicism, indigenous, social crisis, nature, originality

Heritage

2018 ◽  
Author(s):  
Omar Shaikh ◽  
Stefano Bonino
Keyword(s):  
Facial Expressions ◽  
South Asian ◽  
Online Video ◽  
The South ◽  
Men And Women ◽  
The Public ◽  
Video Footage ◽  
Community Heritage ◽  
Personal Accounts ◽  
The Way

The Colourful Heritage Project (CHP) is the first community heritage focused charitable initiative in Scotland aiming to preserve and to celebrate the contributions of early South Asian and Muslim migrants to Scotland. It has successfully collated a considerable number of oral stories to create an online video archive, providing first-hand accounts of the personal journeys and emotions of the arrival of the earliest generation of these migrants in Scotland and highlighting the inspiring lessons that can be learnt from them. The CHP’s aims are first to capture these stories, second to celebrate the community’s achievements, and third to inspire present and future South Asian, Muslim and Scottish generations. It is a community-led charitable project that has been actively documenting a collection of inspirational stories and personal accounts, uniquely told by the protagonists themselves, describing at first hand their stories and adventures. These range all the way from the time of partition itself to resettling in Pakistan, and then to their final accounts of arriving in Scotland. The video footage enables the public to see their facial expressions, feel their emotions and hear their voices, creating poignant memories of these great men and women, and helping to gain a better understanding of the South Asian and Muslim community’s earliest days in Scotland.

Géographie et cartographie fictionnelles dans l’Utopie (1516) de Thomas More

Moreana ◽  
2010 ◽  
Vol 47 (Number 181- (3-4) ◽  
pp. 9-68
Author(s):  
Jean Du Verger
Keyword(s):  
Complex Network ◽  
Narrative Strategies ◽  
Thomas More ◽  
The Third ◽  
Editio Princeps ◽  
Shed Light ◽  
The Way

The philosophical and political aspects of Utopia have often shadowed the geographical and cartographical dimension of More’s work. Thus, I will try to shed light on this aspect of the book in order to lay emphasis on the links fostered between knowledge and space during the Renaissance. I shall try to show how More’s opusculum aureum, which is fraught with cartographical references, reifies what Germain Marc’hadour terms a “fictional archipelago” (“The Catalan World Atlas” (c. 1375) by Abraham Cresques ; Zuane Pizzigano’s portolano chart (1423); Martin Benhaim’s globe (1492); Martin Waldseemüller’s Cosmographiae Introductio (1507); Claudius Ptolemy’s Geographia (1513) ; Benedetto Bordone’s Isolario (1528) ; Diogo Ribeiro’s world map (1529) ; the Grand Insulaire et Pilotage (c.1586) by André Thevet). I will, therefore, uncover the narrative strategies used by Thomas More in a text which lies on a complex network of geographical and cartographical references. Finally, I will examine the way in which the frontispiece of the editio princeps of 1516, as well as the frontispiece of the third edition published by Froben at Basle in 1518, clearly highlight the geographical and cartographical aspect of More’s narrative.

EXHIBITION AS A GENRE OF PLASTIC ART: "DIOR"

2020 ◽  
pp. 138-150
Author(s):  
Mariya T. Maistrovskaya ◽  
◽  
Keyword(s):  
Visual Art ◽  
Spatial Organization ◽  
Fine Arts ◽  
Environmental Design ◽  
Exhibition Design ◽  
Fine Art ◽  
Museum Of Fine Arts ◽  
Artistic Images ◽  
Fashion Designers

The article is the second part of the research that consider and analyze two exhibitions held in recent years at the A.S. Pushkin Museum of Fine Arts named, “Chanel: according to the laws of art” (2007) and “Dior: under the sign of art” (2011), dedicated to the largest fashion designers of our time. The original concepts and artistic solutions of the exhibition design of these exhibitions became events not only in the fashion world, but also in the art of the exhibitiaon. These exhibitions presented various exhibition solutions, vivid artistic images, expressive spatial organization, conceptual and scenographic arrangement of copyright collections in the context of high fine art. The most important conceptual component of the exhibitions was to present the art of fashion designers, juxtaposing, giving rise to associations and building analogies and contexts with visual art, against which unique collections were exhibited and in the circle. With this single conceptual view of their work, and the single space of the museum in which the exhibitions were held, the artistic and architectural strategy of the exhibitions was diametrically opposite, revealing the palette and variety of artistically expressive means and modern exhibition design. Both exhibitions were created by modern foreign curators and designers and represent talented and creative exposition projects, the analysis of which can be useful for domestic environmental design as vivid examples of the exposition as a genre of plastic art, which is considered the modern museum and exhibition exposition at its highest and creative forms.

