scholarly journals Sound, Shape, Space : The Ontology of Space in Architecture

2021 ◽  
Author(s):  
Sean W. Robbins
Keyword(s):  
Design Process ◽  
Social Practice ◽  
Architectural Design ◽  
Shape Space ◽  
Physical Attributes ◽  
Ontological Sense ◽  
The Way

This work embarks on a radically different understanding of space that sheds its preconceived physical attributes. Borne from a criticism of the imbalanced approach to architectural design, which focuses on ‘form’, the aim is to redeem ‘space’ as the inextricably linked partner of form in the design process. Herein, space is re-framed in an ontological manner as it relates to architecture, that is, as having to do with ‘being’. To accomplish this, sound becomes pivotal, constituting a catalyst in the reaction with form that brings ontological space to life within architecture. By using sound in reaction with form, the work will engage in the design of space in the ontological sense; as it relates to being, namely, that of human social practice. At its heart, this work is not really about sound or space, nor even architecture for that matter. It is about the way in which humans exist.

scholarly journals Sound, Shape, Space : The Ontology of Space in Architecture

2021 ◽  
Author(s):  
Sean W. Robbins
Keyword(s):  
Design Process ◽  
Social Practice ◽  
Architectural Design ◽  
Shape Space ◽  
Physical Attributes ◽  
Ontological Sense ◽  
The Way

This work embarks on a radically different understanding of space that sheds its preconceived physical attributes. Borne from a criticism of the imbalanced approach to architectural design, which focuses on ‘form’, the aim is to redeem ‘space’ as the inextricably linked partner of form in the design process. Herein, space is re-framed in an ontological manner as it relates to architecture, that is, as having to do with ‘being’. To accomplish this, sound becomes pivotal, constituting a catalyst in the reaction with form that brings ontological space to life within architecture. By using sound in reaction with form, the work will engage in the design of space in the ontological sense; as it relates to being, namely, that of human social practice. At its heart, this work is not really about sound or space, nor even architecture for that matter. It is about the way in which humans exist.

The Role of Building Materials in Architectural Design

2014 ◽  
Vol 679 ◽  
pp. 6-13
Author(s):  
Hafedh Abed Yahya ◽  
Muna Hanim Abdul Samad
Keyword(s):  
Design Process ◽  
Architectural Design ◽  
Building Materials ◽  
Historical Evolution ◽  
Core Element ◽  
History Of ◽  
History Of Architecture ◽  
Major Factors ◽  
The Way

The argumentation of previous studies demonstrated the historical evolution of the materials in architecture and the position of the materials in the design process. The purpose is to recognize the role of materials in architectural design, and the materials are a core element of the design process. This paper is about the way materials can be used to create personality and character of the design. The research finds two overlapping roles for materials which are providing technical functionality and building personality. Thus building materials were one of the major factors for new innovation forms through the history of architecture. Keywords: Building Materials, Architectural Design, Technical Functionality, Aesthetic Attributes.

scholarly journals Experiments with visible and invisible materials: designing and building an ambiance

2019 ◽  
Vol 64 ◽  
pp. 02008
Author(s):  
Céline Drozd ◽  
Virginie Meunier ◽  
Antoine Mabire
Keyword(s):  
Design Process ◽  
Graduate School ◽  
Architectural Design ◽  
Sensory Quality ◽  
Building Materials ◽  
Sensory Experience ◽  
Physical Characteristics ◽  
Materials Used ◽  
The Way

This article relies on a workshop called “materials of ambiances” that is taking place at the Graduate School of Architecture of Nantes. It aims for the students to question the qualities of ambiances within spaces with an approach through the concept of material, making them aware of invisible materials (ambiances) from the manipulation of visible materials (building materials). The experimentation with materials holds a significant place: the students are asked to build an ambiance device to create a sensory experience in order to highlight every sensory quality of a material capable of producing an ambiance. The materials used for this experiment are mostly from fields beyond architecture as to think of potential misappropriations. It is about making sure that the student tests by himself the materials and recreates the connection between data from the experiment, and the physical characteristics given by the manufacturers and industrialists. The pedagogical experience that we present aims at creating within students an interest for the built material, to develop ambiance intentions to qualify projected spaces, which are not always measurable but always noticeable. This article proposes to turn back to the way the qualities of ambiances are felt, the misappropriations of materials are perceived, as well as the perspectives on the evolution of the architectural design process. This contribution is illustrated by an ambiance device whose the name is “Cosmic dream” built in 2018/2019 by Marilou Bach, Hugo Falaise, Carole Lyssandre and Charlotte Say.

