The Role of Building Materials in Architectural Design

2014 ◽  
Vol 679 ◽  
pp. 6-13
Author(s):  
Hafedh Abed Yahya ◽  
Muna Hanim Abdul Samad
Keyword(s):  
Design Process ◽  
Architectural Design ◽  
Building Materials ◽  
Historical Evolution ◽  
Core Element ◽  
History Of ◽  
History Of Architecture ◽  
Major Factors ◽  
The Way

The argumentation of previous studies demonstrated the historical evolution of the materials in architecture and the position of the materials in the design process. The purpose is to recognize the role of materials in architectural design, and the materials are a core element of the design process. This paper is about the way materials can be used to create personality and character of the design. The research finds two overlapping roles for materials which are providing technical functionality and building personality. Thus building materials were one of the major factors for new innovation forms through the history of architecture. Keywords: Building Materials, Architectural Design, Technical Functionality, Aesthetic Attributes.

scholarly journals Experiments with visible and invisible materials: designing and building an ambiance

2019 ◽  
Vol 64 ◽  
pp. 02008
Author(s):  
Céline Drozd ◽  
Virginie Meunier ◽  
Antoine Mabire
Keyword(s):  
Design Process ◽  
Graduate School ◽  
Architectural Design ◽  
Sensory Quality ◽  
Building Materials ◽  
Sensory Experience ◽  
Physical Characteristics ◽  
Materials Used ◽  
The Way

This article relies on a workshop called “materials of ambiances” that is taking place at the Graduate School of Architecture of Nantes. It aims for the students to question the qualities of ambiances within spaces with an approach through the concept of material, making them aware of invisible materials (ambiances) from the manipulation of visible materials (building materials). The experimentation with materials holds a significant place: the students are asked to build an ambiance device to create a sensory experience in order to highlight every sensory quality of a material capable of producing an ambiance. The materials used for this experiment are mostly from fields beyond architecture as to think of potential misappropriations. It is about making sure that the student tests by himself the materials and recreates the connection between data from the experiment, and the physical characteristics given by the manufacturers and industrialists. The pedagogical experience that we present aims at creating within students an interest for the built material, to develop ambiance intentions to qualify projected spaces, which are not always measurable but always noticeable. This article proposes to turn back to the way the qualities of ambiances are felt, the misappropriations of materials are perceived, as well as the perspectives on the evolution of the architectural design process. This contribution is illustrated by an ambiance device whose the name is “Cosmic dream” built in 2018/2019 by Marilou Bach, Hugo Falaise, Carole Lyssandre and Charlotte Say.

Rustic figuration

2017 ◽  
Vol 21 (4) ◽  
pp. 359-368
Author(s):  
Ulrika Karlsson
Keyword(s):  
Cultural Context ◽  
Architectural Design ◽  
Building Materials ◽  
Design Research ◽  
Architectural History ◽  
Digital Information ◽  
History Of ◽  
Tools And Techniques ◽  
Material Concept

The entwined relationships between the physical and the computational continue to produce sensibilities where our understanding of the division between them is becoming blurred. The prolog to Rustic Figurations identifies a growing interest in disciplinary questions on the role of history and the history of digital tools and techniques of representation to support and understand the cultural context of architecture. The second part of the text tries to describe, define and situate rustic figuration as an aesthetic and material concept in architecture that has developed through the architectural design research of the practices servo and Brrum, in parallel with research into the history of rustication.The notion of rustic figuration is imbued with architectural qualities that oscillate between the legibility of form and geometry and the disappearance of that legibility. Aspects of legibility are discussed in relation to related discourses in architectural history, as well as in the context of a few contemporary practices and projects that engage both computational and analogue techniques for design, communication and fabrication. The qualities of rustic figuration in the projects are neither bound by the unique properties of the building materials, nor by the computational information but happen in the translations between digital information and material manifestation or vice versa.

