scholarly journals Zenoviy Flinta’s artistic ceramics of 1960-80s: Stages of development of the author’s creative manner and influence of artist’s painting on his artistic ceramicsand Ukrainization

2021 ◽  
pp. 69-84
Author(s):  
Ivanna MATKOVSKA
Keyword(s):  
Stages Of Development ◽  
Art Analysis ◽  
The 1960S ◽  
First Time ◽  
Artist Teacher

The works of Zenovia Flint, an outstanding artist, teacher and nonconformist ceramist, who embodied in his ceramic works of the 1960s and 1980s his own picturesque informal searches and philosophical images-allegories in the author’s manner, are analyzed. For the first time, the systematization of directions and stages of formation of Z. Flint’s authorial style in the field of artistic ceramics was performed, as well as an art analysis of the influence of the artist’s painting on his ceramics.

scholarly journals Emigration of Jews from the Soviet Union in the 1960-1970s through the eyes of the American press

2019 ◽  
Vol 11 (2) ◽  
pp. 136-160
Author(s):  
Alexey V. Antoshin ◽  
Dmitry L. Strovsky
Keyword(s):  
Soviet Union ◽  
The United States ◽  
Cultural Development ◽  
The Soviet Union ◽  
American Press ◽  
The Usa ◽  
History Of ◽  
The Media ◽  
The 1960S ◽  
First Time

The article analyzes the features of Soviet emigration and repatriation in the second half of the 1960s through the early 1970s, when for the first time after a long period of time, and as a result of political agreements between the USSR and the USA, hundreds of thousands of Soviet Jews were able to leave the Soviet Union for good and settle in the United States and Israel. Our attention is focused not only on the history of this issue and the overall political situation of that time, but mainly on the peculiarities of this issue coverage by the leading American printed media. The reference to the media as the main empirical source of this study allows not only perceiving the topic of emigration and repatriation in more detail, but also seeing the regularities of the political ‘face’ of the American press of that time. This study enables us to expand the usual framework of knowledge of emigration against the background of its historical and cultural development in the 20th century.

Rescued from the Brink: the Collapse and Resurgence of Wycliffe Hall, Oxford

2008 ◽  
Vol 44 ◽  
pp. 354-364
Author(s):  
Andrew Atherstone
Keyword(s):  
Church Of England ◽  
First World War ◽  
Conservative Estimate ◽  
World War ◽  
The First World War ◽  
The 1960S ◽  
First Time ◽  
First World ◽  
The Church

The twenty-five theological colleges of the Church of England entered the 1960s in buoyant mood. Rooms were full, finances were steadily improving, expansion seemed inevitable. For four years in succession, from 1961 to 1964, ordinations exceeded six hundred a year, for the first time since before the First World War, and the peak was expected to rise still higher. In a famously misleading report, the sociologist Leslie Paul predicted that at a ‘conservative estimate’ there would be more than eight hundred ordinations a year by the 1970s. In fact, the opposite occurred. The boom was followed by bust, and the early 1970s saw ordinations dip below four hundred. The dramatic plunge in the number of candidates offering themselves for Anglican ministry devastated the theological colleges. Many began running at a loss and faced imminent bankruptcy. In desperation the central Church authorities set about closing or merging colleges, but even their ruthless cutbacks could not keep pace with the fall in ordinands.

Hollywood Can’t Wait: Elaine May and the Delusions of 1970s American Cinema

2019 ◽  
pp. 41-62
Author(s):  
Maya Montañez Smukler
Keyword(s):  
Women Directors ◽  
Female Characters ◽  
American Cinema ◽  
New Hollywood ◽  
Second Wave Feminism ◽  
Feminist Film ◽  
The 1960S ◽  
First Time ◽  
Second Wave ◽  
Made In

Elaine May began her career as a filmmaker during the 1970s when the mythology of the New Hollywood male auteur defined the decade; and the number of women directors, boosted by second wave feminism, increased for the first time in forty years. May’s interest in misfit characters, as socially awkward as they were delusional, and her ability to seamlessly move them between comedy and drama, typified the New Hollywood protagonist who captured America’s uneasy transition from the hopeful rebellion of the 1960s into the narcissistic angst of the 1970s. However, the filmmaker’s reception, which culminated in the critical lambast of her comeback film Ishtar in 1987, was uneven: her battles with studio executives are legendary; feminist film critics railed against her depiction of female characters; and a former assistant claimed she set back women directors by her inability to meet deadlines. This chapter investigates Elaine May’s career within the lore 1970s Hollywood to understand the industrial and cultural circumstances that contributed to the emergence of her influential body of work; and the significant contributions to cinema she made in spite of, and perhaps because of, the conflicts in which she was faced.

