scholarly journals Towards an Ecology of Encounter in Kathleen Jamie’s Selected Poems

2020 ◽  
pp. 45-60
Author(s):  
Dr. Anan Alkass Yousif

One of the global and crucial concerns of the twentieth and twenty-first centuries is the ecological preservation of the life-supporting system of the earth. It is considered one of the most important current studies that challenge the rapid degradation of the environment and wildlife.  The purpose of this paper is to explore Kathleen Jamie’s (1962) vital ecological vision that she conveys through her ecopoetry and some of her nonfiction writings, arguing that developing ecological consciousness is crucial not merely to rediscover the value of natural world but also to realize that it is another form the human self. The paper also argues that ecological degradation as revealed by Jamie's ecopoetry paradoxically stands as the very reason that would foster the ecology of mind to observe the natural world as a valuable entity in itself. Jamie’s literary output extends to generate citizens of the natural world, a world that is based on comprehending the interconnectedness and interdependence between people and their physical landscape. Otherwise, the contemporary individual would be inclined to live in self-isolation. To examine Jamie’s portrayal of the relationship between man and his environment, ecocriticism is employed as an interdisciplinary approach that emerged in the 1980s to interrogate man’s patterns of relationships with nature, questioning the common notions of belonging and dwelling. In so doing, ecopoetry is demonstrated as essential in cultivating a new canon of nature poetry that promotes a maneuver beyond the politics of place and the limitation of nationhood. Jamie is a prominent contemporary Scottish poet who endeavors not only to promote ecological consciousness but also to advocate a breakdown of all the barriers between the human and non-human world, man's individual 'I' and the assumed 'Otherness' of nature. It is the construction of a new poetic and ecological mode towards an ecology of encounter, a path towards empathy between man and nature that would render the former more human and the latter more natural.

2012 ◽  
Vol 25 (1) ◽  
pp. 1-17
Author(s):  
Hamoud Yahya Ahmed ◽  
◽  
Ruzy Suliza Hashim

Ecocriticism is concerned with the relationship between literature and environment or how the relationships between humans and their physical world are reflected in literature. In this paper, we attempt to analyse selected poems of Muhammad Haji Salleh using some concepts from ecocriticism as an analytical lens. The premise of this paper is based on the poet’s symbiotic relationship which has become a significant feature of his work. Using six of his nature poems to exhibit Muhammad’s idea of mutual relationship between the human world and the natural world of environment, we show the poet’s concern about the slightest interference of human beings into the world of nature which results in the disruption of human-nature relationship. Muhammad Haji Salleh does not limit himself to presenting the brighter and darker side of nature, rather he has gone a step further to reveal the very concept of ecosystem and reflect the blossoming of ecological consciousness in modern Malaysian society. This approach of reading Muhammad Haji Salleh exhibits the current interest in the environment and the ways in which it has to be treated with respect and love. By explicating the intrinsic features of nature in his selected poems, we can inculcate environmental awareness and inspire ecological consciousness among people in Malaysia and elsewhere in the world. Keywords: Ecocriticism, ecosystem, interrelationship, ecological consciousness, poetry and Muhammad Haji Salleh


Author(s):  
Bair Ts. Gomboev ◽  

Introduction. Retrospective studies of the human-society-environment system are increasingly ranked among the interdisciplinary problems of philosophy, ecology, paleography, history, ethnology and other scientific disciplines. Scientists are beginning to understand that the current ecological conditions require increased interest not only towards the environment as such but also towards deep historical research of the relationship between man and nature, require further studies and preservation efforts for natural, historical, and cultural heritage. Goals. The paper analyzes archaeological sites and places of worship for the possibility of correlating their locations with real geoactive zones through the example of the Barguzin Valley, and seeks to identify features of the territory, comparing it to separate Mongolia-based places of worship. Materials and Methods. The work attempts to apply an interdisciplinary approach in characterizing the origin of sites of worship from the standpoint of different disciplines, such as geology, geography, history, archeology, ethnology, and folkloristics. Results. The interdisciplinary approach to the research of places of worship makes it possible to once again highlight challenges faced by scholars engaged therein more broadly, and involve materials that have not been previously examined in this perspective. Nowadays, this constitutes a most urgent problem in contexts of aggravated man-nature relations, violations of harmonious ties, and increased anthropogenic impacts in certain areas for extensive use of natural resources contrary to opinions of the local population.


