In Praise of the Sun: Zodiac Sun-Gods in Galilee Synagogues and the Palestinian Heritage

2010 ◽  
Vol 9 (1) ◽  
pp. 25-49 ◽  
Author(s):  
John Rose

Zodiac sun-gods on ancient synagogue mosaic floors have been discovered by archaeological excavations of sites in the Galilee and elsewhere in late antiquity Palestine. This was the period when the Roman Empire converted to Christianity – only to be followed by an attempt to restore pagan beliefs which the sun-god came to symbolise. One of these sites is located in the Roman Jewish city, Sepphoris. Its geographical and historical link to the Israeli-destroyed, Palestinian Galilee peasant village of Saffuriyya raises the further question of Arab historical claims on these ancient sites. Sun-god worship, its links to early Judaism, and its contribution to the evolution of the monotheistic religions of the Middle East will be examined.

2019 ◽  
pp. 14-31
Author(s):  
P.V. Kuzenkov

The article offers a new evaluation of the wellknown phenomenon of cultural renaissance of the peoples of the Middle East and Egypt of the Syrians, the Copts, the Armenians, the Georgians, etc., in the first centuries AD. This period is commonly associated with the spreading of Christianity around the territory of the Roman Empire and the Parthian, later on Sassanid Iran. According to the author there are reasons to regard the genesis of the Christianity in the Middle East as a single yet multifaceted process of transformation of the Late Antiquity culture in its totality of the Eucumene, from the Atlantic Ocean to the Pamir mountains. The essence of this process could roughly be defined as overcoming the Hellenistic culture crisis called forth by the ever deepening disparity between the transcendental intellectual environment it had given rise to, on the one hand, and its ideological nucleus rooted in the archaic Greek mythology, on the other. The only feasible recourse out of this crisis was the appearance of a new cultural nucleus, conventionally described as the canonized sacred text (The Holy Scriptures). This nucleus, together with the Hellenistic cultural and technological achievements (general literacy, school education, science, literature, symbolic culture, etc.) gave rise to religious civilizations with Christianity as the principal example. Thus, the author describes the historical transition from the Late Hellenistic and Post Hellenistic cultures of the Ancient Rome and the Ancient Middle East that resulted in the new nationallytinged in form but supranational in content cultures of the Christianity in the Middle East.В статье предлагается новая оценка известного феномена культурного возрождения народов Ближнего Востока и ЕгиптоСирийцев, Коптов, Армян, Грузин и др. в первые века нашей эры. Этот период обычно связывают с распространением христианства по территории Римской Империи и Парфянского, позднее Сасанидского Ирана. По мнению автора есть основания рассматривать генезис христианства на Ближнем Востоке как единый, но многогранный процесс трансформации культуры поздней Античности в ее тотальности Ойкумены, от Атлантического океана до Памирских гор. Суть этого процесса можно приблизительно определить как преодоление кризиса эллинистической культуры, вызванного все более углубляющимся несоответствием между трансцендентальной интеллектуальной средой, которую она породила, с одной стороны, и ее идеологическим ядром, коренящимся в архаической греческой мифологии, с другой. Единственным возможным выходом из этого кризиса было появление нового культурного ядра, условно описываемого как канонизированный священный текст (Священное Писание). Это ядро, наряду с эллинистическими культурными и технологическими достижениями (общая грамотность, школьное образование, наука, литература, символическая культура и др.) породило религиозные цивилизации с христианством, в качестве основного примера. Таким образом, автор описывает исторический переход от Позднеэллинистической и Постэллинистической культур Древнего Рима и Древнего Ближнего Востока к новым национально окрашенным по форме, но наднациональным по содержанию культурам христианства в Cредние века.


Vox Patrum ◽  
2015 ◽  
Vol 64 ◽  
pp. 393-402
Author(s):  
Ilona Skupińska-Løvset

Dura Europos, or as proposed today Europos Dura, was a fortified settlement on the border between the Roman Empire and the East. The archeological dis­coveries reflected the character of the settlement – the fortified agglomeration grouped at the military camp. After its fall Europos Dura was covered by desert sand only to be discovered in the XXth century. Archaeological research has dis­closed documentation of its multicultural character. This paper points to the fact of coexistence of various religions in late antiquity Europos Dura. Paintings and sculptures discovered in situ indicate that scene of offering was a favorite subject in the sacral art of Europos Dura, independent of religion. The ceremony of in­cense burning constitutes the dominant form of offering regarding visualizations of this important ceremony.


Author(s):  
Carlos Machado

This book analyses the physical, social, and cultural history of Rome in late antiquity. Between AD 270 and 535, the former capital of the Roman empire experienced a series of dramatic transformations in its size, appearance, political standing, and identity, as emperors moved to other cities and the Christian church slowly became its dominating institution. Urban Space and Aristocratic Power in Late Antique Rome provides a new picture of these developments, focusing on the extraordinary role played by members of the traditional elite, the senatorial aristocracy, in the redefinition of the city, its institutions, and spaces. During this period, Roman senators and their families became increasingly involved in the management of the city and its population, in building works, and in the performance of secular and religious ceremonies and rituals. As this study shows, for approximately three hundred years the houses of the Roman elite competed with imperial palaces and churches in shaping the political map and the social life of the city. Making use of modern theories of urban space, the book considers a vast array of archaeological, literary, and epigraphic documents to show how the former centre of the Mediterranean world was progressively redefined and controlled by its own elite.