CONDITIONS FAVOURABLE FOR PROTECTION THE MARINE SHORE OF THE VISTULA SPIT AND SAMBIAN PENINSULA (THE BATIC SEA, KALININGRAD OBLAST) BY OFFSHORE DISPOSAL OF DREDGED MATERIAL

2017 ◽  
Author(s):  
Andrei Sokolov ◽  
Andrei Sokolov ◽  
Boris Chubarenko ◽  
Boris Chubarenko
Keyword(s):  
Dredged Material ◽  
Vistula Lagoon ◽  
Shore Protection ◽  
The South ◽  
The Third ◽  
Dumping Site ◽  
The North ◽  
Kaliningrad Oblast ◽  
Wind Actions ◽  
The Vistula Lagoon

Three dumping sites located at the south-eastern part of the Baltic Sea (Kaliningrad Oblast) at shallow depths are considered. The first one is located to the south of the Vistula Lagoon inlet in front of a permanently eroded open marine shore segment. The second one is located to the north of the Vistula Lagoon inlet, and is used now for disposing of dredged material extracted from the Kaliningrad Seaway Canal. The third dumping site is located near the northern shore of the Sambian Peninsula to the east of the Cape Gvardeijski and assigned for disposing the dredged material extracted from the fairway to the Pionerskij Port located nearby. The last site is planned to be used for disposing of dredged material from the future port that should be constructed there before the beginning of the FIFA World Cup 2018. All three dumping sites are located not far from the eroded segments of the shore. The question behind the study is: would it possible that disposed material will naturally transported from the damping site to the shore and accumulate there to protect it from erosion? A numerical hydrodynamic-transport 3D model (MIKE) was used to model sediment transport under different wind actions. The winds with the speed stronger than 15 m/s complete wash out disposed material from the dumping site and spreading it over the wide area with a negligible layer thickness. Winds of about 7-10 m/s transport material along the shore at a distance of few kilometers that may be useful for shore protection. The first location of the dumping site (to the south of the Vistula Lagoon inlet) looks very ineffective for potential protection the shore nearby. At the other hand, the second and especially the third locations are favorable for transport of disposed material to the shore, the most favorable conditions are at onshore or alongshore currents.

CONDITIONS FAVOURABLE FOR PROTECTION THE MARINE SHORE OF THE VISTULA SPIT AND SAMBIAN PENINSULA (THE BATIC SEA, KALININGRAD OBLAST) BY OFFSHORE DISPOSAL OF DREDGED MATERIAL

2017 ◽  
Author(s):  
Andrei Sokolov ◽  
Andrei Sokolov ◽  
Boris Chubarenko ◽  
Boris Chubarenko
Keyword(s):  
Dredged Material ◽  
Vistula Lagoon ◽  
Shore Protection ◽  
The South ◽  
The Third ◽  
Dumping Site ◽  
The North ◽  
Kaliningrad Oblast ◽  
Wind Actions ◽  
The Vistula Lagoon

