Dress and National Identity: Women’s Clothing and the Celtic Revival

Costume ◽  
2014 ◽  
Vol 48 (2) ◽  
pp. 193-212 ◽  
Author(s):  
Alex Ward
Keyword(s):  
Cultural Identity ◽  
Nation Building ◽  
Cultural Revival ◽  
Men And Women ◽  
Practical Solution ◽  
Women's Clothing ◽  
Celtic Revival ◽  
History Of ◽  
Late Nineteenth ◽  
Women's Dress

This paper will focus on an interesting diversion in the history of dress in Ireland: the story of clothing and the Irish cultural revival of the late nineteenth and early twentieth centuries. It will endeavour to address the ideology of so-called Irish costume, and how it was intended to be a visual symbol of an Irish renaissance, one which would help in the effort to counter British influences and establish a strong cultural identity. Although Celtic Revival clothing was worn by both men and women as a signifier of cultural and political sympathies, this paper will look specifically at women’s dress and attempts to promote Irish costume as a tool for nation building, and as a practical solution to the wearing of imported fashions. It will highlight just some examples of where, when and by whom Celtic Revival dress was worn.

Early Dalit Literature and Culture in Late Nineteenth- and Early Twentieth-Century Western India

1997 ◽  
Vol 31 (2) ◽  
pp. 317-338 ◽  
Author(s):  
Philip Constable
Keyword(s):  
Twentieth Century ◽  
Cultural Identity ◽  
Early History ◽  
Community Leaders ◽  
Cultural Norms ◽  
Western India ◽  
Cultural Struggle ◽  
History Of ◽  
Late Nineteenth ◽  
Separate Identity

The formation of the Dalit Panthers and the flourishing of Dalit literature in the 1970s saw the advent of a new connotation for the Marathi word ‘Dalit’. Chosen by the Mahar community leaders themselves, the title ‘Dalit’ was used by them to replace the titles of untouchable, Backward or Depressed Classes and Harijans, which had been coined by those outside the Dalit communities to describe the Mahar and Chambhar jatis. ‘Dalit’ identified those whose culture had been deliberately ‘broken’, ‘crushed to pieces’ or ‘ground down’ by the varna Hindu culture above them. As such, it contained an explicit repudiation of all the Hindu cultural norms of untouchability, varna structure and karma doctrine which varna Hindu society had imposed. The adoption of this new title was an affirmation of the Dalit community's struggle for cultural independence and separate identity. Yet this struggle for an independent cultural identity was not merely a cultural struggle of the 1970s, but one which stretched back almost a century to what, retrospectively, must be seen as the inception of Dalit literature and culture in the activities of the Anarya Dosh Pariharak Mandal and the first Dalit writings of Gopal Baba Valangkar in 1888. This article aims to recover this much-neglected early history of the Dalit communities of western India at the turn of the twentieth century. In particular, it examines how these early Dalit communities came to articulate an emergent Dalit cultural identity through the construction of a syncretic form of bhakti Hindu culture.

Ministers and Nahdawi Masculinity: The Beirut Church Controversy

2019 ◽  
pp. 213-273
Author(s):  
Deanna Ferree Womack
Keyword(s):  
Twentieth Century ◽  
Turn Of The Century ◽  
The Other ◽  
Multiple Forms ◽  
Evangelical Church ◽  
Men And Women ◽  
Printed Media ◽  
History Of ◽  
Late Nineteenth ◽  
The One

The gendered dimensions of institutional Protestantism and the rough edges of missionary authority come to the forefront in chapter 4, which considers the various printed media that Syrian Protestant men employed to assert their masculinity and claim independence from male missionary authority. Tracing the history of the Syrian Evangelical Church of Beirut and its connection to the Nahda, this chapter uses an anti-missionary publication from the turn of the century to examine the asymmetrical relationship between (male) Presbyterian missionaries and Syrian pastors on the one hand, and between Protestant men and women in Syria on the other. Multiple forms of patriarchy operated in late nineteenth- and early twentieth-century Beirut during church controversies involving missionary Henry Harris Jessup and the prominent Syrian Protestant Khail Sarkis.

scholarly journals Chinese Diasporic Culture and National Identity: The Taming of the Tiger Balm Gardens in Singapore