Author(s):  
S. T. Loseby

The Merovingians inherited an urban network from the Roman Empire that remained substantially intact. Although Gallic cities had long been declining in extent and sophistication, during late antiquity their landscapes were adapted to contemporary priorities through the provision of walls and churches, and their politics was transformed by the emergence of bishops as leaders of urban communities. When the upper tiers of imperial administration disappeared, this equipped the vast majority of cities to survive as the basic building blocks of Merovingian kingdoms that were initially conceived as aggregations of city–territories. In ruling through their cities, the Merovingians expanded upon existing mechanisms for the extraction of taxes and services, while relying on centrally appointed bishops and counts rather than city councils for the projection of their authority. This generated fierce competition between kings for control of cities and among local elites for positions of power within them. In the later Merovingian period, however, the significance of cities diminished as stable territorial kingdoms emerged, political practice was centralized around the royal courts, and the Roman administrative legacy finally disintegrated. But the cities remained preeminent religious centers, and, with the beginnings of economic revival, continued to perform a range of functions unmatched by other categories of settlement.


2010 ◽  
Vol 14 (2) ◽  
pp. 201-232 ◽  
Author(s):  
Matteo Compareti

AbstractThis paper is a study on the so-called “spread wings”—a particular element of the Sasanian art that is attested also in other regions of the Persian Empire in Late Antiquity, including the western coast of the Persian Gulf and the Caucasus. The spread wings can be observed on Sasanian coins above the royal crowns, which are considered specific for every Sasanian sovereign, supporting astronomical elements, like the crescent, star, and, possibly, the sun. The Arabs and the peoples of the Caucasus who adopted Christianity used the spread wings element as a pedestal for the cross. In Armenian literature, there are some connections between those spread wings and glory, so that a kind of pedestal could be considered a device to exalt or glorify the element above it. The floating ribbons attached to Sasanian crowns had possibly the same meaning and were adopted also outside of proper Persia. In the same way, it could be considered correct to identify those luminaries on Sasanian crowns as divine elements connected with the religion of pre-Islamic Persia.


2019 ◽  

This volume approaches three key concepts in Roman history — gender, memory and identity — and demonstrates the significance of their interaction in all social levels and during all periods of Imperial Rome. When societies, as well as individuals, form their identities, remembrance and references to the past play a significant role. The aim of Gender, Memory, and Identity in the Roman World is to cast light on the constructing and the maintaining of both public and private identities in the Roman Empire through memory, and to highlight, in particular, the role of gender in that process. While approaching this subject, the contributors to this volume scrutinise both the literature and material sources, pointing out how widespread the close relationship between gender, memory and identity was. A major aim of Gender, Memory, and Identity in the Roman World as a whole is to point out the significance of the interaction between these three concepts in both the upper and lower levels of Roman society, and how it remained an important question through the period from Augustus right into Late Antiquity.


Author(s):  
Svetlana E. Malykh

The article analyzes the ceramic imports found on the territory of the Meroitic Kingdom – the southern neighbour of Egypt, which existed on the territory of modern Sudan since the second half of the 6th century B.C. until the middle of the 4th century A.D. The imported pottery revealed in the process of archaeological excavations of necropoleis, residential and temple complexes are mainly of Mediterranean origin and are associated with the Hellenistic world that later became a part of the Roman Empire. The finds are mostly rare and are represented by fragments of amphorae from various regions of Italy, Aegean region, Asia Minor, the Levant, northern Africa, as well as the European provinces of the Roman Empire – Baetika and Gaul. The main consumer of foreign goods, in small numbers reaching the middle and upper reaches of the Nile, was probably the Meroitic elite. It is logical to assume that the penetration of Mediterranean ceramics into Meroe was facilitated by the trade ties of its northern neighbour – Egypt:trade with the Mediterranean took place through Egyptian river and caravan routes; although hypothetically, one cannot exclude the possibility of goods entering Meroe bypassing Egypt, through the Red Sea ports. Despite a small share of imported products in the Meroitic Kingdom and regardless of the ways of their movement, they had a significant influence on the local pottery manufacturing; a reflection of this process was the appearance in the African kingdom of Hellenistic forms of vessels (kraters, askoses, lekythoi, clepsydras, etc.) and vase painting in the Greek style. As a result, a very special synthesis of artistic ideas emerged, embodied in Meroitic ceramics. Along with the local Nubian features, Egyptian and Hellenistic themes, techniques and ceramic forms are recognized there, which are characteristic for the pottery of Late and Ptolemaic Egypt, ancient Greece and Rome and allows us to see the Kingdom of Meroe as the extreme southern outpost of the Hellenistic world.


2016 ◽  
Vol 12 (1) ◽  
pp. 160-169
Author(s):  
Paolo Squatriti

Abstract This essay discusses the introduction and circulation of plants in the western Roman empire between roughly AD 300 and 800. It focuses on one cultivated plant, rye, and on a few ecologically different regions in Gaul and Italy, in order to probe the causes of botanical successes and failures. It suggests that late antique people increasingly took care of rye for economic, social, and cultural reasons. It reaches this conclusion through an analysis of other explanations for the success of rye, such as late antique climate patterns and late antique human migration. It suggests that these explanations are unsatisfactory because they do not account for all the varied instances of increased rye cultivation between the 4th and 8th c. in Europe.


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