scholarly journals Articulating tectonic: From iteration to nexus

ARSNET ◽  
2021 ◽  
Vol 1 (1) ◽  
Author(s):  
Mochammad Mirza Yusuf Harahap
Keyword(s):  
Design Process ◽  
Architectural Design ◽  
Design Method ◽  
Architectural Education ◽  
Design Studio ◽  
Potential Basis ◽  
Second Year ◽  
Multiple Stages ◽  
The Way

This paper explores the articulation of tectonic as a potential basis for developing and understanding architectural programme in the context of architectural education. The piece delivers a reflective discussion that puts tectonic beyond the art of joining. Instead, tectonic, which informs the way material performs, insinuates a capacity in supporting the students to generate the spatial programme and atmospheric quality for the development of their architecture project. In particular, the study suggests the importance of tectonic articulation in generating the above spatialities. The study investigates such tectonic articulation by reflecting through a second-year design studio project in Universitas Indonesia, which focuses on developing dwellings designs driven by tectonic-based architectural design method. Through reflecting the students' projects this paper put forward three aspects of tectonic articulation, each of which explores the formal iteration, the tectonic-programme relationship, and the tectonic-atmosphere relationship. The study demonstrates contribution in understanding how tectonic is explored throughout the design process, informing multiple stages of design.

3-Axis CNC Milling in Architectural Design

2005 ◽  
Vol 3 (2) ◽  
pp. 161-180 ◽  
Author(s):  
Robert Aitcheson ◽  
Jonathan Friedman ◽  
Thomas Seebohm
Keyword(s):  
Rapid Prototyping ◽  
Case Studies ◽  
Design Process ◽  
Architectural Design ◽  
Cnc Milling ◽  
Physical Scale ◽  
Scale Models ◽  
Different Types ◽  
Primary Focus ◽  
The Way

Physical scale models still have a role in architectural design. 3-axis CNC milling provides one way of making scale models both for study purposes and for presentation in durable materials such as wood. We present some types of scale models, the methods for creating them and the place in the design process that scale models occupy. We provide an overview of CNC milling procedures and issues and we describe the process of how one can creatively develop appropriate methods for milling different types of scale models and materials. Two case studies are presented with which we hope to convey not only the range of possible models that can be machined but also the way one creatively explores to arrive at appropriate milling strategies. Where apposite, we compare 3-axis CNC milling to newer technologies used for rapid prototyping but rapid prototyping is not a primary focus.

From compassion to distance: Hannah Höch’s ‘Mother’

2021 ◽  
pp. 135050682110289
Author(s):  
Andrea Pérez-Fernández
Keyword(s):  
Weimar Republic ◽  
Social Practice ◽  
Political Debates ◽  
Abortion Rights ◽  
Major Interest ◽  
The World ◽  
Material Conditions ◽  
The Way

This article addresses the work of the German artist Hannah Höch in the light of the struggle for abortion rights in the Weimar Republic. I attempt to show how Höch’s uses of the technique of photomontage can be read as a way of introducing a distance between the work and the viewer that allows us to question the beliefs we use to make sense of the world. Specifically, I discuss her photomontage Mutter (‘Mother’), a version of a photograph taken by John Heartfield, and some of her writings and interviews. I also examine closely the material conditions and political debates in which Höch’s work – as a social practice – developed. After a brief introduction and a methodological outline, I present Höch in the context of Berlin Dada and summarise the main underlying arguments of my hypothesis. Namely, that the major interest of Höch’s photomontages lies in the complex articulation of activism and philosophy, and in the way in which they put mainstream categories into question by ‘distancing’ fragments of reality.

scholarly journals Energy Rating of Buildings to Promote Energy-Conscious Design in Israel

Buildings ◽  
2021 ◽  
Vol 11 (2) ◽  
pp. 59
Author(s):  
Abraham Yezioro ◽  
Isaac Guedi Capeluto
Keyword(s):  
Design Process ◽  
Architectural Design ◽  
Residential Building ◽  
Green Building ◽  
Energy Performance ◽  
Basic Unit ◽  
Design Stage ◽  
Design Decision ◽  
Rating Systems ◽  
New Buildings

Improving the energy efficiency of existing and new buildings is an important step towards achieving more sustainable environments. There are various methods for grading buildings that are required according to regulations in different places for green building certification. However, in new buildings, these rating systems are usually implemented at late design stages due to their complexity and lack of integration in the architectural design process, thus limiting the available options for improving their performance. In this paper, the model ENERGYui used for design and rating buildings in Israel is presented. One of its main advantages is that it can be used at any design stage, including the early ones. It requires information that is available at each stage only, as the additional necessary information is supplemented by the model. In this way, architects can design buildings in a way where they are aware of each design decision and its impact on their energy performance, while testing different design directions. ENERGYui rates the energy performance of each basic unit, as well as the entire building. The use of the model is demonstrated in two different scenarios: an office building in which basic architectural features such as form and orientation are tested from the very beginning, and a residential building in which the intervention focuses on its envelope, highlighting the possibilities of improving their design during the whole design process.

