The Death of John Comyn: What Was Going On?

2007 ◽  
Vol 86 (2) ◽  
pp. 176-224
Author(s):  
Alexander Grant

The aim of this article is to explore in depth what was ‘going on’ - as opposed to simply what ‘happened’ - when John Comyn was killed by Robert Bruce in Dumfries on 10 February 1306, in one of the most dra-matic and pivotal events in Scotland's history. It divides into two parts. The first considers the main medieval sources. These were of course all written after the event, and so are invariably coloured by hindsight and what is nowadays called ‘spin’; hence they are not ‘true’ accounts but constructed narratives. Their treatment here aims to elucidate what each author was trying to present to his intended audience. The article deals with, in turn: the narratives in the English government documents produced in the killing's aftermath; the near-contemporary English chronicle narrratives; the rather later Scottish chronicle narratives; some additional Scottish narra-tives found within certain poems; and finally the lay-authored Scalacronica, which has a significantly different perspective from other English chroni-cles. In general, the narratives are revealingly complex; despite their slants, they are far from being exercises in crude propaganda. And, significantly, the Scottish chronicles (especially Wyntoun) and Scalacronica give emphasis to the fact that the victim of the killing, John Comyn, was the nephew of King John Balliol and grandson of Dervorguilla, lady of Galloway, and thus was a leading member of the senior Scottish royal line. Moreover, close reading of ‘The Scottish poem’ in Liber Extravagans (appended to Bower's Scotichronicon) reveals a contemporary plea for John Comyn to become king of Scots. In the second half of the article, the implications of this ‘Comyn-for-king’ concept are pursued. None of the standard accounts of the period pays serious attention to Comyn's royal descent; discussions of the killing invariably focus on Robert Bruce. Therefore an attempt is made here - despite the understandable absence of hard evidence - to consider the killing more from the victim's point of view. It is argued that, after the de facto collapse of Balliol kingship in 1303-4, John Comyn (because of his own lineage) would never have accepted Robert Bruce (whose line of descent had been declared inferior in 1292) as king. Consequently, political compromise between the two men was obviously out of the question. Therefore, although none of the chronicle narratives can be taken at face value, their consistent presenta-tions of the killing as premeditated are possibly valid after all, despite the denials of the main modern studies. And although (because of the problem of evidence) it is impossible to achieve certainty over this ques-tion, what does become clear is that Comyn's claim to the throne is the crucial factor for understanding what was going on when he was killed.

Ensemble ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 166-173
Author(s):  
Muthunagai P. ◽  
◽  
Marie Josephine Aruna ◽  

Magical Realism is a genre that brings in together two completely different dimensions of study, namely realism and fantastic imagination (magic). There is always an air of eerie complexity around the genre due to the confluence of such contradictions. Salman Rushdie is one of the most important Indian Diaspora writers prominently known for the triumphant utilization of this genre through innovative techniques in his work. Some of his most famous literary productions of this genre are The Midnight’s children, Shame, etc., This present paper takes Rushdie’s (2019) recent blockbuster publication Quichotte under study, and scrutinizes it from a hermeneutical point of view. It uses the principles theorized by W. B. Frais (2004) in her book Ordinary Enchantments and attempts to analyse the book under the derived perspective. This brief analysis underscores the hidden elements that are unanimously typical of all Magical Realist texts with reference to Quichottein and endeavours to demystify it.


The Thing ◽  
2014 ◽  
pp. 45-60
Author(s):  
Jez Conolly

This chapter discusses the significance of camera angles, and how this affects the way the story is received by the audience. It discusses how the camera, under the control of a filmmaker, can be put to use as the 'eyes' of the intended audience. It cites that the subjective point-of-view (POV) shot has been put to potent use in horror cinema many times, and how this is able to heighten the suspense. It describes how the different camera angles employed in The Thing allows the audience to witness the story from the point-of-view of different characters in the film. It also talks about how framing affects the way the audience is invited to view a character. It compares The Thing to The Shining and how the two films also offer their own interpretation on the concept of 'alienation': The Shining on a psychofamilial and spiritual/supernatural level, and The Thing on a psychosocial and actual physical level. The chapter also discusses the film's soundeffects and soundtrack and how these have added an extra visceral edge through the vocal range of the characters, both human and Thing.


Semiotica ◽  
2019 ◽  
Vol 2019 (230) ◽  
pp. 121-142 ◽  
Author(s):  
Maria Giulia Dondero

AbstractIn this article we explore the relationship between semiotic analysis of images and quantitative analysis of vast image corpora, in particular the work produced by Lev Manovich and the Cultural Analytics Lab, called “Media Visualization.” Media Visualization has been chosen as corpus because of its metavisual operation (images are visualized and analyzed by images) and its innovating way of conceiving analysis: by visual instruments. In this paper semiotics is used as an approach to Media Visualization and taken as an object of study as well, especially visual semiotics. In this sense, a comparison between visual semiotics (close reading of small corpora) and quantitative analyses of images (distant reading of vast collections) are conducted from a semiotic point of view. Post-Greimassian semiotics guides this study with respect to the issue of the image-within-an-image and metavisual visualization; Peircean semiotics is employed to explain and develop the notion of diagram.


