The Impact of Cultural Tourism on the Innovation of Ethnic Handicraft Production in Dali, China

2014 ◽  
Vol 5 (2) ◽  
pp. 82-100
Author(s):  
Honggang Xu ◽  
Tang Zhouyuan ◽  
Ni Sisi
2021 ◽  
Vol 251 ◽  
pp. 03023
Author(s):  
Jixuan Che ◽  
Peng Yang ◽  
Jiayue Wu ◽  
Yafei Gao

As a sudden public health event, the COVID-19 epidemic has brought a tremendous impact on the economic and social development of China. Its biggest and most direct impact is in the tertiary industry, especially the cultural tourism industry, which has a more far-reaching impact. This paper takes Guangxi as an example to study the current situation, problems, and future development direction of the cultural tourism industry in the post-epidemic era. The study found that the response to the epidemic in ethnic minority areas represented by Guangxi was timely and rapid, but due to their industrial resilience and the impact of the epidemic, the revitalization of the culture and tourism industry is still facing severe challenges. Therefore, this article put forward the key countermeasure to promote the cultural tourism industry revitalization of ethnic minority areas from list management, elements of development management, project construction, industry integration, and international cooperation, to provide policy recommendations and theoretical basis for the revitalization of the cultural tourism industry in ethnic minority areas.


2020 ◽  
Vol 12 (12) ◽  
pp. 4943 ◽  
Author(s):  
Shu-Hsien Chang ◽  
R. J. Hernández-Díaz ◽  
Wei-Shuo Lo

This paper explores the impact of low-carbon service operations on responsible tourist behavior within sustainable cultural tourism. A proposed conceptual framework is used to examine this largely ignored situation through the case study of Xiao Liuqiu Island. The small island in Taiwan reveals a previously understudied phenomenon in sustainable island tourism. The psychological processes connecting cultural and cross-cultural experiences with sustainable tourism are explored using primary and secondary data collected through in-depth interviews of domestic tourists and online reviews of foreign tourists, respectively. Data analysis reveals the significant result that sustainable island tourism comprises two important elements: a supply and a demand side of a destination. The supply side describes low-carbon service operations—which include food, lodging, and ecological tourist activities—while the demand side reflects tourist behaviors—expressed through cognition, emotion, and motivation as well as authenticity. In addition, this paper makes an important contribution to management by emphasizing the need for careful attention to tourism psychology, particularly in natural and ecological environments that use tourism as a marketing strategy in cultural ecosystems services (CES).


2020 ◽  
Vol 12 (2) ◽  
pp. 247-273
Author(s):  
Heba Aziz ◽  
Osman Ahmed El-Said

AbstractThis paper addresses the role of cultural tourism in bridging cultural gaps; looking specifically at the potentials of communicating Islamic knowledge. This paper comes in two folds: assessing the impact of visitors’ knowledge of Islam on their perception, followed by an unsolicited assessment of visitors’ impressions of their visit gathered via a content analysis of the visitors’ reviews on trip advisor. To that effect the case of Sultan Qaboos Grand Mosque (SQGM) in Muscat, Oman was selected to explore visitors experience and knowledge. 213 questionnaires were distributed in an exit survey exercise to asses the type of Islamic knowledge non-Muslim visitors have and the impact of this knowledge on their perception of Islam. This methodology was validated by a content analysis of visitors’ reviews on trip advisor offering an unsolicited assessment of visits to SQGM. On one hand, the results revealed a strong association between breadth of knowledge about Islam and the positive perception of Islamic faith and civilisation. On the other hand, the content analysis results revealed a focus on materialistic components of the mosque, highest positive repetition, for example, were received by mentions of the chandelier, the carpet and not mentions of conceptual and cultural content. The paper also concluded that the focus of the interpretation assessed via the trip advisor content analysis did not address the current problematic situation of the image of Islam but was rather superficial. The main recommendation of this paper is to effectively use cultural tourism to promote cultural understanding and bridge gaps.


