scholarly journals The Emergence of Creative Leaders Within Social Networks: The Case of Andy Warhol in the Art World of New York

2021 ◽  
Vol 12 ◽  
Author(s):  
Marios Samdanis ◽  
Soo Hee Lee
Keyword(s):  
New York ◽  
Social Networks ◽  
Visual Arts ◽  
Conceptual Analysis ◽  
Andy Warhol ◽  
Art World ◽  
Leader Emergence ◽  
Creative Leadership ◽  
The Status ◽  
Conceptual Paper

The creative leadership literature has identified personality traits, skills, states, and behaviours which are effective within creative contexts and organisations, but it is yet to address how creative leaders emerge from social networks. This conceptual paper delineates the processes of creative leader emergence within the context of contemporary visual arts. Using a relational view of creative leader emergence, this paper incorporates the leader emergence processes of achievement and ascription, and then adjusts them to the context of the art world. We argue that both competence and identity contribute to the status construction of creative leaders by enabling their emergence within social networks. In addition to the processes of leader prototypicality through which leaders emerge within groups, we also identify processes of leader atypicality through which creative leaders emerge within network structures. Finally, our conceptual analysis is illustrated by the case of Pop artist Andy Warhol, focusing on his emergence as a creative leader within the art world of New York and his art studio, the factory.

[no title]

1992 ◽  
Vol 17 (1) ◽  
pp. 30-31
Author(s):  
Halina Rusak
Keyword(s):  
New York ◽  
New York City ◽  
Contemporary Art ◽  
Visual Arts ◽  
York City ◽  
Art History ◽  
Art World ◽  
Full Spectrum ◽  
Insight Into

My involvement as an artist and as an art librarian allows me to see a full spectrum of art history from its inception by an artist to its assessment by an art historian. It enables me to better understand the needs of faculty and students in the field of visual arts, as well as to interface effectively with faculty and scholars in art history. My gallery membership at SOHO 20 in New York City provides me with insight into art trends in the making. It demonstrates well a woman’s place in the contemporary art world, and a role of a critic in promoting or establishing an artist. I feel that this knowledge makes me a better librarian.

scholarly journals Artists’ Books as Resistant Transmitters

Arts ◽  
2019 ◽  
Vol 8 (4) ◽  
pp. 129
Author(s):  
Jo Milne
Keyword(s):  
New York ◽  
Visual Arts ◽  
Art World ◽  
Art Practice ◽  
Free Communication ◽  
Book Fairs ◽  
Social Media Platforms ◽  
Book Format ◽  
Traditional Structures ◽  
Primary Medium

Since the early 1970s, the origins of artists’ books have been extensively discussed and documented (Drücker, Lauf, Lippard, Phillpot, Gilbert et al.), yet the genre continues to generate new questions and paradoxes regarding its place and status within the visual arts as a primary medium. Whilst the conception of contemporary artists’ books lay in the medium’s potential for dissemination via mass production and portability, opportunities for distribution remain limited to a select number of outlets worldwide or, as an alternative, through the growing in number but time-limited artists’ book fairs, such as those established events in Barcelona, Berlin, Bristol, Leeds, London, New York and Seoul. In parallel with the development of screen-based digital technologies and social media platforms, we have experienced the exponential production of artists’ books in contemporary art practice, craft and design; a quiet revolution that emerged from both the centre and the fringes of the art world over six decades ago, developing relatively quickly as a gallery commodity through artefact/exhibition catalogue cross-overs, and more recently as a significant discipline in its own right within educational establishments. This begs the question, why, in an era of potentially print-free communication, do we continue to pursue the possibilities of the physical book format? What can the traditional structures of the codex, the leporello, the single section or that most basic and satisfying action of creasing a sheet of paper—the folio—offer the tech-savvy audience or maker? But artists’ publications offer alternative platforms for visual communication, resistant to formal forms of presentation, and they appeal to the hand and can question what it means to read in this digital age.

Reviews

Screen Bodies ◽  
2020 ◽  
Vol 5 (2) ◽  
pp. 123-130
Author(s):  
Tru Leverette ◽  
Barbara Mennel
Keyword(s):  
New York ◽  
Visual Arts ◽  
Mixed Race ◽  
Body Culture ◽  
Art School

Zélie Asava. Mixed Race Cinemas: Multiracial Dynamics in America and France (New York Bloomsbury, 2017). 216 pp., ISBN: 1501312456 (paperback: $35.96)Elizabeth Otto and Patrick Rössler, eds. Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School (New York: Bloomsbury Visual Arts, 2019). xl + 345 pp., ISBN: 9781501344787 (hardback, $110), (paperback, $29.95)

scholarly journals Challenging the Status Quo through Social Influence: Changes in Sustainable Consumption through the Influence of Social Networks

2021 ◽  
Vol 13 (10) ◽  
pp. 5513
Author(s):  
Iljana Schubert ◽  
Judith I. M. de Groot ◽  
Adrian C. Newton
Keyword(s):  
Social Networks ◽  
Social Network ◽  
Social Influence ◽  
Food Consumption ◽  
Status Quo ◽  
Injunctive Norms ◽  
Sustainable Food ◽  
Consumption Choices ◽  
The Status ◽  
Consumption Practices

This study examines the influence of social network members (versus strangers) on sustainable food consumption choices to investigate how social influence can challenge the status quo in unsustainable consumption practices. We hypothesized that changes to individual consumption practices could be achieved by revealing ‘invisible’ descriptive and injunctive social norms. We further hypothesized that it matters who reveals these norms, meaning that social network members expressing their norms will have a stronger influence on other’s consumption choices than if these norms are expressed by strangers. We tested these hypotheses in a field experiment (N = 134), where participants discussed previous sustainable food consumption (revealing descriptive norms) and its importance (revealing injunctive norms) with either a stranger or social network member. We measured actual sustainable food consumption through the extent to which participants chose organic over non-organic consumables during the debrief. Findings showed that revealed injunctive norms significantly influenced food consumption, more so than revealed descriptive norms. We also found that this influence was stronger for social network members compared to strangers. Implications and further research directions in relation to how social networks can be used to evoke sustainable social change are discussed.

