scholarly journals PELATIHAN DESAIN GRAFIS UNTUK MENINGKATKAN PEMASARAN PADA CV. LAUTAN MAS

2021 ◽  
Vol 4 (3) ◽  
pp. 755
Author(s):  
Baringin Sianipar ◽  
Preddy Marpaung ◽  
Dedi Candro Parulian Sinaga
Keyword(s):  
Product Design ◽  
Graphic Design ◽  
Design Science ◽  
Educational Background ◽  
Scientific Field ◽  
Good Work ◽  
Digital Era ◽  
Graphic Designer ◽  
Business Needs

ABSTRAKDiera Digital seperti sekarang ini memiliki skill sebagai seorang Graphic Design sangat dibutuhkan. banyak teknik dalam menggunakan iklan di bidang keilmuan Design Grafis. Jadi dalam Pelatihan Design Grafis ini sangat mendukung dalam menunjang berbagai kebutuhan untuk keperluan bisnis perusahaan. dalam membuat sebuah hasil karya dan design yang bagus merupakan hal yang tidak mudah untuk kita lakukan apalagi jika dalam perusahaan karyawannya tidak memiliki background pendidikan yang sesuai dengan bidang keilmuan ini. Oleh sebab itu diharapkan mitra CV. Lautan Mas setelah pelatihan ini dapat mebuat hasil desain produknya lebih baik lagi, untuk dapat meningkatkan Pemasaran ke HOREKA (Hotel, Restoran, Kantor). Kata Kunci : pelatihan desain grafis; desain grafis; HOREKA; pemasaran. ABSTRACTIn this digital era, having skills as a Graphic Designer is very much needed. There are many techniques in using advertising in the field of Graphic Design science. So this Graphic Design Training is very supportive in supporting various needs for the company's business needs. in making a good work and design is not an easy thing for us to do, especially if the employees in the company do not have an educational background that is in accordance with this scientific field. Therefore, it is hoped that CV. Lautan Mas after this training can make better product design results, to be able to increase Marketing to HOREKA (Hotels, Restaurants, Offices). Keywords: graphic design training; graphic design; HOREKA; marketing.

Gracjan Achrem-Achremowicz: Vilnius Print-Maker, Graphic Designer, Bibliophile and Publisher

2019 ◽  
pp. 33-51
Author(s):  
Katarzyna Kulpińska
Keyword(s):  
Graphic Design ◽  
Fine Arts ◽  
Studying Abroad ◽  
Graphic Designer ◽  
A Priority ◽  
Printed Word

When considering the personality and work of Gracjan Achrem-Achremowicz, a citizen of Vilnius, one must keep in mind the richness of his interests and talents: he was a painter, a printmaker, a bibliophile, a collector of antique prints, a publisher, an educator, a poet and a translator, and he knew several languages, including Hebrew and English. His passions and activities, though versatile, were most strongly associated with artistic (workshop) prinmaking, the graphic design of books, and with the printed word. In my paper, I aim to define the achievements of this artist as those of one of the few students of the Faculty of Fine Arts in Vil- nius who was committed to graphics at a time when teaching this discipline was not a priority (before 1930), and at the same time as an artist who had the  opportunity of studying abroad.

Speaking Italian with a Swiss-German Accent: Walter Ballmer and Swiss Graphic Design in Milan

Design Issues ◽  
2021 ◽  
Vol 37 (1) ◽  
pp. 26-41
Author(s):  
Chiara Barbieri ◽  
Davide Fornari
Keyword(s):  
Twentieth Century ◽  
Graphic Design ◽  
Primary Sources ◽  
Specific Time ◽  
Swiss German ◽  
Graphic Designer ◽  
National Borders

The article employs Walter Ballmer's experience as a Swiss graphic designer working in Milan in the second half of the twentieth century as a case study to think about national design discourses outside national borders, show their constructed nature, and explore their impact on individual lives and careers. Drawing on primary sources collected in the archive and through interviews, it maps out the socio-cultural network that gave meaning to Swiss graphic design and questions how this was perceived, understood, and performed in a specific time and place by Ballmer, his assistants, the broader graphic design community, and his clients.

Application of Information Visualization in Museums’ Display and Design

2014 ◽  
Vol 989-994 ◽  
pp. 5411-5414
Author(s):  
Jie Ming Hu
Keyword(s):  
Information Visualization ◽  
Graphic Design ◽  
Design Science ◽  
Rapid Development ◽  
Three Dimension ◽  
Two Dimension ◽  
Space Design ◽  
Traditional Design

Information visualization is more inclined to two-dimension design in traditional design field. As known to us all, it is unable to be applied in three-dimension. However, with the rapid development of design science, a growing number of people who are engaged in design have found that the application of information visualization can’t be only restricted to graphic design as graphic design is gradually crossing with space design.

scholarly journals EXECUTIVE OPINIONS ON GRAPHIC DESIGNER COMPETENCIES

2021 ◽  
Vol 9 (62) ◽  
Keyword(s):  
Graphic Design ◽  
Rapid Development ◽  
Educational Institutions ◽  
Vocational Schools ◽  
Advertising Agencies ◽  
Advertising Agency ◽  
Graphic Designer ◽  
Professional Perspective ◽  
Demand Rate ◽  
Ad Agency

