The Sense of the Horizon

Philosophy ◽  
1933 ◽  
Vol 8 (31) ◽  
pp. 301-317 ◽  
Author(s):  
C. Delisle Burns
Keyword(s):  
Middle Ages ◽  
The Other ◽  
Western Civilization ◽  
The West ◽  
Other Hand ◽  
History Of ◽  
New Form ◽  
First Time ◽  
The Middle Ages

Not for the first time in the history of our tradition, we are conscious of the defects of our inheritance and look doubtfully forward to a future whose structure we can hardly surmise. There was a Decline of the West in the first years of our era and again at the close of the Middle Ages. Now once more the beliefs and customs are shaken, on which our tradition is based; and there is no certainty that we shall carry forward what that tradition has so far achieved into a new form of civilized life. But, on the other hand, there is no reason to suppose that Western Civilization will disappear.

scholarly journals Das Bamberger Kollegiatstift St. Gangolf im Mittelalter

2021 ◽  
Author(s):  
Lisa Witowski
Keyword(s):  
Middle Ages ◽  
The Other ◽  
Sich Eine ◽  
Present Volume ◽  
Other Hand ◽  
History Of ◽  
The One ◽  
The Middle Ages

Im Mittelpunkt dieser Arbeit stehen die Aufarbeitung, Einordnung und Interpretation der zum überwiegenden Teil unedierten Quellen zur Geschichte des Bamberger Kollegiatstifts St. Gangolf. Die daraus resultierende Institutionengeschichte stellt die Organisationsstruktur und die Eigenarten des Stifts heraus und ordnete es in die Stadt- und Kirchenlandschaft Bambergs ein. Dabei zeigt sich eine kirchliche Einrichtung, die zwischen starker Orientierung am Vorbild des Bamberger Domstifts auf der einen Seite und der Identifizierung als Theuerstädter Stift rechts der Regnitz auf der anderen Seite schwankte. Während die anderen Bamberger Kirchen, wie das Domstift, das Kloster Michelsberg oder das Kollegiatstift St. Stephan, bereits eine Bearbeitung nach modernen Gesichtspunkten erfuhren, stand dies für das Kollegiatstift St. Gangolf bisher noch aus. The present volume provides the results of the reappraisal, classification and interpretation of commonly unedited sources about the history of the collegiate church Sanct Gangolf in Bamberg in the Middle Ages. They demonstrate the structure and peculiarities of the community and place it into context of city and church in Bamberg. So it manifests itself as an institution between a strong alignment towards the bishop‘s church of Bamberg on the one hand and an identification as collegiate community in the suburbian Theuerstadt on the other hand.

Art. XIX.—An old Hebrew Romance of Alexander

1897 ◽  
Vol 29 (3) ◽  
pp. 485-549
Author(s):  
M. Gaster
Keyword(s):  
Middle Ages ◽  
Early Period ◽  
Point Of View ◽  
The Other ◽  
The West ◽  
The Real ◽  
History Of ◽  
Bibliographical Information ◽  
Ancient Times ◽  
Great Mass

More marvellous and more remarkable than the real conquests of Alexander are the stories circulated about him, and the legends which have clustered round his name and his exploits. The history of Alexander has, from a very early period, been embellished with legends and tales. They spread from nation to nation during the whole of the ancient times, and all through the Middle Ages. Many scholars have followed up the course of this dissemination of the fabulous history of Alexander. It would, therefore, be idle repetition of work admirably done by men like Zacher, Wesselofsky, Budge, and others, should I attempt it here. All interested in the legend of Alexander are familiar with those works, where also the fullest bibliographical information is to be found. I am concerned here with what may have appeared to some of these students as the bye-paths of the legend, and which, to my mind, has not received that attention which is due to it, from more than one point of view. Hitherto the histories of Alexander were divided into two categories; the first were those writings which pretended to give a true historical description of his life and adventures, to the exclusion of fabulous matter; the other included all those fabulous histories in which the true elements were smothered under a great mass of legendary matter, the chief representative of this class being the work ascribed to a certain Callisthenes. The study of the legend centred in the study of the vicissitudes to which this work of (Pseudo-) Callisthenes had been exposed, in the course of its dissemination from the East, probably from its native country, Egypt, to the countries of the West.