Poverty, Punishment, and Public Assistance

2017 ◽  
Author(s):  
Catherine E. Rymph
Keyword(s):  
Foster Care ◽  
Public Assistance ◽  
Policy Changes ◽  
Children Of Color ◽  
Federal Funds ◽  
Dependent Children ◽  
The Creation ◽  
The 1960S ◽  
The Impact ◽  
First Time

This chapter explores policy changes in the 1960s that for the first time allowed federal funds to be spent on board payments but which also made foster care a more punitive system, now firmly linked to public assistance, in which children of color were overrepresented. It looks particularly at the impact of the creation of Aid to Families with Dependent Children-Foster Care (AFDC-FC) in making foster care in this transition.

From American Exceptionalism to the Great Compression

2021 ◽  
pp. 323-350
Author(s):  
Jon D. Wisman
Keyword(s):  
United States ◽  
Economic Growth ◽  
World War Ii ◽  
American Exceptionalism ◽  
The United States ◽  
Living Standards ◽  
World War ◽  
The Great Depression ◽  
The 1960S ◽  
First Time

The United States was an anomaly, beginning without clear class distinctions and with substantial egalitarian sentiment. Inexpensive land meant workers who were not enslaved were relatively free. However, as the frontier closed and industrialization took off after the Civil War, inequality soared and workers increasingly lost control over their workplaces. Worker agitation led to improved living standards, but gains were limited by the persuasiveness of the elite’s ideology. The hardships of the Great Depression, however, significantly delegitimated the elite’s ideology, resulting in substantially decreased inequality between the 1930s and 1970s. Robust economic growth following World War II and workers’ greater political power permitted unparalleled improvements in working-class living standards. By the 1960s, for the first time in history, a generation came of age without fear of dire material privation, generating among many of the young a dramatic change in values and attitudes, privileging social justice and self-realization over material concerns.

scholarly journals New and rare species of Volvocaceae (Chlorophyta) in the Polish phycoflora

2013 ◽  
Vol 82 (4) ◽  
pp. 259-266 ◽  
Author(s):  
Ewa A. Dembowska
Keyword(s):  
Rare Species ◽  
Light Microscope ◽  
Aquatic Ecosystems ◽  
Oxbow Lakes ◽  
Vistula River ◽  
Photographic Documentation ◽  
Pandorina Morum ◽  
1960S And 1970S ◽  
The 1960S ◽  
First Time

Seven species of Volvocaceae were recorded in the lower Vistula River and its oxbow lakes, including <em>Pleodorina californica</em> for the first time in Poland. Three species – <em>Eudorina cylindrica</em>, <em>E. illinoisensis</em> and <em>E. unicocca</em> – were found in the Polish Vistula River in the 1960s and 1970s, as well as at present. They are rare species in the Polish aquatic ecosystems. Three species are common both in the oxbow lakes and in the Vistula River: <em>Eudorina elegans</em>, <em>Pandorina morum</em> and <em>Volvox aureus</em>. New and rare Volvocaceae species were described in terms of morphology and ecology; also photographic documentation (light microscope microphotographs) was completed.

Normality and Power: Desire and Reality for Students with Disabilities in Mainstream Schools

2001 ◽  
Vol 10 (2) ◽  
pp. 105-119 ◽  
Author(s):  
Mairin Kenny ◽  
Michael Shevlin
Keyword(s):  
Students With Disabilities ◽  
Peer Relations ◽  
Exploratory Research ◽  
New Paradigm ◽  
Policy And Practice ◽  
Policy Documents ◽  
Irish People ◽  
The 1960S ◽  
First Time ◽  
Recent Policy

The move to integrated schooling for students with disabilities, begun in the 1960s, initially focused on meeting ‘special needs’ within the mainstream, without consideration of overall system change. Recent policy documents promote respect for diversity but integration remains weighted towards ‘accommodating’ minority needs within an increasingly strained old discourse of normality that serves the interests of the dominant majority and informs school policy and practice in Ireland. An exploratory research project called ‘Hidden Voices’ aimed to register for the first time how young Irish people with disabilities read their experience of mainstream second level schooling. This paper presents findings on two interrelated aspects of their experience – mobility and peer relations. It will emerge that constructs of normality that inform schools’ built environment profoundly distort the school experience, social and academic, of students with disabilities. A new paradigm of normality is called for.

