scholarly journals From the History of the Conservatory Creation in Azerbaijan

2021 ◽  
Vol 4 (2) ◽  
pp. 240-247
Author(s):  
Naira Gulamova
Keyword(s):  
Research Methodology ◽  
Democratic Republic ◽  
Educational Institution ◽  
100Th Anniversary ◽  
National Anthem ◽  
Educational Processes ◽  
History Of ◽  
The Republic ◽  
The City ◽  
The Way

This article is devoted to the first conservatory creation of the Muslim East, which was opened in the city of Baku on August 26, 1921. In itself, this remarkable fact testifies to the difficulties that arose on the way to creating this Higher Musical Educational Institution in Baku. The article consistently highlights the most important facts related to the opening and activities of the conservatory. It is important to emphasize that despite all the difficulties that arise along the way, Uz. Hajibeyli and his associates persistently went to their cherished dream – the creation of the first conservatory in Baku. The purpose of the research is to identify the conditions in which the first conservatory of the Muslim East was created. Uz. Hajibeyli took years of consistent work to create that strong foundation on which the building of the conservatory was erected, now BMA named after. Uz. Hajibeyli. Note that August 26, 2021, marks the 100th anniversary of the first conservatory in Azerbaijan founding. The research methodology is based on genuine historical facts with which the activities of Uzeyir Hajibeyli were associated in the process of creating the conservatory. The scientific novelty of the research is associated with some facts of Uz. Hajibeyli’s life, which were not mentioned at all in Soviet times. All these facts, one way or another, come out of the time of the existence of the Azerbaijan Democratic Republic. The ADR national anthem was written by Uz. Hajibeyli. It is also the anthem of modern Azerbaijan. Conclusions. The approaching centenary anniversary of the first conservatory in Azerbaijan allows not only to evaluate the path it has travelled but also to pay tribute to its creator, Uzeyirbek Hajibeyli, the founder of Azerbaijani professional music, a great visionary who consistently leads Azerbaijani music along the path of progress and conquest of heights in composing, performing and educational processes in the republic.

scholarly journals A full catalogue and analysis of a collection of postcards at the Art Gallery of Ontario depicting scenes of Toronto

2021 ◽  
Author(s):  
Brian Piitz
Keyword(s):  
Twentieth Century ◽  
Literature Survey ◽  
Production Cycle ◽  
Art Gallery ◽  
History Of ◽  
Art Gallery Of Ontario ◽  
Commercial Photography ◽  
The City ◽  
Photographic Imagery ◽  
The Way

This applied thesis is focused on the full cataloguing and contextualizing of a collection of one hundred and sixteen postcards at the Art Gallery of Ontario (AGO) depicting scenes of Toronto a the beginning of the twentieth century. Twenty-seven publishers representing international, national and regional manufacturers are identified with their imprint on the verso of the postcard. The applied thesis includes a literature survey discussing a rationale for the cataloguing of postcards, as well as a brief overview of the history of postcards and the history of the urbanization of the City of Toronto. A description and analysis of the AGO postcards provides information about the production cycle of postcards, the scope of commercial photography and the dissemination of photographic imagery in Toronto. The thesis also examines the way images were altered in the production cycle and the manner in which photographers and publishers exchanged photographs intended for postcard production.

scholarly journals A full catalogue and analysis of a collection of postcards at the Art Gallery of Ontario depicting scenes of Toronto

2021 ◽  
Author(s):  
Brian Piitz
Keyword(s):  
Twentieth Century ◽  
Literature Survey ◽  
Production Cycle ◽  
Art Gallery ◽  
History Of ◽  
Art Gallery Of Ontario ◽  
Commercial Photography ◽  
The City ◽  
Photographic Imagery ◽  
The Way

This applied thesis is focused on the full cataloguing and contextualizing of a collection of one hundred and sixteen postcards at the Art Gallery of Ontario (AGO) depicting scenes of Toronto a the beginning of the twentieth century. Twenty-seven publishers representing international, national and regional manufacturers are identified with their imprint on the verso of the postcard. The applied thesis includes a literature survey discussing a rationale for the cataloguing of postcards, as well as a brief overview of the history of postcards and the history of the urbanization of the City of Toronto. A description and analysis of the AGO postcards provides information about the production cycle of postcards, the scope of commercial photography and the dissemination of photographic imagery in Toronto. The thesis also examines the way images were altered in the production cycle and the manner in which photographers and publishers exchanged photographs intended for postcard production.

