Reflections on the Evolution of the Prophet’s Biographies in the East and West

2018 ◽  
pp. 41-60
Author(s):  
Hussein Ahmad Amin
Keyword(s):  
Twentieth Century ◽  
Middle Ages ◽  
Ethical Standards ◽  
The West ◽  
History Of ◽  
East And West ◽  
The Middle Ages ◽  
The Way

This chapter explores the concept of history of early Muslim historians and their attitude towards the Prophet’s biography (Sira). It discusses how evolving tastes and values affected their biographical writing. It also discusses when and why facts began to get blurred and invented incidents and miracles began to be ascribed to the Prophet, leading to the way in which the Prophet’s biography is dealt with in the twentieth century. The chapter further discusses how the Prophet’s biography was written in Europe during the Middle Ages and the influence that modern European trends of thought and contact with the West had on its writing. The chapter highlights Montgomery Watt’s Defence of Muhammad and critically engages with it. The chapter closes with Hussein Amin’s wish for a new, objective, unapologetic and truthful biography that is grounded in the Prophet’s own time and milieu, reflecting his contemporary ethical standards and values.

scholarly journals “Journeys are Meaningful” (Travelling, Travellers, Literary Periods, Literary Journeys)

2015 ◽  
Vol 7 (1) ◽  
pp. 7-19
Author(s):  
István Fried
Keyword(s):  
Twentieth Century ◽  
Middle Ages ◽  
Close Connection ◽  
Continuous Processes ◽  
New Era ◽  
Mise En Scene ◽  
History Of ◽  
The Relationship ◽  
Educational Journeys ◽  
The Middle Ages

Abstract If the changes of the “discourse networks” (Aufschreibesysteme) from 1800 to 1900 model the relations pertaining to the personality, to the cultural determinedness of technology and personality as well as to their interconnections (Kittler 1995), especially having in view the literary mise en scène, it applies all the more to travelling - setting out on a journey, heading towards a destination, pilgrimage and/or wandering as well as the relationship between transport technology and personality. The changes taking place in “transport” are partly of technological, partly (in close connection with the former) indicative of individual and collective claims. The diplomatic, religious, commercial and educational journeys essentially belong to the continuous processes of European centuries; however, the appearance of the railway starts a new era at least to the same extent as the car and the airplane in the twentieth century. The journeys becoming systematic and perhaps most tightly connected to pilgrimages from the Middle Ages on assured the “transfer” of ideas, attitudes and cultural materials in the widest sense; the journeys and personal encounters (of course, taking place, in part, through correspondence) of the more cultured layers mainly, are to be highly appreciated from the viewpoint of the history of mentalities and society.

The medieval church

2004 ◽  
Author(s):  
David Luscombe
Keyword(s):  
Twentieth Century ◽  
Middle Ages ◽  
Medieval Church ◽  
History Of ◽  
The Church ◽  
The Middle Ages

This chapter discusses the contributions that were made by former Fellows of the Academy to the study of the medieval church. It states that the history of the medieval church is inseparable from the general history of the Middle Ages, since the church shaped society and society shaped the church. The chapter determines that no hard and fast distinction can always be made between the works by ecclesiastical historians during the twentieth century, and the contributions made to general history by other historians.

scholarly journals El nomen sacrum ihs como símbolo de la crucifixión en el Sermón de la Circuncisión del Señor de san Vicente Ferrer

2021 ◽  
Vol 17 ◽  
pp. 16
Author(s):  
María Luz Mandingorra Llavata
Keyword(s):  
Middle Ages ◽  
Jesus Christ ◽  
Daily Life ◽  
The Public ◽  
Life Problems ◽  
History Of ◽  
The Relationship ◽  
The Middle Ages ◽  
The Way

Resum: El nomen sacrum ihs se hallaba presente en infinidad de manifestaciones artísticas y objetos de la vida cotidiana durante la Edad Media, por lo que era bien conocido por los fieles. El objetivo del presente artículo es mostrar de qué modo san Vicente Ferrer se sirve de esta abreviatura como símbolo de la crucifixión de Jesucristo con el fin de fomentar la devoción al nombre Iesus y erradicar el recurso a adivinos y sortílegos. Para ello, analizaremos el sermón de la Circuncisión del Señor predicado por el maestro dominico y estableceremos la conexión de los elementos integrantes del texto con representaciones coetáneas de la crucifixión.Paraules clau: san Vicente Ferrer, predicación, Nomina Sacra, crucifixión, historia de la cultura escrita Abstract: The nomen sacrum ihs was present in many paintings as well as other artifacts during the Middle Ages, therefore, it was very well known by the public. The aim of this paper is to show the way Saint Vincent Ferrer uses this abbreviation as a symbol of the Crucifixion of Jesus Christ in order to increase the devotion to the Name of Jesus and prevent people from consulting diviners and sorcerers to solve daily life problems. To this end, we analyse the Sermon of the Circumcision of the Lord preached by the Dominican master and establish the relationship between the elements that compose the text and some contemporary images of the Crucifixion.Keywords: Saint Vincent Ferrer, preaching, Nomina Sacra, crucifixion, history of literacy

The Early Medieval Textiles at Maaseik, Belgium

1985 ◽  
Vol 65 (2) ◽  
pp. 353-389 ◽  
Author(s):  
Mildred Budny ◽  
Dominic Tweddle
Keyword(s):  
Middle Ages ◽  
Eighth Century ◽  
Anglo Saxon ◽  
Early Medieval ◽  
The West ◽  
Missing Link ◽  
History Of ◽  
Western European ◽  
The Church ◽  
The Middle Ages

