scholarly journals Kazimir Malevich: Approaching The New System

2021 ◽  
Author(s):  
Irina Lyubchenko
Keyword(s):  
Twentieth Century ◽  
Set Theory ◽  
Fourth Dimension ◽  
Primary Concern ◽  
Scientific Content ◽  
Original Script ◽  
The World ◽  
New System ◽  
The Way

This dissertation examines Kazimir Malevich’s art and writing with a view to establishing that they combine a strain of strict methodological reductionism with an equally well-marked esotericism. It strives to prove that although this feature of Malevich’s work was common among vanguard artists and thinkers, there are also highly idiosyncratic qualities in the way Malevich reconciled these two threads. An ensuing goal of this work is to propose how to complete an unfinished 1927 film script by Kazimir Malevich titled “Artistic and Scientific Film—Painting and Architectural Concerns—Approaching the New Plastic Architectural System.” <div>The question regarding the confluence of science and mysticism in Malevich’s work— the primary concern of this dissertation—requires tracing in the artist’s art and writings the presence of ideas belonging to these worldviews traditionally considered to be antithetical to each other. This dissertation establishes Malevich’s relationship with mysticism and strains of thought that resemble scientific content and approach. Among the latter, this work investigates Malevich’s interest in the geometry of the fourth dimension, draws parallels between the artist’s concern for visualizing infinity and the problems of set theory, and examines the role of imaginary numbers in Malevich’s worldview. To complete the analysis of Malevich’s exploration of the concept of space prominent in the aforementioned mathematical themes, this dissertation examines the artist’s interest in investigating the space of the cosmos. It also establishes that Malevich’s ideas were not only influenced by the scientific advancements in electromagnetism but also by the theories of thermodynamics, which together with the former relay a view of the world where all processes, organic and inorganic, are understood as the product of the transformation of energy. In Cubism and Futurism: Spiritual Machines and the Cinematic Effect, R. Bruce Elder draws attention to the early twentieth-century thinkers’ view of cinema as an electromagnetic machine. This dissertation examines Malevich’s relationship with the cinematic art and its reception in Russia during Malevich’s most productive years. This work concludes with having satisfied its larger objective: to envision a possible scenario of how Malevich’s unfinished script could unfold. It contains the copy of the original script, its proposed finale, and an essay that outlines how my investigation of Malevich’s intellectual landscape informed the decisions involved in inferring the concluding shot sequences of the artist’s only cinematic work.<br></div>

scholarly journals Kazimir Malevich: Approaching The New System

2021 ◽  
Author(s):  
Irina Lyubchenko
Keyword(s):  
Twentieth Century ◽  
Set Theory ◽  
Fourth Dimension ◽  
Primary Concern ◽  
Scientific Content ◽  
Original Script ◽  
The World ◽  
New System ◽  
The Way

This dissertation examines Kazimir Malevich’s art and writing with a view to establishing that they combine a strain of strict methodological reductionism with an equally well-marked esotericism. It strives to prove that although this feature of Malevich’s work was common among vanguard artists and thinkers, there are also highly idiosyncratic qualities in the way Malevich reconciled these two threads. An ensuing goal of this work is to propose how to complete an unfinished 1927 film script by Kazimir Malevich titled “Artistic and Scientific Film—Painting and Architectural Concerns—Approaching the New Plastic Architectural System.” <div>The question regarding the confluence of science and mysticism in Malevich’s work— the primary concern of this dissertation—requires tracing in the artist’s art and writings the presence of ideas belonging to these worldviews traditionally considered to be antithetical to each other. This dissertation establishes Malevich’s relationship with mysticism and strains of thought that resemble scientific content and approach. Among the latter, this work investigates Malevich’s interest in the geometry of the fourth dimension, draws parallels between the artist’s concern for visualizing infinity and the problems of set theory, and examines the role of imaginary numbers in Malevich’s worldview. To complete the analysis of Malevich’s exploration of the concept of space prominent in the aforementioned mathematical themes, this dissertation examines the artist’s interest in investigating the space of the cosmos. It also establishes that Malevich’s ideas were not only influenced by the scientific advancements in electromagnetism but also by the theories of thermodynamics, which together with the former relay a view of the world where all processes, organic and inorganic, are understood as the product of the transformation of energy. In Cubism and Futurism: Spiritual Machines and the Cinematic Effect, R. Bruce Elder draws attention to the early twentieth-century thinkers’ view of cinema as an electromagnetic machine. This dissertation examines Malevich’s relationship with the cinematic art and its reception in Russia during Malevich’s most productive years. This work concludes with having satisfied its larger objective: to envision a possible scenario of how Malevich’s unfinished script could unfold. It contains the copy of the original script, its proposed finale, and an essay that outlines how my investigation of Malevich’s intellectual landscape informed the decisions involved in inferring the concluding shot sequences of the artist’s only cinematic work.<br></div>

