scholarly journals Finding space : the marginalization of a gay East Asian male immigrant in Toronto's LGBTTIQ communities

2021 ◽  
Author(s):  
André Pierre Goh
Keyword(s):  
Social Relationships ◽  
East Asian ◽  
Institutional Racism ◽  
Multicultural Society ◽  
Asian Immigrant ◽  
Personal Story ◽  
Sexual Identities ◽  
Community Institutions ◽  
Asian Male ◽  
The 1960S

Drawing on the storytelling tradition of critical race (Razack, 1998; hooks, 2000, 1992) and feminist (Scott, 1992) scholars, I tell a personal story of immigration and sexual identity, and theorize that experience. Borrowing from the 1960s feminism in which according to Carol Hanisch (1969) the phrase, 'the personal is political' was first used, I describe my experiences as a way to explore how unequal social relationships, racist practices, homophobia, and community institutions constitute my experiences as a gay East Asian male in Toronto. Central to my storytelling as a gay East Asian immigrant in Toronto is understanding how racial and sexual identities are created. I explore how dominant groups construct identities that may appear to give me visibility in a multicultural society but also operate to reinforce oppression through institutional racism and homophobia.

scholarly journals Finding space : the marginalization of a gay East Asian male immigrant in Toronto's LGBTTIQ communities

2021 ◽  
Author(s):  
André Pierre Goh
Keyword(s):  
Social Relationships ◽  
East Asian ◽  
Institutional Racism ◽  
Multicultural Society ◽  
Asian Immigrant ◽  
Personal Story ◽  
Sexual Identities ◽  
Community Institutions ◽  
Asian Male ◽  
The 1960S

Drawing on the storytelling tradition of critical race (Razack, 1998; hooks, 2000, 1992) and feminist (Scott, 1992) scholars, I tell a personal story of immigration and sexual identity, and theorize that experience. Borrowing from the 1960s feminism in which according to Carol Hanisch (1969) the phrase, 'the personal is political' was first used, I describe my experiences as a way to explore how unequal social relationships, racist practices, homophobia, and community institutions constitute my experiences as a gay East Asian male in Toronto. Central to my storytelling as a gay East Asian immigrant in Toronto is understanding how racial and sexual identities are created. I explore how dominant groups construct identities that may appear to give me visibility in a multicultural society but also operate to reinforce oppression through institutional racism and homophobia.

Research on Diversity in Sexual Identities

2019 ◽  
pp. 380-396
Author(s):  
Pawan Singh
Keyword(s):  
Sexual Behavior ◽  
Social Relationships ◽  
Social Identities ◽  
First Century ◽  
Sexual Identities ◽  
Alternative Sexualities ◽  
Sexuality And Gender ◽  
Nineteenth And Twentieth Centuries ◽  
Global Diffusion ◽  
And Gender

If the elaboration of LGB identities is predicated on the development of binary sexuality in the nineteenth and twentieth centuries around normal and abnormal, heterosexual and homosexual, or Western and non-Western, research at the dawn of the twenty-first century has turned decidedly to the fluidity of sexuality and the various ways that sexual behavior is situated in social relationships and as social identities. This chapter turns to the persistence of alternative sexualities outside of or beyond the construction LGB, interrogating the links between sexuality and gender, the various reactions to the global diffusion of homosexuality (and homophobia) as cultural forms predicated on Western binaries, and the possibilities inherent in a world of diversely constituted sexualities.

scholarly journals An analysis of the contrasting fates of locust swarms on the plains of North America and East Asia

2013 ◽  
Vol 10 (3) ◽  
pp. 1441-1449 ◽  
Author(s):  
G. Yu ◽  
X. Ke ◽  
H. D. Shen ◽  
Y. F. Li
Keyword(s):  
Global Warming ◽  
East Asian ◽  
Climate Extremes ◽  
Key Factors ◽  
The Past ◽  
The North ◽  
Pest Outbreaks ◽  
Precautionary Measures ◽  
The 1960S ◽  
Chemical Pesticides