2006 ◽  
Vol 41 (1) ◽  
pp. 41-76 ◽  
Author(s):  
JIANLI HUANG ◽  
LYSA HONG
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
State Policy ◽  
Nation Building ◽  
Theme Park ◽  
Overseas Chinese ◽  
Colonial Era ◽  
Migrant Community ◽  
State Initiatives ◽  
History Of

The Tiger Balm Gardens or Haw Par Villa, built in the 1930s by overseas Chinese pharmaceuticals tycoon Aw Boon Haw, has been and remains a symbol of the positioning of Singapore's Chineseness. In the colonial era, it marked the success not only of one man but also of the Chinese migrant community. In the later period of nation-building, it was initially considered as a challenge to multiracialism and nationhood. However, as state policy shifted towards an ethnicized cultural identity as prompted by the rise of Asia as a major economic force, especially China, the Villa was renovated first into an orientalized theme park and then resuscitated as the repository of diasporic Chinese entrepreneurship. Amidst these state initiatives, the history of the Villa and its founder were sidelined.

Illustrated Media, the Built Environment and Identity Politics in Fin-de-siècle Catalonia: Printing Images, Making the Nation

2015 ◽  
Vol 4 (2) ◽  
pp. 113-135
Author(s):  
Lucila Mallart
Keyword(s):  
Nineteenth Century ◽  
Built Environment ◽  
Identity Politics ◽  
Nation Building ◽  
Constitutive Relationship ◽  
Fin De Siecle ◽  
Late Nineteenth Century ◽  
Fin De Siècle ◽  
Late Nineteenth

This article explores the role of visuality in the identity politics of fin-de-siècle Catalonia. It engages with the recent reevaluation of the visual, both as a source for the history of modern nation-building, and as a constitutive element in the emergence of civic identities in the liberal urban environment. In doing so, it offers a reading of the mutually constitutive relationship of the built environment and the print media in late-nineteenth century Catalonia, and explores the role of this relation as the mechanism by which the so-called ‘imagined communities’ come to exist. Engaging with debates on urban planning and educational policies, it challenges established views on the interplay between tradition and modernity in modern nation-building, and reveals long-term connections between late-nineteenth-century imaginaries and early-twentieth-century beliefs and practices.

The Modernities of H. Lawrence Freeman

2019 ◽  
Vol 72 (3) ◽  
pp. 719-779
Author(s):  
David Gutkin
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Reception History ◽  
Black Press ◽  
Late Nineteenth Century ◽  
Starting Point ◽  
History Of ◽  
Late Nineteenth ◽  
White Press ◽  
Grand Opera

H. Lawrence Freeman's “Negro Jazz Grand Opera,” Voodoo, was premiered in 1928 in Manhattan's Broadway district. Its reception bespoke competing, racially charged values that underpinned the idea of the “modern” in the 1920s. The white press critiqued the opera for its allegedly anxiety-ridden indebtedness to nineteenth-century European conventions, while the black press hailed it as the pathbreaking work of a “pioneer composer.” Taking the reception history of Voodoo as a starting point, this article shows how Freeman's lifelong project, the creation of what he would call “Negro Grand Opera,” mediated between disparate and sometimes apparently irreconcilable figurations of the modern that spanned the late nineteenth century through the interwar years: Wagnerism, uplift ideology, primitivism, and popular music (including, but not limited to, jazz). I focus on Freeman's inheritance of a worldview that could be called progressivist, evolutionist, or, to borrow a term from Wilson Moses, civilizationist. I then trace the complex relationship between this mode of imagining modernity and subsequent versions of modernism that Freeman engaged with during the first decades of the twentieth century. Through readings of Freeman's aesthetic manifestos and his stylistically syncretic musical corpus I show how ideas about race inflected the process by which the qualitatively modern slips out of joint with temporal modernity. The most substantial musical analysis examines leitmotivic transformations that play out across Freeman's jazz opera American Romance (1924–29): lions become subways; Mississippi becomes New York; and jazz, like modernity itself, keeps metamorphosing. A concluding section considers a broader set of questions concerning the historiography of modernism and modernity.