On Metaphysics and the Political: A Polemics of Reading Baudelaire in the 1930s

2019 ◽  
Vol 58 (2) ◽  
pp. 249-259
Author(s):  
Joseph Acquisto
Keyword(s):  
Twentieth Century ◽  
Political Crisis ◽  
The Political ◽  
Modern Poetry ◽  
Progressive Politics ◽  
The World ◽  
Relationship Of ◽  
The Relationship ◽  
Insight Into

This essay examines a polemic between two Baudelaire critics of the 1930s, Jean Cassou and Benjamin Fondane, which centered on the relationship of poetry to progressive politics and metaphysics. I argue that a return to Baudelaire's poetry can yield insight into what seems like an impasse in Cassou and Fondane. Baudelaire provides the possibility of realigning metaphysics and politics so that poetry has the potential to become the space in which we can begin to think the two of them together, as opposed to seeing them in unresolvable tension. Or rather, the tension that Baudelaire animates between the two allows us a new way of thinking about the role of esthetics in moments of political crisis. We can in some ways see Baudelaire as responding, avant la lettre, to two of his early twentieth-century readers who correctly perceived his work as the space that breathes a new urgency into the questions of how modern poetry relates to the world from which it springs and in which it intervenes.

The Role of Music and Allied Arts in Public Writings on Cultural Diversity: “People of Sri Lanka”

2020 ◽  
Vol 6 ◽  
pp. 93-100
Author(s):  
Gisa Jähnichen
Keyword(s):  
Sri Lanka ◽  
Cultural Diversity ◽  
South Asia ◽  
Case Studies ◽  
Sri Lankan ◽  
Culturally Different ◽  
The World ◽  
Official Languages ◽  
The Way

The Sri Lankan Ministry of National Coexistence, Dialogue, and Official Languages published the work “People of Sri Lanka” in 2017. In this comprehensive publication, 21 invited Sri Lankan scholars introduced 19 different people’s groups to public readers in English, mainly targeted at a growing number of foreign visitors in need of understanding the cultural diversity Sri Lanka has to offer. This paper will observe the presentation of these different groups of people, the role music and allied arts play in this context. Considering the non-scholarly design of the publication, a discussion of the role of music and allied arts has to be supplemented through additional analyses based on sources mentioned by the 21 participating scholars and their fragmented application of available knowledge. In result, this paper might help improve the way facts about groups of people, the way of grouping people, and the way of presenting these groupings are displayed to the world beyond South Asia. This fieldwork and literature guided investigation should also lead to suggestions for ethical principles in teaching and presenting of culturally different music practices within Sri Lanka, thus adding an example for other case studies.

scholarly journals Demythologization and existential theology: formation of paradigm

2018 ◽  
pp. 42-53
Author(s):  
Yuliya Strielkova
Keyword(s):  
Twentieth Century ◽  
Language Practices ◽  
Scientific World ◽  
Dialectical Theology ◽  
The World ◽  
Sacred Scripture

The author Strielkova Yuliya A. in the article «Demythologization and existential theology: formation of paradigm» analyzed the conception of the demythologization of Sacred Scripture and Sacred translation as a fundamental setting not only within the dialectical theology of the twentieth century, but also for contemporary searches for the forms of correlation of philosophy and theology in the context of the scientific world pictur. The author outlines the heuristic potential of a reinterpretative approach to the concept of demythologization, considered beyond the conceptual and chronological framework of dialectical theology. Also, attention was focused on clarifying the heuristic content of the concept of "demythologization" for the modern philosophical and theological tradition, as well as the nature of its genetic connection with the existential paradigm of philosophizing and christology. Particular attention is paid to the paradigmatic and formative aspects of the phenomenon of demythologization; the role of language practices and discursive models in the development of the contemporary picture of the world is accentuated 

scholarly journals infância, cultura visual e educação

2020 ◽  
Vol 16 (36) ◽  
pp. 01-20
Author(s):  
Adriana Hoffmann Fernandes ◽  
Helenice Mirabelli Cassino
Keyword(s):  
Elementary School ◽  
Visual Culture ◽  
Philosophical Approach ◽  
Multiple Images ◽  
The World ◽  
Visual Framing ◽  
The Media ◽  
The Relationship ◽  
The Way

