The Formation of the Post-Impressionist Trend in the Creative Practice of Oleh Harahonych

2020 ◽  
Vol 2020 (3) ◽  
pp. 44-53
Author(s):  
I. Pavelchuk ◽  

The article examines the artistic experience during the period of 1980–2000. Oleh Harahonych’s individual painting style was formed at the turn of the 1960s and 1970s under the influence of a large-scale talent of the famous Ukrainian painter Yosyp Bokshay (1891–1975). O. Harahonych visited Bokshay’s Uzhhorod workshop several years in a row. Having escaped the system-defined academic education, the post-impressionist-to-be was experimenting with the new formal means of reproduction. Being primarily a landscapist, the painter began to develop new dynamic angles of the composition, involving the fragments of a high-altitude highway in presentation of his works, which ensured that his landscapes obtained a sense of modernity. Winding Carpathian roads suggested to the artist a zigzag structure of the composition, which was based on the principles of polar dynamics. In O. Harahonych’s landscapes of the mid‑1980s, the contrast of warm and cold color gradations and intensity of colors enhanced. The dominance of pure colors harmoniously combined with simple shapes that focused on an acute triangle. The renewed lyrical sense of the landscape was reproduced by the simplest artistic means which included decorative ornaments, logic of compositional accents, and clarity of silhouettes. It was realized in a series of plein‑air images of the 2000s. In search of new visual means, Oleh Harahonych’s imagination was ahead of the visual technologies of easel painting of that time. Developed in the 1980s, the author’s style visually resembles the digital presentations in Photoshop. The author’s synthesis of color and form reveals an integral connection between post-impressionism and design, which Roger Fry called “Vision and design” in his book a century ago.

2021 ◽  
pp. 120633122110193
Author(s):  
Max Holleran

Brutalist architecture is an object of fascination on social media that has taken on new popularity in recent years. This article, drawing on 3,000 social media posts in Russian and English, argues that the buildings stand out for their arresting scale and their association with the expanding state in the 1960s and 1970s. In both North Atlantic and Eastern European contexts, the aesthetic was employed in publicly financed urban planning projects, creating imposing concrete structures for universities, libraries, and government offices. While some online social media users associate the style with the overreach of both socialist and capitalist governments, others are more nostalgic. They use Brutalist buildings as a means to start conversations about welfare state goals of social housing, free university, and other services. They also lament that many municipal governments no longer have the capacity or vision to take on large-scale projects of reworking the built environment to meet contemporary challenges.


Viking ◽  
2020 ◽  
Vol 83 (1) ◽  
Author(s):  
Astrid J. Nyland

In the 1960s and 1970s, large scale surveys related to hydro power developments in montane areas in Southwest Norway, recorded several rock crystals deposits and sites where crystals from these had been used both in the Stone Age and the Late Iron Age period. The Late Iron Age sites were interpreted as the first proof of locally produced rock crystal beads. In this article, I combine the production sites and rock crystal deposits to describe the operational chain of local bead production. This serves as the point of departure for a consideration of the value ascribed raw materials, local or regional vs. imported goods. I argue that symbolic aspects beyond economic value may have been the incentive for the local production, that is, qualities, such as rock crystals’ aesthetic, affective, or indeed charisma. Rock crystal beads from Late Iron Age graves in Rogaland are used as examples. 


Author(s):  
Mary J. Henold

This chapter introduces the argument that Catholic laywomen expanded on the changes of Vatican II by exploring shifting understandings of gender on a large scale in the ten years following the Second Vatican Council. The historical record reveals a significant output of written material in these years, written by laywomen, and intended to probe unsettled questions about gender rising in those uncertain times. Despite the official church’s reluctance to reassess its teaching on gender roles, moderate and often non-feminist laywomen used ideas from the feminist movement in the 1960s and 1970s to challenge accepted definitions of Catholic womanhood. In particular, Catholic women questioned the immutability of gender roles, and the accepted and wide-spread teaching of complementarity. They also challenged narrow conceptions of laywomen’s vocation, both spiritual and professional.


2021 ◽  
pp. 195-212
Author(s):  
Peter Irons

This chapter looks at Black struggles for equal rights during the 1960s and 1970s, first assessing the impact of the Vietnam War on Blacks, with Muhammad Ali drawing the link between the war and the denial of civil rights to Blacks. The chapter looks closely at the sit-in movement that started in the 1940s and spread across the country, followed by convoys of buses in Freedom Rides marked by White mob violence, beatings, and hundreds of arrests. Activists from the Congress of Racial Equality and the Student Non-Violent Coordinating Committee launched a “Freedom Summer” campaign in 1964 to register Black voters in Deep South states; the fierce White resistance included the murders of more than twenty Black and White volunteers. The chapter then shifts focus to Detroit, as the city became progressively more Black with the flight of several hundred thousand Whites from city to suburbs. The racial segregation of Black children in Detroit schools, while the suburban schools were virtually all-White, led to an NAACP lawsuit that resulted in a judicial order for large-scale busing between Detroit and its suburbs. This case, Milliken v. Bradley, ended in 1974 with a 5–4 Supreme Court decision that banned busing across school district lines, with a passionate dissent by Justice Thurgood Marshall; that year also saw violent White resistance to a busing order in Boston.