Sociocultural History of Rio de Janeiro

2021 ◽  
Author(s):  
Paulo Cruz Terra ◽  
Marcelo de Souza Magalhães
Keyword(s):  
Urban Space ◽  
Rio De Janeiro ◽  
Active Role ◽  
Common People ◽  
The Social ◽  
History Of ◽  
Sociocultural History ◽  
The Republic ◽  
Political Associations ◽  
The City

The city of Rio de Janeiro underwent profound changes between 1870 and the early 20th century. Its population grew dramatically, attracting migrants not only from abroad but also from other regions of Brazil. It also expanded significantly in size, as the construction of trolley and railway lines and the introduction of real estate capital powered the occupation of new areas. Meanwhile, urban reforms aimed at modernization transformed the social ways in which urban space was used. During this period, Rio de Janeiro went from being the capital of the Brazilian Empire to being the capital of the Brazilian Republic. It nevertheless maintained its position as the cultural, political-administrative, commercial, and financial center of the country. Against this backdrop of change, the city was an important arena for the political struggles that marked the period, including demonstrations in favor of abolition and the republic. Rio de Janeiro’s citizens were not inert during this period of transformation, and they found various ways to take action and fight for what they understood to be their rights. Protests, demands, petitions, and a vibrant life organized around social and political associations are examples of the broad repertoire used by the city’s inhabitants to gain a voice in municipal affairs. Citizens’ use of public demands and petitions as a channel to communicate with the authorities, and especially with city officials, shows that while they did not necessarily shun formal politics, they understood politics to be a sphere for dialogue and dispute. The sociocultural history of Rio de Janeiro during this period was therefore built precisely through confrontations and negotiations in which the common people played an active role.

Efforts towards Establishing a New State-conceptualized History in Russia

2018 ◽  
Vol 45 (1) ◽  
pp. 132-145
Author(s):  
Gyula Szvák
Keyword(s):  
Social Climate ◽  
New Approach ◽  
Self Image ◽  
Deep Conviction ◽  
History Of ◽  
The Media ◽  
Pluralistic Approach ◽  
First Time ◽  
The City ◽  
The Way

It would be too early to try and summarize the way in which the issue of Russia’s “state historical and remembrance policy” has evolved or foresee its possible outcomes, as the standard uniform set of schoolbooks has not yet been approved. The media-voting competitions presented in this essay, however, clearly demonstrate the national social climate and its trends, which would have to be moulded into some form of an “all-Russian socium” by such a new approach to history. As contemporaries we might curiously await the next rounds of the “identity battle,” but as historians we must give voice to scepticism in regards to hopes of any form of quick success. Yet most of all, we have to stand by the deep conviction that only a pluralistic approach to history based on free research and the freedom to present freely conceived alternatives can help in the crystallization of a realistic national self-image. P.S.: For the first time in the history of Russia a statue has been erected for Ivan IV (the Terrible, the Fearsome) in the city of Oryol on 15 October 2016. The countdown has begun.

