Troilus and Criseyde and the ‘Parfit Blisse of Love’

2018 ◽  
Vol 30 (2) ◽  
pp. 51-73
Author(s):  
Simone Fryer-Bovair

This article examines Chaucer’s response to Boethius’s Consolation of Philosophy in Troilus and Criseyde. I argue that Chaucer responds to a tension that he perceives in Boethius’s Consolation regarding the relationship between this world and the divine, in particular the value to be placed on romantic love. This tension is at the heart of the most recent critical discussion of Boethius’s text. I consider the morally improving qualities of romantic love and suggest that Chaucer envisages a version of romantic love that is a bridge between this world and the divine, rather than a divide.

CNS Spectrums ◽  
2021 ◽  
pp. 1-33
Author(s):  
James McLauchlan ◽  
Emma M. Thompson ◽  
Ygor A. Ferrão ◽  
Euripedes C. Miguel ◽  
Lucy Albertella ◽  
...  

2019 ◽  
Vol 14 (3) ◽  
Author(s):  
Natasha Chloe McKeever

Harry Frankfurt has a comprehensive and, at times, compelling, account of love, which are outlined in several of his works. However, he does not think that romantic love fits the ideal of love as it ‘includes a number of vividly distracting elements, which do not belong to the essential nature of love as a mode of disinterested concern’ (Frankfurt, 2004, p. 43). In this paper, I argue that we can, nonetheless, learn some important things about romantic love from his account. Furthermore, I will suggest, conversely, that there is distinct value in romantic love, which derives from the nature of the relationship on which it is based. Frankfurt tries to take agape and reformulate it so that it can also account for love of particular people. Whilst he succeeds, to some extent, in describing parental love, he fails to accurately describe romantic love and friendship, and, moreover, overlooks what is distinctly valuable about them. Although it was not his intention to describe romantic love, by failing to include features such as reciprocity in his account of love, Frankfurt leaves no room for a kind of love that is important and valuable to many people  


Author(s):  
Mark Wollaeger

This chapter considers points of intersection between Ngũgĩ wa Thiong’o and Joseph Conrad. By Ngũgĩ’s own account, his rewriting of Conrad’s Under Western Eyes (1911) as A Grain of Wheat (1967) triggered a crisis of audience that ultimately led him to abandon English for his native Gikuyu. To further complicate the question of influence, Wollaeger also examines the relationship between two works of nonfiction: Conrad’s A Personal Record (1912) and Ngũgĩ’s Decolonizing the Mind (1986). At the heart of Ngũgĩ’s attempt to fashion premodern tribalism into a utopian space are two problems that still animate critical discussion. What is the status of the local and the indigenous? Does attention to influence reinstate a center-periphery model in postcolonial criticism? This chapter shows the extent to which Conrad and Ngũgĩ both anticipate and generate theoretical models later used to articulate modernism and postcolonialism as fields of inquiry.


2004 ◽  
Vol 32 (3) ◽  
pp. 265-281 ◽  
Author(s):  
Yuji Kanemasa ◽  
Junichi Taniguchi ◽  
Ikuo Daibo ◽  
Masanori Ishimori

This research investigated the relationship between the six love styles based on Lee's theory (1973) and several romantic experiences, such as emotional experiences, self-perceptions, and partner's impressions. The subjects were 343 undergraduate students. The main results were as follows: Eros was positively related to positive feelings and positive self-perceptions. Mania and Agape showed similar patterns of emotional experiences, but Agape was distinguished from Mania in that agapic individuals thought of themselves as kind in romantic relationships. Pragma and Ludus were positively related to negative feelings in romantic relationships, and, in addition, Ludus was negatively correlated with partner's attractiveness. These results mostly provided support for Lee's theory and the conceptual validity of the six love styles.


2011 ◽  
Vol 47 (1/2) ◽  
pp. 167-174
Author(s):  
Lourdes Andrade

In the field of speech pathology and therapy, perception-based models are central, both as explanatory tools for pathological speech conditions and as the basis to the development and implementation of therapeutic procedures. Such approach is submitted to critical discussion and an alternative perspective is put forward. The first step towards the alternative approach proposed involves a discussion on the nature of linguistic materiality and the drawing of a distinction between hearing (an organic ability) and listening (involving the unique relationship between speaker and language). In order to explore this subject I discuss the ways Linguistics and Psychoanalysis can provide the field of speech therapy with a theoretical framework which allows for a new perspective on the relationship speaker-language. This discussion is conducted in accordance with the reflections on child language developed by Cláudia Lemos.


