scholarly journals FROM THE HISTORY OF 20TH-CENTURY LITERARY POLITICS. ‘LITERARY HERITAGE’ [LITERATURNOE NASLEDSTVO] AS AN ACADEMIC INSTITUTION

2018 ◽  
pp. 296-333
Author(s):  
D. Moskovskaya

A review of the editorial archive of the Literary Heritage [Literaturnoe nasledstvo] book series at the Manuscripts Department of the Russian Academy’s Gorky Institute of World Literature. The emergence of the new archaeographical publication, Literary Heritage, was at odds with the political context of the early 1930s. I. Zilbershtein’s personality and extensive connections in the publishing world, as well as the favourable disposition of the RAPP (Russian Association of Proletarian Writers) and Stalin himself, helped to launch the series and made sure that it endured despite the RAPP’s downfall and to meet the program’s goals to ‘explore the archived riches’ and ‘bring out the hitherto unpublished’. It was thanks to the utmost erudition of LH’s authors and reviewers that their editorial office remained a platform that accumulated both archival discoveries and contemporary challenges and ideas. LH’s survival amid constant scrutiny from the party and official censorship was the result of often obscure forces and political schemes put to work. It was driven by personal interests and scholarly collaborations and rivalries, something that broadly defined the trends in literary studies of the 21st century.

1949 ◽  
Vol 11 (1) ◽  
pp. 17-25
Author(s):  
Ivan Kheraskov

The name Coeurderoy, of course, will mean nothing to the reader. It is that of a thoroughly forgotten French revolutionary writer. Nettlau, the bibliographer of anarchism in the nineteenth century, who devoted to him an enthusiastic article in the second issue of the Archives of the History of Socialism (1910) and reedited the three volumes of his diary, Days of Exile, with an extensive biographical introduction (1911), has literally rediscovered him for the reader of the twentieth century.And yet Coeurderoy was a most unusual personality. Nettlau considers him an outstanding writer, a master of the written word worthy of a place in world literature next to Nietzsche. In the present study we propose to acquaint the reader only with the political aspect of Coeurderoy's thought—his militant social philosophy which, as will be seen, is of strikingly contemporary interest. Not only did his revolutionary vision foreshadow “Leninism,” not only did he discern through the mists of the future the Russian communist upheaval in its European aspect, but he was spiritually a contemporary, as it were, of our own period of history. “Outwardly,”—he wrote,—“I live in our century, but in spirit I belong to the future.”


Literary Fact ◽  
2020 ◽  
pp. 360-370
Author(s):  
George Cheron

Journalist, prose writer, playwright Alexander Amfiteatrov and Ataman of the Great Don Army General Petr Krasnov, the author of numerous novels and short stories, belonged to the older generation of Russian émigré writers. Amfiteatrov lived in Italy, and Krasnov in Paris, and they communicated by mail. Their correspondence that began in 1927 lasted more than 10 years, until Amfiteatrov’s death. The previously published large complex of their letters contains not only significant additions to the literary biography of correspondents, but also an important information on the political, social, and literary history of the Russian Abroad in the 1920s and 1930s. Moreover, Krasnov’s letters are only a small part of the huge Amfiteatrov émigré collection, researched by the author of this publication in collaboration with Oleg Korostelev with plans to devote several books of the Amfiteatrov volume in the academic series “Literary Heritage” to these materials. This publication presents two recently discovered letters to Krasnov, written by Amfiteatrov himself and by his widow, reporting on her efforts to collect a book in her husband's memory during the outbreak of World War II.


2021 ◽  
Vol 6 (4) ◽  
pp. 446-465
Author(s):  
Daria S. Moskovskaya

The article examines the history of the publication of the academic series Literary Heritage based on new archival materials. The publication was initiated in 1931, when archival and publishing activities were affected by political trials. The author of the draft used political rhetoric to get permission to publish it from the Central Committee of the CPSU(b). In 1932, following the decree “On the Restructuring of Literary and Artistic Organizations,” Literary Heritage became an exemplary academic publication and received international recognition. Literary Heritage developed a new method as it placed the author in the position of a student at the editorial board. In Soviet times, the Literary Heritage existed under the conditions of censorship and ideological control but still managed to publish a volume on Russian symbolism in 1937. The years 1947–1959 were difficult for Literary Heritage when the editorial office was accused of cosmopolitanism. In its publishing policy, Literary Heritage was ahead of time and above the reader’s dogmatism which led to the sequestration of several volumes. The history of Literary Heritage contributed to creating an intellectual and ideological platform that nurtured a new generation of literary historians.


2000 ◽  
Vol 25 (04) ◽  
pp. 1049-1075 ◽  
Author(s):  
Kenneth F. Ledford

The outrageous history of German judges during the Third Reich should not so structure historical research as to distract historians from examining their role in the nineteenth century. Prussian judges played an important role in electoral politics by serving as parliamentary deputies between 1849 and 1913. This essay poses and answers two questions: What was the political, legal, and social setting that led to judges sewing in parliament? And, why did their number decline after 1877? Theoretical discourses of separation of powers, construction of a Hegelian “general estate,” and independence of the judiciary converged with administrative-legal-constitutional developments in Prussia begun under the absolutism of the eighteenth century and professional and personal interests of judges to bring them into parliament, often as members of the liberal opposition. But success in the liberal project of building a national state, including legal reform, professionalization, and the advent of mass politics, reduced the need and attraction for judges in parliament, resulting in a decline after the 1860s.