The Craft of Ruling in Plato's Euthydemus and Republic

Phronesis ◽  
2003 ◽  
Vol 48 (1) ◽  
pp. 1-28 ◽  
Author(s):  
Richard Parry
Keyword(s):  
Central Feature ◽  
The Republic ◽  
The City ◽  
The Way

AbstractWe will investigate the relation between the notion of the craft of ruling in the Euthydemus and in the Republic. In the Euthydemus, Socrates' search for an account of wisdom leads to his identifying it as the craft of ruling in the city. In the Republic, the craft of ruling in the city is the virtue of wisdom in the city and the analogue of wisdom in the soul. Still, the craft of ruling leads to aporia in the former dialogue while in the latter it is a central feature of Socrates' account of justice - both in the city and in the soul. Some commentators hold that the aporia at the end of the second protreptic interlude of the Euthydemus shows that Socrates' account of wisdom is fatally flawed and must be rejected. However, the difficulty for this position is that the craft of ruling from the Euthydemus is a hardy notion that plays an extremely important role in the Republic. Indeed, reflecting this fact, other commentators hold that the aporia is solved in the Republic. Still, what is so far missing is an analysis that clearly shows the way to this solution in the Republic. In what follows, we will analyze the two protreptic interludes in the Euthydemus in order to see how the aporia arises. As we shall see, Socrates presents the aporia as a labyrinth. Indeed, it is a labyrinth with a little noticed step that - once it is noticed - shows the way out. The result will be that the aporia of the Euthydemus points to a solution in which ruling in the soul implies a command of one's appetites and emotions.

scholarly journals In Search of Gala Dali’s City of Birth

2020 ◽  
Vol 15 (6) ◽  
pp. 123-131
Author(s):  
Yakovleva Elena L. ◽  
Keyword(s):  
Historical Data ◽  
The State ◽  
Place Of Birth ◽  
Her Family ◽  
Conflicting Information ◽  
History Of ◽  
The Republic ◽  
State Archives ◽  
Birth Family ◽  
The City

The aim of the study was to find the birthplace of Elena Ivanovna (Dmitrievna) Dyakonova, known to the whole world under the name of Gala Dali. Documented sources about the woman’s city of birth have not been found so far, which led to the emergence of conflicting information. To achieve this goal, the author is looking for indirect documents confirming that Gala Dali was born in Kazan. For the first time, the problem is investigated based on archival data of her parents ‒ father Dmitry Ilyich Gomberg, who studied at the Imperial Kazan University from 1892 to 1895, and mother Antonina Petrovna Dyakonova. Analysis of documents found in the State Archives of the Republic of Tatarstan, articles by D. V. Malinovsky, grandson of the adopted son of D. I. Gomberg, memoirs and historical data helped to clarify the situation about the place of birth of the muse Dali and the plight of her family. The key research method is source study analysis of office documents, their comparison with historical data about everyday life and facts from the biography of Gala Dali. As a result of the research search, the place of birth of Elena Ivanovna/Dmitrievna Dyakonova was determined ‒ the city of Kazan, as evidenced by direct and indirect facts from the biographies of the parents and Gala herself, as well as the difficult life situation of the woman’s parents, their connection with revolutionary activities and mentioning in police circulars. This explains the reason why the woman did not like to remember the story of her birth and created numerous myths about the city of birth, family and living conditions. The data obtained can be used for further reconstruction of the history of the Gala family and her biography. Keywords: myth, Gala Dali, Kazan, city of birth, revolutionary activity, clerical documents of the fund of the office of the Imperial Kazan University of the State Archives of the Republic of Tatarstan, fear

scholarly journals Tartu ülikool kui eestlaste mälupaik [The University of Tartu as a memory site for Estonians]

2016 ◽  
pp. 245 ◽  
Author(s):  
Lea Leppik
Keyword(s):  
Educational Institution ◽  
Lower Class ◽  
Russian Empire ◽  
Language Of Instruction ◽  
History Of ◽  
History Of The University ◽  
New Nation ◽  
The Russian Empire ◽  
The University ◽  
The City