T oung Pao ◽  
2013 ◽  
Vol 99 (1-3) ◽  
pp. 173-211 ◽  
Author(s):  
Daria Berg

This article focuses on female editorship and sexual politics in late Ming and early Qing China, using Hua suo shi, an anthology edited by the courtesan poet Xue Susu, as a case study. It traces textual production and transmission, and reconstructs the literary and cultural contexts of this work to explore the courtesan’s editorial gaze and representation of gender through a close reading of it. The analysis of its two main themes—women as commodities, and women as agents—shows how the courtesan editor re-imagined China’s cultural landscape from her point of view. New examples of female agency are discovered in analyzing the cultural process of editing as a “web of discourses,” providing a window on the emergence of a new female editorial voice in early modern China’s cultural discourse.
Cet article se concentre sur le rôle éditorial des femmes et sur les politiques sexuelles en Chine à la fin des Ming et au début des Qing. Une anthologie éditée par la courtisane et poétesse Xue Susu, le Hua suo shi, sert d’étude de cas. Le processus de production et de transmission textuelle est examiné et le contexte littéraire et culturel de l’ouvrage restitué, permettant d’explorer le regard éditorial et le jeu de genre de la courtisane à travers une lecture serrée du texte. L’analyse des deux thèmes dominants — la femme comme marchandise, la femme comme agent — démontre la façon dont la courtisane éditrice ré-imagine le paysage culturel chinois de son propre point de vue. D’autres exemples d’intervention féminine se révèlent lorsqu’on analyse le processus culturel d’édition en tant que “réseau de discours”. Ainsi s’ouvre une fenêtre sur l’émergence d’une nouvelle voix éditoriale féminine au sein du discours culturel chinois au début des temps modernes.



2019 ◽  
Vol 64 (1) ◽  
pp. 73-89
Author(s):  
Christoph Kreutzmüller ◽  
Theresia Ziehe

Abstract While there are hundreds of written accounts of the Holocaust, there are only a few photographs known to document the fate of the persecuted from their own point of view. This article presents the case study of a photographic series taken inside Germany by Jewish businessman Fritz Fürstenberg in order to provide evidence of National Socialist persecution beyond its borders. After a close reading that reveals where and under which circumstances Fürstenberg took his photographs, the article broadens its scope to discuss how the images were eventually used in the Netherlands as a means of documenting National Socialist persecution. In the process, the article’s authors add another layer to the ‘integrated history’ famously advocated by Saul Friedländer, and call attention to the astonishing fact that research into such private photographs is still a desideratum—and as such a promising field for future research.


2015 ◽  
Vol 23 (1) ◽  
pp. 265-289 ◽  
Author(s):  
Daniel Lopez

I reviewGeorg Lukács ReconsideredandGeorg Lukács: The Fundamental Dissonance of Existencefrom a Lukácsian point of view, informed by a close reading of his works from the 1920s. The essays in these books, despite their heterogeneity, contribute towards revivifying Lukácsian Marxism, both philosophically and literarily. Specifically, many of the contributors criticise Honneth’s appropriation of the theory of reification, rejecting readings of Lukács that hypostatise or reify aspects of his theory. They begin to explore Lukács’s labour-centred ontology and the resultant philosophy of praxis, most importantly, returning the emphasis to the mediations whereby reification is overcome as a process, in contrast to those who see him as a voluntarist or messianic thinker. This allows a deeper engagement with Lukács’s theory of politics. While I contend that the authors explore this insufficiently, I conclude that these two books signify an important rediscovery of Lukács.


