scholarly journals INTERPRETATION OF THE CONCEPT OF «STYLE» IN THE CONTEXT OF LITERARY STUDIES AND HISTORY OF LITERATURE

2019 ◽  
Vol 4 (43) ◽  
pp. 23-28
Author(s):  
H. Yuzkiv ◽  
N. Marchenko
2011 ◽  
Vol 10 (1) ◽  
pp. 7
Author(s):  
Wojciech Kudyba

Monography is indispensable. Monography is impossible It is difficult to imagine the history of literature devoid of such mode of research expression as monography. It is still a popular form of synthetic expressions (after all the history of literature is condemned to synthesis). At the same time, however, a literary historian can base his actions less and less often on the theoretical-literary reflection. What vectors could turn us today towards a contemporary reading of literary texts – the reading which is far not only from ingenuous naivety but also from dangerous confidence in the power of individual research concepts? Some contemporary postulates of reading ethics give answer to these questions. They induce us to be distant towards any theoretical-literary or ideological prejudices and hence to the responsibility for the research method and the language describing a work of art. It seems that a thought which returns in the reflection of literary studies about the subjectivity of reading, about the necessity of considering the sphere of values in the process of reading (which modern ethics of reading calls for) induces to turn towards interpretation, return to the author and to axiology. 


2011 ◽  
Vol 10 (1) ◽  
pp. 21
Author(s):  
Dariusz Skórczewski

History of literature held in darwin’s embrace? The paper adumbrates Joseph Carroll’s evolutionist literary theory positioning it against the developments in literary studies and humanities after postmodernism. The author discusses the ambivalence present in Carroll’s neo-darwinian project, its possible power to revert the decline of literary studies through a return to tangibility and certainty after the dominance of postmodern speculative theories, but also its reductionist and anti-axiological- stance being a peril to the advancement of literary studies. The paper invites further discussion on the prospects of trans-disciplinary alliance between humanities and biological sciences in relation to the aesthetic specificity of literature.


Author(s):  
Lucyna Marzec

The article is the analysis of the place of Kazimiera Iłłakowiczówna in contemporary literary discourse. The author of the article claims – using Pierre Bayard’s theory – that the poetess is known “more or less”: she is remembered as someone who got prizes and recognition but at the same time she is impossible to read nowadays. There is political ambiguity and antiquity in her texts that keep her in the past. Marzec points at four areas of literary studies, where Iłłakowiczówna is still present: 1. Poetics: Iłłakowiczówna uses an original and unusual type of the Polish tonic verse. The author of this article analyses it using tools of psychoanalysis. 2. Religious discourse: Iłłakowicz.wna is interpreted as the author of religious poetry but Marzec argues with such interpretations. 3. Post-dependence studies: Iłłakowiczówna has not been analysed in terms of post-dependence studies yet but she is mentioned in the Polish borderlines discourse. 4. Feminist literary criticism: Iłłakowiczówna used to be studied as the author of androgynous poetry, but Marzec points out other motifs such as miscarriage, infanticide or problems of the new woman, like work at government institution, contestation of vitalism and bureaucracy. The aimof this article is to show that writing of Kazimiera Iłłakowiczówna needs to be read in terms of the history of literature which is devoid of evaluation and judging. Such analysis means going back in terms of modern literary studies which have undergone multiple turns that changed the tools accessible to contemporary critics.


2021 ◽  
Vol 1 (6) ◽  
pp. 127-133
Author(s):  
Olga V. Bystrova ◽  

The article explores the boundaries of the term “literary chronicle”. The scientific community is beginning to take a more detailed interest in such a concept as a literary institution. Throughout the twentieth century, literary studies studied and described only individual periods in the history of literature. This development of individual periods of the century helped to create the necessary theoretical tools for analytical work on the study of the socio-cultural process in society. For many years, the very attempt to understand the literary process as a phenomenon encountered terminological blurring. The accumulated knowledge of historical literary studies allows us to raise as a problem of scientific research a chronicle description of the life of a literary organization, which is understood as a structural association of creative people (on the example of individual facts of the existence of All-Russian Association of Proletarian Writers). It is the socio-institutional description of the life of the literary community of Russia in the 1920s that allows us to feel the communicative space of the country in which cultural processes take place. Another important aspect in the study of the chronicle of a literary institution is its existence in everyday life, that is, its existence in everyday life. With the frequency of meetings of members of the structural association. In this case, the scattered facts of everyday life become a historical stream of events.