The City of Tartu is proud of its university and its status as a university town. The university is an even stronger memory site than the city and has special meaning for Baltic Germans in addition to Estonians, but also for Ukrainians, Armenians, Poles, Latvians, Jews and other minorities of the former Russian Empire. The commemoration of the anniversaries of the University of Tartu is a very graphic example of the use of memory and the susceptibility of remembering to the aims of the current political system and of various interest groups. Here history has become an “active shaper of the present” according to Juri Lotman’s definition. This article examines the commemoration of jubilees of the University of Tartu through two hundred years. Nowadays Estonians consider the entire history of the University of Tartu to be their own starting from its founding by King Gustav II Adolf of Sweden in 1632. The Estonian language was not unknown in the university in the Swedish era – knowledge of Estonian was necessary for pastors and some examples of occasional poetry written in Estonian have survived from that time. The university was reopened in 1802 when it was already part of the Russian Empire and became a primarily Baltic German university. It shaped the identity of the Baltic provinces in Russia and contributed to their growing together culturally in the eyes of both the German-speaking upper class and the Estonian- and Latvian-speaking lower class. The Estonian and Latvian languages were both represented at the university by one lecturer. There were also Estonians at the university in the first decades already but at that time, education generally meant assimilation into German culture. The 50th jubilee of the Imperial University of Tartu was commemorated in 1852 as a celebration of a Baltic German university. The 100th anniversary of the imperial university in 1902 was commemorated at a university where the language of instruction had been switched to Russian. The guests of honour were well-known Russian scientists, church representatives and state officials. For the first time, a lengthy overview of the history of the University of Tartu was published in Estonian in the album of the Society of Estonian Students under the meaningful title (University of the Estonian Homeland). Unlike the official concept of the 100 year old university, this overview stressed the university’s connection to the university of the era of Swedish rule. When the Russian Empire collapsed and the Estonian nation became independent, the University of Tartu was opened on 1 December 1919 as an institution where the language of instruction was Estonian. The wish of the new nation to distance itself from both the Russian and German cultural areas and to be connected to something respectably old was expressed in the spectacular festivities held in 1932 commemorating the 300th anniversary of the University of Tartu. After the Second World War, Estonians who ended up abroad held the anniversaries of the Estonian era University of Tartu in esteem and maintained the traditions of the university student organisations that were banned in the Soviet state. The 150th anniversary of the founding of the university was commemorated in the Estonian SSR in 1952 – at the height of Stalinism. The Swedish era university was cast aside and the monuments to the king and to nationalist figures were removed, replaced by the favourites of the Soviet regime. Connections to Russia were emphasised in every possible way. Lithuanians celebrated the 400th anniversary of their University of Vilnius in 1979, going back to the educational institution established in the 16th century by the Jesuits. This encouraged Estonians but the interwar tradition of playing up the Swedish era was so strong that the educational pursuits of the Jesuits in Tartu (1585–1625, with intervals) were nevertheless not tied into the institute of higher education. So it was that the 350th anniversary of the University of Tartu was celebrated on a grand scale in 1982. The protest movement among university students played an important role in the restoration of Estonia’s independence. Immediately thereafter, the commemoration of the anniversaries of the Estonian era university that had in the meantime been banned began once again. The 200th anniversary of the opening of the Imperial University of Tartu (2002) passed with mixed feelings. The imperial university as a university of the Russian state no longer fit in well and it was feared that the connection to the Swedish era would suffer. Yet since this period had nevertheless brought Tartu the greatest portion of its scientific fame, a series of jubilee collected works were published by various faculties. On the other hand, nobody had any qualms about commemorating the 375th anniversary of the Swedish era university five years later (2007) on a grand scale with new monuments, memorial plaques, exhibitions, a public celebration and a visit from the King of Sweden.

scholarly journals WILLI DROST: THE LAST DIRECTOR OF THE STADTMUSEUM (CITY MUSEUM) IN GDAŃSK

