scholarly journals Parmenides on the True and Right Names of Being

2021 ◽  
Vol 5 (1) ◽  
pp. 1-18
Author(s):  
Mostafa Younesie

Parmenides as a knowing mortal (F I. 3) writes a philosophical-poetic account of a travelogue in which distinctive voices (F. 2) that are a mixture of myth and logos come out of an unnamed goddess (F I. 23) who didactically speaks with an unnamed young man as her direct listener and addressee (F II. 1) in order to reveal for him different spheres and routes (F II. 2) of inquiry about a specific referent. In the hybrid and tailored account of the immortal about a specific subject-matter, such as being, we can read different approaches of the thoughtful mortals through the narration of the goddess, and the idea of the immortal herself. And exactly when thoughtful mortals want to introduce their thinking and understanding of the “referent” in human lingual terms they appeal to the act of naming and making names, though there is no explicit account by the immortal about her approach for lingual expressing of the referent. Such an account gives us some useful and distinctive hints about Parmenides’ conception as a mortal about naming/names which makes his conception in a specific position in regard to the other pertinent and close words, such as ἔπος/ἔπεα, ῥῆμα, ἔργον, καλεῖν, λόγος and Presocratic thinkers like Heraclitus, Democritus, and Empedocles. According to the immortal’s account, in relation to naming and names thoughtful mortals can be classified mainly into two groups: (1) Those who are in Aletheia are informed of the distinctive features of the referent that is a “totality” and should be able to make “true” names for it but fail (F8. 38-39). If they succeeded, then their naming and names are true/ ἀληθῆ; and (2) those who are in Doxa think to know the features of the referent that is a “dual” and accordingly thoughtful mortals make names. Though all of names that are made are not unacceptable, one set is acceptable/χρεών (F 8. 54). As a result, we can infer that if Parmenides as a thoughtful mortal wants to express his thought about eon in lingual terms, he should appeal to naming and making names for they have specific dynamis (F IX. 2—a term that appears in Plato’s Cratylus 394b) in communicating the nature of any specific referent. The first best situation or Aletheia is where on the basis of his “knowledge”, he can communicate the distinctive features of eon in names and thereby make “true” names. Besides, there is the second best or Doxa, where he can communicate his “beliefs” about the essence and essential features of eon in names and make “acceptable” names.

2016 ◽  
Vol 1 (16) ◽  
pp. 15-27 ◽  
Author(s):  
Henriette W. Langdon ◽  
Terry Irvine Saenz

The number of English Language Learners (ELL) is increasing in all regions of the United States. Although the majority (71%) speak Spanish as their first language, the other 29% may speak one of as many as 100 or more different languages. In spite of an increasing number of speech-language pathologists (SLPs) who can provide bilingual services, the likelihood of a match between a given student's primary language and an SLP's is rather minimal. The second best option is to work with a trained language interpreter in the student's language. However, very frequently, this interpreter may be bilingual but not trained to do the job.


2020 ◽  
Vol 29 ◽  
pp. 11-33
Author(s):  
Janusz Mariański

In this article, the issue of structural individualisation, which is one of the results of social modernisation, is adopted as the subject-matter. In the processes of individualisation, it is, first and foremost, the importance of an individual human being and matters relevant to their life, including the obligation to make constant choices in all the aspects of life, that is placed emphasis upon. In the aspect of values, the process of individualisation means transfer from values seen as responsibilities (related to duties) to values connected with self-fulfilment (self-development). The consequence of individualisation is the significant changes in the realm of morality: departing from traditional moral values and standards, permissivism and moral relativism, the destruction of normativity, and the secularisation of morality. On the other hand, it creates the opportunity to determine one's own moral choices and shapean autonomous moral personality.


PMLA ◽  
1903 ◽  
Vol 18 (3) ◽  
pp. 445-458
Author(s):  
James M. Garnett

The desire was expressed some years ago that we might soon have in English a collection of translations of Old English poetry that might fill the place so well filled in German by Grein's Dichtungen der Angelsachsen. This desire is now in a fair way of accomplishment, and much has been done during the past ten years, the period embraced in this paper. As was naturally to be expected from the work previously done in criticism of both text and subject-matter, Beowulf has attracted more than ever the thoughts and efforts of translators, for we had in 1892 the rhythmical translation of Professor J. Lesslie Hall and the prose version of Professor Earle; in 1895 (reprinted in cheaper form in 1898) the poetical translation of William Morris and A. J. Wyatt, the editor of Beowulf; in 1901 the prose version of Dr. J. R. Clark Hall, author of A Concise Anglo-Saxon Dictionary; and only the other day, in 1902, the handy prose version of Professor C. B. Tinker.


1991 ◽  
Vol 3 (3) ◽  
pp. 261-302 ◽  
Author(s):  
Ralph P. Locke

Opera is rich in works that construct visions of the non-Western world and its inhabitants: Rameau's Les Indes galantes, Mozart's Die Entführung aus dem Serail, Bizet's Les Pêcheurs de perles, Verdi's Aida, Strauss's Salome, Puccini's Turandot. In these operas the representation of what recent critical theory calls ‘the Other’ is most clearly announced in the basic plot, in characters' names, and in costumes, sets and props. But to what extent do the libretto and the music also participate in this project?The question easily lends itself to a narrower formulation: to what extent do these operas signal Otherness – Turkishness, Indianness, Chineseness and so on – through musical materials that depart from Western stylistic norms or even reflect specific musical practices of the region in question? Scholars and critics have repeatedly posed the problem in these terms, only to find themselves frustrated by three limitations: general stylistic aberrations are often applied indiscriminately by composers to vastly different geographical settings; borrowed tunes and the like tend to lose distinctive features by being uprooted and transplanted; and whole stretches of these operas are written in an entirely Western idiom.