Methodological Foundations of the Light-Space Design in the Architectural Education

2021 ◽  
pp. 144-151
Author(s):  
Renata A. Nasybullina ◽  
Vitaly A. Samogorov ◽  
Nikolay I. Shchepetkov
Keyword(s):  
Design Process ◽  
Architectural Design ◽  
Building Materials ◽  
Architectural Education ◽  
Space Environment ◽  
Artificial Light ◽  
Experimental Search ◽  
Space Design ◽  
Two Stages

The perception of an interior building’s space is possible only if it is illuminated with daylight or artificial light. Despite this important fact, many architects pay much more attention to working with traditional building materials, without using the expressive possibilities of daylight as an independent primary material. This paper reveals the role of daylight in the design process, outlines the methodological foundations for designing the luminous space environment of buildings. There are two stages that reveal the method of teaching architectural design, considering light as the main means and material of the architect: developmental exercises (propaedeutics) and designing architectural objects. Each of the stages is illustrated with examples of experimental search work of students.

Metal Coat of Modern Architecture

2013 ◽  
Vol 357-360 ◽  
pp. 1379-1382
Author(s):  
Tie Xin Dong
Keyword(s):  
Architectural Design ◽  
Building Materials ◽  
Steel Structure ◽  
Structural Materials ◽  
Modern Architecture ◽  
Office Buildings ◽  
Metal Material ◽  
History Of

There has been a long history of applying metal to architecture. At the beginning, they just appeared in the structure of bridges, factories and storages, and then gradually turned up as a form of building structural materials in civil architecture such as markets, schools and office buildings. So all the time, metal like steel structure or hardware impresses people as a kind of industrialized building materials. With the development of architectural technology and the researching of characteristics of building materials, metal material has been brought in building skin design with brand-new appearance, and coruscate new vitality in the field of architectural design depending on full of variety of expressions and economic environmental character.

scholarly journals The Special Apparatus (al-Niẓām al-Khāṣṣ): The Rise of Nationalist Militancy in the Ranks of the Egyptian Muslim Brotherhood

Religions ◽  
2022 ◽  
Vol 13 (1) ◽  
pp. 77
Author(s):  
Ahmed Abou El Zalaf
Keyword(s):  
Political Violence ◽  
Systematic Study ◽  
Muslim Brotherhood ◽  
British Colonization ◽  
Special Apparatus ◽  
Depth Study ◽  
History Of ◽  
Shed Light ◽  
The Way

Existing scholarship has largely focused on the role of Sayyid Qutb’s ideas when analyzing the Muslim Brotherhood’s violent history. Perceiving Qutb’s ideas as paving the way for radical interpretations of jihad, many studies linked the Brotherhood’s violent history with this key ideologue. Yet, in so doing, many studies overlooked the importance of the Special Apparatus in shaping this violent history of the Brotherhood, long before Qutb joined the organization. Through an in-depth study of memoires and accounts penned by Brotherhood members and leaders, and a systematic study of British and American intelligence sources, I attempt to shed light on this understudied formation of the Brotherhood, the Special Apparatus. This paper looks at the development of anti-colonial militancy in Egypt, particularly the part played by the Brotherhood until 1954. It contends that political violence, in the context of British colonization, antedated the Brotherhood’s foundation, and was in some instances considered as a legitimate and even distinguished duty among anti-colonial factions. The application of violence was on no account a part of the Brotherhood’s core strategy, but the organization, nevertheless, established an armed and secret wing tasked with the fulfillment of what a segment of its members perceived as the duty of anti-colonial jihad.

scholarly journals Mortar mixes with oxblood: historical background, model sample recipes and properties

2018 ◽  
Vol 45 ◽  
pp. 19-24 ◽  
Author(s):  
Kun Zhang ◽  
Laura Rampazzi ◽  
Maria Pia Riccardi ◽  
Antonio Sansonetti ◽  
Alberto Grimoldi
Keyword(s):  
Building Materials ◽  
Historical Background ◽  
Organic Additives ◽  
X Ray Diffraction ◽  
Amorphous Calcium Carbonate ◽  
Historical Building ◽  
Model Sample ◽  
History Of ◽  
History Of Architecture ◽  
History Of Use

Abstract. In this survey we present studies on mortar mixes added with oxblood, which was a commonly found local waste material, with a wide application and long history of use; a precise recipe of lime–pozzolan mortar with blood addition from a 19th-century Italian manual was chosen, and model samples were prepared accordingly, with the aim of better understanding the chemical, mineralogical and physical characteristics of such compositions, starting with a blank reference specimen. The specimens were analysed by means of scanning electron microscopy, infrared spectroscopy, thermal analysis and X-ray diffraction, and the results suggested that amorphous calcium carbonate could be formed in the specimens with oxblood addition. These preliminary results allow a better understanding of historical building practices, measuring effects induced by organic additives on mortar microstructure, as well as an evaluation of new performances obtained in mortar mixes. Moreover, this paper intends to propose a full multi-discipline approach to bridge the history of architecture and building materials to conservation science.

