Non-Nationalizing the Story of Ireland: Transnationalism and Narrative in Oona Frawley's Flight

2017 ◽  
Vol 47 (2) ◽  
pp. 234-250 ◽  
Author(s):  
Liam Lanigan

Oona Frawley's 2014 novel Flight interrogates Irish cultural responses to transnational labour since the 1990s. The novel's protagonist is a Zimbabwean refugee named Sandrine, whose pregnant body threatens an exclusionary, racial definition of Irish identity as it is legally codified by the 2004 ‘Citizenship Referendum’. The novel juxtaposes the contrasting experiences of transnational migration in the upper and lower circuits of global capital, and traces the emergence of Sandrine's voice as it develops and impinges on the narrative through solidarity with other transnational voices. Flight thus narrativizes the cultural and social processes by which transnational experience might re-narrate Ireland as a site of meaning.

2020 ◽  
Vol 1 (1) ◽  
pp. 89-107
Author(s):  
CAROLYN M. JONES MEDINE

Womanist thought offers a holistic worldview from which to interpret the deaths of Sandra Bland and George Floyd. Alice Walker, in the novel Now Is the Time to Open Your Heart, introduces the Grandmother Spirit, a figure of the Great Spirit, an important element in Walker’s definition of what it means to be “womanist.” The Grandmother informs the action of Grand Mothers, both living and ancestor, who offer potential healing to Black people under violence, including death at the hands of police. The article analyzes one episode in the novel, Lalika’s arrest and rape by police, and the appearance of an ancestral Grand Mother, Saartjie Bartmann, who sustains Lalika. After exploring this visitation of spirits, the article turns to the cases of Sandra Bland, for whom no ancestor appeared, and George Floyd, for whom his mother and a host of Grand Mother witnesses, did appear. The article concludes with an examination of Walker’s essay “This Was Not an Area of Large Plantations,” in which she meditates on intergenerational interconnectedness and truth-telling and suggests art as a site of imaginative justice.


Author(s):  
Anatoly S. Kuprin ◽  
Galina I. Danilina

The purpose of this study is the analysis of limit situation in the narrative of war. The material of the study is the novel of Daniil Granin “My Lieutenant” and related texts. In the first part of the paper, the authors explore existing approaches to the term “limit situation” and similar concepts into scientific and philosophical traditions; limits of its applicability in literary studies and its relation to the categories of “narrative instances” and “event”. Proposed a literary-theoretical definition of the limit situation, which can be used in the analysis of fiction texts. Existing approaches to the examination of the situation of war are analyzed: philosophical-existential, psychoanalytic, sociological, literary. In the second part of the paper, the authors propose their method for analyzing limit situations in texts about war, which basis on existing approaches and preserves the text-centric principle of studying the structure of the story. Two interrelated areas of research have been identified: the study of war as a continuous limit situation in the intertextual aspect (the discourse of war); the study of limit situations (death, suffering, guilt, accident) in the narrative of war as part of a specific text. In the third part of the scientific work,the analysis of war as a continuous limit situation results in the study of the concept of “limit” (border) in a fiction text. The role of “limit” (border) concept in the texts about the war is studied, the possible types of limits in the discourse of war are examined. Limit situations in the narrative of war are analyzed on the basis of the novel “My Lieutenant” by Daniil Granin. A review of journalistic and scientific works about the novel revealed both the continuity and the differences between the novel and the “lieutenant” prose of the 20th century. An analysis of the limit situations in the novel revealed their key position in the narrative. These situations are independent of the fiction time, of the fluctuation of the point of view’; the function of the abstract author is to build the narrative as a “directive” immersion of the hero and narrator in these situations.


