Hybrid Storytelling by Trans-boundaries of Simulacre: Focused on Kenny Scharf’s Pop Art

2019 ◽  
Vol 39 ◽  
pp. 23-43
Author(s):  
Soyoung Kim

Pop artist Kenny Scharf has reflected american cultural contents and social message. In his works, there are fears of wars and AIDS in the late of 1970s. This his view of world inflected to virtual images filled with positive energy and humor. Thus this article explores the analysis of simulacre with trans-boundaries focusing on hybrid storytelling in his pop arts. This study aims to analyze following four elements. Firstly, his works have the characteristics hybridity bound for universe. Scharf makes use of common things, sciences, and religion and connected within universe and utilizes comic, animation, soap opera and etc. Secondly, we can see relational rebirth of common objects. Many objects in his works, they go forth from independent thing to interactive relationships. Thirdly, double functions of pop arts such as enjoyment and criticism which is one of main purposes in pop art. Finally, artist’s ontological behavior from dystopia to utopia. This is represented by spacial exhibition based on artitist’s imagination. In the third chapter, these four characteristics have explained with pop arts relevant to each categories. Recently various simulacres have been represented in many areas due to digital technology. Advanced reality, virtual reality, and mixed reality will be showed in anot only costumers’ technological experiences in exhibitions but also fine art itself. Thus we need to be interested in an artistic representation of technological simulacre in modern society. This article considers trans-boundaries of simulacre and expects hybrid visual images in art.

Religions ◽  
2021 ◽  
Vol 12 (9) ◽  
pp. 736
Author(s):  
Jean Marc Barreau

This article proposes to study the changing relationship between religion and the digital continent as a result of the COVID-19 pandemic. To achieve this objective, the paper is divided into three parts. First, it offers an overview of the connection between religion and the digital environment, outlining four possible paradigms of the open relationship between these two worlds. Second, the article discusses the research project undertaken during the COVID-19 pandemic on behalf of the Corporation of Thanatologists of Quebec, focusing on the relationship between delayed funerals and delayed grief. In particular, this article deals with one of the solutions proposed to thanatologists, i.e., the development of a culture of bimodal ritual, both in person and remote, and therefore partly digital. Using this solution as a pointer, religion’s shift toward digital technology in the COVID-19 period is analyzed in the third part of the article. To this end, the four paradigms drawn from the overview are set against the research focus areas resulting from the solution proposed to the Corporation of Thanatologists.


2020 ◽  
Vol 3 (1) ◽  
pp. 98-113
Author(s):  
Citra Kemala Putri

Mass culture and popular culture is one of the important phenomena that was born after the postmodern era. In a society that lives in the midst of mass culture and popular culture, will grow consumer communities that produce new cultural symbols and activities. This discourse then influenced various aspects, for example, the emergence of popular music and popular art movements which soon became a commodities that was consumed by many youth people. This study discusses the influence of popular culture on the visuals of music album covers which take several album covers of international musicians from different time periods as samples to compare the similarities or friction caused by various art developments as their response toward happening trends. This study uses qualitative method. This study of various visual images was considering the aesthetic idioms of postmodernism, including Pastiche, Parody, Kitsch, Camp and Schizophrenia, as well as the concepts of several art movements, such as Pop Art and Lowbrow Art. The final result of this study reveal that several music albums using the Pop Art and Lowbrow Art style contained postmodern aesthetic idioms. Each album cover can contain one or several aesthetic idioms simultaneously.


Author(s):  
Tetyana Lunyova ◽  

The article investigates the interpretative function of the concept REALITY in John Berger’s essay about Vincent van Gogh’s art by applying the methodology of cognitive linguistics. Following Nikolay N. Boldyrev, the interpretative function of the language is considered in the article as the third main linguistic function. The theoretical and methodological foundations of the study are further developed with the idea, which is expressed by several researchers (V. V. Feshchenko, Ye. A. Yelina, U. A. Zharkova), that discourse about art performs an interpretative role. The aim of the study is to reveal the linguo-cognitive mechanisms that enable the concept REALITY to operate as a means of interpretation of van Gogh’s art in Berger’s essay. The research has demonstrated that before the concept REALITY is applied to the analysis of van Gogh’s paintings and drawings, this concept is explicitly interpreted in the essay. The following linguo-cognitive mechanisms are employed to make the content of the concept REALITY clear to the reader: actualization of the commonly known sense «reality is opposed to imagination», critical discussion of this sense, introduction of the conceptual metaphor REALITY IS THE OBJECT THAT SHOULD BE SALVAGED, and actualization of the selected fragments of the philosophical world image as well as scholarly world image, especially the conception of art for art’s sake and the conceptual metaphor REALITY IS SOMETHING THAT LIES BEHIND THE SCREEN CREATED BY THE CULTURE. Thus, having been thoroughly interpreted in the essay, the concept REALITY is used as an instrument of the interpretation of van Gogh’s artistic principles and artworks. The following linguo-cognitive mechanisms support the concept REALITY in its interpretative function: applying the conceptual metaphor REALITY IS SOMETHING THAT LIES BEHIND THE SCREEN CREATED BY THE CULTURE to read van Gogh’s letters, using the conceptual metaphor REALITY IS THE OBJECT THAT SHOULD BE SALVAGED to analyse the facts from the painter’s life, introducing the conceptual metaphor REALITY IS THE CONSUMING ITSELF PHOENIX, actualizing of the concepts WORK and PRODUCTION as the key concepts in the artist’s world image, utilizing the concepts WORK and PRODUCTION to interpret several of van Gogh’s paintings, applying the actualized conception of art for art’s sake to reveal van Gogh’s artistic principles, constructing the conceptual metaphors VAN GOGH’S ART IS APPROACHING THE WORLD and VAN GOGH’S ARTISTIC REPRESENTATION OF REALITY IS DISSOLVING IN REALITY, and constructing the conceptual metaphor VAN GOGH’S PAINTINGS ARE LASERS.