The Role of Theory

2014 ◽  
Author(s):  
Richard Swedberg
Keyword(s):  
Social Science ◽  
Social Theory ◽  
Types Of Knowledge ◽  
History Of ◽  
The Way

This chapter looks at the role of theory in theorizing. Knowing theory, in order to be good at theorizing in social science, is not the same as having a knowledge of the history of social theory. It is true that it is helpful to have some of the skills of an intellectual historian when one tries to figure out what a concept means, why a theory looks the way it does today, and similar issues. However, this is not the kind of knowledge that one basically needs to have in order to be good at theorizing. The two types of knowledge that are needed in order to theorize well are knowledge of the basics of social theory and knowledge of a number of concepts, mechanisms, and theories.

Geometric approach to the revitalization process of medieval Serbian monasteries

2015 ◽  
Author(s):  
Magdalena Slavko Dragović ◽  
Aleksandar Čučaković ◽  
Milesa Srećković
Keyword(s):  
Geometric Approach ◽  
Geometric Design ◽  
Point Of View ◽  
Archaeological Sites ◽  
Architectural Style ◽  
15Th Century ◽  
History Of ◽  
History Of Architecture ◽  
Cultural Heritage Preservation

Among the standard approaches concerning cultural heritage preservation, the architectural point of view deserves particular attention. The special place in medieval Serbian history of architecture belongs to the world famous monastery complexes Studenica, Dečani and Gračanica. Beside them numerous significant monuments (churches and monasteries) exist as witnesses of the national testimony, currently in the state of ruins, archaeological sites, or damaged ones. A lot of them have adequate needs for revitalisation, where the start point is engineering documentation. The focus of the research is on the role of specific geometric and engineering graphics tasks when these areas are concerning. Monastery church devoted to Introduction of Holy Theotokos in village Slavkovica (near town Ljig), with three old sarcophaguses, dated back to 15th century, is presented and analysed from several aspects:measuring, architectural style characteristics - geometric design, 3D modelling (classical-CAD and terrestrial photogrammetric) with visualization and presentation.The attention was paid on preservation of authentic architectural style and medieval building techniques, which allow imperfections in realization.The opinion of experienced scientists and specialists involved in all the phases of monument's revitalisation has been followed as a guideline to the final result – a proposed geometric design of the revitalised church in Slavkovica.

Veronicas and Artists

2017 ◽  
Keyword(s):  
Contemporary Art ◽  
Religious Images ◽  
The Public ◽  
The Past ◽  
History Of Art ◽  
The Status ◽  
History Of ◽  
The Way ◽  
Contemporary Artists

Chapter One deals with several central issues with regard to understanding the role of religious motifs in contemporary art. Besides being a repetition of imagery from the past, religious motifs embedded in contemporary artworks become a means to problematise not only the way different periods in the history of art are delimited, but larger and seemingly more rigid distinctions as those between art and non-art images. Early religious images differ significantly from art images. The two types are regulated according to different sets of rules related to the conditions of their production, display, appreciation and the way images are invested with the status of being true or authentic instances of art or sacred images. Chapter One provides a discussion of the important motif of the image not made by an artist’s hand, or acheiropoietos, and its survival and transformation, including its traces in contemporary image-making practices. All images are the result of human making; they are fictions. The way the conditions of these fictions are negotiated, or the way the role of the maker is brought to visibility, or concealed, is a defining feature of the specific regime of representation. While the cult image concealed its maker in order to maintain its public significance, and the later art image celebrated the artist as a re-inventor of the old image, contemporary artists cite religious images in order to reflect on the very procedures that produce the public significance and status of images.

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