Visual Examination and Photography in Failure Analysis

Failure analysis is an investigative process in which the visual observations of features present on a failed component and the surrounding environment are essential in determining the root cause of a failure. This article reviews the basic photographic principles and techniques that are applied to failure analysis, both in the field and in the laboratory. It discusses the processes involved in visual examination, field photographic documentation, and laboratory photographic documentation of failed components. The article describes the operating principles of each part of a professional digital camera. It covers basic photographic principles and manipulation of settings that assist in producing high-quality images. The need for accurate photographic documentation in failure analysis is also presented.

Queen Of The Bands: Carnival And “Monarchy” In The (416)

Queen of the Bands: Carnival and “Monarchy” in the (416) is a solo multimedia gallery installation which explores the complexity of Queenliness through the audio and photographic documentation of four women who perform as the head female masqueraders within the complex political framework of Toronto Caribbean Carnival's 2017 King and Queen competition. The Canadian national narrative reserves Queenliness for historically dominant European figures such as the Queen of England, so what does it mean to be a woman of colour performing as a queen in a Canadian carnival celebration? The complexity of this history and the prominence of African masking traditions in carnival Mas’ making, among other cultural influences in the Caribbean, contribute to the notion of Queenliness within the framework of carnival. <div>The purpose of my photographic investigation is both to capture a tangible element of carnival’s relationship to Emancipation Day history in Toronto and, among other things, to examine the women’s representation and power in Afro-Caribbean communal celebrations. My additional objectives were the following: First, to evaluate how the historical framework of Emancipation Day in Ontario has shaped the current production of these celebrations in Toronto. Second, to contextualize the head female masquerader’s position within the historical framework of emancipation and carnival. Third, to determine the role carnival celebrations play in defining a racialized woman’s identity in Canadian society. Fourth, to investigate how employing documentary photography practices can shape the understanding of Emancipation Day and contextualize African Canadian history. Lastly, to investigate the effect British monarchal representation in Canada has on Queenliness when performed by women of colour.</div>

Queen Of The Bands: Carnival And “Monarchy” In The (416)

Queen of the Bands: Carnival and “Monarchy” in the (416) is a solo multimedia gallery installation which explores the complexity of Queenliness through the audio and photographic documentation of four women who perform as the head female masqueraders within the complex political framework of Toronto Caribbean Carnival's 2017 King and Queen competition. The Canadian national narrative reserves Queenliness for historically dominant European figures such as the Queen of England, so what does it mean to be a woman of colour performing as a queen in a Canadian carnival celebration? The complexity of this history and the prominence of African masking traditions in carnival Mas’ making, among other cultural influences in the Caribbean, contribute to the notion of Queenliness within the framework of carnival. <div>The purpose of my photographic investigation is both to capture a tangible element of carnival’s relationship to Emancipation Day history in Toronto and, among other things, to examine the women’s representation and power in Afro-Caribbean communal celebrations. My additional objectives were the following: First, to evaluate how the historical framework of Emancipation Day in Ontario has shaped the current production of these celebrations in Toronto. Second, to contextualize the head female masquerader’s position within the historical framework of emancipation and carnival. Third, to determine the role carnival celebrations play in defining a racialized woman’s identity in Canadian society. Fourth, to investigate how employing documentary photography practices can shape the understanding of Emancipation Day and contextualize African Canadian history. Lastly, to investigate the effect British monarchal representation in Canada has on Queenliness when performed by women of colour.</div>

Photography in Indonesian Archaeology of the 19th to the Early 20th Century | Fotografi dalam Arkeologi Indonesia pada Abad ke-19 sampai Awal Abad ke-20 Masehi