2016 ◽  
Vol 5 (1) ◽  
pp. 35
Author(s):  
Karyono Karyono

Cerpen “Perempuan dalam Perang” merupakan salah satu cerpen yang terdapat dalam Kumpulan Cerpen Afrika: Kenapa Tidak Kau Pahat Binatang Lain. Kumpulan cerpen terbit tahun 2005 dan diterjemahkan oleh Sapardi Djoko Damono. Cerpen ini menceritakan  masa keterpurukan Negara Afrika yang  menjadi sorotan para kolonialis untuk menjajahnya. Masyarakat Afrika diperlakukan sebagai golongan inferior di tanah mereka oleh pihak Barat, akibat  konflik yang terjadi berkenaan dengan sosiologis dan psikologis penderitaan wanita pribumi dalam kolonialisme. Salah satu penderitaan psikologis yang dialami oleh masyarakat pribumi, yaitu perubahan ideologi yang menuju kemerosotan moral. Banyak dari mereka yang berpindah tempat, berpindah pola pikir, dan berubah dalam tindakan.  Metode yang digunakan adalah close reading, dengan menggunakan pendekatan teori poskolonialisme yang akan dihubungkan dengan prespektif feminisme  karena dalam cerita ini terkandung isu gender yang cukup kental.  Yang terjadi dalam cerpen “Perempuan dalam Perang” adalah perubahan pola pikir seorang wanita yang berjuang melawan penjajah, berubah menjadi seorang yang berjuang untuk dirinya. Wanita itu berusaha memertahankan hidupnya dengan menjual harga dirinya. Isu gender juga melekat dalam cerpen ini. Dilihat dari sudut pandang feminisme, ada hal-hal yang dibenarkan dalam pola pikir feminis dan ada  penyimpangan-penyimpangan yang mengakibatkan perspektif feminis tidak dihargai.Abstract:The short story of “Perempuan dalam Perang” is one of the short stories in Kumpulan Cerpen Afrika (A collection of African short stories) entitled Kenapa Tidak  Kau Pahat Binatang Lain. The collection of the short stories published in 2005 and translated by Sapardi Djoko Damono. The story told us about the downturn of African countries that became the attraction of imperialism to colonize them. African society is treated as an inferior class of their own land by the West, due to the conflict regarding the sociological and psychological suffering of native women in colonialism. One of the psychological suffering experienced by the native  is the change in ideology leading  to moral degradation. Many of them  change  their mindset and action.The applied method is close reading, using a theoretical approach post-colonialism linked to the perspective of feminism because  this story contained the strong gender issue. What happened in the story was a change in a woman mindset who fought against the colonialist, turned into a struggle for herself. She was trying to survive by selling her own esteem. The gender issues are also inherent in this short story. From feminism point of view, there are things justified in feminist mindset and there are deviations resulting in a feminist perspective that is not appreciated.


2018 ◽  
Vol 1 ◽  
pp. 1-5
Author(s):  
Florian Ledermann

Following Aristotle, F. P. Brooks (1987) emphasizes the distinction between “essential difficulties” and “accidental difficulties” as a key challenge in software engineering. From the point of view of cartography, it would be desirable to identify the cartographic essence of a program, and subject it to additional scrutiny, while its accidental proper-ties, again from the point of view of cartography, are usually of lesser relevance to cartographic analysis. In this paper, two methods that facilitate extracting the cartographic essence of programs are presented: close reading of their source code, and the automated analysis of their runtime behavior. The advantages and shortcomings of both methods are discussed, followed by an outlook to future developments and potential applications.


2017 ◽  
Vol 9 (2) ◽  
pp. 131
Author(s):  
Alberta Natasia Adji

Novel Nadira (2015) dan Pulang (2012) karya Leila S. Chudori merupakan dua novel yang dianalisis dalam tulisan ini. Keduanya sama-sama bercerita tentang sebuah keluarga yang berjuang melawan ikatan-ikatan sosial yang kompleks, yang terpusat pada tema-tema cinta yang hilang, kematian orang tua, dan pemikiran idealis sang tokoh utama dalam proses pencarian jati dirinya. Walaupun politik kerap menjadi tema utama dalam karya-karya Leila S. Chudori, kisah- kisah tersebut sejatinya selalu diceritakan melalui perspektif sebuah keluarga. Kajian ini berusaha mencari benang merah dari kedua novel tersebut dengan menggunakan teori intertekstual yang dikemukakan Julia Kristeva dan dengan metode pembacaan cermat (close reading technique). Hasil penelitian merujuk pada perjuangan keluarga yang terdapat dalam kedua novel yang terkait erat dengan struktur  naratif  yang merepresentasikan nilai-nilai budaya kekeluargaan Indonesia dan masih memiliki kecenderungan kental dalam menentukan pilihan hidup seseorang, bahkan seringkali membalik arah hidup mereka.Abstract: Leila S. Chudori’s Nadira (2015) and Pulang (2012) are two novels analyzed in the research. Both  tell the story of a complicated family struggling against social bindings and complexities, centered on the loss of love, the death of a parent figure, and the heroine’s idealistic views the process of finding her true self. Though politics has always been a major force in both of Leila S. Chudori’s most notable works, it is always told from the point of view of a family. This study aims to trace the red thread between those two literary works by applying Julia Kristeva’s intertextual theory and close reading technique in analyzing both novels. The result  of the research shows  that the family struggles contained in both novels are closely related to the narrative structure, which represents the dominant cultural values of Indonesian extended family in determining one’s way of life that often leads to their downfall.


2001 ◽  
Vol 35 (2) ◽  
Author(s):  
Mariana Martins Villaça

Este artigo enfoca a Nova Trova cubana, movimento musical emergente no final dos anos sessenta, responsável pela renovação da canção popular nesse país, ao combinar inovações estéticas e engajamento político. Analisamos o contexto político-cultural da época e o processo de constituição desse movimento a partir da formação do Grupo de Experimentación Sonora. Discutimos também as semelhanças entre a Nova Trova e o Tropicalismo, uma das principais referências estéticas do movimento cubano. Abstract This article focuses the Nova Trova, musical movement from the late sixties that renewed the popular music in Cuba. According to my point of view, this movements try to mix aesthetic innovations with political compromise. I analyze its historical proccess, the political and cultural context and the aesthetic references, since the origin of the Grupo de Experimentación Sonora. I discuss, indeed, the similarity between Nova Trova and Tropicalismo, one of the most important references to the Cuban movement.


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