This article offers an account of the components, the structure and the history of the so-calledcasulaandvelaminaof Sts Harlindis and Relindis preserved at the Church of St Catherine at Maaseik in Belgium as relics of the two sisters who founded the nearby abbey of Aldeneik (where the textiles were kept throughout the Middle Ages). The compositecasulaof Sts Harlindis and Relindis includes the earliest surviving group of Anglo-Saxon embroideries, dating to the late eighth century or the early ninth. Probably similarly Anglo-Saxon, a set of silk tablet-woven braids brocaded with gold associated with the embroideries offers a missing link in the surviving corpus of Anglo-Saxon braids. The ‘David silk’ with its Latin inscription and distinctly western European design dating from the eighth century or the early ninth offers a rare witness to the art of silk-weaving in the West at so early a date. Thevelamenof St Harlindis, more or less intact, represents a remarkable early medieval vestment, garment or cloth made up of two types of woven silk cloths, tablet-woven braids brocaded with gold, gilded copper bosses, pearls and beads. Thevelamenof St Relindis, in contrast, represents the stripped remains—reduced to the lining and the fringed ends—of another composite textile. Originally it was probably luxurious, so as to match the two other composite early medieval textile relics from Aldeneik. As a whole, the group contributes greatly to knowledge of early medieval textiles of various kinds.

The Middle Ages in the Modern World

2017 ◽  
Keyword(s):  
Digital Media ◽  
Middle Ages ◽  
Music Videos ◽  
Modern World ◽  
National History ◽  
Medieval Poetry ◽  
History Of ◽  
Nineteenth And Twentieth Centuries ◽  
The Middle Ages ◽  
The Way

The Middle Ages continue to provide an important touchstone for the way the modern West presents itself and its relationship with the rest of the globe. This volume brings together leading scholars of literature and history, together with musicians, novelists, librarians and museum curators in order to present exciting, up-to-date perspectives on how and why the Middle Ages continue to matter in the twentieth and twenty-first centuries. Presented here, their essays represent a unique dialogue between scholars and practitioners of ‘medievalism’. Framed by an introductory essay on the broad history of the continuing evolution of the idea of ‘The Middle Ages’ from the fourteenth century to the present day, chapters deal with subjects as diverse as: the use of Old Norse sagas by Republican deniers of climate change; the way figures like the Irish hero Cú Chulainn and St Patrick were used to give legitimacy to political affiliations during the Ulster ‘Troubles’; the use of the Middle Ages in films by Pasolini and Tarantino; the adoption of the ‘Green Man’ motif in popular culture; Lady Gaga’s manipulation of medieval iconography in her music videos; the translation of medieval poetry from manuscript to digital media; and the problem of writing national history free from the ‘toxic medievalism’ of the nineteenth and twentieth centuries.

Nicolas of Clairvaux and the Twelfth-Century Sequence with Special Reference to Adam of St. Victor

Traditio ◽  
1962 ◽  
Vol 18 ◽  
pp. 149-179 ◽  
Author(s):  
John F. Benton
Keyword(s):  
Special Reference ◽  
Middle Ages ◽  
Twelfth Century ◽  
Early History ◽  
Close Connection ◽  
Modern Drama ◽  
Vast Number ◽  
History Of ◽  
The Middle Ages ◽  
The Way

The vast number and variety of sequences, those liturgical interpolations which in the middle ages commonly followed the repetition of the Alleluia in the Mass, and the freedom of their development, show that they were an outlet for the creative talents of musicians and poets. A sample of sequences from successive periods allows the literary historian to trace the development of rhyme and accentual meter, and a musicologist has described the sequence ‘as the parent of oratorio and the grandparent of modern drama.’ But while a view which encompasses centuries reveals to us variety and change, the compositions of any given time were largely shaped by inherited traditions. Not the least value of studies on the early history of the sequence is their demonstration of the close connection between various Alleluia melodies and their sequences and the way in which appropriate texts were fitted to melodies for specific feasts.

A History of Women in the West. Vol II: Silences of the Middle Ages

1994 ◽  
Vol 27 (3) ◽  
pp. 358
Author(s):  
James Eastgate Brink ◽  
Christiane Klapisch-Zuber
Keyword(s):  
Middle Ages ◽  
The West ◽  
History Of ◽  
The Middle Ages

The Sense of the Horizon

Philosophy ◽  
1933 ◽  
Vol 8 (31) ◽  
pp. 301-317 ◽  
Author(s):  
C. Delisle Burns
Keyword(s):  
Middle Ages ◽  
The Other ◽  
Western Civilization ◽  
The West ◽  
Other Hand ◽  
History Of ◽  
New Form ◽  
First Time ◽  
The Middle Ages

Not for the first time in the history of our tradition, we are conscious of the defects of our inheritance and look doubtfully forward to a future whose structure we can hardly surmise. There was a Decline of the West in the first years of our era and again at the close of the Middle Ages. Now once more the beliefs and customs are shaken, on which our tradition is based; and there is no certainty that we shall carry forward what that tradition has so far achieved into a new form of civilized life. But, on the other hand, there is no reason to suppose that Western Civilization will disappear.

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