Oblivion of historical reality is associated with excessive politicization of the past

Author(s):  
Vladlen Loginov
Keyword(s):  
Media History ◽  
2011 ◽  
Vol 17 (1) ◽  
pp. 79-96 ◽  
Author(s):  
Ruth McElroy ◽  
Rebecca Williams

2017 ◽  
Vol 13 (2) ◽  
pp. 131
Author(s):  
Faradika Darman

One form of the oral literature famously known by Pepole in Maluku is kapata. It is a traditional song by the local language performes in traditional ceremonies and ritual. Bahasa Tana is the term for local language in Maluku. Kapata is always be an important part and give a sacred atmosphere for the ritual. Kapata contains number of histrorical values and norms of life from the ancestors. Hence, studies to reveal the meaning of Kapata is very important to be discussed. It is a form of this oral literature preservation and improved our knowledge on history. Therefore, this paper tries to discussed the historical reality, function and meaning of oral literature of Kapata Perang Kapahaha in Morella, Leihitu, Central Maluku. This paper uses hermeneutic approach to analyze the content, structure and meaning in the Kapata. Analysis result shows that Kapata Perang Kapahaha contain of historical meaning that refelected stories from the past which can be mentioned as the reference for oral history and as the vehichle in the costum ritual.Kapata adalah salah satu bentuk sastra lisan yang dikenal oleh sebagian besar masyarakat Maluku. Kapata merupakan nyanyian adat yang dilantunkan dengan menggunakan bahasa tana pada saat upacara atau ritual adat. Bahasa tana adalah sebutan untuk bahasa daerah di Maluku. Kapata selalu menjadi bagian dari upacara dan menambah kesakralan upacara tersebut. Kapata menyimpan banyak nilai sejarah dan nilai-nilai kehidupan yang diwariskan oleh para leluhur. Kajian-kajian untuk mengungkap makna dalam kapata penting untuk didiskusikan. Hal ini dilakukan sebagai bentuk pelestarian sastra lisan kapata dan menambah pengetahuan terkait dengan sejarah masa lalu. Oleh karena itu, tulisan ini mencoba untuk mengkaji bagaimana realitas sejarah serta fungsi dan makna dalam sastra lisan kapata perang Kapahaha yang terdapat di Desa Morella, Kecamatan Leihitu, Maluku Tengah. Kajian ini menggunakan pendekatan hermeneutika dan menggunakan analisis isi untuk melihat struktur dan makna dalam kapata tersebut. Hasil analisis menunjukkan bahwa kapata perang Kapahaha memiliki makna historis yang merefleksikan cerita sejarah masa lalu sehingga dapat dikatakan sebagai sumber penutur sejarah dan sebagai pengiring acara ritual adat.


Manuscript ◽  
2018 ◽  
pp. 126-129
Author(s):  
Dmitrii Aleksandrovich Shcherbakov ◽  
Keyword(s):  

Author(s):  
Myroslava Tomorug-Znaienko

The paper analyzes Lina Kostenko’s historical novel in verse portraying the life of the 17th century  Ukrainian minstrel poet Marusia Churai, condemned to death for poisoning her faithless lover. This work, which grows out of Kostenko’s individualized mythical perception of Marusia Churai legend, represents a unique individual construct in which the heroines’ quest for self-realization is kept in tune with the same yearning of the poetess herself; the author’s attitude towards the myth resembles the heroine’s relations with history. The narrative mode of the novel functions mainly in three aspects; these are the heroine’s confrontation with the carnivalized reality of her trial; her subjective journey inward, into the  ruined self, when her execution was pending; and her objective pilgrimage outward, into the history of her ruined land, after getting pardon. The paper touches upon various aspects of the heroine’s perception of history. The main character is depicted as a witness of contemporary events and a bearer of the Word who keeps harmony with the sacred truth of the past. The Hetman’s ‘pardon’ allows Marusia to move freely through history in order to achieve a deeper understanding of her ruined land and seize its spirit. In the experience of the heroine the historical reality appears as versatile and polyphonic, at the same time remaining integral and inseparable from her personality. Kostenko asserts the rights of poets to create their own epochs, to recreate the past or present from within their own mythical experience, becoming thus not only myth-bearers but also mythmakers.


