scholarly journals Breves consideraciones sobre el retrato en la pintura virreinal peruana

2019 ◽  
pp. 28-45
Author(s):  
Jaime Mariazza Foy

ResumenEste artículo propone el estudio de la pintura virreinal peruana desde el enfoque de las características sociales bajo las cuales se formaban los aprendices de pintor, sus alcances como estudiosos del natural y sus habilidades para reproducir diferentes tipos de texturas. De igual manera, se señala el grado de consideración social que las imágenes pintadas recibieron, por un lado, de parte de un estamento social culto y, por otro, como síntesis votiva y piadosa de un imaginario popular que alcanzaba a la mayor parte de la población. Hemos empleado el género del retrato como vía para explorar tentativamente las particularidades de la pintura durante los siglos XVI al XVIII.Palabras clave: pintura, virreinato, entorno social, estilo. AbstractThis article proposes the study of the Peruvian viceroyalty painting from the approach of the social characteristics under which the apprentices of the painter were formed, their scopes as studious of the natural one and their abilities to reproduce different types of textures. Similarly, the degree of social consideration that the painted images received, on the one hand, from an educated social class and, on the other, as a votive and pious synthesis of a popular imaginary that reached the majority of the population. We have used the genre of portraiture as a way to tentatively explore the particularities of painting during the 16th to 18th centuries.Keywords: painting, viceroyalty, social environment, style.

2019 ◽  
pp. 28-45
Author(s):  
Jaime Mariazza Foy

ResumenEste artículo propone el estudio de la pintura virreinal peruana desde el enfoque de las característicassociales bajo las cuales se formaban los aprendices de pintor, sus alcances como estudiosos del naturaly sus habilidades para reproducir diferentes tipos de texturas. De igual manera, se señala el grado deconsideración social que las imágenes pintadas recibieron, por un lado, de parte de un estamento socialculto y, por otro, como síntesis votiva y piadosa de un imaginario popular que alcanzaba a la mayorparte de la población. Hemos empleado el género del retrato como vía para explorar tentativamentelas particularidades de la pintura durante los siglos XVI al XVIII.Palabras clave: pintura, virreinato, entorno social, estilo. AbstractThis article proposes the study of the Peruvian viceroyalty painting from the approach of the socialcharacteristics under which the apprentices of the painter were formed, their scopes as studious of thenatural one and their abilities to reproduce different types of textures. Similarly, the degree of socialconsideration that the painted images received, on the one hand, from an educated social class and,on the other, as a votive and pious synthesis of a popular imaginary that reached the majority of thepopulation. We have used the genre of portraiture as a way to tentatively explore the particularities ofpainting during the 16th to 18th centuries.Keywords: painting, viceroyalty, social environment, style.


2004 ◽  
Vol 60 (1/2) ◽  
Author(s):  
Johan Strijdom

In this article the Baptist is compared with the upper-class/literate millennialists behind the Psalms of Solomon, the Testament of Moses, the Similitudes of 1 Enoch, and the Qumran scrolls on the one hand, and with the lower-class/illiterate millennialist movements in Josephus on the other hand. The argument is developed in constant dialogue with the analyses of John Dominic Crossan. After an initial statement of historical facts about the Baptist, these are compared with the named groups in terms of each one’s (1) criticism of the social-political and religious status quo, (2) depiction of the imagined mediator through whom God was expected to intervene, (3) portrayal of the violent/non-violent intervention of God and the group respectively, and (4) social ethics. It is concluded that John shows closer resemblance to the literate than illiterate millennialists, and should therefore rather be considered as a dissident retainer.


2013 ◽  
Vol 13 (1) ◽  
pp. 271-284 ◽  
Author(s):  
Suren Basov ◽  
M. Ishaq Bhatti

AbstractMost research in contract theory concentrated on the role of incentives in shaping individual behavior. Recent research suggests that social norms also play an important role. From a point of view of a mechanism designer (a principal, a government, and a bank), responsiveness of an agent to the social norms is both a blessing and a curse. On the one hand, it provides the designer with extra instruments, while on the other it puts restrictions on how these new and the more conventional instruments can be used. The main objective of this paper is to investigate this trade-off and study how it shapes different contracts observed in the real world. We consider a model in which agent’s cost of cheating is triggered by the principal’s show of trust. We call such behavior a norm of honesty and trust and show that it drives incentives to be either low powerful or high powerful, eliminating contracts with medium powerful incentives.


2019 ◽  
Vol 67 (5) ◽  
pp. 705-722
Author(s):  
Leandro Rodriguez Medina

The study of the internationalization of science seems to be focused on the natural and formal sciences and on networks of the Global North. A shift towards the social sciences and a peripheral region (Mexico) is proposed here and shows that two different types of networks are enacted to face the challenges of internationalized research. On the one hand, there are strategic networks which internalize the pressure of incentives brought to bear on academics and tend to reproduce an over-professionalized idea of the academia. On the other, there are engaged networks that try to strengthen international bonds according to certain politico-ethical imperatives. In this article, relying on current research on internationalization of the Mexican social sciences, the author explores the usefulness of these ideal-types of networks and discusses their implications.