Author(s):  
Derek Hand

This chapter argues that the novel form is best suited to giving expression to the multifaceted Irish reality. Ireland, in the modern moment, is a place of incongruity and contradiction: it is at once a site of colonization and post-colonization, as well as simultaneously positioning itself as an integral part of a modern, globalized, economic union. The novel’s being bound to the immediate moment, while also aspiring toward the transcendence of immutable art, perfectly reflects an Irish mood caught between the violent actuality of war and a desire for mundane ordinariness. Indeed, it can be argued that the novel form offers a very human, and humane, lens through which to expose the hidden histories and anxieties of real people. Certainly the Irish novel has consistently done this from the seventeenth century onward, as it has charted the story of Ireland’s complex emergence into modernity.


2020 ◽  
Vol 30 ◽  
pp. 77-96
Author(s):  
Sujit Sivasundaram

AbstractThe Pacific has often been invisible in global histories written in the UK. Yet it has consistently been a site for contemplating the past and the future, even among Britons cast on its shores. In this lecture, I reconsider a critical moment of globalisation and empire, the ‘age of revolutions’ at the end of the eighteenth century and the start of the nineteenth century, by journeying with European voyagers to the Pacific Ocean. The lecture will point to what this age meant for Pacific islanders, in social, political and cultural terms. It works with a definition of the Pacific's age of revolutions as a surge of indigeneity met by a counter-revolutionary imperialism. What was involved in undertaking a European voyage changed in this era, even as one important expedition was interrupted by news from revolutionary Europe. Yet more fundamentally vocabularies and practices of monarchy were consolidated by islanders across the Pacific. This was followed by the outworkings of counter-revolutionary imperialism through agreements of alliance and alleged cessation. Such an argument allows me, for instance, to place the 1806 wreck of the Port-au-Prince within the Pacific's age of revolutions. This was an English ship used to raid French and Spanish targets in the Pacific, but which was stripped of its guns, iron, gunpowder and carronades by Tongans. To chart the trajectory from revolution and islander agency on to violence and empire is to appreciate the unsettled paths that gave rise to our modern world. This view foregrounds people who inhabited and travelled through the earth's oceanic frontiers. It is a global history from a specific place in the oceanic south, on the opposite side of the planet to Europe.


2002 ◽  
Vol 30 (1) ◽  
pp. 289-304 ◽  
Author(s):  
Claire Nicolay

THOMAS CARLYLE’S CONTEMPTUOUS DESCRIPTION of the dandy as “a Clothes-wearing Man, a Man whose trade, office, and existence consists in the wearing of Clothes” (313) has survived as the best-known definition of dandyism, which is generally equated with the foppery of eighteenth-century beaux and late nineteenth-century aesthetes. Actually, however, George Brummell (1778–1840), the primary architect of dandyism, developed not only a style of dress, but also a mode of behavior and style of wit that opposed ostentation. Brummell insisted that he was completely self-made, and his audacious self-transformation served as an example for both parvenus and dissatisfied nobles: the bourgeois might achieve upward mobility by distinguishing himself from his peers, and the noble could bolster his faltering status while retaining illusions of exclusivity. Aristocrats like Byron, Bulwer, and Wellington might effortlessly cultivate themselves and indulge their taste for luxury, while at the same time ambitious social climbers like Brummell, Disraeli, and Dickens might employ the codes of dandyism in order to establish places for themselves in the urban world. Thus, dandyism served as a nexus for the declining aristocratic elite and the rising middle class, a site where each was transformed by the dialectic interplay of aristocratic and individualistic ideals.


1985 ◽  
Vol 5 (11) ◽  
pp. 2975-2983 ◽  
Author(s):  
R P Hart ◽  
M A McDevitt ◽  
H Ali ◽  
J R Nevins