Popular Music ◽  
2014 ◽  
Vol 33 (2) ◽  
pp. 269-292
Author(s):  
Mattias Lundberg

AbstractIn addition to a hierarchy of harmony and fundamental pitch, large-scale modal or tonal music generally needs to generate considerable portions of its substance from a limited number of melodic ideas in order to be readily comprehended as musical form. In Western musical tradition this has typically been achieved by means of motivic development. A distinctive trait in the mainstream of popular music in the 1960s and 1970s, on the other hand, is the predominance of clearly demarcated phrase-bound structures, where either no smaller unit than the phrase could be perceived, or where the smaller units (as in the case of riffs and ostinato figures) have functions that are subservient or complementary to the phrase-structure. Some genuine exceptions from this otherwise highly dominant tendency can be identified in the music from the so-called progressive rock movement in the early 1970s. This article investigates the case of the British group Gentle Giant (active 1970–1980). A motivic analysis of three songs from the album Acquiring the Taste (1971) elucidates how a small set of motives could be used in concatenations to unify larger and more dynamic song structures than what is possible in non-reducible phrase-bound forms.


PLoS ONE ◽  
2021 ◽  
Vol 16 (8) ◽  
pp. e0255223
Author(s):  
Gabriel M. Sanchez

Large-scale excavations conducted by Smithsonian Institution archaeologists and avocational archaeologists during the 1960s and 1970s at three sites in Seaside, Oregon, resulted in the recovery of a diverse range of material culture curated by multiple institutions. One site, known as Palmrose (35CLT47), provides compelling evidence for the presence of one of the earliest examples of a rectangular plank house along the Oregon Coast. Previous research suggests habitation of the Palmrose site occurred between 2340 cal BC to cal AD 640. However, recent research highlights significant chronometric hygiene concerns of previously reported radiocarbon dates for the Seaside area, calling into question broader regional chronologies. This paper presents a revised chronology for the Palmrose site based on 12 new accelerator mass spectrometry (AMS) radiocarbon dates of ancient cervid bones. I evaluate these new dates and previously reported radiocarbon dates from the site, applying chronometric hygiene assessments and Bayesian statistics to build a refined chronology for the Palmrose site. Calibration of the 12 AMS radiocarbon dates suggests an initial occupation range from 345−55 cal BC and a terminal occupation range from cal AD 225−340−. Bayesian modeling of the Palmrose sequence suggests initial occupation may have spanned from 195−50 cal BC and the terminal occupation from cal AD 210−255. Modeling suggests the maximum range of occupation may span from 580−55 cal BC to cal AD 210−300 based on the start and end boundary calculations. Bayesian modeling of radiocarbon dates directly associated with the plank house deposits suggests the plank house’s occupation may have spanned from 160−1 cal BC to cal AD 170−320. The new radiocarbon dates significantly constrain the Palmrose habitation and alter regional chronologies.


2016 ◽  
Vol 49 (3) ◽  
pp. 631-651 ◽  
Author(s):  
Guy Baeten ◽  
Sara Westin ◽  
Emil Pull ◽  
Irene Molina

Based on interview material relating to the current wave of housing renovation in Swedish cities, this article will analyse the profit-driven, traumatic and violent displacement in the wake of contemporary large-scale renovation processes of the so-called Million Program housing estates from the 1960s and 1970s. We maintain that the current form of displacement (through renovation) has become a regularized profit strategy, for both public and private housing companies in Sweden. We will pay special attention to Marcuse’s notion of ‘displacement pressure’ which refers not only to actual displacement but also to the anxieties, uncertainties, insecurities and temporalities that arise from possible displacement due to significant rent increases after renovation and from the course of events preceding the actual rent increase. Examples of the many insidious forms in which this pressure manifests itself will be given – examples that illustrate the hypocritical nature of much planning discourse and rhetoric of urban renewal. We illustrate how seemingly unspectacular measures and tactics deployed in the renovation processes have far-reaching consequences for tenants exposed to actual or potential displacement. Displacement and displacement pressure due to significant rent increases (which is profit-driven but justified by invoking the ‘technical necessity’ of renovation) undermines the ‘right to dwell’ and the right to exert a reasonable level of power over one’s basic living conditions, with all the physical and mental benefits that entails – regardless of whether displacement fears materialize in actual displacement or not.