2018 ◽  
Vol 21 (2) ◽  
pp. 29
Author(s):  
Magdalena Partyka

The article shows the situation of literary historians, their social role and tasks in the contemporary literary theory. The author presents opinions on the discipline expressed by such experienced researchers as Kazimierz Wyka, Teresa Kostkiewiczowa, Włodzimierz Bolecki, and she askes how the students of literary studies perceive the history of literature. She writes about difficulties, dilemmas and quandaries associated with the work of contemporary literature researchers who are interested in old literature. She shows some examples of studies where historical imagery has become a foundation for the creation of numerous associations combining antiquity and modernity, where it allowed to see the polar character of references and follow-ups, as well as to describe the variability of creative endeavors and realisations in literature, and finally to reveal moments of coexistence of dichotomous phenomena. The author presents the dramaturgy of work of literary historians’ who are entangled in multilevel determinants of the historical world, which they investigate, and the present one, which they experience.


Author(s):  
Joseph Jurt

AbstractIn classical history of literature, authors have preferred the book above other written media. In France, however, from the beginning of the 19th century, the press experienced an immense revival, which had a far-reaching impact on literature. Literary style colored the press, while the journalistic matrix influenced literary productions, even producing new genres, such as the serial novel. Through their involvement with the press, writers achieved an effect on public opinion. At the same time, reflections emerged on the gain (or loss) of autonomy caused by this cooperation. For a decade, now, French cultural and literary studies have analysed this cooperation and thus established a new area of research.


Author(s):  
Adriana HENTS

The article explores the theoretical and practical principles of Ukrainian literature histories in the context of pan-European historiographical traditions. The study's subject is histories of literature, which are an integral part of Western scientific thought and hold an important place in the history of national and European university literary studies of the nineteenth century are outlined, the histories of education. The stages of the development of the literary history of the world Ukrainian literature are analyzed and systematized in typological comparisons characteristics, criteria for selecting texts, author's interpretations, with European concepts. The difference between the historiographical studies of literature and the textbooks, which is primarily reflected in formal conceptual approaches, and methodological base, is revealed. The basis of and interdependence. The genealogical and genre features of Ukrainian literary historiographical studies is the identification of the intrinsic connection between literary history, philosophy, and history, the study of their interdependence studies are considered. The author pays attention to the methodological planes realities. The advantages and disadvantages of literary histories, reviews, and and vectors of the study of historiographical discourse. The article describes the main achievements of historians of the literature of the 19th century, comprehensively defines the methodology of creating an integrated and scientific evidence corpus of Ukrainian literature history in contemporary of university literary education and the creation of a pan-European cultural holistic syntheses of Ya. Holovatskyi, P. Kulish, M. Petrov, M. Dashkevych, I. Franko are analyzed not only in the paradigm of Ukrainian literary historiography but also in the process of integration of Ukraine into the worldeducational space. The historiography has great importance in the development discourse. Keywords: history of literature, historiography, history of ideas, textbooks, methodology of literary studies, university education.


Author(s):  
Ivars Orehovs

In a literary heritage with a developed tradition of genres, works whose main purpose is to attract the attention of readers to a selected geographical location, are of particular culture-historical and culture-geographical interest. The most widespread in this respect is travel literature, which is usually written by travellers and consist of impressions portrayed in prose after visits to foreign lands. Another type of literary depiction with an expressed poetic orientation, but a similar goal, is characteristic of dedicatory poetry. The author’s position is usually saturated with emotional expressiveness as well as the artistry of symbols, encouraging the reader or listener to feel the formation of a spontaneous attitude. It is possible to gain confidence in the engagement of the author of the poetry as an individual in the depicted cultural-geographical environment, which can be conceptually expressed by words or pairs of words ‘resident’, ‘native place’, ‘patriot’. With regard to the devotional depictions on the Latvian urban environment, one of the earliest examples known in the history of literature is the dedicatory poem in German by Christian Bornmann to the town Jelgava with its ancient name (Mitau, 1686/1802). The name of Liepāja town in this tradition of the genre has become an embodiment later – in the poetry selection in German, also using the ancient name of the town (Libausche Dichtungen, 1853), but in terms of contemporary literary practice with Imants Kalniņš’ music, there is a convincing dominance of songs with words of poetry. The aim of the article is, looking at the poetry devoted to Liepāja in the 19th century and at the turn of the 20th/21st century in the comparative aspect, to present textually thematic peculiarities as well as to provide the analytical interpretative summary of those.


2014 ◽  
Vol 2 (3) ◽  
Author(s):  
Redacción CEIICH

<p class="p1">The third number of <span class="s1"><strong>INTER</strong></span><span class="s2"><strong>disciplina </strong></span>underscores this generic reference of <em>Bodies </em>as an approach to a key issue in the understanding of social reality from a humanistic perspective, and to understand, from the social point of view, the contributions of the research in philosophy of the body, cultural history of the anatomy, as well as the approximations queer, feminist theories and the psychoanalytical, and literary studies.</p>


Sign in / Sign up

Export Citation Format

Share Document