Author(s):  
Oren Falk

This chapter seeks to account for the nearly complete absence of warfare from medieval Iceland and its sagas. It argues that a single logic dictated both the embrace of feud as a socially constructive idea and the rejection of war as an abomination. Drawing on anthropological examples and analyses, war is defined by contrasting it with feud; the bond between war and state-formation is emphasized. War presupposes political centralization and differentiation, which Icelanders, committed to the reciprocal logic of feuding, resisted. According to the sagas, ideological opposition to war manifested itself in abortive attempts at political consolidation within Iceland, in confusion and substitution in the face of war elsewhere (in Norway, England, and North America), and in failure to contend with burgeoning warlike activity in thirteenth-century Iceland. Tensions between state-centric warfare and state-resistant feuding existed in historical reality, however, not only in saga accounts of this history; and in reality, tensions could not always be resolved. Uchronia provided a tool for creative, retrospective textual resolution of problems that could not be overcome in practice. As demonstrated by the Icelandic law code, Grágás, the past thus became the path-dependent product of the future. Uchronic ideology worked to emend any perceived historical ‘errors’: any symptoms of war that could not be suppressed in reality were, instead, overwritten and repressed in text


Diachronica ◽  
1986 ◽  
Vol 3 (1) ◽  
pp. 15-42 ◽  
Author(s):  
Roger Lass

SUMMARY Historical Linguistics is less realist and much more conventinal-ist than many of us think or like to think. Historical 'truth', by virtue of the epistemological status of the past, is not attainable in the same sense as 'truth' in nonhistorical disciplines. Theories and techniques are therefore partly constitutive of 'data': or the histo-riogaphy partly creates its own subject-matter. Theory-based creation enters via two kinds of interventions: (a) the use of present-based constraints as determinants of what historical events must have been or most probably were ('uniformitarianism'); and (b) the free creation of metaphors (verbal, geometric, etc.) that indicate potential 'natural kinds' which are then up for critical discussion. The example of metaphor-creation treated here in detail is the development of the notion 'chain-shift'. Within the Anglicist tradition the 'invention' of the Great Vowel Shift has had an enormous enriching effect on the domain of discourse — which remains, regardless of whether it was 'in fact' as Karl Luick and others thought it was. RÉSUMÉ La linguistique historique est moins 'réaliste' et plus 'conven-tionnelliste' que beaucoup parmi nous le pensent ou aiment de penser. 'La vérité' historique, en vertu du statut épistémologique du passé, ne peut pas être atteinte dans le même sens que 'la vérité' dans les disciplines non-historiques. Par consequent les théories et les techniques d'anakyse font part en partie des 'données': ou bien l'historiographie crée en partie son propre sujet. La création à la base d'une théorie y entre à travers deux sortes d'interventions: (a) l'utilisation des contraintes basées sur le présent comme des déterminants de ce que les événements historiques doivent avoir été ou très probable ment ont été ('l'uniformitarianisme'), et (b) la création libre des métaphores (verbales, géométriques, etc.) qui signalent des 'éspèces naturelles' qui par la suite se prêtent à la discussion critique. L'exemple d'une création métaphorique dont on traite ici en détail c'est la notion de 'changement en chaîne'. A l'intérieur de la tradition angliciste 1''invention' de la 'Great Vowel Shift' a eu un effet énormément enrichissant sur le domaine du discours scientifique — un effet qui reste irrespectivement s'il était 'en effet' ce que Karl Luick et d'autres ont pensé de ce phénomène. ZUSAMMENFASSUNG Die historische Linguistik ist weniger 'realistisch' und mehr 'konventionalistisch' als viele von uns glauben oder glauben möchten. Historische 'Wahrheit' ist angesichts des epistemologischen Status' der Vergangenheit nicht in derselben Weise erreichbar wie die 'Wahrheit in den nicht-historischen Disziplinen. Theorien und Techniken machen daher einen Teil der 'Daten' aus; umgekehrt schafft die Historiographie teilweise ihren eigenen Untersuchungsgegenstand. Solche theoriebegründete Schaffung ergibt sich durch zweierlei Interventio-nen: (a) die Verwendung von der Gegenwart entnommenen Beschränkungen als Bestimmungsfaktoren für was geschichtliche Ereignisse gewesen seien oder höchstwahrscheinlich waren ('Uniformitarianismus') und (b) die freie Schöpfung von (verbalen, geometrischen usw. ) Metaphern, die mög-liche 'natürliche Sorten' anzeigen, die dann für die kritische Diskus-sion freigestellt werden. Hier wird als Beispiel einer Metaphern-Schöpfung das Konzept der 'Kettenverschiebung' und dessen Entwicklung ausführlich behandelt. Innerhalb der anglistischen Tradition hat die 'Erfindung' der 'Great Vowel Shift' einen enorm bereichernden Effekt auf dem Gebiete des wissenschaftlichen Austausches gehabt, und dieser bleibt unabhangig davon, ob sie 'tatsächlich' in der Weise bestanden hat wie Karl Luick und andere vermeinten.