2021 ◽  
pp. 003802612110294
Author(s):  
Clément Colin

Depending on one’s socio-territorial contexts, age, and time spent residing in the same place, the spatial-temporal experience of belonging is lived differently. Within this framework, this article looks at perspectives of neighborhood belonging in long-term residents aged 65 years and older. Based on the narratives of 51 people from three neighborhoods of Valparaíso, Chile, who participated in the 2019 workshops and/or in-depth interviews, I identify different types of nostalgic senses of belonging; and examine the social and spatial conditions that influence their formation. From this empirical research, I argue that these belongings are based on daily practices that refer to the past neighborhood and that, at the same time, are embodied in their current materialities. The results show, on the one hand, the role of nostalgia in the formation of a belonging, from the past to the present; and, on the other, the influence of place in these experiences. From the above, this article contributes to the conceptualization of the material dimension of nostalgic belongings and their interrelationships among nostalgias, belongings, and changes in social and physical environments.


2012 ◽  
Vol 1 (2) ◽  
pp. 140
Author(s):  
Hilla Peled-Shapira

This paper deals with the way in which Communist writers in mid-twentieth-century Iraq used literature in order to, on the one hand express their tense relationship with the regime during times of severe political repression, and on the other hand sharply criticize the Iraqi people themselves for not taking responsibility for or caring about their fate—or, for that matter, for failing to internalize the social class discourse to which the Communists aspired.  The paper’s objective is to examine the connection between the writers’ ideology and the rhetorical and conceptual elements with which they expressed their dissatisfaction with the regime, the way Iraqi society was run, and the desires of both—intellectuals and society at large—to undergo change. In addition, this study will survey the esthetic and stylistic devices, which the writers under consideration chose, and consider both the meanings and motives behind their choices. These aspects will be examined in the framework of a proposed model of “circles of criticism.”  


1971 ◽  
Vol 1 (3) ◽  
pp. 225-232 ◽  
Author(s):  
W. Scott

The paper describes a study carried out at the United Nations Research Institute for Social Development to discover a few of the conditions that in six developing countries affected the linkage between certain social levels or “inputs,” such as the level of education and health and educational and health services, on the one hand, and economic growth, on the other. The conditions that were found to be important, to various degrees, and that should be considered in subsequent analysis (and policy making) of the relationships of levels of living to economic growth include the structure of production, selected aspects of the social structure, and the nature and distribution of the social characteristics themselves.


2018 ◽  
pp. 13-38
Author(s):  
N. Ceramella

The article considers two versions of D. H. Lawrence’s essay The Theatre: the one which appeared in the English Review in September 1913 and the other one which Lawrence published in his first travel book Twilight in Italy (1916). The latter, considerably revised and expanded, contains a number of new observations and gives a more detailed account of Lawrence’s ideas.Lawrence brings to life the atmosphere inside and outside the theatre in Gargnano, presenting vividly the social structure of this small northern Italian town. He depicts the theatre as a multi-storey stage, combining the interpretation of the plays by Shakespeare, D’Annunzio and Ibsen with psychological portraits of the actors and a presentation of the spectators and their responses to the plays as distinct social groups.Lawrence’s views on the theatre are contextualised by his insights into cinema and its growing popularity.What makes this research original is the fact that it offers a new perspective, aiming to illustrate the social situation inside and outside the theatre whichLawrenceobserved. The author uses the material that has never been published or discussed before such as the handwritten lists of box-holders in Gargnano Theatre, which was offered to Lawrence and his wife Frieda by Mr. Pietro Comboni, and the photographs of the box-panels that decorated the theatre inLawrence’s time.


2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Riikka Nissi ◽  
Melisa Stevanovic

Abstract The article examines how the aspects of the social world are enacted in a theater play. The data come from a videotaped performance of a professional theater, portraying a story about a workplace organization going through a personnel training program. The aim of the study is to show how the core theme of the play – the teaming up of the personnel – is constructed in the live performance through a range of interactional means. By focusing on four core episodes of the play, the study on the one hand points out to the multiple changes taking place both within and between the different episodes of the play. On the other hand, the episodes of collective action involving the semiotic resources of singing and dancing are shown to represent the ideals of teamwork in distinct ways. The study contributes to the understanding of socially and politically oriented theater as a distinct, pre-rehearsed social setting and the means and practices that it deploys when enacting the aspects of the contemporary societal issues.


1979 ◽  
Vol 3 (3-4) ◽  
pp. 242-244 ◽  
Author(s):  
Bruce Kuklick

Despite differences in coloration Miller and Benson are birds of a feather. Although he is no Pollyanna, Miller believes that there has been a modest and decent series of advances in the social sciences and that the most conscientious, diligent, and intelligent researchers will continue to add to this stock of knowledge. Benson is much more pessimistic about the achievements of yesterday and today but, in turn, offers us the hope of a far brighter tomorrow. Miller explains Benson’s hyperbolic views about the past and future by distinguishing between pure and applied science and by pointing out Benson’s naivete about politics: the itch to understand the world is different from the one to make it better; and, Miller says, because Benson sees that we have not made things better, he should not assume we do not know more about them; Benson ought to realize, Miller adds, that the way politicians translate basic social knowledge into social policy need not bring about rational or desirable results. On the other side, Benson sees more clearly than Miller that the development of science has always been intimately intertwined with the control of the environment and the amelioration of the human estate.


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