Exploring the Diversity of Religion

2010 ◽  
Vol 4 (1) ◽  
pp. 46-66
Author(s):  
Arkotong Longkumer
Keyword(s):  
Cultural Identity ◽  
Nation Building ◽  
Religious Movement ◽  
The Political ◽  
Alternative Route ◽  
British Colonialism ◽  
The North

This article considers the importance of “religion” and “identity” in the process of fieldwork in the North Cachar Hills, Assam, India. The political sensitivities in the region provided a difficult context in which to do fieldwork. This is chiefly because of the various armed insurrections, which have arisen as a consequence of the complicated remnants of British colonialism (1834–1947), and the subsequent post-independence challenge of nation building in India. This article raises important methodological questions concerning fieldwork and the relational grounding of the fieldworker relative to the inside/outside positions. It reflects on these issues by discussing the Heraka, a Zeme Naga religious movement. Their ambiguity and “in-between” character accommodates both the “neo-Hindu” version of a nation or Hindutva (Hinduness) and the larger Naga (primarily Christian) assertion of their own cultural and religious autonomy. The Heraka provides an alternative route into ideas of nationhood, religious belonging and cultural identity.

Mission Tracks in the Bush

2019 ◽  
Vol 3 (1-2) ◽  
pp. 103-124
Author(s):  
Gemma Tulud Cruz
Keyword(s):  
Nineteenth Century ◽  
Western Australia ◽  
South Australia ◽  
Nation Building ◽  
Cultural Encounters ◽  
History Of

Christian missionaries played an important role in the Australian nation building that started in the nineteenth century. This essay explores the multifaceted and complex cultural encounters in the context of two aboriginal missions in Australia in the nineteenth century. More specifically, the essay explores the New Norcia mission in Western Australia in 1846-1900 and the Lutheran mission in South Australia in 1838-1853. The essay begins with an overview of the history of the two missions followed by a discussion of the key faces of the cultural encounters that occurred in the course of the missions. This is followed by theological reflections on the encounters in dialogue with contemporary theology, particularly the works of Robert Schreiter.

HIGHER EDUCATION IN ANCIENT INDIA

2018 ◽  
Vol 6 (26) ◽  
Author(s):  
Satyendra Singh Chahar ◽  
Nirmal Singh
Keyword(s):  
Cultural History ◽  
Early Stage ◽  
University Education ◽  
Educational Institutions ◽  
Educational Method ◽  
Men And Women ◽  
Ancient India ◽  
Herbert Spencer ◽  
History Of ◽  
The Ideal

University education -on almost modern lines existed in India as early as 800 B.C. or even earlier. The learning or culture of ancient India was chiefly the product of her hermitages in the solitude of the forests. It was not of the cities. The learning of the forests was embodied in the books specially designated as Aranyakas "belonging to the forests." The ideal of education has been very grand, noble and high in ancient India. Its aimaccording to Herbert Spencer is the 'training for completeness of life' and ‘the molding o character of men and women for the battle of life’. The history of the educational institutions in ancient India shows a glorious dateline of her cultural history. It points to a long history altogether. In the early stage it was rural, not urban. British Sanskrit scholar Arthur Anthony Macdonell says "Some hundreds of years must have been needed for all that is found" in her culture. The aim of education was at the manifestation of the divinity in men, it touches the highest point of knowledge. In order to attain the goal the whole educational method is based on plain living and high thinking pursued through eternity.

Theodore H. Friedgut, Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891, together with Israel Mandelkern, Recollections of a Communist (ed. and annotated Theodore H. Friedgut). Boston: Academic Studies Press, 2014. 199 pp.

2018 ◽  
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Life Experience ◽  
Late Nineteenth Century ◽  
Foster Mother ◽  
History Of ◽  
Late Nineteenth ◽  
Identity Transitions ◽  
Israeli Kibbutz

This chapter reviews the book Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891 (2014), by Theodore H. Friedgut, together with Israel Mandelkern, Recollections of a Communist (edited and annotated by Theodore H. Friedgut). Stepmother Russia, Foster Mother America is a two-in-one volume that explores an obscure episode in the history of the Jews in the late nineteenth century while at the same time connecting much of its content to the author’s own life experience as a son of western Canada’s Jewish farming colonies and, later, as an ideologically driven halutz on an Israeli kibbutz. Stepmother Russia, Foster Mother America retells one branch of the mostly forgotten history of the Am Olam agricultural movement and brings a new layer into the discussion of global Jewish agrarianism, while Recollections of a Communist offers an edited and annotated version of a memoir written by Mandelkern.

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