In addition to the highly conserved AATAAA sequence, there is a requirement for specific sequences downstream of polyadenylic acid [poly(A)] cleavage sites to generate correct mRNA 3' termini. Previous experiments demonstrated that 35 nucleotides downstream of the E2A poly(A) site were sufficient but 20 nucleotides were not. The construction and assay of bidirectional deletion mutants in the adenovirus E2A poly(A) site indicates that there may be redundant multiple sequence elements that affect poly(A) site usage. Sequences between the poly(A) site and 31 nucleotides downstream were not essential for efficient cleavage. Further deletion downstream (3' to +31) abolished efficient cleavage in certain constructions but not all. Between +20 and +38 the sequence T(A/G)TTTTT was duplicated. Function was retained when one copy of the sequence was present, suggesting that this sequence represents an essential element. There may also be additional sequences distal to +43 that can function. To establish common features of poly(A) sites, we also analyzed the early simian virus 40 (SV40) poly(A) site for essential sequences. An SV40 poly(A) site deletion that retained 18 nucleotides downstream of the cleavage site was fully functional while one that retained 5 nucleotides downstream was not, thus defining sequences required for cleavage. Comparison of the SV40 sequences with those from E2A did not reveal significant homologies. Nevertheless, normal cleavage and polyadenylation could be restored at the early SV40 poly(A) site by the addition of downstream sequences from the adenovirus E2A poly(A) site to the SV40 +5 mutant. The same sequences that were required in the E2A site for efficient cleavage also restored activity to the SV40 poly(A) site.


Author(s):  
Dillon Stone Tatum

Abstract Can there be a “radical IR?” Scholars have given little attention to the question of the following: where is radicalism in the discipline? I argue that not only is it possible to think about radical international theory, but that it is necessary in the contemporary world. International theorists have to grapple with developments of fundamental change, including the so-described decline of the (neo)liberal international order, transformations in global capital, and an upsurge in populist political movements that advocate for fundamental political change. In approaching the question of radicalism in IR, the article develops a working definition of radicalism as an approach to politics that focuses on the International as a whole, uses theoretical tools from the humanistic sciences to engage in an active politics of fundamental transformation, and deploys methods that are historicist, genealogical, and oriented toward “getting to the root of things.” Additionally, the paper illustrates the virtues and promises of a radical IR by using the case of (neo)liberal world order arguments to show how a radical IR could change the trajectory of these engagements.


Transilvania ◽  
2021 ◽  
pp. 121-127
Author(s):  
Anca-Simina Martin

Jews as a collective have long served as scapegoats for epidemics and pandemics, such as the Bubonic Plague and, according to some scholars, the 1918–1920 influenza pandemic. This practice reemerged in the early days of the Covid-19 pandemic, when more and more fake news outlets in the US and Europe started publishing articles on a perceived linkage between Jewish communities and the novel coronavirus. What this article aims to achieve is to facilitate a dialogue between the observations on the phenomenon made by the Elie Wiesel National Institute for the Study of the Holocaust in Romania and the latest related EU reports, with a view to charting its beginnings in Romania in relation to other European countries and in an attempt to see whether Romania, like France and Germany, has witnessed the emergence of “grey area” discourses which are not fully covered by International Holocaust Remembrance Alliance working definition of antisemitism.


Author(s):  
Hawraa Al-Hassan

The book examines the trajectory of the state sponsored novel in Iraq and considers the ways in which explicitly political and/or ideological texts functioned as resistive counter narratives. It argues that both the novel and ‘progressive’ discourses on women were used as markers of Iraq’s cultural revival under the Ba‘th and were a key element in the state’s propaganda campaign within Iraq and abroad. In an effort to expand its readership and increase support for its pan-Arab project, the Iraqi Ba‘th almost completely eradicated illiteracy among women. As Iraq was metaphorically transformed into a ‘female’, through its nationalist trope, women writers simultaneously found opportunities and faced obstacles from the state, as the ‘Woman Question’ became a site of contention between those who would advocate the progressiveness of the Ba‘th and those who would stress its repressiveness and immorality. By exploring discourses on gender in both propaganda and high art fictional writings by Iraqis, this book offers an alternative narrative of the literary and cultural history of Iraq. It ultimately expands the idea of cultural resistance beyond the modern/traditional, progressive/backward paradigms that characterise discourses on Arab women and the state, and argues that resistance is embedded in the material form of texts as much as their content or ideological message.


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