2021 ◽  
Vol 7 (1) ◽  
Author(s):  
Muhammad Fakhri Jamaluddin

<em>Tasikmalaya Regency is one of the areas in West Java Province which has a type of cultural tourism as its attraction. The type of potential cultural tourism in this regency is located in the Traditional Dragon Village Area, precisely in Neglasari Village, Salawu District. Kampung Naga is an area where the people still hold the beliefs or customs of their ancestors. The large number of tourists visiting Kampung Naga will have a positive or negative impact on this tradition. The purpose of this study is to identify the impact of tourism development on the life of the indigenous people of Kampung Naga, especially in implementing its traditions. The presence of tourists can affect the traditional life and culture of the local community, therefore it is necessary to have research on changes in the implementation of traditions (customs and customs) after the presence of tourists in the Kampung Naga area. The analytical method used is descriptive qualitative data analysis using the interactive model of Miles and Huberman. Based on this analysis, there are several changes in the implementation of the tradition as an impact felt by the local community after the development of tourism. The results of this identification are expected to be considered in tourism planning and development related to tourism policies and the ecosystem therein. Because by implementing a good and appropriate policy, the potential of the existing tourism area can run optimally by minimizing the negative impact on humans.</em>


REPRESENTAMEN ◽  
2021 ◽  
Vol 7 (01) ◽  
Author(s):  
Andhika Wahyudiono ◽  
Dimas Imaniar

Cultural tourism is the main attraction in the traditional village of Kemiren, Banyuwangi Regency. Macananegara tourists as well as domestic tourists visit the traditional village of Kemiren to witness first-hand the life of the Osing tribe which is still traditional. This research was conducted to determine the impact of tourism on the socio-cultural aspects of the people of the Kemiren traditional village, Banyuwangi Regency. This research is a qualitative research. Meanwhile, the strategy carried out by the government is in the form of preventive actions such as outreach to MSME players, making local regulations on tourism and study tours of tourism management with tourism business actors. The basic conclusion in this study later is, as a cultural tourism destination in general, the ongoing tourism industry activities affect the socio-cultural aspects of the Osing community, the Kemiren traditional village, Banyuwangi Regency. In addition, the increase in the community's economy is also encouraged due to changes in the livelihoods of local residents, as well as local government strategies in the form of policy making are expected to be able to minimize the negative impact of tourism. Cultural tourism in the traditional village of Kemiren, Banyuwangi Regency is used as a tool to maintain the cultural existence of the Kemiren traditional village, which is currently being abandoned by the Osing tribe, the traditional village of Kemiren, Banyuwangi Regency.Keywords: Tourism, Socio-culture, Osing Tribe


Arts ◽  
2019 ◽  
Vol 8 (4) ◽  
pp. 161
Author(s):  
Sally Butler

Australian Indigenous people promote their culture and country in the context of tourism in a variety of ways but the specific impact of Indigenous fine art in tourism is seldom examined. Indigenous people in Australia run tourism businesses, act as cultural guides, and publish literature that help disseminate Indigenous perspectives of place, homeland, and cultural knowledge. Governments and public and private arts organisations support these perspectives through exposure of Indigenous fine art events and activities. This exposure simultaneously advances Australia’s international cultural diplomacy, trade, and tourism interests. The quantitative impact of Indigenous fine arts (or any art) on tourism is difficult to assess beyond exhibition attendance and arts sales figures. Tourism surveys on the impact of fine arts are rare and often necessarily limited in scope. It is nevertheless useful to consider how the quite pervasive visual presence of Australian Indigenous art provides a framework of ideas for visitors about relationships between Australian Indigenous people and place. This research adopts a theoretical model of ‘performing cultural landscapes’ to examine how Australian Indigenous art might condition tourists towards Indigenous perspectives of people and place. This is quite different to traditional art historical hermeneutics that considers the meaning of artwork. I argue instead that in the context of cultural tourism, Australian Indigenous art does not convey specific meaning so much as it presents a relational model of cultural landscape that helps condition tourists towards a public realm of understanding Indigenous peoples’ relationship to place. This relational mode of seeing involves a complex psychological and semiotic framework of inalienable signification, visual storytelling, and reconciliation politics that situates tourists as ‘invited guests’. Particular contexts of seeing under discussion include the visibility of reconciliation politics, the remote art centre network, and Australia’s urban galleries.


MANUSYA ◽  
2003 ◽  
Vol 5 (3) ◽  
pp. 81-88
Author(s):  
Suwattana Thadaniti

“Ko Kret” is a small island of 4.12 square kilometres in the Chao Phraya River. The community of Ko Kret is a traditional settlement with historical value and identity. The residents are mainly from the Mon ethnic group, and have preserved their culture as expressed beautifully through their lifestyle, architecture and cultural activities, including temples, ancient houses, the style of settlement and the pottery artwork. At present, community development as well as cultural and art conservation facilitate tourism on this island. If the Ko Kret community can both display its way of life and manage the impact of tourism then Ko Kret can be protected as a living historic gem of the Chao Phraya River.


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