scholarly journals The Will to Live: a Study of Samuel Beckett’s Molloy

2021 ◽  
Author(s):  
Edward Colerick

The article explores Book One of Beckett’s Trilogy (Molloy) in the context of the author’s explicit rejection of Freud’s rather speculative idea of death drives. In highlighting this rejection Beckett also demonstrates his attempt at incorporating, within his own work, Schopenhauer’s concept of the ‘Will’. Indeed, Beckett modifies and adapts Schopenhauer’s ideas in the creation of his own aesthetic. In particular, this can be seen through the author’s adoption of Schopenhauer’s music analogy. Schopenhauer clearly equates music with his idea of the Will in that melody (in its purest form) is essentially a pattern formed out of sound and, consequently, without the need of visual representation. In a similar way, Beckett seeks to get beyond representation within his own art in order to explore the indelible trace or pattern of human existence. It is this ongoing process which explains the extreme representational reductionism of the later prose and drama.


Jurnal Akta ◽  
2018 ◽  
Vol 5 (2) ◽  
pp. 421
Author(s):  
Amalia Putri Prima Erdian ◽  
Arief Cholil

Law of inheritance only happens because the person died. In BW there are two ways to get wealth, that is: as heirs according to the provisions of law and as a person appointed in the will. What is meant by the will itself according to Article 875 BW is an agreement that make statements about what he wished someone would happen after he died, and that by her to pull back. In general, people make a will before a Public Notary. According to article 1 paragraph 1 of Act No. 2 of 2014 concerning On Notary (now referred to UUJN). Notary is a public official who is authorized to make authentic agreements and other authorities referred to in the Act, where each testament must be shaped agreement in order to obtain certainty law as an authentic agreement binding. With the creation of the will meant that the parties can understand and be able to know the basic result of the offense can be arranged so that the interests of the concerned receive proper protection as known by the Notary.Keywords: Inheritance; Heir; Testament; Authentic Agreement



Transfers ◽  
2016 ◽  
Vol 6 (2) ◽  
pp. 138-141
Author(s):  
Chia-ling Lai

As Andrea Huyssen observes, since the 1990s the preservation of Holocaust heritage has become a worldwide phenomenon, and this “difficult heritage” has also led to the rise of “dark tourism.” Neither as sensationally traumatic as Auschwitz’s termination concentration camp in Poland nor as aesthetic as the forms of many modern Jewish museums in Germany and the United States, the Terezín Memorial in the Czech Republic provides a different way to present memorials of atrocity: it juxtaposes the original deadly site with the musical heritage that shows the will to live.



1953 ◽  
Vol 1 (23) ◽  
pp. 818-818
Keyword(s):  


2018 ◽  
Vol 23 (1) ◽  
pp. 291-309 ◽  
Author(s):  
Anna Berres

AbstractAppearances to the contrary notwithstanding, the present article belongs neither in the category of source-work studies nor in that of history of reception; for it aims, in a purely systematical fashion, to outline and at the same time facilitate and prepare for a dialogue between Karl Barth’s lesser-known brother, philosopher Heinrich Barth (1890 – 1965), and Kierkegaard: in particular, between their—as it turns out, strikingly similar or at least complementary—views on human existence as co-existence or as a fundamental form of (being in) community. Accordingly, the article does not rest content with, much less restrict itself to a mere comparison and/or paraphrase of the respective views. It much rather seeks to explore critically the key claims: (a) human existence is essentially co-existence or being in community; (b) co-existence is basically dialogical, hence language-dependent; (c) dialogues must be performed in order possibly to be successful; (d) their actual success is a matter of contingency and thus cannot be guaranteed by a mere fiat of the will.



wisdom ◽  
2017 ◽  
Vol 8 (1) ◽  
pp. 95
Author(s):  
Seyran ZAKARYAN

The famous Armenian theologian and philosopher Grigor Tatevatsi (1346-1409) in his teaching tries to compare the biblical truth of creation with the philosophical postulate regarding the eternity of the world. Principally, being a creationist thinker, he criticized the theories that made the Materia co-eternal to God, meanwhile, he proposed the following arguments regarding the eternity of the world: a) before the creation the world existed actually by influence in the providence of God as an immaterial paradigm; b) the world is eternal because it is linked to eternity; c) the God is the eternal and always actual being, therefore the world was created eternal and the eternal is the necessary being which never can become none-being; d) the will of God is unchangeable, He cannot make the created world become non-being otherwise His will would change; e) the God does not make the world become non-being not because He is unable to do so but due to the boundless goodness; f. the world is eternal because the four elements and qualities that are the basis of it, are eternal. Therefore, even though the arguments proposed by Tatevatsi are based on and contain typical ideas of Neoplatonism, one has to take into account that he speaks of the eternity of the created world rather than co-existence of world with the God.



2020 ◽  
Vol 4 (1) ◽  
pp. 91
Author(s):  
J Sutarjo ◽  
Nurwadjah Ahmad ◽  
Andewi Suhartini

One object of study of God is God's order for humans, commonly known as Sunatullah. Allah SWT as a substance that is the creator of all beings both human and the entire universe is one of the regularities of Allah SWT. Furthermore, the phenomenon of the order of God Almighty in His creation can be seen starting from the creation of humans and nature and their contents. In the level of theology, God's order for human beings (Sunatullah) is not limited to the regularities possessed by His creatures, but more than that, the various regularities that occur in creatures are the will of Allah SWT. Allah Almighty is the substance that wills, and controls the order in His creatures. Sunnatullah as a concept should be invested in Islamic education. Therefore it is necessary to understand about sunnatullah as something that must be believed, used as guidelines and translated at the level of education. After being translated into the education curriculum, the next task of education is to implement sunnatullah as a theological concept into a practical action for students.





2021 ◽  
pp. 74-113
Author(s):  
Lara Sheehi ◽  
Stephen Sheehi
Keyword(s):  


2020 ◽  
pp. 164-188
Author(s):  
Gerard O'Daly

The chapter discusses Augustine’s presentation in Books 11–14 of the origins of the two cities, heavenly and earthly. The focus is on the creation of the universe, the angels and the rebellion of some of them, and Adam, Eve, and the Fall. Specific themes include: Genesis exegesis; the elaboration of the history theme, with good and bad angels as ‘prologues’ to the two historical human cities; good and evil in the universe; angelic rebels and the nature of the will; death and resurrection; Platonist and Christian views on the body; Pauline flesh and spirit; emotions and passions; sexual desire in paradise and since the Fall; love of self and love of God, and the application of this contrast to the two cities.



2010 ◽  
Vol 22 (1) ◽  
pp. 149-162
Author(s):  
Paul Stewart

Malone's narratives are investigated through their relation to Schiller's and Schopenhauer's championing of aesthetic contemplation. Although Beckett follows Schopenhauer in his condemnation of the will-to-live, particularly as represented by procreation, it is argued that the narratives of Malone reveal an inability to create pure, disinterested, aesthetic objects. The paradigms of fictional creation adopted by Malone are infected by modes proper to sexual reproduction and therefore fail to release Malone from time and the will. It is argued that the reproductive motifs within demonstrate Beckett's subtle rejection of the aesthetic optimism of Schopenhauer and Schiller.



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