2019 ◽  
pp. 229-256
Author(s):  
Ștefan Maria-Magdalena ◽  
Ștefan Dan ◽  
Buzea Dan

Two fortified sites were known in the vicinity of Teliu (Kreuzburg/Nyén/Keresztvár), Brașov county, since the 19th c. They were reported as located in close proximity one to another (200 m), at the foothills of Buzău Mountains - now covered in evergreen forests. Despite a long-time interest in them, including a series of excavations made during the 1960s and 1970s in Cetatea Mare (I), their full chronological attribution and function remained partially disputed. Following a series of works related to the building of a railway route along Teliu valley, during the interwar period, a stone quarry was opened right on top of Cetatea Mică (II), leading in time to its disappearance. A notorious connection with the Teuton early 13th c. fort of Cruceburg has been often explored in relation with these sites. The current contribution is a review of previously known data in the light of more recent investigations undertaken in 2019, in the area of the two fortified sites, 45 years after their last systematic exploration. The work is based on the general interest of the authors in advancing the knowledge regarding the uncertain dating of numerous fortified places of south-eastern Transylvania, characterized by repeated occupation and scarce archaeological deposits. A LiDAR based survey combined with a geophysical investigation (magnetic method) in Cetatea Mare allowed a better reconstruction of this site’s plan and layout of fortifications, revealing a more complex design in which the fortification ditches were continued with terraces on the two main site’s slopes. An additional ditch, unknown before, was identified in the northern site sector. In total, the area affected by anthropic works in Cetatea Mare can be recognized now on a 2 ha surface, while the number of enclosure lines reached five. By reopening a small part of an old trench (S XIII) we succeeded to establish correlations with the already published stratigraphic profiles and collect samples for dating with radiocarbon method. The results of these analyses combined with a critical review of the older data show that the site was repeatedly visited along the Bronze and Iron Ages for certain activities which did not left consistent traces. At least two major moments in which the site was affected by large scale levellings associated to enclosure rebuilding could be noticed, once dated in Hallstatt C-D (which could have relocated previous Schneckenberg and Wietenberg materials) and the other in the late 1st C. BC - early 1st c. AD. We date the large relief modifications affecting the entire site, based on C14 dated samples and stratigraphy, in the Augustan period, even if the main analogies for the building model are to be found in older sites in Transylvania, belonging to Hallstatt B2-C. A distinctive characteristic of the last fortification phase in Teliu Cetatea Mare was the reuse as secondary material incorporated in the core of the ramparts of a previously burnt structure of soil, stone and wood, perhaps a palisade. A radiocarbon dated sample may suggest a time in the 4th-3rd c. BC for this structure, but until additional analyses it remains just a hypothetical framing. A date anywhere between Hallstatt C and early 1st c. AD is still possible. The LIDAR data analysis and viewsheds have also disclosed the relations of the two fortified sites with the network of local ridge routes. In this regard, both sites are more relevant for a connection with Brașov Depression and the beginning of a road linking the area of Prejmer with the inner-mountain depression of Întorsura Buzăului. This road, through Pilișca peak, was still in use in the 19th c. before the opening of the main railway traffic through Teliu Valley, by inhabitants of Prejmer area going to their mountain pastures. In the same time, it appears that the two sites were related in different ways to this road (suggesting a difference in both chronology and function): Cetatea Mică was placed in a hidden position directly on a secondary pathway climbing to the main ridge route, while Cetatea Mare was adjacent to this road, occupying a dominant position for the entire Depression.


Author(s):  
Karen M. Inouye

This book maps the terrain of memory in the wake of large-scale injustice, using five case studies of how the unjust wartime imprisonment of Nikkei in North America has reverberated in both Canada and the United States over the past six decades: politically engaged sociological writing in the 1960s and 1970s, the rise of personal disclosure during American efforts at redress, the political and cultural questions that arose in Canadian redress work, the ritualized commemoration of suffering in the Manzanar pilgrimages and in the codification of Fred Korematsu Day, and the pursuit of retroactive diplomas for Japanese Americans and Japanese Canadians forced from their high schools, colleges, and universities in 1942. Building on these case studies, the book offers a transnational study of how Nikkei strive not to lay their past to rest, but instead to perpetuate it in ways that encourage direct, empathetic, and muscular political engagement across often profound cultural and political divides. In this respect, it follows a particularly important thread that binds people together, allows them to coexist, and, thereby, to become more fully human.


2015 ◽  
Vol 12 (4) ◽  
pp. 539-555 ◽  
Author(s):  
Kevin M. Flanagan

This article traces Ken Russell's explorations of war and wartime experience over the course of his career. In particular, it argues that Russell's scattered attempts at coming to terms with war, the rise of fascism and memorialisation are best understood in terms of a combination of Russell's own tastes and personal style, wider stylistic and thematic trends in Euro-American cinema during the 1960s and 1970s, and discourses of collective national experience. In addition to identifying Russell's recurrent techniques, this article focuses on how the residual impacts of the First and Second World Wars appear in his favoured genres: literary adaptations and composer biopics. Although the article looks for patterns and similarities in Russell's war output, it differentiates between his First and Second World War films by indicating how he engages with, and temporarily inhabits, the stylistic regime of the enemy within the latter group.


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