Muzealnictwo ◽  
2019 ◽  
Vol 60 ◽  
pp. 108-120
Author(s):  
Iwona Kramer-Galińska
Keyword(s):  
Art History ◽  
100Th Anniversary ◽  
Scholarly Activity ◽  
Art Theory ◽  
Ww Ii ◽  
Art Works ◽  
History Of ◽  
German Nationality ◽  
Free City Of Danzig ◽  
The City

As much as the history of the Free City of Danzig (1920–1939) has been dedicated numerous academic studies, the activity of its institutions and people, particularly Gdańsk residents of German nationality who played a significant role in the city’s political, cultural, scientific, educational, and spiritual life until 1945 has been hardly investigated. One of such individuals is Willi Drost born in Gdańsk in 1892. Following his studies and academic work in Leipzig, Marburg, Cologne, and Konigsberg, in 1930 he returned to Gdańsk, where he was offered the position of a custodian and later conservator of monuments of the Free City of Gdańsk; furthermore, as of 1938 he was appointed Director of the City Museum, which he remained uninterruptedly until 1945. Beginning from 1930, he was also professor of art history at the Technischer Hochschule, engineering university, as well as curator of Museum Collections for the whole region of Gdańsk – Western Prussia. His scholarly activity yielded numerous publications in art theory, North European modern painting, and Gdańsk art. Furthermore, Drost takes credit for the inventory of Gdańsk historic churches conducted from 1934 onwards. Resorting to the preserved materials, in 1957–1964, Drost published a 5-volume series titled Art Monuments of the City of Gdańsk (Kunstdenkmäler der Stadt Danzig). During WW II, together with Prof. Erich Volmar, he supervised the action of protecting and evacuating art works from the City Museum, Town Hall’s Red Room, Artus Manor, Uphagen’s House, as well as from churches and other historic facilities. Directly following the end of WW II, Drost stayed on in Gdańsk, helping Polish art historians to recover art works hidden in the city and its vicinity. Having left for Germany in the spring of 1946, he was professor at Hamburg and Tubingen universities. Until his last days he continued to promote the cultural heritage of Gdańsk. In recognition of his merits, Drost was honoured with numerous awards in Germany, while in 1992, on the 100th anniversary of his Birthday, a plaque commemorating him was unveiled in front of the building of the former City Museum (Stadtmuseum), today housing the National Museum in Gdańsk. The paper’s goal is to popularize Drost’s endeavours as a museologist, and to recall all he did for Gdańsk.

scholarly journals Children’s Memories of the Leningrad Blockade in the Materials of the Central State Archive of the Udmurt Republic

2021 ◽  
Vol 20 (2) ◽  
pp. 258-269
Author(s):  
Sergey N. Uvarov
Keyword(s):  
Coping Strategies ◽  
Everyday Life ◽  
Daily Life ◽  
State Archive ◽  
Central State ◽  
Great Patriotic War ◽  
Udmurt Republic ◽  
History Of ◽  
The Republic ◽  
The City

The article offers the previously unpublished memoirs of eleven Leningrad residents who were children during the German blockade of the city. All of them were collected in 1998-1999 by Nina Aleksandrovna Koroleva, and are today kept in her collection in the Central State Archive of the Udmurt Republic. After the war, Nina Aleksandrovna came to live in Udmurtia, where she started to record memories about wartime. Conventionally, her documents can be divided into two groups. The first includes the memories of those who were evacuated to Udmurtia during the Great Patriotic War. The second group consists of memories of those who ended up in the republic after the end of the war. All documents are preserved in the author's edition. The memoirs reflect childhood impressions of the siege period. Their authors share their feelings from the beginning of the blockade, and report details of their daily life during the siege; they also reveal the coping strategies of the respective families. Descriptions of the labor conducted by children invite for conclusions about their contribution to the Soviet victory. Very emotional are the reports about the lifting of the blockade. Some memoirs contain details of the evacuation from Leningrad to the mainland. From the perspective of the history of everyday life, the publication of these memoirs expands our knowledge about the Great Patriotic War and, in particular, about the blockade of Leningrad.

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