This article combines thoughts about childhood, visual culture and education. It is known that we live among multiple images that shape the way we see our reality, and researchers in the visual culture field investigate how this role is played out in our culture. The goal is to make some applications those ideas, to think about the relationship between the images and education. This article tries to grasp what visual culture is and in what ways presumptions about childhood generate and are generated by this association. It also discusses the genesis of these presumptions and the images they generate through a philosophical approach, questioning the role of education in a culture tied to the media, and about how children, who are familiar with multiple screens, presage a new visual literacy. We see how images play a fundamental role in the way children give meaning to the world around them and to themselves, in the context of their local culture. Given this context, it is necessary to consider how visual culture is tied to the elementary school, and what challenges confront the generation of wider and more creative ways to approach visual framing in children’s education.

scholarly journals МИТРОПОЛИТ АНДРЕЙ ШЕПТИЦЬКИЙ В КОНТЕКСТІ МУЗИЧНОЇ КУЛЬТУРИ УКРАЇНСЬКОЇ ДІАСПОРИ (до 155-річчя від дня народження)

2020 ◽  
Author(s):  
Admink Admink
Keyword(s):  
Twentieth Century ◽  
Catholic Church ◽  
Educational Institutions ◽  
Education Abroad ◽  
Musical Culture ◽  
Choral Works ◽  
The World ◽  
Musical Creativity ◽  
Church In The World

Досліджується роль митрополита Андрея Шептицького у розвитку музичної культури української діаспори ХХ століття. Акцентована увага на таких аспектах діяльності Митрополита: розбудова української греко-католицької церкви у світі, його візити у різні країни, розвиток системи духовних навчальних закладів, підтримка світських навчальних закладів, встановлення стипендій для музикантів, які здобували освіту за кордоном, участь у процесах розвитку церковного співу. Виокремлюються святкування на честь Митрополита та вшанування його пам’яті за участю музикантів у різних країнах світу. Питання втілення художнього образу митрополита Андрея Шептицького в музичній творчості композиторів діаспори розглянуто на прикладі аналізу хорових творах одного із його стипендіатів – А. Гнатишина з Австрії.Ключові слова: музична культура, українська діаспора, українська греко -католицька церква, художній образ, митрополит Андрей Шептицький. The author studied role of Metropolitan Archbishop Andrei Sheptytskyi in the development of musical culture of the Ukrainian Diaspora during the twentieth century Emphasis is made on the following aspects of the Metropolitan Archbishop’s activity: development of the Ukrainian Greek Catholic Church in the world, his visits to different countries, development of the system of spiritual educational institutions, support of religious educational institutions, establishment of scholarships for musicians who have received education abroad, participation in processes of church singing development. The article highlights the celebration in honor of the Metropolitan Archbishop and honoring his memory with the participation of musicians from around the world. The author reveals embodiment of the image of Metropolitan Archbishop Andrei Sheptytskyi in the musical creativity of the Diaspora composers at the example of the choral works of one of his fellows, Andrei Hnatyshyn from Austria.Key words: musical culture, Ukrainian diaspora, Ukrainian Greek Catholic Church, image, Metropolitan Archbishop Andrei Sheptytskyi.

The Representation of Mary in the Architecture of Le Corbusier's Chapel at Ronchamp

1999 ◽  
Vol 68 (2) ◽  
pp. 398-416 ◽  
Author(s):  
Flora Samuel
Keyword(s):  
Twentieth Century ◽  
Le Corbusier ◽  
Cult Of Mary ◽  
The Way

In the Fondation Le Corbusier in Paris there is a little guide for pilgrims that was given to the architect when he began work on the pilgrimage chapel of Notre Dame du Haut Ronchamp (1955), probably the most influential yet contentious building of the twentieth century (fig. 1). Within the guide, the section on the cult of Mary has been heavily underlined and in the margin is the word “feminism,” written by Le Corbusier, a very unusual departure for a man of his times. In this article I will examine the role of Mary in the work of Le Corbusier and discuss the way in which she is interpreted in the architecture of Ronchamp.