The Transformation of the Avant-Garde: The New York Art World, 1940-1985

1988 ◽  
Vol 17 (2) ◽  
pp. 221
Author(s):  
Rosanne Martorella ◽  
Diana Crane
Keyword(s):  
New York ◽  
Art World ◽  
Avant Garde

scholarly journals How Area Agencies on Aging Contribute to Social Connection for Older Adults in Rural America

2020 ◽  
Vol 4 (Supplement_1) ◽  
pp. 616-616
Author(s):  
Claire Pendergrast
Keyword(s):  
Older Adults ◽  
New York ◽  
Social Networks ◽  
Service Organizations ◽  
Physical And Mental Health ◽  
Structured Interviews ◽  
Social Service Organizations ◽  
Upstate New York ◽  
Rural Aging ◽  
Rural Older Adults

Abstract Social ecological models of health identify intrapersonal, interpersonal, institutional, community, and policy-level contexts as social factors influencing individual and population health outcomes. However how institutions such as Area Agencies on Aging (AAA) shape rural older adults’ social networks and influence health is little explored. This research examines institutional influences of social networks for rural older adults, particularly the social connections resulting from their AAA services and programs. AAAs are local social service organizations that coordinate home- and community-based supports. Our 2020 case study of a rural AAA in upstate New York involved in-depth semi-structured interviews with AAA staff, volunteers and participants included key themes related to older adults’ social networks, social wellbeing, and physical and mental health. Our findings have both theoretical implications for rural community social structure as experienced by older adults, and practical implications to build AAA’s capacity to address social isolation for rural older adults. Part of a symposium sponsored by the Rural Aging Interest Group.

Opening Up the Classroom Closet: Responding to the Educational Needs of Gay and Lesbian Youth

1989 ◽  
Vol 59 (4) ◽  
pp. 444-454 ◽  
Author(s):  
Eric Rofes
Keyword(s):  
New York ◽  
New York City ◽  
Los Angeles ◽  
Educational Needs ◽  
Gay And Lesbian ◽  
Gay Community ◽  
Lesbian Youth ◽  
Gay And Lesbian Youth ◽  
The Status ◽  
Opening Up

Eric Rofes, gay community activist and author, explores the issues surrounding the schools'failure to meet the educational needs of gay and lesbian youth. He argues that there has been an across-the-board denial of the existence of gay and lesbian youth, and that this has taken place because "their voices have been silenced and because adults have not effectively taken up their cause." Rofes goes on to present some promising initiatives that are designed to change the status quo: Project 10 in Los Angeles and the Harvey Milk School in New York City. He concludes by proposing needed changes in U. S. schools if they are to become truly accessible to gay and lesbian youth.

scholarly journals The graffiti art and the discover of the Keith Haring’s mural in Amsterdam

2020 ◽  
pp. 236-249
Author(s):  
Caterina Soliani
Keyword(s):  
New York ◽  
Collective Memory ◽  
Street Art ◽  
Art World ◽  
Continuous Growth ◽  
The World ◽  
To Come ◽  
The Many ◽  
Shed Light ◽  
Made In

The purpose of this work is to contribute to the continuous growth of the art world (Street Art in particular) and to discuss how it is essential for the discovery of artists. These artists have been pioneers and forerunners of new pictorial techniques, freeing creative and psychological flair, and combining the latter with the artistic technology that promises great things despite limited materials.  The intention of this article is to consider the elements of artistic expression that are less commonly subject to discussion, such as the world of Street Art. This form of artwork has not always been understood or accepted, with street artists waiting for the opportune moment to express the narrative, experiences, and emotions of society through their artwork, a power that unites sentiment and encourages change.  It is art which affects the community, the population and society. It is designed above all others to become part of the collective memory through violence of image and colour.  This project led me to come into contact with one of the many artistic artefacts of the Street Art movement, the Keith Haring’s mural in Amsterdam, a piece that makes me. understand and appreciate the problems inherent to these type of works, simple, synthetic, but never simplistic.  Therefore, a project, a study and a restoration hypothesis were conducted on one of the many works by Haring. The purpose of this was to shed light once again on the mural made in 1986 by the artist, situated in the Groothandeles Market of Amsterdam. No longer visible for thirty years, the mural was covered by insulation panels placed two years after its creation. With professors Antonio Rava and William Shank, the association Keith Haring Foundation of New York, the Stedelijk Museum of Amsterdam, in collaboration with the gallery Vroom & Varossieau, specialised in road art, on 8 June, the large metal sheet panels were removed and one of the greatest murals by Haring could once again be admired.

Sign in / Sign up

Export Citation Format

Share Document