scholarly journals COVID-19 Lockdown in New York: A News Comparison Between the New York Times and Vice News

2020 ◽  
pp. 929-942
Author(s):  
Roslina Abdul Latif ◽  
Andre Paul Marot
Keyword(s):  
New York ◽  
Qualitative Content Analysis ◽  
News Coverage ◽  
New York Times ◽  
Large Data ◽  
Data Sets ◽  
Multiple Sources ◽  
The New York Times ◽  
The Media ◽  
The Times

The Corona virus or also known as COVID-19 has raged the world with a devastating number of lives that were lost. During the lockdown and in the times of chaos, many have relied on the media for information to keep abreast with the updates of this angry virus. The objective of this study was to find out the differences of news coverage concerning the Covid-19 pandemic between mainstream and alternative media in New York City, where it hit the worst. The New York Times and Vice News were chosen to represent the mainstream and alternative news stations, respectively. The methodology used was a qualitative content analysis to organize, extract and understand the large data sets and derive conclusions. Conclusively, this analysis is based on four criteria’s: headlines, sources, language, and visual images. A summary of the headline regarding the alternative resultantly informs us that Vice incorporates a majority of vague, misleading titles while contrastingly, the New York Times incorporates accurate and informative titles. Dissimilarities also occur with sources where a majority of citations are composed of sole informants for Vice News and multiple sources for the New York Times; authoritative and non-authoritative.

scholarly journals Assessing the media visibility of China’s President Xi Jinping’s first 3-year governance in The New York Times

2016 ◽  
Vol 1 (4) ◽  
pp. 467-480
Author(s):  
Xiaoqun Zhang
Keyword(s):  
New York ◽  
Content Analysis ◽  
Qualitative Content Analysis ◽  
New York Times ◽  
Composite Measure ◽  
The New York Times ◽  
Quantitative Content ◽  
The Media ◽  
Multiple Frames ◽  
Two Parameters

This study assessed the media visibility, a composite measure of attention and prominence, of China’s President Xi Jinping’s first 3-year governance in The New York Times. The assessment was based on the content analysis of 317 news articles focusing on Chinese President. Qualitative content analysis was used to identify three major frames, 12 mid-level frames, and 18 sub-frames. Quantitative content analysis was used to measure the attention, prominence, and the combination of these two parameters of these frames. The findings showed that The New York Times employed multiple frames to report Chinese President, and the two frames with the highest media visibility are (Domestic) Campaigns and Strategies and China-United States (relations), rather than Human Rights.

From Afghanistan to Chechnya: News Coverage by Izvestia and the New York Times

2000 ◽  
Vol 77 (1) ◽  
pp. 37-49 ◽  
Author(s):  
Olga V. Malinkina ◽  
Douglas M. McLeod
Keyword(s):  
New York ◽  
News Coverage ◽  
New York Times ◽  
The United States ◽  
The New York Times ◽  
Media System ◽  
Russian Media ◽  
The Media ◽  
The Cold War ◽  
The Impact

This study analyzed newspaper coverage of conflicts in Afghanistan and Chechnya by the New York Times and the Russian newspaper Izvestia to examine the impact of political change on news coverage. The Soviet Union's dissolution included dramatic changes to the Russian media system. In addition, the dissipation of the Cold War changed the foreign policy of the United States. A content analysis revealed that the changes to the media system in Russia had a profound impact on Izvestia's coverage, but political changes had little impact on the New York Times' coverage.

scholarly journals An ecological discourse analysis of news coverage of COVID-19 in China in The Times and The New York Times

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Yahong Xue ◽  
Qianqiu Xu
Keyword(s):  
Public Health ◽  
New York ◽  
Discourse Analysis ◽  
News Coverage ◽  
New York Times ◽  
Public Health Emergency ◽  
Appraisal System ◽  
The New York Times ◽  
Mainstream Media ◽  
The Times

Abstract The COVID-19 pandemic, as a public health emergency of international concern, is the most extensive one to afflict humanity in this century and poses a grave threat to human life and health. Facing this unknown, unexpected and devastating disease, China makes an all-out effort to fight against it shoulder to shoulder with the rest of the world. Based on the ecosophy of “diversity and harmony, interaction and co-existence” and with ecolinguistic appraisal system as the theoretical framework, this study provides an ecological discourse analysis of news coverage of COVID-19 in China in The Times and The New York Times, two major western mainstream media outlets, aiming to reveal the appraisal characteristics and ecological orientations of the news coverage on this public health emergency as well as the attitudes of the two major western mainstream media outlets concerned towards China’s fight against COVID-19, thus helping people to understand the news discourse on this major public health emergency and in turn to distinguish different media positions. It is found that both news outlets employ more negative appraisal resources to express their attitudes towards China’s fight against COVID-19 and their news coverage is to a greater extent eco-destructive.