Abstract. Prior to ~1880 AD locust swarms periodically raged across both the North American Plains (NAP) and East Asian Plains (EAP). After this date, locust outbreaks almost never recurred on the NAP but have continued to cause problems on the EAP. The large quantities of pesticides used in the major agriculture regions of the NAP in the late 1870s have been suggested as a possible reason for the disappearance of locust outbreaks in this area. Extensive applications of modern, i.e. more effective, chemical pesticides were also used in the granary regions of the EAP in the 1950s in an effort to reduce pest outbreaks. However, locust swarms returned again in many areas of China in the 1960s. Therefore, locust extinction on the NAP still remains a puzzle. Frequent locust outbreaks on the EAP over the past 130 yr may offer clues to the key factors that control the disappearance of locust outbreaks on the NAP. This study analysed the climate extremes and monthly temperature–precipitation combinations for the NAP and EAP, and found that differences in the frequencies of these climate combinations resulted in the contrasting locust fates in the two regions: restricting locust outbreaks in the NAP but inducing such events in the EAP. Validation shows that severe EAP locust outbreak years were coincidental with extreme climate-combination years. Therefore, we suggest that changes in frequency, extremes and trends in climate can explain why the fate of locust outbreaks in the EAP was different from that in the NAP. The results also suggest that, with present global warming trends, precautionary measures should be taken to make sure other similar pest infestations do not occur in either region.

scholarly journals Let It Go: Multicultural Society in Los by Tom Naegels

Werkwinkel ◽  
2018 ◽  
Vol 13 (1-2) ◽  
pp. 65-88
Author(s):  
Timothy Pareit
Keyword(s):  
The Netherlands ◽  
Literary Theory ◽  
Current Paper ◽  
The Novel ◽  
Multicultural Society ◽  
Personal Story ◽  
Literary Theories

Abstract Although scholars in the Netherlands have already attempted to integrate literary theories on migration with the specific Dutch context, none such attempts have so far been made for Flemish literature. The current paper therefore scrutinises the novel Los by Tom Naegels, an (autobiographical) account of the riots in Borgerhout (Antwerp) after the murder on Islam teacher Mohamed Achrak in 2002. As the author also covered these events as a journalist, the analysis investigates the manner in which this topical matter is intertwined with the more personal story about the struggle conducted by Naegels’s grandfather for euthanasia. The paper leans on Jérôme Meizoz’s posture theory, which differentiates the author figure from the biographical person and the narrator. In addition, the novel is situated within the contemporary literary return towards realism and Flemish literature’s negotiation of Flemish identity. By focussing on these three elements – the theme of migration, realism and Flemish identity – the paper attempts to contribute to the development of a literary theory on migration in Flanders.

African American Catholics in the South and Desegregation, 1945–1970

2018 ◽  
pp. 169-200
Author(s):  
Mark Newman
Keyword(s):  
African American ◽  
African Americans ◽  
Educational Quality ◽  
Black Schools ◽  
Black Catholics ◽  
Community Institutions ◽  
Self Worth ◽  
The 1960S ◽  
The One ◽  
The Church

Recollections from former students often present a positive appreciation of black Catholic schools primarily for their educational quality but also, in many cases, for their emphasis on self-worth and also, occasionally, on black culture and heritage. African American Catholics valued black schools and churches as religious and community institutions. Prelates generally sought to achieve desegregation by closing or downgrading black Catholic institutions. African American Catholics differed in their response. While some black Catholics reluctantly accepted such action as a necessary price for desegregation, others opposed these measures, upset by the one-sided nature of Catholic desegregation and inspired by the rise of black con consciousness in the second half of the 1960s. Some disillusioned African Americans, especially younger Catholics, left the church.

Groups and Social Boundaries

2021 ◽  
pp. 72-108
Author(s):  
Jan Fuhse
Keyword(s):  
Social Relationships ◽  
Cultural Difference ◽  
Cultural Context ◽  
Social Groups ◽  
Social Boundaries ◽  
Group Members ◽  
Group Concept ◽  
The 1960S ◽  
Network Patterns ◽  
Social Units

Social groups were a key concept in early sociology (German formal sociology, symbolic interactionism). Since the 1960s, they have been replaced by “social network” as the prime concept for informal social structures. We rarely find the bounded and internally homogeneous social units suggested by the group concept in the real world. Instead, individuals are embedded in a complex mesh of social relationships. Building on relational sociology, we can reconceptualize groups as a particular case of densely connected network patterns of social relationships. These exist only by degree, to the extent that they are reinforced by a social boundary separating the group members symbolically from the outside world and by foci of activity for the group to meet. Densely connected groups develop a particular group culture, and they frequently use symbols to signal group membership and the cultural difference to other groups and to the wider cultural context (group style).

scholarly journals Blurred Boundaries: Ethnofiction and Its Impact on Postwar Japanese Cinema