1999 ◽  
Vol 17 (1) ◽  
pp. 87-98
Author(s):  
René Gothóni

Religion should no longer only be equated with a doctrine or philosophy which, although important, is but one aspect or dimension of the phenomenon religion. Apart from presenting the intellectual or rational aspects of Buddhism, we should aim at a balanced view by also focusing on the mythical or narrative axioms of the Buddhist doctrines, as well as on the practical and ritual, the experiential and emotional, the ethical and legal, the social and institutional, and the material and artistic dimensions of the religious phenomenon known as Buddhism. This will help us to arrive at a balanced, unbiased and holistic conception of the subject matter. We must be careful not to impose the ethnocentric conceptions of our time, or to fall into the trap of reductionism, or to project our own idiosyncratic or personal beliefs onto the subject of our research. For example, according to Marco Polo, the Sinhalese Buddhists were 'idolaters', in other words worshippers of idols. This interpretation of the Sinhalese custom of placing offerings such as flowers, incense and lights before the Buddha image is quite understandable, because it is one of the most conspicuous feature of Sinhalese Buddhism even today. However, in conceiving of Buddhists as 'idolaters', Polo was uncritically using the concept of the then prevailing ethnocentric Christian discourse, by which the worshippers of other religions used idols, images or representations of God or the divine as objects of worship, a false God, as it were. Christians, on the other hand, worshipped the only true God.


1969 ◽  
Vol 9 (1) ◽  
pp. 14-34 ◽  
Author(s):  
Lloyd G. Reynolds

The less developed countries (LDC) present two kinds of challenge to economists. First, they invite us to develop hypotheses about how economic growth begins and about structural changes during the early decades of growth. Second, they provide a fresh terrain on which specialists in particular subject-matter areas can test accepted notions about economic behaviour. For investigations in labour economics, the structure of earnings provides a convenient starting point. (It is best to say "earnings" rather than "wages" because most workers in the LDC's are self-emplqyed.) Analysis of earnings requires an examination of manpower supplies and requirements. This leads into the economics of agriculture, industry, government, and other labour demanding sectors on one side, and into a study of education and other skill-producing agencies, on the other. Thus by starting with the earnings structure, one is led rather directly into the heart of the economy.


1942 ◽  
Vol 36 (4) ◽  
pp. 614-620
Author(s):  
William Marion Gibson

In explaining the nature of international law, each of the two major schools of thought draws upon legal philosophy and practice for evidence in support of its interpretation. It is not the purpose of this note to offer any conclusions or proofs as to the validity of the reasoning of one or the other of the two schools. It would require more than the subject-matter here considered to prove the “Monist” position, or to detract from that of the “Dualist.” However, inasmuch as state practice is one of the guides to the resolution of the debate on the nature of international law, it is hoped that an explanation of the attitude of the Colombian Supreme Court concerning the relationship of pacta to the national constitution and legislation of that state may merit mention.


PMLA ◽  
1954 ◽  
Vol 69 (1) ◽  
pp. 198-222
Author(s):  
Harold D. Kelling

To judge from most criticism of Swift's Tale of a Tub, the work is a skillful and powerful failure, because the faults Swift parodies have distilled into his own pen. For though the Tale is clearly meant to be an exposé of the literary sins of formless, ephemeral, and subjective writing, critics find that the brilliance of the book results from Swift's being guilty of just those sins. One critic finds in the Tale both confusion and the intrusion of Swift's “insane egotism” and his “sense of insecurity,” while other critics find order but at the expense of the other qualities. Mrs. Miriam K. Starkman examines the intellectual background of the book thoroughly and concludes that the confusion is the reader's rather than Swift's but that the Tale is a learned work of merely biographical and historical interest, a “meaningful and prodigiously skillful espousal of a lost cause.” Ricardo Quintana and Robert C. Elliott find that the Tale has unity but only because Swift's point of view, that man is essentially irrational, informs all sections of the book. Most of the critics, then, find Swift expressing his subjective attitudes and lacking a subject upon which he could comment with any objectivity and universality. “So diverse is this subject matter,” says Elliott, “that one can not possibly find in it alone a principle of organization.”


Author(s):  
Edward Lamberti

This chapter looks at Barbet Schroeder’s French-language film Maîtresse (1975), a film about sadomasochism that is also a love story. Schroeder films this potentially sensational subject matter in a matter-of-fact way, his camera calmly – though never coldly – observing the actions of the dominatrix (Bulle Ogier), her clients and her lover (Gérard Depardieu). The calmness of the visual style in this film speaks to what I am reading as a Levinasian openness to the idiosyncrasies of human behaviour, a calmness that performs an ethical acceptance of the Other. The chapter also explores Schroeder’s views on the power of the director and how he does all he can to refuse that power, and relates this to questions of directorial identity. It argues that Schroeder’s lack of an overt directorial identity is a part of what makes him a Levinasian director; in sacrificing his own sense of identity, he allows himself to be open, in a Levinasian way, to the Otherness of his filmic subjects.


Author(s):  
Justine Pila ◽  
Paul L.C. Torremans

This chapter examines the interaction between trade mark law and the principles of free movement of goods in the EU. It discusses the concepts of essential function and specific subject matter which the CJEU uses to distinguish between what amounts to pro-competitive use of the trade mark, which the Treaty encourages, and anti-competitive abuse of the trade mark rights, which the Treaty prohibits. The essential function looks at this from a theoretical perspective, whilst the specific subject matter translates this in more practical guidelines. The chapter then turns cases and heated debates arising from parallel importation, which essentially focus on the relabelling and repackaging of parallel-traded goods.


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