How a copy desk “edit” influenced corrections at the New York Times

2021 ◽  
pp. 073953292110135
Author(s):  
Kirstie Hettinga ◽  
Elizabeth Smith
Keyword(s):  
New York ◽  
Content Analysis ◽  
New York Times ◽  
International News ◽  
The New York Times ◽  
The Times ◽  
Editing Process

The New York Times “streamlined” its editing process in 2017 and reduced the editing staff by nearly half. Through content analysis on corrections (N = 1,149), this research examines the effects of these cuts. Analysis revealed the Times published more corrections before the changes, but that corrections appeared more quickly after the original error occurred and there were more corrections for content in the A section following the staffing cuts. The A section includes national and international news and thus often contains political content, which is rife for heightened scrutiny in an age of media distrust. Practical and theoretical implications are discussed.

OUR KLEENEX CULTURE

PEDIATRICS ◽  
1977 ◽  
Vol 60 (3) ◽  
pp. 359-359
Author(s):  
R. J. H.
Keyword(s):  
New York ◽  
New York Times ◽  
The New York Times ◽  
The Times ◽  
The City

. . . It takes about 850 acres of Canadian timber to print one Sunday's New York Times. . . . The New York Times sells for 50¢ (1972) and contains more paper and typography than an unillustrated novel selling for $7.95. While the Times carries about 500 photographs and drawings in its Sunday edition and a novel does not, book-binding costs average 22¢ per book. It costs the city of New York nearly 10¢ per copy each week to clean up discarded copies of the Sunday New York Times.

Nationalizing the “refugee crisis”: A comparative analysis exploring how elite newspapers in four countries framed forced migration during World Refugee Day

2021 ◽  
pp. 073953292110501
Author(s):  
Noam Tirosh ◽  
Steve Bien-Aime ◽  
Akshaya Sreenivasan ◽  
Dennis Lichtenstein
Keyword(s):  
New York ◽  
Media Coverage ◽  
News Coverage ◽  
Forced Migration ◽  
New York Times ◽  
Refugee Crisis ◽  
Long Run ◽  
The Times ◽  
Elite Newspapers ◽  
Refugee Issues

This comparative study examines framing of migration-related stories (focused on media coverage of World Refugee Day [WRD]) between four countries, and framing developments over 18 years, specifically if (and how) the 2015 peak “refugee crisis” altered news coverage of refugee issues. Elite newspapers, the New York Times (USA), the Times of India, Sueddeutsche Zeitung (Germany) and Haaretz (Israel) were content analyzed. Newspapers gave only sparse attention to WRD itself, but WRD was a “temporal opportunity” to discuss migration that increased coverage. But the 2015 peak refugee crisis had little effect on coverage over the long run.

scholarly journals NARASI LIRIS FOTOGRAFI JURNALISTIK PADA MASA PANDEMI COVID-19: STUDI KASUS PROYEK FOTOGRAFI “STILL LIVES” OLEH THE NEW YORK TIMES

2021 ◽  
Vol 4 (2) ◽  
pp. 113-124
Author(s):  
Aji Susanto Anom Purnomo ◽  
Novan Jemmi Andrea ◽  
Monica Revias Purwa Kusuma
Keyword(s):  
New York ◽  
Mass Media ◽  
Representation Theory ◽  
New York Times ◽  
Roland Barthes ◽  
Health Crisis ◽  
The New York Times ◽  
The Media ◽  
The Mass Media ◽  
Journalistic Practice

2020 is the year when the world is faced with a health crisis, namely the Covid-19 pandemic or also known as the Corona Virus. All aspects of life are affected by this crisis, the joints of humanity are faced with limitations. The mass media are intensively reporting various incidents regarding the Covid-19 pandemic. The stories are often accompanied by journalistic photos. One of the functions of photojournalism is to strengthen the story of what the media wants to convey. Journalistic photos during this pandemic usually feature scenes from medical activities, government policies and large narratives that are cold on empathetic human relations. However, different from most photojournalism in most mass media, The New York Times publishes "Still Lives" photography projects that are done by its photographers. The project presents a different narrative from this time of the pandemic. The “Still Lives” photography project is important because it presents journalistic photos that tell a domestic narrative that is close to the sides of universal humanity, namely the stories of the photographers' homes and families. This study aims to describe and interpret the “Still Lives” photography project as an alternative in creating a different narrative from photojournalism during the pandemic. This study used a descriptive qualitative research method based on phenomenology with Roland Barthes' main theory of semiotics and supported by journalistic photography theory and representation theory. The research results obtained a complete explanation and meaning of the “Still Lives” Project from The New York Times. The project according to the theory of photo journalistic is photo story based on personal experiences. From the analysis through the theory of semiotics from Roland Barthes and representation theory successfully obtained a result that basically projects “Still Lives” can be understood as a representation of the universal experience and feeling by mankind. Project “Still Lives” provides the representation of covid-19 pandemic through the mass media journalistic that show an alternative offer to journalistic practice to use lyrical narratives and personal experience in the story and more empathy in the mass publication of pandemic covid-19.