Romanticism ◽  
2021 ◽  
Vol 27 (1) ◽  
pp. 46-62
Author(s):  
Gregory Leadbetter

This essay addresses the nature of the experience of nature, as evoked, in particular, by Coleridge, and the relationship between that experience and the impulse to speak of it, especially in poetry. Always a fascinated observer of his own responsiveness, he wrote to Thomas Wedgwood in 1802 that ‘I never find myself alone within the embracement of rocks & hills, a traveller up an alpine road, but my spirit courses, drives, and eddies, like a Leaf in Autumn: a wild activity, of thoughts, imaginations, feelings, and impulses of motion, rises up from within me’. As in his verse, the rhythmic motility of these lines, so characteristic of his language, cannot bear a merely consequential correspondence to the contours of landscape: not everyone who moves through such territory writes like Coleridge. With reference to his poetry, criticism, notebooks and letters, this essay examines the more complex relation to landscape at work in Coleridge's language: the connection between the ineffable character of sensory experience and the effusion of utterance; the participatory character of Coleridge's engagement with the natural world; the irruptive, ecstatic and synaesthetic qualities of his writing with regard to landscape; and the paradoxical desire both to name and not to name, to know and unknow, imprinted in his poetry. In doing so, the essay contends for the presence in Coleridge's work of a psychotropic poetics related to the nature of his experience of the natural order, in which poetry has the potential to act as a maker of ‘nature’ – like the natural world itself, an educative stimulus to our epistemic, empathetic and creative powers – and as such, transnatural. Friedrich Schlegel made the suggestive remark that ‘one cannot really speak of poetry except in the language of poetry’, and the essay concludes with a poem of my own germane to its theme.


Author(s):  
Ayanita Banerjee ◽  

To perceive the human world in co-existence with nature and thereby to nurture freedom and constructive processes we need to rethink the transformative literature of Rabindranath Tagore, who explored an environment conscious, almost ecocritical vision of human existence inspiring a “deep ecological” sense of identification with the immediate environment. Tagore’s philosophy of nature with its wide range and variety reifies the real possibility of ‘living, learning and uniting oneself’ with the “organic wholeness of nature”. The relationship between the man and nature remains interwoven in his writings promoting an intimate, interdependent relationship revealing “the deepest harmony that existed between man and his surroundings”. The paper dealing with Tagore’s simplest collection of poetry The Crescent Moon in particular lays emphasis on the relationship of the mother and the child developing out of his traumatic experiences of childhood namely losing his mother quite at an early age and his subsequent identification with nature as an ‘alternative mother-principle’ Nature confers a psychological closure by connecting him with Mother Nature (my italics) “mother nature you have taken me in your affectionate embrace and have begun to sing your imposing music to me rich in harmony and melody”. Nature removed from the crudity of its daily entanglements activated within him a spirit of companionship and receptivity revealing to him “the deepest harmony that existed between him and his surroundings”.


2020 ◽  
Vol 17 ◽  
pp. 5-16
Author(s):  
Piotr Skubała ◽  

Climate change caused by excessive emissions of greenhouse gases is becoming, along with excessive exploitation of the environment, agriculture and urbani-zation, one of the main threats to life on Earth and our civilization. Although we have known about the relationship between carbon dioxide emissions and the rise of the average temperature on Earth since end of the 20th century, it was only after nearly 100 years that we took international action to reduce this phenomenon. We are looking at the closing window and the question arises whether we will be able to react and stave oȮ the climate crisis. We know what immediate actions are needed, but we do not take them. It seems that a neces-sary condition for doing the work of repairing the world is a complete change in the way we view the natural world. It must be based on relational thinking, emphasize mutual relationships, the interdependence of man and nature, hu-man beings and non-human beings.


1999 ◽  
pp. 73-126 ◽  
Author(s):  
Michael Kirkham

Chapter two explores the natural-human world and the sensory and mental experience, aesthetic and moral values in Tomlinson’s poetry and attempts to define the relationship between ‘nature poems’ and ‘human poems’. The chapter looks closely at ‘The Atlantic’ from Seeing is Believing in order to understand the boundaries between the natural world and the human world.


2020 ◽  
Vol 3 (4) ◽  
pp. 1-10
Author(s):  
Danlami Amadou

Given the environmental crisis plaguing the world, this paper investigates the manner in which Linus Asong represents man’s link with nature in the novel No Way to Die. It attempts to provide an answer to the following question: how does Linus Asong portray the contact between man and nature? The work is based on the premise that the Cameroonian author depicts the relationship between human beings and other elements of the ecosystem with perspectives for improvement for the benefit of both man and nature. Second Wave Ecocriticism, as outlined by Lawrence Buell, is used to bring out novelist’s ecological vision which posits that human beings need to improve their relationship with, or treatment of, other elements of nature so that the rapidly degrading ecosystem is saved. Keywords: Environment, Fiction, Ecocriticism, Degradation, Protection, Vision