In Dutch East India, photographic documentation for antiquities was as up-to-date as in Europe that was developed in the last half of the 19th century. Photography became a tool for archaeological surveys which resulted in thousands of enormous resources. In this paper, the historical background regarding how these old photographs were collected and how the material circulated within archaeological activities will be elaborated. The timeline studied is limited to pre-independence Indonesia with the subject mostly focused on Hindu-Buddhist remains. The method used is literature review of both relevant new publications as well as significant old publications. Its turns out that photographic surveys of archaeology in Indonesia during the colonial period developed from early archaeological activities into systematic institutional programs. The qualities of photography were appreciated in miscellaneous application and offered substantial benefits. Photography became a documentation medium, publication complementary, archive, and object representation and substitution. This historical background of photography in the context of Indonesian archaeology marks the significant value of these photographs so that it can be the foundation of preservation for the future. Di Hindia Belanda, dokumentasi fotografis pada tinggalan purbakala sangat mutakhir sebagaimana di Eropa yang dikembangkan sejak paruh terakhir abad ke-19 M. Fotografi menjadi perangkat untuk survei arkeologi yang menghasilkan ribuan sumber daya. Dalam tulisan ini, latar belakang sejarah terkait pengumpulan foto lama tersebut serta penggunaannya dalam berbagai aktifitas arkeologi akan dijabarkan. Lini masa yang dikaji dibatasi pada Indonesia pra-kemerdekaan dengan subjek yang berfokus pada tinggalan Hindu-Buddhis. Metode yang digunakan adalah kajian pustaka, baik terbitan terbaru yang relevan maupun terbitan lama yang penting. Ternyata survei fotografi pada arkeologi Indonesia selama periode kolonial berkembang sejak aktifitas arkeologis yang masih dini hingga menjadi program institusi yang sistematis. Kualitas fotografi juga diapresiasi dalam beragam penerapan serta menawarkan manfaat yang substansial, Fotografi menjadi media dokumentasi, pelengkap publikasi, arsip, serta representasi dan substitusi objek. Latar belakang sejarah fotografi dalam konteks arkeologi Indonesia semacam ini menjadikan nilai penting dari foto-foto tersebut sehingga dapat dijadikan fondasi dalam pelestarian untuk masa depan.

Morocco in Colonial Photography

This article represents an attempt to approach the notion of colonial discourse and photography more closely with the exigencies that put Morocco under the zoom of the colonial lens. This photographic documentation shows that nations, Morocco, in this case, were annexed to imperial powers through the utilization of various means of representation. This annexation was carried out not only by military officers, missionaries and spies but also by cartographers, travel writers and photographers who never ceased to polish the lens of their cameras so as to be able to represent indigenous identities, as well as their social lifestyles, and cultures. Therefore, the purpose of the present work is to sketch the colonial experience that links the imperializers with the imperialized through chronological documentation of colonial power and domination. Therefore, the main interest centres around the question of rereading this colonial history by analyzing and questioning colonial photography and its role in colonial expansion over Morocco. Besides, it is to unmask the alleged objective embedded in this country's 'civilizing mission'.

An Ecchymosis with Fulminant Evolution

We present the case of an 83-year-old woman who presented with an advanced cutaneous angiosarcoma of the head. The tumor had first appeared as a small ecchymosis on her forehead 3 months before admission. There was an extremely rapid and dramatic evolution, as evidenced by photographic documentation by her relatives. Unfortunately, the delay in access to the healthcare system due to the COVID-19 pandemic lockdown and the fulminant growth were the main determinants for our patient outcome.

AN EVALUATION ON LEVEL OF PUBLICNESS OF URBAN PUBLIC SPACES BY USING CORE DIMENSIONS; SPECIFIC REFERENCE TO GALLE FORT (SEA BATH AREA), FOREST (BEACH) PARK AREA, MAHAMODARA MARINE WALK AND OCEAN PATHWAY IN GALLE