DIGITAL FINANCIAL TOOLS FOR SOCIALIZING PRIVATE LAW

2021 ◽  
pp. 208-224
Author(s):  
Julia S. Kharitonova ◽  
◽  
Larisa V. Sannikova ◽  
Keyword(s):  
Public Relations ◽  
The United States ◽  
Legal Regulation ◽  
Private Law ◽  
Property Relations ◽  
The World ◽  
The Law ◽  
Private Investors ◽  
The Way

Nowadays, the law is being transformed as a regulator of relations. The idea of strengthe-ning the regulatory role of technologies in the field of streamlining public relations is making much headway in the world. This trend is most pronounced in the area of regulation of private relations. The way of such access to the market as crowdfunding is becoming increasingly widespread. The issuing of the so-called secured tokens is becoming popular for both small businesses and private investors. The trust in new ways of attracting investments is condi-tioned by the applied technology - the use of blockchain as a decentralized transparent data-base management system. Under these conditions, there is such a phenomenon as the democ-ratization of property relations. Every individual receives unlimited opportunities to invest via technologies. Thus, legal scholars all over the world face the question about the role of the law and law in these relations? We believe that we are dealing with such a worldwide trend of regulating public relations as the socialization of the law. Specific examples of issuing tokens in Russia and abroad show the main global trends in the transformation of private law. The platformization of economics leads to the tokenization and democratization of property relations. In this aspect, the aim of lawyers should be to create a comfortable legal environment for the implementation of projects aimed at democratizing property relations in Russia. The socialization of private law is aimed at achieving social jus-tice and is manifested in the creation of mechanisms to protect the rights of the weak party and rules to protect private investors. Globalization requires the study of both Russian and foreign law. To confirm their hypothesis, the authors conducted a detailed analysis of the legislation of Russia, Europe and the United States to identify the norms allowing to see the process of socialization of law in the above field. The generalization of Russian and foreign experience showed that when searching for proper legal regulation, the states elect one of the policies. In some countries, direct regulation of ICOs and related emission relations are being created, in others, it is about the extension of the existing legislation to a new changing tokenization relationship. The European Union countries are seeking to develop common rules to create a regulatory environment to attract investors to the crypto industry and protect them. Asian countries are predominantly developing national legislation in isolation from one another, but most of them are following a unified course to encourage investment in crypto assets while introducing strict rules against fraud on financial markets. The emphasis on the protection of the rights of investors or shareholders, token holders by setting a framework, including private law mechanisms, can be called common to all approaches. This is the aim of private law on the way to social justice.

The World Disclosed

2016 ◽  
Author(s):  
Andrew Inkpin
Keyword(s):  
Being And Time ◽  
The World ◽  
Loss Of Contact ◽  
Phenomenological Conception ◽  
The Way

This chapter clarifies the sense of world disclosure implied by a phenomenological conception of language. It takes the two main lessons of Heidegger’s discussion of realism and idealism in Being and Time to be that traditional debates are based on mistaken ontological presuppositions, and that there is no gap between the way the world appears ‘for us’ and the way it is ‘in itself’. Applying the second lesson to language, it shows how the mediation and constitutive role of language can be understood as genuinely disclosing the world without introducing a potentially refractive or distortive loss of contact with referents. Applying the first lesson, it contrasts the phenomenological conception of language developed here with some familiar forms of realism and nonrealism, arguing that by rejecting an inside-outside opposition it moves beyond such conventional alternatives.

The Origin of the Judges’ Rules

2020 ◽  
pp. 33-53
Author(s):  
Mike McConville ◽  
Luke Marsh
Keyword(s):  
Twentieth Century ◽  
Critical Issue ◽  
Home Office ◽  
The World ◽  
The Subject ◽  
The Law ◽  
Police Forces

The point at which the liberty of the subject can be subject to interference by force of the law is a critical issue and one reliant on the integrity of judicial oversight. Focusing on the start of the twentieth century, this chapter addresses the discontinuities in the then existing rules relating to the interrogation of suspected persons (embodied by the Judges’ Rules of 1912, whose obscure origins are discussed) and the divergent responses of different police forces to the cautioning and questioning process. From this it explores how the need for closer formal regulation arose and the role of Home Office officials (the very same as those involved in the Adolph Beck case) in drafting the first revision of the Judges’ Rules in 1918 which were to remain in force for almost fifty years. These inapt and inexpertly drafted Rules thereafter laid the foundations for policing regulation in jurisdictions around the world.

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