Plotting Imperfections in La Galatea
As with Boccaccio’s tale in the previous chapter, the story of Silerio and Timbrio from Cervantes’s pastoral novel, La Galatea, circulates around the notion of the test of friendship. In contrast to Boccaccio, however, Cervantes revels in upending the formal pretentions of the conventional paradigm for writing perfect friendship. Hinting at the enhanced subjective complexity of modern novelistic discourse, the narrative repeatedly disrupts the determinism of the traditional tale of two friends, the scripting of narrative outcomes in the interest of preserving the conceptual purity of the Aristotelian ideal. Thus, while the narrative superficially complies with the basic structural requirements of the tale of two friends tradition, there persists a powerful awareness of the contrived basis of that tradition that undermines the credibility of the narrative’s plotting.