The decline and rise of class voting? From occupation to culture in Australia

2018 ◽  
Vol 55 (3) ◽  
pp. 426-445 ◽  
Author(s):  
Ian McAllister ◽  
Toni Makkai
Keyword(s):  
Cultural Capital ◽  
National Survey ◽  
Social And Cultural Capital ◽  
Class Voting ◽  
Party Support ◽  
The 1960S ◽  
Economic Assets ◽  
The Impact ◽  
First Time

Conventional wisdom has long held that class is declining as an influence on voting. More recently, new conceptions of class, focusing on the ownership of economic assets and the possession of social and cultural capital, have challenged this view. This article evaluates these arguments in two ways. First, we examine trends in the impact of traditional measures of class on the vote in Australia from the 1960s to the present day. Second, using a 2015 national survey that measures different aspects of class voting, we assess for the first time the relative effects on the vote of occupation, assets, and social and cultural capital. The results show that while occupation has declined and is now unimportant, the ownership of both assets and cultural capital are major influences on the vote. We argue that the impact of class on the vote has not declined, but rather transformed itself in new and different ways, which has important long-term implications for party support.

scholarly journals An Introduction to Nicos Hadjinicolaou's “Art Centers and Peripheral Art” (1982)

ARTMargins ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 112-118
Author(s):  
Terry Smith
Keyword(s):  
The United States ◽  
Political Art ◽  
Book Art ◽  
Hard Edge ◽  
War Of Independence ◽  
History Of ◽  
The 1960S ◽  
The Impact ◽  
First Time

Change in the history of art has many causes, but one often overlooked by art historical institutions is the complex, unequal set of relationships that subsist between art centers and peripheries. These take many forms, from powerful penetration of peripheral art by the subjects, styles and modes of the relevant center, through accommodation to this penetration to various degrees and kinds of resistance to it. Mapping these relationships should be a major task for art historians, especially those committed to tracing the reception of works of art and the dissemination of ideas about art. This lecture, delivered by Nicos Hadjinicolaou in 1982, outlines a “political art geography” approach to these challenges, and demonstrates it by exploring four settings: the commissioning of paintings commemorating key battles during the Greek War of Independence; the changes in Diego Rivera's style on his return to Mexico from Paris in the 1920s; the impact on certain Mexican artists in the 1960s of “hard edge” painting from the United States; and the differences between Socialist Realism in Moscow and in the Soviet Republics of Asia during the mid-twentieth century. The lecture is here translated into English for the first time and is introduced by Terry Smith, who relates it to its author's long-term art historical quest, as previously pursued in his book Art History and Class Struggle (1973).

African Music in the World and Traditional Music Section at the British Library Sound Archive

2004 ◽  
Vol 31 ◽  
pp. 447-454 ◽  
Author(s):  
Janet Topp Fargion
Keyword(s):  
Oral Tradition ◽  
Traditional Music ◽  
British Library ◽  
African Music ◽  
Recording Technology ◽  
Recorded Sound ◽  
British Institute ◽  
The 1960S ◽  
First Time ◽  
Recorded Performance

It is widely accepted that the development of recording technology played an important role in the development of ethnomusicology as a discipline. For the first time, from the late nineteenh century, music could be recorded for use in scientific comparison and analysis. Jaap Kunst once wrote: “ethnomusicology could never have grown into an independent science if the gramophone had not been invented.” But the significance of recorded performance—the most objective way of capturing oral tradition—for the understanding of all aspects of culture must not be underestimated, particularly, but not exclusively, for nonliterate societies. “Oral tradition should be central to students of culture, of ideology, of society, of psychology, of art, and … of history.” And sound archives should be perceived as essential to research, “equivalent to libraries in other disciplines insofar as their importance in research is concerned.”Almost immediately after the advent of recording technology in the late 1870s, sound archives began to emerge: the first in Europe was the Phonogrammarchiv of the Austrian Academy of Science in 1899. Britain came late to the field: the British Institute of Recorded Sound was established with private funds only in 1947; it received its first grant-in-aid in the 1960s and in 1983 it became part of the British Library, known as the National Sound Archive.

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