Author(s):  
Hallhane Machado

In 1987, Ernest Coumet highlighted the presence of a “scientific revolution” in Alexandre Koyré’s works. When and where did the destruction of the Cosmos and the geometrization of space materialize in the authors she studied? In what work do we find the “revolution” for which Koyré is so well known? From unknown texts, at least in 1987, Coumet pointed out concordances between Koyré’s philosophy of historical knowledge and that of Raymond Aron – of Weberian inspiration – affirming Koyré’s famous concept of Scientific Revolution as “ideal type”. Which means to say that, in the works of the author of From the Closed World to the Infinite Universe, “revolution” is not a historical reality, but an interpretative horizon. However, a letter from Koyré to Aron discovered by us in the archives of this author, deposited in the Bibliothèque Nationale de France, shows us the unsustainability of Coumet’s hypothesis. Nevertheless, it seems to us that the great lesson of his singular hypothesis remains, that of the importance of not neglecting the conception of the history of those who focus on the past of the sciences.


Author(s):  
Korine Amacher ◽  
Eric Aunoble

In 2017, general-interest magazines illustrated the centenary of the Russian Revolution with stills from Eisenstein’s October [Октябрь] (1927). One strikingly showed soldiers rushing across a square to represent the storming of the Winter Palace by Bolshevik fighters on 7 November 1917. In reality, the actual assault was slow and even laborious. But for Western audiences, this film sequence has become an archive image, a piece of history. This type of substitution of artistic representation for historical reality conflicts with the positive construction of our knowledge of the past. Indeed, historians long refused to include literature and films in their historical research, as well as art in general, which has been mainly analysed from an aesthetic point of view.


Author(s):  
David B MacDonald

Retrospectives on the twentieth century often portray it as the most atrocious century in human history, in terms of totalising ideologies, moral abandonment, technological horror, and mass death. The nineteenth and earlier centuries, by contrast, emerge as progressive and enlightened eras, characterised by morality, rationalism, and the absence of war. Creating a dramatic contrast between old and new centuries ignores the historical reality of colonialism and violence outside Europe’s borders. This article problematises twentieth century retrospectives and their nostalgia for the past, comparing these with recent histories of colonialism and genocide. Rather than see the twentieth century as a decisive break from the past, there are important elements of continuity and evolution which should not be ignored.


Author(s):  
R.Yu. Rakhmatullin ◽  

The purpose of the article is to substantiate the thesis «historical reality as a narrative». The relevance of the article determines the place of historical knowledge as the most important ideological tool formalizing the national and civilian identity. The originality of the article lies in an attempt to find a middle ground between radical constructivism and realism whilst explaining the phenomenon of «historical reality». Research methodology — constructivism. This methodology leads to following results: 1. Historical reality is always a construct that has an author with his political, moral, religious or other beliefs. Based on this, it should be taken into consideration that other researchers establish different and even alternative historical realities. Therefore, the story will remain as a multitude of competing stories. 2. The reference to historical facts as a proof meaning the correspondence of the narrative to the described event is not a valid argument. There are the following reasons for this: a) any story originated in the past is limited to a certain number of facts. Meanwhile, there are always some unknown facts that can significantly change the picture of historical reality; b) historical reality made of fact selection depends on the researcher and the goals he pursues; c) falsification of facts is often used in historical sources. 3. Every honest researcher creates his own narrative out of real-life events and characters, which makes it possible to assert his objectivity and the incorrectness of the radical constructivism methodology. But even the most honest researcher has personality traits that can be reflected on his work, which gives grounds to claim that realism is wrong. Therefore, the truth still lies somewhere in the middle and being represented by moderate constructivism or constructive realism.


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