2020 ◽  
Vol 161 ◽  
pp. 01028 ◽  
Author(s):  
N V Vasilenko ◽  
A J Linkov ◽  
O V Tokareva

Clustering of services in the conditions of digital economy development is considered as a way of their integration with the purpose of increasing customer satisfaction, as well as that of strengthening the competitive position of service organizations based on the promotion of green consumption. Services are clustered with the aim of satisfying one main or several interconnected needs of individuals or businesses taking into account the degree with which the consumer influences the process of service delivery. This paper demonstrates how clustering of services can be used to solve sustainability problems. It is shown that digital technologies allow the service provider to customize a service to fit the needs and requirements of a particular consumer within the first type of clustering in the service sector, and they are also included in the service support of the main service within the second type of clustering. Moreover, these technologies have their own value for the consumer within the third type of clustering and provide tools for the fourth type of clustering. In general, digitalization promotes technologization and cooperation in service clusters. The authors suppose that further research can be done into how the types of clustering mentioned manifest themselves in different industries.


2020 ◽  
Vol 4 (1) ◽  
pp. 19-34
Author(s):  
Pratheesh Kumar M. R. ◽  
Reji S. ◽  
Abeneth S. ◽  
Pradeep K.

Defect management in civil construction work is crucial. This work is aimed at analyzing the conventional method of construction defect management and to bring out a framework for integrating 5D building information modeling with mixed reality. This work is divided into three parts. The first part is the integration of 5D building information modeling with augmented reality that helps to understand the architectural concepts and visualize the workflow onsite. The second part of the work is to develop a user-defined target-based marker-less augmented reality to send screenshots of augmented models and exact progress of work from construction site to engineers working in other locations. The third part of the work is to integrate virtual reality to enable virtual tours of the real site that will be useful for the customers to visualize the building virtually and for the builders to promote sales.


1988 ◽  
Vol 20 (4) ◽  
pp. 411-442 ◽  
Author(s):  
Elia Zureik

Orthodox theories of crime in the Third World and in regions of uneven economic development offer a unilinear explanation of the relationship between economic development and increased crime rates. Simply stated, this Durkheimian position views the transition from traditional to modern society as being associated with the weakening of mechanical forms of solidarity and the emergence of secular and impersonal role structures based on a complex division of labor. Universalistic and achievement criteria replace ascriptive and particularistic values, and deviance-derived social control models based on formalized coercive sanctions substitute for traditional and community-based forms of control. Anomic behavior, frustration of expectations, and norm violation are considered an expected, if transitory, outcome of social change, and are explained on the basis of a clash between modern and traditional value systems.


2016 ◽  
Vol 13 (10) ◽  
pp. 7676-7679 ◽  
Author(s):  
Yi Liu

WeChat software is an important social tool in modern society. This paper discusses the network impact of WeChat from ten aspects including WeChat popularity, attention, video observability, network reputation, function usability, dissemination speed of information, transmission ratio of positive energy and impact of WeChat on network economy, politics and culture, and questionnaires on these ten influence factors are distributed to college students for investigation. Principal component analysis is used to deal with the survey results, the principal components of the ten factors are extracted, and the results show that WeChat popularity, attention, video observability, network reputation and function usability are the main components, in which WeChat popularity, attention and video observability are the factors having the greatest impact on the calculation. And this paper presents the function relationship between the main principal components of WeChat network impact index and these ten influence factors, to evaluate the network impact index of WeChat.


Author(s):  
Вячеслав Викторов ◽  
Vyachyeslav Viktorov

The textbook reflects the current state of cultural science and allows students to form an idea of the role and place of culture in modern society. The author analyzes the causes of the death of civilizations, dwells on the situation prevailing at the beginning of the third millennium, forcing him to think about the fate of the currently existing cultural and historical communities.


2019 ◽  
Vol 21 (1) ◽  
pp. 37-44
Author(s):  
Rosa Indellicato

The emerging educational question is at the center of a lively cultural debate that revolves around important questions: what is the role of the school in post-modern society? What is the goal of education in the time of globalization? The answer can only be articulated considering the profound transformations that are connoting advanced modernity, in which more and more different conceptions of education and formation coexist, also due to the multicultural and multiethnic character of our society at the beginning of the third millennium. At this point it must be strongly emphasized that a good education moves from a "holistic" anthropological perspective, where they simultaneously find equilibrium between homo rationalis and homo senties. A model of education united by two perspectives: an emotional thinking and an intelligent feeling.


2020 ◽  
Vol 21 (2) ◽  
Author(s):  
Sergey Kirsanov ◽  
Eugene Istomin ◽  
Eva Mihaliková

Smart Cities represent a vital pillar of the modern society and they are influenced by constant development of information and communication technologies. Nowadays we can speak about transition to the third generation Smart Cities featuring complex digital transformation. The presented article introduces The Smart City concepts in Russia and its implementation in St.Petersburg. It highlights the level of the Smart city in Russia, realized and planned projects through selected indexes. The article identifies the problem areas and formulates recommendations leading to the Smart Cities level improvement.


Sign in / Sign up

Export Citation Format

Share Document