scholarly journals Early Slavic housing from Belz surroundings

2020 ◽  
Vol 24 ◽  
pp. 224-234
Author(s):  
Taras Mylian
Keyword(s):  
Cultural Heritage ◽  
Key Words ◽  
Middle Ages ◽  
The Other ◽  
Compacted Clay ◽  
Modern Times ◽  
Big City ◽  
Conservation Research ◽  
First Time ◽  
The Middle Ages

Territory of the upper reaches of Western Bug River, especially the annalistic of Belz in Solokiya and its surroundings, is rich in archeological sites. In 2016, as part of the Program «Protection and Preservation of the Cultural Heritage of the Lviv Region for 2016–2018», conservation research was conducted at the settlement Belz 22 (Hora). It is a multi-layered settlement with cultural and chronological horizons from the final Paleolithic to modern times. Information and research on it were conducted with advantages during XX century however, for the first time in the settlement; remains of a Slavic dwelling-semi-dugout (object 20) of the Prague culture were discovered and studied. Research has shown that dwelling had two periods of functioning. Traces of restructuring were confirmed, which led to a reduction of the area and changing of the shape – from rectangular to square. Evidence of the reconstruction was the remains of two clay ovens, the oldest of which was partially cut down by a later wall. Under the remains of this wall above the furnace a Roman denarius of the II century was found. Ovens are built on special sites made of compacted clay. The older oven has a dome lined with special rollers. Discovered material is represented mainly by handmade ceramic pots, some of them are reconstructed. Some of the forms of utensils were common during the late V – early VI centuries, and the other part – during the second half of VI – early VII century. This division corresponded to the periods of housing. An important find was the weights for the loom, which were reused to build the oven. An additional evidence of the development of weaving in the settlement is a bi-conical spinner with flat platforms, which comes from dwelling. The settlement on the outskirts of the annalistic Belz is characterized by permanence and genetic connection throughout the Middle Ages – from individual Slavic settlements in this region to the creation of a separate principality around the big city. Key words: Prague culture, Belz, Solokiya, dwelling, oven, ceramics, denarius.

scholarly journals 12th century locked women: “Eleanor, Heloise, and a few others

De Medio Aevo ◽  
2020 ◽  
Vol 14 ◽  
pp. 99-115
Author(s):  
Laurence Moulinier Brogi
Keyword(s):  
Middle Ages ◽  
Gender Relations ◽  
Global Scale ◽  
The Other ◽  
Modest Contribution ◽  
Other Hand ◽  
12Th Century ◽  
The Feminine ◽  
Peace And Security ◽  
History Of

Thanks to an unprecedented experience, that of confinement on a global scale due to a pandemic, this article offers a reflection on the confinement of only a part of humanity, women, at a given time, the 12th century, as a modest contribution to the history of gender relations in the Middle Ages. Different women, in fact, underwent or on the contrary sought at that time isolation and seclusion: in all cases, their loneliness was linked to men, who inspired them to withdraw as a solution to escape marriage and sexuality, or required to get rid of their unwanted company. We therefore wonder here what are the faces and common points of the various forms of relegation that were going on, what resistance women could oppose, but also what were its limits: some of them chose the solitude as a pledge of peace and security but could they really be left alone? Could the recluses really provide for themselves? Were the imprisoned wives not kept in touch with the outside world, especially the male? At the end of this study, absolute solitude in the feminine seems more an ideal than a reality because even in the most austere cells, women could hardly do without men completely. On the other hand, confinement largely protected them physically, leaving in many cases other types of love than carnal one to flourish

The Scholastic Background of Marsilio Ficino with an Edition of Unpublished Texts

Traditio ◽  
1944 ◽  
Vol 2 ◽  
pp. 257-318 ◽  
Author(s):  
Paul Oskar Kristeller
Keyword(s):  
Middle Ages ◽  
The Other ◽  
Traditional View ◽  
Simple Equation ◽  
Indirect Influence ◽  
Other Hand ◽  
Marsilio Ficino ◽  
Living Tradition ◽  
History Of ◽  
Basic Ideas

