‘None of That “My Good Woman” Stuff’: Outsider Observations
This chapter analyses texts such as Virginia Woolf’s introductory letter to Life as We Have Known It, George Orwell’s The Road to Wigan Pier (and its influence in the 1950s), John Sommerfield’s Trouble in Porter Street, Tom Harrisson and Charles Madge’s Britain by Mass Observation and Naomi Mitchison’s Among You Taking Notes, in an investigation of the destinations of the proletarian-modernist trajectory from the late 1930s and on through the Second World war and into the postwar welfare state. In particular, the respective works of Woolf and Mitchison are analysed as attempts to resolve the ‘modernist question’ of the relationship between the individual and the collective by rethinking the relationship between the public and private spheres to produce feminist counter-public spheres that can be seen as versions of ‘proletarian literature’ that were not dependent on the patriarchal structures that were often found in male socialist organisations.