1959 ◽  
Vol 9 ◽  
pp. 51-79
Author(s):  
K. Edwards

During the last twenty or twenty-five years medieval historians have been much interested in the composition of the English episcopate. A number of studies of it have been published on periods ranging from the eleventh to the fifteenth and early sixteenth centuries. A further paper might well seem superfluous. My reason for offering one is that most previous writers have concentrated on analysing the professional circles from which the bishops were drawn, and suggesting the influences which their early careers as royal clerks, university masters and students, secular or regular clergy, may have had on their later work as bishops. They have shown comparatively little interest in their social background and provenance, except for those bishops who belonged to magnate families. Some years ago, when working on the political activities of Edward II's bishops, it seemed to me that social origins, family connexions and provenance might in a number of cases have had at least as much influence on a bishop's attitude to politics as his early career. I there fore collected information about the origins and provenance of these bishops. I now think that a rather more careful and complete study of this subject might throw further light not only on the political history of the reign, but on other problems connected with the character and work of the English episcopate. There is a general impression that in England in the later middle ages the bishops' ties with their dioceses were becoming less close, and that they were normally spending less time in diocesan work than their predecessors in the thirteenth century.


2019 ◽  
pp. 135-145
Author(s):  
Viktor A. Popov

Deep comprehension of the advanced economic theory, the talent of lecturer enforced by the outstanding working ability forwarded Vladimir Geleznoff scarcely at the end of his thirties to prepare the publication of “The essays of the political economy” (1898). The subsequent publishing success (8 editions in Russia, the 1918­-year edition in Germany) sufficiently demonstrates that Geleznoff well succeded in meeting the intellectual inquiry of the cross­road epoch of the Russian history and by that taking the worthful place in the history of economic thought in Russia. Being an acknowledged historian of science V. Geleznoff was the first and up to now one of the few to demonstrate the worldwide community of economists the theoretically saturated view of Russian economic thought in its most fruitful period (end of XIX — first quarter of XX century).


2008 ◽  
Vol 1 (2) ◽  
pp. 139-155 ◽  
Author(s):  
YAEL DARR

This article describes a crucial and fundamental stage in the transformation of Hebrew children's literature, during the late 1930s and 1940s, from a single channel of expression to a multi-layered polyphony of models and voices. It claims that for the first time in the history of Hebrew children's literature there took place a doctrinal confrontation between two groups of taste-makers. The article outlines the pedagogical and ideological designs of traditionalist Zionist educators, and suggests how these were challenged by a group of prominent writers of adult poetry, members of the Modernist movement. These writers, it is argued, advocated autonomous literary creation, and insisted on a high level of literary quality. Their intervention not only dramatically changed the repertoire of Hebrew children's literature, but also the rules of literary discourse. The article suggests that, through the Modernists’ polemical efforts, Hebrew children's literature was able to free itself from its position as an apparatus controlled by the political-educational system and to become a dynamic and multi-layered field.


2005 ◽  
Vol 4 (1) ◽  
pp. 73-86 ◽  
Author(s):  
David Wetherell

Every discipline which deals with the land question in Canaan-Palestine-Israel is afflicted by the problem of specialisation. The political scientist and historian usually discuss the issue of land in Israel purely in terms of interethnic and international relations, biblical scholars concentrate on the historical and archaeological question with virtually no reference to ethics, and scholars of human rights usually evade the question of God. What follows is an attempt, through theology and political history, to understand the history of the Israel-Palestine land question in a way which respects the complexity of the question. From a scrutiny of the language used in the Bible to the development of political Zionism from the late 19th century it is possible to see the way in which a secular movement mobilised the figurative language of religion into a literal ‘title deed’ to the land of Palestine signed by God.


2019 ◽  
Vol 74 (3) ◽  
pp. 305-331
Author(s):  
John Owen Havard

John Owen Havard, “‘What Freedom?’: Frankenstein, Anti-Occidentalism, and English Liberty” (pp. 305–331) “If he were vanquished,” Victor Frankenstein states of his monstrous creation in Mary Shelley’s Frankenstein (1818), “I should be a free man.” But he goes on: “Alas! what freedom? such as the peasant enjoys when his family have been massacred before his eyes, his cottage burnt, his lands laid waste, and he is turned adrift, homeless, pennyless, and alone, but free.” Victor’s circumstances approximate the deracinated subject of an emergent economic liberalism, while looking to other destitute and shipwrecked heroes. Yet the ironic “freedom” described here carries an added charge, which Victor underscores when he concludes this account of his ravaged condition: “Such would be my liberty.” This essay revisits the geographic plotting of Frankenstein: the digression to the East in the nested “harem” episode, the voyage to England, the neglected episode of Victor’s imprisonment in Ireland, and the creature’s desire to live in South America. Locating Victor’s concluding appeal to his “free” condition within the novel’s expansive geography amplifies the political stakes of his downfall, calling attention to not only his own suffering but the wider trail of destruction left in his wake. Where existing critical accounts have emphasized the French Revolution and its violent aftermath, this obscures the novel’s pointed critique of a deep and tangled history of English liberty and its destructive legacies. Reexamining the novel’s geography in tandem with its use of form similarly allows us to rethink the overarching narrative design of Frankenstein, in ways that disrupt, if not more radically dislocate, existing rigid ways of thinking about the novel.


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