scholarly journals NJEGOŠ U NJEMAČKIM PUTOPISIMA SVOGA DOBA NJEGOŠ IN GERMAN TRAVELOGUES OF HIS TIME

2021 ◽  
Vol XII (37) ◽  
pp. 69-83
Author(s):  
Ana Minić
Keyword(s):  
19Th Century ◽  
Travel Literature ◽  
The Other ◽  
Literary Genre ◽  
Great Role ◽  
Two Cultures ◽  
Travel Writings ◽  
German Speaking ◽  
Travel Writers ◽  
The 19Th Century

Although travelogue is a marginalized literary genre, its role in imagological research is enormous and it cannot be disputed that as a media for studying relations between cultures, it mediated vast knowledge and information that was often taken as the only authoritative one. German travel writings of the 19th century about Montenegro were very scarce until Petar II Petrović Njegoš came to power, and with the change of government in Montenegro, the attitude of foreigners towards it also changed, so travel writers from Germany headed to this South Slavic country. Translations played a great role in arousing the interest of German writers, especially the translation of Karadžić's work "Montenegro and Montenegrins", but also the visit of the Saxon King Frederick Augustus II. The time of Njegoš's rule can be considered the blooming of German travel literature about Montenegro and the time when closer ties were established between these two cultures, which will affect the situation after Njegoš's death, when the most important travel writers of the 19th century came to Montenegro from the German-speaking area. In the German travelogues of Njegoš's time, the writers dealt with numerous topics that clearly reflected the image of the other and not all had the same approach and view of certain phenomena in Montenegrin society. However, the personality of the Montenegrin ruler united them and they all wrote hymns about Njegoš, without exception. He was the personification of kindness and hospitality, erudition and wisdom, masculine beauty and prudence in the German travelogues of his time, he was a reformer and an enlightener, and in every respect he was a symbol of progress.

scholarly journals Al-Ṭahṭāwī in Paris: Western Influence on Format and Style in Early Modern Arabic Travel Literature

2018 ◽  
Vol 9 (1) ◽  
pp. 119
Author(s):  
Ibrahem Almarhaby
Keyword(s):  
Early Modern ◽  
19Th Century ◽  
Travel Literature ◽  
The Other ◽  
Western Influence ◽  
The 19Th Century ◽  
Modern Arabic

This study investigates format and style in the first modern Arab travel source, Takhliṣ al-Ibriz fī Talkhiṣ Paris, written by Sheikh al-Ṭahṭāwī in the 19th century. During this century, the connection between the Eastern Self and the Western Other became closer and more immediate culturally and politically, which undeniably impacted literature on both thematic and artistic levels. This paper addresses the extent to which the format and style of al-Ṭahṭāwī was influenced by the Other and to determine how these artistic aspects had changed and were distinct from those aspects in medieval travel literature.

Podróżniczki wobec Innego. Rasa w rozumieniu Marii Rakowskiej i Heleny Pajzderskiej (na przykładzie Podróży Polki do Persji i nowel z tomu Z dalekich lądów)

2018 ◽  
Vol 62 (3 (462)) ◽  
pp. 97-113
Author(s):  
Ida Jahnke
Keyword(s):  
Cultural Diversity ◽  
Everyday Life ◽  
19Th Century ◽  
Literary Genre ◽  
Physiological Difference ◽  
Similarities And Differences ◽  
Travel Writers ◽  
Travel Discourse ◽  
The 19Th Century ◽  
The Relationship

The article presents the perception of the concept of race in texts of two travel writers: Maria Rakowska and Helena Pajzderska. It points to similarities and differences between the concepts of the authors and the anthropological discourse of the second half of the 19th century. Further, it is demonstrated that the authors extended racial typologies based on the physiological difference with reflection on social and cultural diversity (the concept of family, everyday life). The final remarks lead to considerations on the relationship between the literary genre and the 19th-century travel discourse.