Author(s):  
Dr. Mayuri Barman

The most dangerous tendency of the present human generation is to enjoy every aspect of life selfishly which leads to serious threat to an environment. From the very beginning man was never a solitary creature in the planet where the relationship between humans and nature is one of the most fundamental issues we face and must deal with today. A universal holistic approach is needed, which may develop ecological consciousness among us. Many religions, scriptures can help to build a model of ecological consciousness. The importance of ancient Indian religious practices shows that human beings are an integral part of nature, and should, therefore, naturally understand the framework of life. At present human society is misled by the false attraction of the materialistic life, so to realize his true ‘self ,‘ one has to get out of this false notion that human society is the only proprietor of the world. The ‘Bhagavad-Gita’ nicely describes detachment from materials activities to the transcendental activities with realizing our true ‘self.’ Warwick Fox and Arne Naess’s ‘Self Realization’ shows how a person who Is self-realized and well-identified with the non-human world, will behave in harmony with nature, acting from inclination rather than duty.


Author(s):  
Isabel Maria Fernandes Alves

A.M. Pires Cabral (b. 1941) is a Portuguese poet, novelist, essayist, and translator. His first book of poetry Somewhere in the Northeast (1974), condenses the originality of his poetic achievement: the meeting between classic form and rural experience. Stemming from the fact that his poetry is based on a specific place and on an instance of attention to ordinary people and objects is a vision which underlines the involvement of the human destiny with the landscape we inhabit. This paper concentrates on the way A. M. Pires Cabral’s poetry has been an example of attentiveness to and of human conversation with the non-human world. Its uniqueness stems from the relationship to a remote and rural Portuguese region. If isolation defines the place, Pires Cabral’s poetry builds a sense of inclusion and communion between physical place, people, and animals, that is, a sense of belonging. The article analyses A. M. Pires Cabral’s Plow (2009), a book in which his poetic engagement with the natural world promotes new insights into the potential role of poetry, generating a greater environmental awareness and calling for new visions and new responsibility.   Resumen   A. M. Pires Cabral (n. 1941) es un poeta portugués, novelista, ensayista y traductor. Su primer libro de poesía, Algún lugar en el noreste (1974), condensa la originalidad de su logro poético: la unión entre la forma clásica y la experiencia rural. De hecho, su poesía se basa en un lugar específico y en un ejemplo de atención a la gente común y a los objetos como resultado de una visión que pone de relieve la participación del destino humano con el paisaje que habita. Este trabajo se concentra en cómo la poesía de A. M. Pires Cabral ha sido un ejemplo de atención y de conversación humana con el mundo no humano. Su singularidad se debe a la relación con una región portuguesa remota y rural. Pero si el aislamiento define el lugar, la poesía de Pires Cabral construye un sentido de inclusión y de comunión entre el lugar físico, las personas y los animales, es decir, un sentido de pertenencia. El artículo analiza Arado (2009), obra de A. M. Pires Cabral, un libro en el que su compromiso poético con el mundo natural promueve nuevos conocimientos sobre el papel potencial de la poesía, lo que genera una mayor conciencia ambiental, pidiendo nuevas visiones y nuevas responsabilidades.


Land ◽  
2021 ◽  
Vol 10 (12) ◽  
pp. 1385
Author(s):  
Iulian Dincă ◽  
Dragoș Dărăbăneanu ◽  
Ionuț Mihai Oprea

This is a qualitative research based on a phenomenological perspective of understanding, that aim to captures the way in which the population of rural areas from the western part of Romania understands the terms of nature and environment. Starting from valuable scientific studies related to the relationship between man and nature, we propose an original interdisciplinary approach that combines social methodology with a geographical, ecological and land use perspective. This study aims to identify the forms in which social representations about nature and environment are outlined on the level of rural areas people perceptions. As Romania is a European Union member state, its rural areas have seen transformations and changes in detail that reflect in the environmental-geographical ambience typical of the three main relief types (mountains, hills and plains), the mixed geomorphological type, its residents’ basic aspirations and conscious attitudinal and behavioral levels. The two study benchmarks are the notions of nature and environment, raising perception sensitivities and everyday concerns belonging to the residents of the rural areas surveyed. The administrative unit of Bihor County, belonging to the northern half of the Crișana Province and comprised of rural communities in 97 villages, was selected as the study’s target area. These villages were selected in such a way that they had to meet the requirements of balance and diversity of local environmental conditions, land use and the result of changing their land cover and the socio-geodemographic conditions of the population. A series of 1576 questionnaires were administered to subjects who are over 18 years old and are aware of the reality of their places. The results of the applied tests (Levene’s test) show that the concrete factors of daily activities are very good predictors of the relationship between man and nature.


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