Three dumping sites located at the south-eastern part of the Baltic Sea (Kaliningrad Oblast) at shallow depths are considered. The first one is located to the south of the Vistula Lagoon inlet in front of a permanently eroded open marine shore segment. The second one is located to the north of the Vistula Lagoon inlet, and is used now for disposing of dredged material extracted from the Kaliningrad Seaway Canal. The third dumping site is located near the northern shore of the Sambian Peninsula to the east of the Cape Gvardeijski and assigned for disposing the dredged material extracted from the fairway to the Pionerskij Port located nearby. The last site is planned to be used for disposing of dredged material from the future port that should be constructed there before the beginning of the FIFA World Cup 2018. All three dumping sites are located not far from the eroded segments of the shore. The question behind the study is: would it possible that disposed material will naturally transported from the damping site to the shore and accumulate there to protect it from erosion? A numerical hydrodynamic-transport 3D model (MIKE) was used to model sediment transport under different wind actions. The winds with the speed stronger than 15 m/s complete wash out disposed material from the dumping site and spreading it over the wide area with a negligible layer thickness. Winds of about 7-10 m/s transport material along the shore at a distance of few kilometers that may be useful for shore protection. The first location of the dumping site (to the south of the Vistula Lagoon inlet) looks very ineffective for potential protection the shore nearby. At the other hand, the second and especially the third locations are favorable for transport of disposed material to the shore, the most favorable conditions are at onshore or alongshore currents.

Ragam Qiraat Al-Qur'an

SUHUF ◽  
2015 ◽  
Vol 2 (1) ◽  
pp. 53-72
Author(s):  
Ahmad Fathoni
Keyword(s):  
The Third ◽  
The Difference ◽  
The Way

The object of the study of the knowledge of the variety of the Quranic reading  is the  Qur'an itself. The focus is on the difference of the reading and its articulation. The method is based on the riwayat or narration which is originated from the Prophet (Rasulullah saw) and its use is to be one of the instruments to keep the originality of the Qur’an. The validity of the reading the Qur’an is to be judged based on the valid chain  (sanad ¡a¥ī¥)  in accord with the Rasm U£mānÄ« as well as with the  Arabic grammar. Whereas the qualification of its originality is divided into six stages as follow: the first is mutawātir, the second is masyhÅ«r, the third is āhād, the fourth is syaz, the fifth is maudū‘, and the six is mudraj. Of this six catagories, the readings which can be included in the catagory of mutawātir are Qiraat Sab‘ah (the seven readings) and Qiraat ‘Asyrah  (the ten readings). To study this knowledge of reading the Qur’an (ilmu qiraat), one is advised to know about special terms being used such as  qiraat  (readings), riwayat (narration), tarÄ«q (the way), wajh (aspect), mÄ«m jama‘, sukÅ«n mÄ«m jama‘ and many others.

Attitudes of Elderly People in the South Moravian Region to Further Education

2014 ◽  
Vol 4 (2) ◽  
pp. 54-78
Author(s):  
Petr Adamec ◽  
Marián Svoboda
Keyword(s):  
Quality Of Life ◽  
Elderly People ◽  
Further Education ◽  
The South ◽  
The Third ◽  
Interesting Insight ◽  
Survey Results ◽  
Insight Into ◽  
Demographic Features

This paper deals with the results of sociological survey focused on identification of the attitudes of elderly people to further education. The research was carried out in September 2010. Experience of elderly people with further education, their readiness (determination) for further education as well as their motivation and barriers in further education were also subjects of this research. Detecting elderly population’s awareness of universities of the third age and finding out their further education preferences were an integral part of the research. Research sample consisted of citizens over 55 years living in the South Moravian region. The survey results are structured by socio-demographic features e.g.: age, sex, educational attainment etc. and provide an interesting insight into the attitudes of the target group to one of the activities that contributes to improvement of their quality of life.

The Exorcism of the Salt Ponds at Xie

2017 ◽  
Author(s):  
Barend J. ter Haar
Keyword(s):  
Twelfth Century ◽  
Southern China ◽  
Ritual Practice ◽  
Salt Ponds ◽  
The South ◽  
New Type ◽  
The Way

The historical Guan Yu came from a village in Xie Prefecture (modern Yuncheng) in the south of the modern province of Shanxi, close to one of the main salt producing sites of traditional China. From the early twelfth century onwards a new type of worship for Lord Guan was transmitted throughout southern China by Daoist exorcist specialists, which was motivated by a story about his successful defeat of a demon causing mishap in the salt ponds of Xie. The Daoist connection of the deity was much stronger than the Buddhist one, but this was the Daoism of ritual practice, rather than the philosophical approaches as some may construct them from the Book of the Way and the Virtue that is ascribed to Laozi. A substantial numbers of temple foundations in southern China in particular can be explained through this Daoist connection.

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