Zur Rezeption der Oratorien Haydns in Paris zwischen 1800 und 1850: Institutionelle und ästhetische aspekte

2010 ◽  
Vol 51 (1-2) ◽  
pp. 201-213
Author(s):  
Martin Loeser
Keyword(s):  
19Th Century ◽  
Financial Risk ◽  
The Other ◽  
Music Festivals ◽  
Other Hand ◽  
German Speaking ◽  
Choral Societies ◽  
The One ◽  
The 19Th Century ◽  
Concert Life

In German speaking countries Haydn’s oratorios, and particularly TheCreation , have played an important role in the repertoire of choral societies and music festivals since the 1810s. However, in France, and also in Paris — “the capital of the 19th century” —, Haydn’s oratorios were performed only on rare occasions, and then they were given mostly in parts. The reasons for these circumstances can be seen in the institutional and esthetical context of the Parisian concert life. With respect to professional concert societies, like the Société des Concerts du Conservatoire , rigid obstacles were on the one hand the enormous financial risk of a complete oratorio performance. On the other hand the established type of concert programmes with its varied mixture of vocal and instrumental pieces functioned as a barrier. Most important was a lack of mixed amateur choral societies, which developed in Paris quite late, primary in the 1840s, and then only little by little. Since oratorio performances lasted to be mostly a private affaire in the first half of the 19th century, it is not surprising, that Haydn’s oratorios were studied in aristocratic salons of Princesse de Belgiojoso and Baron Delmar with the intention of both education and entertainment.

scholarly journals 'After me fellow caïcaï you': Eating the Other/The Other Eating

2013 ◽  
Vol 10 (2) ◽  
Author(s):  
Karin Elizabeth Speedy
Keyword(s):  
19Th Century ◽  
New Caledonia ◽  
The Other ◽  
Literary Genre ◽  
Boundary Line ◽  
Great Hope ◽  
New Hebrides ◽  
Western Imagination ◽  
The 19Th Century ◽  
Racial Hierarchies

When it comes to European descriptions of the Other, the act of cannibalism has long been synonymous, to the Western imagination at least, with primitivism. As such, it often operates as a boundary line between the savage and the civilised. The spectre of the Kanak “anthropophages” of New Caledonia and the New Hebrides (Vanuatu) is ever-present in the writings of Georges Baudoux, whose fascination with cannibalism reflects the 19th-century colonial preoccupation with racial hierarchies and the demonization of the indigenous Other. Indeed, in his Légendes canaques, Baudoux’s representations of Kanak cannibalism are typical of the colonial literary genre – overly bloodthirsty, sensationalised and designed to distance the “instictive savages” or “cannibal animals” from the “rational” (read “superior”) colonizers. While Baudoux does not abandon this discourse in other stories, it is interesting to see how it is nuanced in the case of the métis (Kanak-European) protagonist of Jean M’Baraï. This paper explores the representations of the Other eating, including eating the Other, in Baudoux’s work, focusing particularly on the actions/reactions/reflexivity of Jean M’Baraï. To what extent can we see this character as a vehicle for conflicting colonial discourses on the métis as either “deviant degenerate” or the “great hope” for the future “civilization” of the colonized “race”? And where does Baudoux place himself in this clash of ideologies?

scholarly journals Voices of Islam and Travel Resonances: the Perceptions of Muslim Prayer Recounted by Several Travellers to the Orient in the 19th Century

Viatica ◽  
2014 ◽  
Author(s):  
Sarga MOUSSA ◽  
Keyword(s):  
19Th Century ◽  
Travel Literature ◽  
Important Place ◽  
The World ◽  
Long Time ◽  
Auditory Experience ◽  
Travel Writers ◽  
The 19Th Century ◽  
Bear Witness

Considered for a long time as tales of seeing, the journeys of writers to the Orient also bear witness to an auditory apprehension of the world. The description and perception of Muslim prayer in 19th-century travel literature are convincing examples given that hearing has an important place in the narration. Whether sensitive to, or even disturbed or seduced by the auditory experience of the Orient, travel writers open up a space for anthropological possibilities.