scholarly journals Imagen y comunicación: el peso de la fotografía en el periodismo digital internacional / Image and Communication: the Weight of Photography in International Digital Journalism

2016 ◽  
Vol 3 (1) ◽  
pp. 9-17
Author(s):  
Joan Francesc Fondevila Gascón ◽  
Carlos Cardona Pérez ◽  
Eva Santana López ◽  
Josep Rom Rodríguez ◽  
Javier López Crespo ◽  
...  
Keyword(s):  
New York ◽  
News Media ◽  
New York Times ◽  
Total Content ◽  
Home Page ◽  
Large Format ◽  
The New York Times ◽  
Black And White ◽  
Digital Journalism ◽  
The Times

ABSTRACTPhotography is one of the singular indicators of digital journalism. Among its exponents (text, photography, video, sound or graphics), photography metamorphoses into the virtual environment. Through an empirical analysis, we compare the reference newspapers from four countries of global relevance: Germany, USA, Japan and the UK. The reference digital versions of the most read newspapers in these countries are Spiegel Online, The New York Times, The Japan Times, and The Times. The items analyzed in this work are all the text units published at the home page, including the number of existing photographs in total content units and the number of different types of pictures, classified in ten different parameters: photo-news, illustrative, new, resource, black and white, color, large format, small format, edited, unedited. This work confirms that photojournalism is losing its relevance at the multimedia area and that photography gives way to the purely illustrative side; photography is an element in relation to the present; black and white photography remains for documentary reasons only; the large format photography is the only with great power in news media; and editing is not as usual activity in journalism as everybody think about.RESUMENLa fotografía es uno de los indicadores singulares del periodismo digital. Entre sus exponentes (texto, fotografía, vídeo, sonido o infografía), el fotográfico se metamorfosea en en el entorno virtual. Se presenta un análisis empírico compa-rativo entre los diarios de cuatro países de relevancia a escala global: Alemania, Estados Unidos, Japón y Reino Unido, a través de las versiones digitales de referencia de los diarios más leídos en estos países: Spiegel Online, The New York Times, The Japan Times y The Times. Los ítems analizados son las unidades texto publicadas en la home page, el número de foto-grafías existentes en el total de las unidades del contenido y el número de los diferentes tipos de fotografías, clasificadas según diez parámetros diferentes: foto-noticias, ilustrativas, nuevas, de recurso, blanco y negro, en color, gran formato, pequeño formato, editadas y sin editar. Se concluye que el fotoperiodismo tiene cada vez menos relevancia en el ámbito multimedia y deja paso a la fotografía puramente ilustrativa.

Jerold S. Auerbach, Print to Fit: The New York Times, Zionism and Israel 1896–2016. Boston: Academic Studies Press, 2019. xii + 309 pp.

2021 ◽  
pp. 290-292
Keyword(s):  
New York ◽  
Jewish Life ◽  
West Bank ◽  
New York Times ◽  
The Political ◽  
The West ◽  
The New York Times ◽  
American Jewish Life ◽  
American Jewish ◽  
The Times

This chapter examines Jerold S. Auerbach's Print to Fit (2019). In this book, Auerbach charges that the New York Times consistently slanted its treatment of Israel in ways that discredited its struggle for survival and instead sympathized with the enemies of Zionism. Having assiduously combed through close to a century of articles, editorials, and op-ed pieces, Auerbach has discovered, especially in recent decades, a “preoccupation with Palestinian victimization — even when Israelis were the victims.” Print to Fit is especially harsh in its treatment of two of the Times' stars, the late Anthony Lewis and Thomas L. Friedman for having so often conveyed their own disenchantment with what they held to be the moral and political failings of Israel — in particular, the extension of Jewish settlements into the West Bank. Written from the political periphery of American Jewish life, Print to Fit risks overstating its case by simplifying it.

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