Achieving sustainability through integrating risk management into the architectural design process

2018 ◽  
Vol 16 (1) ◽  
pp. 25-43 ◽  
Author(s):  
Ayman Ahmed Ezzat Othman ◽  
Nermeen Mohamed Amin Abdelwahab
Keyword(s):  
Risk Management ◽  
Literature Review ◽  
Field Study ◽  
Design Process ◽  
Construction Projects ◽  
Architectural Design ◽  
Sustainable Construction ◽  
Content Type ◽  
Scant Attention ◽  
Design Firms

Purpose The purpose of this paper is to develop a framework integrating risk management (RM) into the architectural design process (ADP) as an approach for delivering sustainable construction projects. Design/methodology/approach A research methodology, which consisted of literature review and field study, is designed to accomplish four objectives. First, to provide a comprehensive literature review of the concepts of sustainability, ADP and RM. Second, to present and synthesis the results of two relevant studies focused on identifying, quantifying and classifying the risks associated with ADP; and investigating the perception and application of Egyptian architectural design firms (ADFs) towards integrating RM into ADP as an approach for delivering sustainable construction projects. Third, to develop a framework that integrates RM into ADP towards delivering sustainable construction projects. Finally, to draw conclusions and recommendations to improve the practice of delivering sustainable construction projects among ADFs, construction professionals and governmental authorities. Findings ADP is a fundamental phase of the construction process because the decisions adopted during this phase affect the project performance throughout its life cycle. While RM is widely applied in different sectors of the construction industry, its application in ADP received scant attention in construction literature. The research identified 18 key risks that affect the sustainable delivery of construction projects during ADP. The architect, the client and the project manager are the highest ranked responsible parties for the occurrence of these key risks. The field study highlighted the need to develop a framework to facilitate integrating RM into ADP. Research limitations/implications This paper focused only on the integration of RM into ADP. Originality/value The conducted literature review and field study provided an in-depth understanding of the key risks that affect the sustainable delivery of construction projects during ADP. Through its five stages, the proposed framework is expected to serve as a foundation for integrating RM into ADP as an approach for delivering sustainable projects. This ideology has received scant attention in construction literature. The developed framework represents a synthesis that is novel and creative in thought and adds value to the knowledge in a manner that has not previously occurred.

Buildings with environmental quality management, part 2: Integration of hydronic heating/cooling with thermal mass

2017 ◽  
Vol 41 (5) ◽  
pp. 397-417 ◽  
Author(s):  
A Romanska-Zapala ◽  
M Bomberg ◽  
M Fedorczak-Cisak ◽  
M Furtak ◽  
D Yarbrough ◽  
...  
Keyword(s):  
Control Systems ◽  
Design Process ◽  
Architectural Design ◽  
Integrated Design ◽  
Field Performance ◽  
Functional Materials ◽  
Heating System ◽  
Transient Temperature ◽  
Thermal Mass ◽  
Integrated Design Process

The quest for a sustainable built environment brought dramatic changes to architectural design because of the integrated design process. The integrated design process is the modern way to realize “performance architecture,” that is, design with a view to field performance. Integrated design process permits merging of concepts from passive-house designs, solar engineering, and an integration of the building enclosure with mechanical services. In part 1 of this series, the emergence of many new multi-functional materials was discussed. Yet, current innovation is guided by lessons from history. Thermal mass in heavy masonry buildings allowed periodic heating. The authors postulate integration of a hydronic heating system with the walls and the use of smart temperature control of the heating system to modify and optimize the thermal mass contribution. To use the mass of a building, one must accept transient temperature conditions where the indoor temperature varies but is confined by comfort requirements for both summer and winter conditions. On the other side, resiliency requirements dictate that in the absence of electricity the air temperature does not fall below about 12°C over a period of several hours. This requirement implies that summer cooling will likely be separated from the heating systems and that operation of a low-energy building is heavily dependent on the design of smart control systems. Analysis of control systems provided in this article for earth-to-air heat exchangers and cooling of houses with lightweight walls lead us to the requirements of separation between heating and ventilation and needs for different sources of fresh air. Finally, a new concept emerges.

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