On the nature of chemistry

2018 ◽  
Vol 10 (2) ◽  
pp. 74 ◽  
Author(s):  
Eric R. Scerri
Keyword(s):  
19Th Century ◽  
The Other ◽  
Recent History ◽  
History Of Chemistry ◽  
History Of ◽  
The One ◽  
Fundamental Unity ◽  
The 19Th Century

<span>The very nature of chemistry presents us with a tension. A tension between the exhilaration of diversity of substances and forms on the one hand and the safety of fundamental unity on the other. Even just the recent history of chemistry has been al1 about this tension, from the debates about Prout's hypothesis as to whether there is a primary matter in the 19th century to the more recent speculations as to whether computers will enable us to virtually dispense with experimental chemistry.</span>

La Nueva gramática de la lengua castellana de martínez de noboa

1997 ◽  
Vol 24 (1-2) ◽  
pp. 115-138
Author(s):  
Marina Maquieira
Keyword(s):  
19Th Century ◽  
The Other ◽  
The 19Th Century ◽  
Grammatical Tradition ◽  
Philosophical Grammar

Summary This paper examines a treatise on Spanish grammar, i.e., a particular grammar which follows the tradition of French philosophical grammar. Bachiller D. Antonio Martínez de Noboa’s work, published in 1839, appears in a century when the Spanish grammatical tradition is at its best. Texts like Vicente Salvá’s (1786–1849) and of course Andrés Bello’s (1781–1865) have in recent years attracted the attention of researchers. However, Martínez de Noboa’s work is much less known, although Gómez Asencio (1981, 1985) did highlight its importance in his two indispensable studies of the period between 1771 and 1847. The Nueva Gramática de la lengua Castellana is indebted to the framework set by José Gómez de Hermosilla (1835) and Jacobo Saqueniza (1828), although it does include some original observations. This paper examines the structure of the work in question and aims to show how it is in global terms a unified text combining different aspects, of which the most striking is without doubt the syntactic one. With this aim in mind certain specific examples of the analogy pertaining to syntax have been studied. First those he himself highlighted, e.g., the article/pronoun and verb and then those comments on syntax which are logically pertinent, e.g., conjunctions. Noboa himself was cited as was Saqueniza as having been responsible for the introduction of distinction between coordinate and subordinate conjunctions in Spanish grammar, along with the distinction between simple and complex clauses. On the purely syntactic level, it was also Noboa who refined the whole notion of verbal government. Finally, there is a brief summary of the section dedicated to pronunciation and spelling which are also considered by the author to be in some way related to the other parts of the grammar. In sum, what makes this work particularly interesting is undoubtedly the emphasis on syntax as more studies had been carried out on morphology than in any other area up until the 19th century and continued after Noboa to monopolise questions concerning grammar throughout this century.

Ein föderales Imperium?

2021 ◽  
Author(s):  
Patrick Rummel
Keyword(s):  
South Africa ◽  
New Zealand ◽  
Great Britain ◽  
British Empire ◽  
19Th Century ◽  
Military Personnel ◽  
The Other ◽  
The 19Th Century

The previously ignored model of Greek colonisation attracted numerous actors from the 19th century British empire: historians, politicians, administrators, military personnel, journalists or anonymous commentators used the ancient paradigm to advocate a global federation exclusively encompassing Great Britain and the settler colonies in Canada, Australia, New Zealand and South Africa. Unlike other historical templates, Greek colonisation could be viewed as innovative and unspent: innovative because of the possibility of combining empire and liberty and unspent due to its very novelty, which did not contain the ‘imperial vice’ the other models had so often shown and which had always led to their political and cultural decline.

Contraste, Dissonanzen, Missklänge: Zum Verhältnis von Idylle und Tourismus in literarischen Schweiz-Reisen des 19. Jahrhunderts (Ida Hahn-Hahn, Hans Christian Andersen)

2021 ◽  
Vol 50 (1) ◽  
pp. 34-56
Author(s):  
Christian Schmitt
Keyword(s):  
19Th Century ◽  
The Other ◽  
Hans Christian Andersen ◽  
The Aesthetic ◽  
The One ◽  
The 19Th Century ◽  
The Relationship

Abstract The discrepancy between common temporary expectations of Switzerland as idyll on the one hand, and the reality of its industrially organized tourism on the other, imposes irritations upon the touristic gaze. This article, then, traces the origins of this discrepancy and examines the relationship between Swiss idyll and tourism in the 19th century. The analyses of Ida Hahn-Hahn’s Eine Idylle and Hans Christian Andersen’s Iisjomfruen showcase different ways of relating idyll and tourism to one another as well as the aesthetic merit produced by this constellation.

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