In 1990s, the decrement of non-built-up areas due to urbanization directly cause a reduction in the quality of life of the people & the occurrence of social issues in Sri Lanka due to monotonous lifestyles. Therefore, to overcome these issues with a sustainable Sri Lankan vision by 2030 urban beautification projects like urban public spaces, parks concept was introduced to Sri Lanka especially in suburban areas. Recently, the urban recreational spaces concept came to urban fabric with common characteristics that were developed as social spaces for community gathering and interactions with a variety of physical activities. Although with the emerging public space concept, there is no such consideration on research regarding an evaluation on publicness of urban public spaces by using physical dimensions; Specific Reference to Galle Fort (sea bath area), Forest Park area, Mahamodara Marine walk and Ocean Pathway in Galle. Further, there is no proper regulatory framework in public space monitoring & evaluation to improve the infrastructure of public space. The research aim is to evaluate the level of publicness of urban public spaces based on physical dimensions which are owned by public administration in Sri Lanka. Also, it focused to identify what parameters, need to evaluate the level of publicness and understand satisfaction levels of urban public spaces and key indicators, to assess how contributing indicators, influence to achieve the effectiveness of public spaces among users and to provide recommendations based on the experts’ and users’ views for future improvements of urban public spaces to enhance the publicness level in Sri Lanka. This study was focused on four urban public spaces with the dissimilarity of the availability of design characteristics in Galle. The methodology of the research was comprised of onsite observations, questionnaire surveys, semi-structured interviews, and photographic documentation. The data were quantitatively analysed by using the VIKOR model which is a democratic model to evaluate the publicness level, AHP analysis, and descriptive statistical analysis using SPSS and EXCEL. Qualitative analysis was based on content analysis and photographic documentation. According to the findings of the research, it proved that based on key physical dimensions, criteria, and indicators publicness level, effectiveness, and truly public or not in four case studies. The highest publicness level and satisfaction level occurred in Forest Park which proved the hypothesis of the study. Additionally, by providing more shady areas, proper waste management, proper sitting opportunities, provide proper security system and monitoring system for control spaces, provide diverse activities for all age categories are some of the comments based on respondents which need to be considered in planning & designing urban spaces for increase attraction levels which are benefited for urban planners and designer.

The Palermo Stone and its Associated Fragments: New Discoveries on the Oldest Royal Annals of Ancient Egypt

Historical royal sources concerning Old Kingdom Egypt are rather scarce. One of the most important is a group of seven inscribed stone fragments also known as royal annals, the most famous of which is certainly the so-called Palermo Stone. These annals have been the subject of countless studies over more than a century since their initial discovery. However, the reading and interpretation of the hieroglyphic inscriptions engraved on them is still partial and often obscure. In recent years, however, the annals underwent a complete re-examination by means of the most up-to date technologies of 3D photographic documentation and reproduction – first of all, the so-called ‘Reflectance Transformation Imaging’ (RTI). In this article we will provide some insights on the new reading of selected parts of the fragments, especially the two major pieces: the Palermo Stone and the so-called ‘Cairo Fragment 1’.

Pseudolycopodiella iuliformis (Lycopodiaceae, Lycopodielloideae) in Ecuador and Peru; a disjunct species between the Guyana Shield and the Cordillera del Cóndor

Recent floristic surveys in Ecuador and Peru have found many disjunct species between the Guyana Shield and the Cordillera del Cóndor. Here, we report the occurrence of another disjunct species between these two ranges, Pseudolycopodiella iuliformis (Underw. & F.E. Lloyd) Holub, recently discovered in the Cordillera del Cóndor range. We present a morphological description, photographic documentation, and an updated distribution map. In addition, we highlight the morphological differences between P. iuliformis and its congeners historically recorded for Ecuador and Peru. This research highlights an urgent need for further exploration of the Cordillera del Cóndor range, as it seems likely, based on our findings and those of previous floristic surveys, that additional disjunct species are likely to be found in the area.

What Are the Expectations of Legal Operators and Forensic Experts Regarding Photographic Documentation of Violent Death Autopsies?

The purpose of photography in violent death autopsies is to document the material evidence of the offense and guide decisions in the courts of law. The aim of the present study was to obtain the expectations of legal operators and forensic experts regarding what is expected as adequate photographic documentation in violent death forensics. For this purpose, a survey was prepared through an online form available on the “Google Forms” platform, whose link was sent by e-mail and by the WhatsApp Messenger® application. The 102 participants were divided into two distinct groups: legal practitioners, interested in the materialization of evidence (judges, prosecutors, criminal lawyers and police chiefs), and forensic experts, responsible for materializing the evidence (medical examiners, forensic dentists and criminal experts). The research showed that the inclusion of color photographs in the expert reports is essential for all research participants, as well as the marking of evidence in the images and the inclusion of explanatory text in the captions. It was also pointed out as fundamental for most participants to insert an image with simulation of the firearm bullets’ path, when applicable. In relation to the other aspects, it can be observed that the opinions of the participants were divergent between the groups of research professionals, especially regarding the size of the image to be incorporated in the reports. The differences found between the groups can be detrimental to the proper interpretation and judgment of evidence in the courts. Considering the found barriers, the authors suggest a form of photographic documentation that meets all expectations in a consensual way.