The traditional view which emphasized the contrast between the Aristotelianism of the Middle Ages and the Platonism of the Renaissance can no longer be maintained in the light of recent studies. Aristotelianism continued to exist throughout the Renaissance and afterwards, and on the other hand, Platonism, in the form of Augustinianism, dominated occidental thought up to the twelfth century and remained a powerful current even during the later Middle Ages. The attempt to ascertain the medieval sources of Renaissance Platonism thus assumes an increased significance. However, it would be quite wrong to conclude that Renaissance Platonism, because it was preceded by some kind of medieval Platonism, was merely a copy or continuation of that earlier phase of Platonism. The history of Platonism, like that of every living tradition, must not be conceived as an endless repetition of identical doctrines, but rather as a continual adaptation and transformation of certain basic ideas. “Platonism” is not a label that establishes a simple equation between various thinkers classified as Platonists, but a kind of general orientation which assumes a new meaning in each particular case, and each representative of Platonism must hence be understood in his own right before his dependence on, or his difference from, other, earlier Platonists can be properly evaluated. Moreover, in the process of its history, Platonism is always exposed to the direct and indirect influence of other, different currents or traditions, and the continual transformation of Platonism is due not only to the original thought of its various representatives, but also to the influence of outside sources. The study of the medieval sources of Renaissance Platonism thus cannot be separated from a genuine understanding of Renaissance Platonism itself, and on the other hand, the medieval background of Renaissance Platonism consists not only of the Platonism or Augustinianism of the earlier Middle Ages, but also of the Aristotelianism of the later Middle Ages.

Inquisition and the Prosecution of Heresy: Misconceptions and Abuses

1989 ◽  
Vol 58 (4) ◽  
pp. 439-451 ◽  
Author(s):  
Henry Ansgar Kelly
Keyword(s):  
Middle Ages ◽  
100Th Anniversary ◽  
The Other ◽  
Criminal Prosecution ◽  
Lower Case ◽  
History Of ◽  
The Middle Ages

The year 1988 marked the 100th anniversary of the publication of H. C. Lea's A History of the Inquisition of the Middle Ages. I would like to get the next century off to a good start by renaming his enterprise “A History of the Criminal Prosecution of Heretics in the Middle Ages.” The term inquisition has been widely misunderstood and misused by historians. There are two distinct abuses, one upper-case and the other lower-case.

Capitalism in Medieval Islam

1969 ◽  
Vol 29 (1) ◽  
pp. 79-96 ◽  
Author(s):  
Subhi Y. Labib
Keyword(s):  
Middle Ages ◽  
The Other ◽  
Islamic Culture ◽  
For Profit ◽  
Other Hand ◽  
Medieval Islam ◽  
Holy Book ◽  
The Middle Ages ◽  
The Way

He who looks for the term “capitalism” in the Islamic sources of the Middle Ages will look in vain. On the other hand, the term “capital” has been known since the beginning of Islamic culture. Even in the Holy Book of Islam, in the Sūrat al-Baḳara, the idea of capital appears in connection with trade, business, and the illicit practice of loaning for profit—usury. “O you who believe, keep your duty to Allah and relinquish what remains [due] from usury, if you are believers. But if you do [it] not, then be apprised of war from Allah and His messenger; and if you repent, then you shall have your capital. Wrong not, and you shall not be wronged.” In the same Sūrah God forbids usury but not Bai', trading, or buying. At another place God's commands clear the way for investments. “O you who believe, devour not your property among yourselves by illegal methods, although you may engage in trading by mutual consent. And kill not your people. Surely Allah is merciful to you.”The Islamic merchant tried to follow this system of ethics.

scholarly journals Foucault: Madness and Surveillance in Warsaw

2018 ◽  
pp. 174-190
Author(s):  
Piotr Sobolczyk
Keyword(s):  
The Other ◽  
Main Argument ◽  
The West ◽  
Biographical Data ◽  
Other Hand ◽  
Polish Experience ◽  
History Of ◽  
The Difference ◽  
Communist Countries