Author(s):  
Kieran McEvoy ◽  
Ron Dudai ◽  
Cheryl Lawther

This chapter explores the intersection between criminology and transitional justice. The chapter begins with a critical discussion on the utility of criminological scholarship from settled democracies to the exceptional circumstances of post-conflict or post-authoritarian societies. It then explores a range of debates related to the punishment of offenders in such contexts including the role of prosecutions, amnesties, the reintegration of former combatants, and the role of restorative justice. The chapter next considers the social and political construction of victimhood in transitional contexts including competing notions of the ‘idealized’ victim. The relationship between transitional justice and social control is then examined including the importance of countering denial, the relationship between deviance and memory and the particular contribution of efforts ‘from below’ to counter elites-level narratives on past abuses. The chapter concludes that a criminology of transitional justice provides the basis for revisiting some of the foundational questions on responding to crime and justice in the most challenging of settings—a sobering but intellectually rich research agenda for years to come.


2020 ◽  
pp. 130-140
Author(s):  
Lilia Miroshnychenko

In her late novel, love, again (1996), Doris Lessing represents a penetrative insight of love, providing the widest perspective of love than in any of her previous work. The abundance and variety of plausible les affaires d’amour, which transgress the boundaries of gender, age, geography, and social status, make love, again Lessing’s most “loveful” novel. The narrative responds to this multiplicity accordingly. The essay explores the theme of romantic love of the central female character, Sarah Durham, who is at the centre of the narrative and whose emotional landscape is meticulously mapped. It also aims to unveil the ways Doris Lessing exploits a longstanding tradition of interpreting love in Western philosophy and culture – from Plato to contemporary theorists, including Alain Badiou. Special attention is paid to the interweaving of love and friendship in the relationship of woman and man as well as friendship’s “healing” power for unrequited love encapsulated in the character of Stephen Ellington-Smith. Also, by tracing the transformative impulse of love, the essay tries to bring light on the constructive (in the case of Sarah) and problematic (Stephen) consequences of love.


Author(s):  
Andrea Creech

Coinciding with the extraordinary demographic transition that has made ageing a global and highly relevant political issue, there has been increasing interest in the power of music in the lives of older people. New initiatives have been developed and researchers have investigated the relationship between music and positive ageing from a number of perspectives. In this chapter, a framework for positive ageing, comprising the dimensions of purpose, autonomy, and social affirmation, underpins my critical discussion of the role that facilitated music-making can take in mitigating the challenges of ageing. Drawing upon international evidence, I argue that active engagement in participatory music in community offers a context for creative expression and lifelong musical development, supporting cognitive, social, and emotional well-being in older age. However, commitment to positive ageing requires that participation must be inclusive of community members who are frail and in need of care. I conclude with a discussion of further ways in which community musicians could enrich the contexts that older people inhabit.


2008 ◽  
Vol 5 (2) ◽  
pp. 251-278
Author(s):  
MARTIN GRIFFIN

As the American political controversies of the 1850s were as much about the category of the political as about slavery, property, or territorial expansion, so did Emerson's focus shift from a philosophical exploration of politics to a lived experience of conflict and a new poetics of political writing. The essay “Politics,” published in 1844, explored an idealist vision emerging from Transcendentalism, but the engagement with British power and cultural authority that took place during his long visit in 1847 and 1848 opened up an existential challenge to the premises of that essay. Although critical of intellectual rigidity and closed minds, Emerson finds himself drawn to the inner assurance of British society. The marginal status of English Traits (1856), Emerson's account of his travels, is reflected in the relative paucity of critical discussion of the book. English Traits represents, however, not only the confrontation with British pragmatism but a new perspective on the relationship between ideas and power. As the orientation of this text is away from Transcendentalist hermeneutics and toward irony, one way of reintegrating English Traits into American intellectual history is to alter its status as a detour in Emerson's writing career, lacking in real significance, and instead to read it as one of the symptomatic literary productions of the 1850s.


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