Arts ◽  
2019 ◽  
Vol 8 (1) ◽  
pp. 20
Author(s):  
Jennifer Coates
Keyword(s):  
Visual Analysis ◽  
East Asian ◽  
Visual Anthropology ◽  
Visual Ethnography ◽  
Structural Barriers ◽  
French Cinema ◽  
Japanese Cinema ◽  
Organizational Barriers ◽  
Global Innovation ◽  
The 1960S

This article explores the use of ethnofiction, a technique emerging from the field of visual anthropology, which blends documentary and fiction filmmaking for ethnographic purposes. From Imamura Shōhei’s A Man Vanishes (Ningen jōhatsu, 1967) to Hou Hsiao Hsien’s Cafe Lumieré (Kōhi jikō, 2003), Japanese cinema, including Japan-set and Japan-associated cinema, has employed ethnofiction filmmaking techniques to alternately exploit and circumvent the structural barriers to filmmaking found in everyday life. Yet the dominant understanding in Japanese visual ethnography positions ethnofiction as an imported genre, reaching Japan through Jean Rouch and French cinema-verité. Blending visual analysis of Imamura and Hou’s ethnofiction films with an auto-ethnographic account of my own experience of four years of visual anthropology in Kansai, I interrogate the organizational barriers constructed around geographical perception and genre definition to argue for ethnofiction as a filmmaking technique that simultaneously emerged in French cinema-verité and Japanese feature filmmaking of the 1960s. Blurring the boundaries between Japanese, French, and East Asian co-production films, and between documentary and fiction genres, allows us to understand ethnofiction as a truly global innovation, with certain regional specificities.

Martha Graham's House of the Pelvic Truth: The Figuration of Sexual Identities and Female Empowerment

2010 ◽  
Vol 42 (1) ◽  
pp. 30-45 ◽  
Author(s):  
Henrietta Bannerman
Keyword(s):  
New York ◽  
Modern Dance ◽  
Female Students ◽  
The Body ◽  
Contemporary Dance ◽  
Martha Graham ◽  
Sexual Identities ◽  
Dance Training ◽  
To Come ◽  
The 1960S

Martha Graham writes in her autobiography Blood Memory that she was bewildered, or, as she puts it “bemused,” when she heard how dancers referred to her school as “the house of the pelvic truth” (Graham 1991, 211). We might perhaps agree with Graham that this is not the best description for a highly respected center of modern dance training; neither does it match Graham's image as an awe-inspiring and exacting teacher, nor does it suit the seriousness with which her tough technique is regarded. But the house of the pelvic truth does chime with stories about Graham's often frank method of addressing her students. She is reputed to have told one young woman not to come back to the studio until she had found herself a man. At other times she would tell her female students, “you are simply not moving your vagina” (211). Add to this other stories about the men in the company suffering from “vagina envy” (211), and it can be readily understood that the goings-on in the Graham studio gave rise to its nickname, “house of the pelvic truth.”In British dance circles of the 1960s, it was not rumors of the erotic that attracted most of us to Graham's work or persuaded us to travel to New York in search of the Graham technique. There was little in the way of contemporary dance training in Britain at this time, and we had been mesmerized by the beautiful and rather chaste film A Dancer's World (1957), in which Graham pronounces: a dancer is not a phenomenon … not a phenomenal creature.… I think he is a divine normal. He does what the human body is capable of doing. Now this takes time…it takes about ten years of study. This does not mean he won't be dancing before that time, but it does take the pressure of time, so that the house of the body can hold its divine tenant, the spirit. (1962, 24)

scholarly journals The Influence of Dance-House Tourism on the Social Relationships and Traditions of a Village in Transylvania. By Sándor Varga. Translated by Valér Bedő (with Colin Quigley).

2016 ◽  
pp. 1-17
Author(s):  
Sándor Varga
Keyword(s):  
Social Relationships ◽  
Rural Villages ◽  
The Social ◽  
Revival Movement ◽  
The 1960S ◽  
The Impact

This essay examines the impact of fieldwork on the life of the rural villages in Transylvania that have been the site of significant ethnochoreological and revival-movement research since the 1960s. It challenges well-established norms in methodology, calling for a more reflexive awareness on the part of fieldworkers.Originally published in Hungarian as “A táncházas turizmus hatása egy erdélyi falu társadalmi kapcsolataira és hagyományaihoz való viszonyára,” in Az erdélyi magyar táncművészet és tánctudomány az ezredfordulón II, ed. Könczei Csongor (Kolozsvár: Nemzeti Kisebbségkutató Intézet, 2014), 105-128.

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