The paper revises the biographical data about Michel Foucault’s stay in Poland in 1958-1959. The main inspiration comes from the recent very well documented literary reportage book by Remigiusz Ryziński, Foucault in Warsaw. Ryziński’s aim is to present the data and tell the story, not to analyse the data within the context of Foucault’s work. This paper fulfills this demand by giving additional hypotheses as to why Polish authorities expelled Foucault from Poland and what the relation was between communism and homosexuality. The Polish experience, the paper compels, might have been inspiring for many of Foucault’s ideas in his Madness and Civilization, Discipline and Punish, and The History of Sexuality. On the other hand the author points to the fact that Foucault recognized the difference between the role of the intellectual in the West and in communist countries but did not elaborate on it. In this paper the main argument deals with the idea of sexual paranoia as decisive, which is missing in Foucault's works, although it is found in e.g. Guy Hocquenghem.

scholarly journals Evolution of Lyrical Image in Ballets of Azerbaijani Composers

2021 ◽  
Vol 4 (2) ◽  
pp. 179-187
Author(s):  
Lala Huseynli
Keyword(s):  
Cultural Context ◽  
The Other ◽  
Musical Culture ◽  
Specific Content ◽  
Historical Approach ◽  
Historical Method ◽  
Other Hand ◽  
History Of ◽  
First Time

This article is devoted to the study of the evolution of the lyrical image in the ballets of Azerbaijani composers. The presented article emphasizes that the Azerbaijani ballet on the extension of the history of the Azerbaijani school of composition functioned indefinitely as an important component of the Azerbaijani musical culture. The theme of this article is actualized in the aspect of the historical approach, as each ballet of Azerbaijani composers, on the other hand, reflected the significant features of the artistic, historical and cultural context. On the other hand, the study of the evolution of the lyrical image in the Azerbaijani ballets reflects the dynamics of the development of the Azerbaijani school of composition. Moreover, the figurative system in Azerbaijani ballets represents the slender line of artistic connections of Azerbaijani culture. The purpose of the research is to study the role of the lyrical image in the evolution of the Azerbaijani ballet. The research methodology is based is based on the use of a historical approach to determine the basic definitions of the study. The expediency of the historical method is due to the fact that the development in the space of historical time should be based on certain basic categories that would reflect the school of composition, its national specifics. The scientific novelty of the research is that for the first time the peculiarities of the evolution of the lyrical image in Azerbaijani ballets – from its origin to modern functioning – are analyzed; the nuances of style creation in the Azerbaijani school of composers in the specified aspect are considered, and also certain art processes are systematized. Conclusions. It is proved that the combination of deep lyricism with dramatic emotions is characteristic of the transfer of lyricism in the drama of ballets at all historical stages of development, in different stylistic contexts. Lyrical images in the ballets of Azerbaijani composers have similar features and are due to the specific content of the national worldview.

scholarly journals West-Eastern Poetic Compositions of the First Third of the 19th Century: from Goethe’s Divan to the ‘Sonnet/Ghazal’ by Mickiewicz / Topczi-Baszy

2020 ◽  
Vol 5 (3) ◽  
pp. 68-103
Author(s):  
Alexander B. Kudelin
Keyword(s):  
19Th Century ◽  
Middle Ages ◽  
The Other ◽  
Poetic Form ◽  
The West ◽  
Persian Version ◽  
Late Middle Ages ◽  
Other Hand ◽  
The 19Th Century ◽  
Persian Translation

The article is concerned with reciprocity between Western and Eastern literatures of the 19th century, when Orientalist motives began to take hold in European writings. Goethe, in his “West-Östlicher Divan” (1819), attributed this interest to the everlasting excellence and value, which the Eastern masterpieces hold for the West. However, as it is clear nowadays, the ‘West-Eastern’ compositions cannot be seen as truthfully retaining the spirit of the Eastern classics, which was based on a different system of meanings and values. On the other hand, it became clear that the Eastern reception of these European works in the 19th century could not be true to the Western original, either, since even most progressive Eastern literatures of the time kept to artistic principles and system of genres of the Late Middle Ages. Against this historical and critical background, the article investigates the outcome of one venture — the emergence of a Persian translation of Adam Mickiewicz’s poem, commissioned by himself for his “Sonnets” (1826). Dzafar Topczi-Baszy adjusted the sonnet for an Eastern audience. Having presented his translation as a sample of the medieval genre of tadhkira (which has to contain both biographical and anthological features), Topczi- Baszy supplied the Persian version of the poem with facts about Mickiewicz; he cast the poem into a Persian poetic form — ghazal; he replaced the elements of Romantic imagery with the Eastern ones.

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