Graphic design is a discipline that is constantly growing, developing and expanding the demand rate in the market in parallel with developments in technological fields. This growth and rapid development in the sector also brings some problems in terms of design. Working in the sector, agency managers and graphic designer experienced many problems with the demands of advertisers is known. It is observed that in some cases these problems are evaluated concurrently proficiency. In this study, ad agency executives, vocational schools graduate from graphic design programs designers, compilation of views on their professional competences and it is intended to be analyzed. This research is a descriptive study in general scanning model. A survey of 15 questions developed by researchers was applied to the managers of 58 advertising agencies serving in advertising in Ankara province, and the results were reached as a result of those given manually at the end of the survey. From the findings, administrators of the vocational school graduated from Graphic Design Department of the advertising agency, and are finding indicates that inadequate in many ways from a professional perspective. This research is relevant for educational institutions to analyze the demands of the sector, to make suggestions for new programs that can produce solutions to problems is important Keywords: Graphic design, vocational schools, advertising agencies, professional qualification

scholarly journals An investigation into how creativity is maintained by graphic designers in a digital environment with specific reference to design practice

2015 ◽  
Author(s):  
◽  
Nic Human
Keyword(s):  
Graphic Design ◽  
Research Method ◽  
Qualitative Interviews ◽  
Sensory Stimulation ◽  
Primary Objective ◽  
Specific Reference ◽  
Digital Environment ◽  
Design Practice ◽  
Original Design ◽  
Digital Era

The primary objective of this study was to find out how practising graphic designers maintain creativity in a digital environment. The study also investigated three factors that may positively influence their creativity. First, whether practising creative experimentation outside commercial constraints positively impacts a designer's ability to produce creative design. Second, how drawing assists original design. Third, whether enriching sensory stimulation helps graphic designers maintain creativity. An action research method was used. The project reviewed current literature and gathered empirical data through qualitative interviews and a workshop. In addition, a practical component was developed that consisted of drawings made from observation, drawings as concept experiments and examples of a commercial design and illustration. Results proved that creativity is a multifaceted phenomenon, and it plays a pivotal role in contemporary graphic design. The three factors, practising creative experimentation, drawing, and sensory enrichment, proved to be beneficial to the creative abilities of graphic designers. The study concluded by acknowledging the challenges of the digital era within the field, and the importance for practising graphic designers to maintain creativity.

COMPARATIVE ANALYSIS OF PEDAGOGICAL TECHNOLOGIES OF PROFESSIONAL TRAINING OF GRAPHIC DESIGNERS IN UNIVERSITIES OF LEADING COUNTRIES OF THE WORLD

2019 ◽  
pp. 71-83
Author(s):  
Inna Bykhovets
Keyword(s):  
Graphic Design ◽  
Interaction Design ◽  
Information Technologies ◽  
Professional Training ◽  
Rapid Development ◽  
Exhibition Design ◽  
Educational Institutions ◽  
Visual Systems ◽  
Graphic Designer ◽  
The World

The worldwide trend in education is to train a professional who is able to respond quickly to the rapid development of information technologies that extend the graphic designer from the master of illustration, visual systems, advertising, and exhibition design to such areas of graphic design as moving graphics, interaction design, design animation, interactive design. The study found that the peculiarity of such training is the collaboration of educational institutions with enterprises, firms and institutions to make sure that the educational programs offered for students training meet the needs of production, and students really acquire the necessary knowledge, skills and competencies that are modern requirements for competitive graphic design specialist.

scholarly journals Discussing the pillars of the Brazilian Tropicália Movement: The graphic design of Rogério Duarte

2020 ◽  
Vol 32 (4) ◽  
pp. 951-968
Author(s):  
Juliana F. Duque ◽  
Luciana Inhan
Keyword(s):  
20Th Century ◽  
Visual Arts ◽  
Graphic Design ◽  
Visual Response ◽  
Brazilian Government ◽  
Graphic Designer ◽  
The Creation ◽  
Cultural Movement

This article addresses the Tropicalist movement, the iconic Brazilian countercultural phenomenon from the late 1960s. The discussion focuses on its main visual manifestation: graphic design. We aim to demonstrate that the work of graphic designer Rogério Duarte is one of the structural pillars of this anti-establishment movement. Tropicália is often associated with music, while other contributions such as graphic design are less known or taken as a later visual response. We propose and present an analysis of the role of Duarte at the creation of the movement and its development during the late 1960s and early 1970s. His critical vision and knowledge of the Brazilian cultural mosaic led to the construction of one of widest countercultural movements of the 20th century, with a range of manifestations that included not only graphic design and music, but also theatre, cinema, and the visual arts. Tropicália was indeed more political than the American and British psychedelic manifestations, in which it was visually inspired. It was also more than a cultural movement or an anti-academic manifestation: it was a means to criticize and work around the Brazilian government and its oppression.

An Interview with Morteza Momayez

Design Issues ◽  
2005 ◽  
Vol 21 (1) ◽  
pp. 18-23
Author(s):  
Shahriar Sarmast
Keyword(s):  
Graphic Design ◽  
Design Issues ◽  
Graphic Designer ◽  
The 1960S ◽  
The University

Design Issues is pleased to publish this interview with Iranian graphic designer Morteza Momayez recently conducted in Tehran by Shahriar Sarmast. Morteza Momayez, Iran's foremost graphic designer, has been active in the field for more than fifty years. When he began his career in the early 1950s, he designed Iranian newspapers and magazines. In the 1960s, he completed a degree in art at the University of Tehran, and did further studies in Paris. Mr. Momayez is the author of numerous books on graphic design in Farsi, and his work was featured by F.H.K. Henrion in his book Top Graphic Design (1983). Shahriar Sarmast is an art director in Tehran, and currently is Secretary of the Iranian Graphic Designers Society. Mr. Sarmast created the cover for the Summer 2002 (XVIII: 3) of Design Issues.

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